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The ditch. House No. 282, Naglergasse, Moritz Leybold, Vienna 1806 - 1857 Vienna, 1846, drawing, watercolor, 21 x 17.3 cm, Austria

The Deep Ditch, Freyung, Moritz Leybold, Vienna 1806 - 1857 Vienna, 1846, drawing, watercolor, 16.2 x 13.7 cm, Austria

In misery, Moritz Leybold, Vienna 1806 - 1857 Vienna, 1840, drawing, watercolor, 15.4 x 12.9 cm, Austria

Courtyard of the Protestant Church, Moritz Leybold, Vienna 1806 - 1857 Vienna, 1828, drawing, watercolor, 25.9 x 13.6 cm, Austria

The poorhouse of the blue Lord, drawing, watercolor, 15 x 20.3 cm

Figure studies for 'Hunt of Diana', Hans Makart, Salzburg 1840 - 1884 Vienna, around 1880, drawing, pencil, paper, 15.6 x 19.4 cm, Austria

Figure studies for 'Hunt of Diana', Hans Makart, Salzburg 1840 - 1884 Vienna, drawing, pencil, paper, 15.6 x 19.4 cm, Austria

Figural studies for 'Hunt of Diana', Hans Makart, Salzburg 1840 - 1884 Vienna, around 1880, drawing, pencil, paper, 15.5 x 19.5 cm, l.l. 'f 12, Austria

Figural studies, Hans Makart, Salzburg 1840 - 1884 Vienna, around 1880, drawing, pencil, paper, 15.5 x 19.5 cm, Austria

Woman's head from the front, Christian Griepenkerl, Oldenburg 1839 - 1916 Vienna, drawing, pencil, according to Cahier: 21.1 x 15.1 cm, l.l. '28909, Austria

Three standing men, Maximilian Kurzweil, Bisenz, Moravia, 1867 - 1916 Vienna, 1890, drawing, pen in dark brown, washed, according to Cahier: Passepartout cutout: 19.5 x 15.8 cm, l.l. '28910, Austria

Refugees, Maximilian Kurzweil, Bisenz, Moravia, 1867 - 1916 Vienna, 1889, drawing, pen in dark brown, brown wash, heightened with white, green paper, according to Cahier: 42 x 60 cm, Austria

Lainzer Tiergarten, August Schäffer, Vienna 1833 - 1916 Vienna, 1881, drawing, pencil, watercolor, gouache, according to Cahier: 37.8 x 50.6 cm, l.l. '28914, Austria

Gothic bridge in Laxenburg, August Schäffer, Vienna 1833 - 1916 Vienna, 1875, drawing, pencil, brown brush, wash, pen, ink, heightened with white on brown paper, according to Cahier: 33 x 44 cm, l.l. '28915. / Laxenburg, Gothic Bridge,

Laxenburg near the Karolinenklause, August Schäffer, Vienna 1833 - 1916 Vienna, 1875, drawing, pencil, brush in gray and brown, washed, opaque white, watercolored on brown paper, according to Cahier: 36 x 50.8 cm, right. 'Laxenburg. Next

Laxenburg, former Sinzendorf Palace, dining room, Franz Heinrich, Náchod 1802, 1803 GND, -1890 Brunn am Gebirge, drawing, watercolor, heightened with white, according to Cahier: 32 x 43.6 cm, l.l. '28918.'; r.u. 'F. Heinrich

Interior from Schönbrunn Palace, Franz Heinrich, Náchod 1802, 1803 GND, -1890 Brunn am Gebirge, drawing, watercolor, heightened with white, according to Cahier: 33.5 x 45.8 cm, l.l. '28919

The old Burgtheater at Michaelerplatz, Franz Russ, Vienna 1844 - 1906 Vienna, drawing, watercolor, according to Cahier: 36 x 48.2 cm, l.l. '28921, Austria

Maria Theresia in the Garden of Schönbrunn, Carl von Blaas, Nauders/Tirol 1815 - 1894 Vienna, 1881, drawing, watercolor, pencil, brush heightened with white, 48.4 × 36.3 cm, right. '28922, Austria

The Capuchin Crypt, the coffin of Emperor Maximilian of Mexico, Edmund Krenn, Austria, 1845/46 - 1902, 1889, drawing, watercolor, pencil, gloss enhancement, according to Cahier: 57.2 x 47 cm

The Capuchin Crypt in Vienna: sarcophagus of Maria Theresa and Franz Stephan, Edmund Krenn, Austria, 1845/46 - 1902, 1889, drawing, watercolor, pencil, gloss enhancement, according to Cahier. 57.5 x 47.9 cm, Austria

The chapel courtyard in the Hofburg in Vienna, Edmund Krenn, Austria, 1845/46 - 1902, 1892, drawing, watercolor, pencil, gloss enhancement, according to Cahier: 48 x 42 cm ', cropped, l.u. '28926, Austria

The Imperial Castle in Vienna IX. Image: The summer riding school with the rear part of the old Burgtheater, 14-part cycle: The Imperial Castle in Vienna, Edmund Krenn, Austria, 1845/46 - 1902, 1891, drawing, watercolor, pencil, gloss

Glacis in front of the castle in Vienna, Carl Goebel, Vienna 1824 - 1899 Vienna, 1874, drawing, watercolor, pencil, heightened with white, according to Cahier: 36.8 x 68 cm, l.l. '28929, Austria

The Prater meadows in Vienna, Franz Alt, Vienna 1821 - 1914 Vienna, drawing, watercolor, according to Cahier: 30.7 x 45.2 cm, Austria

The grounds of the 1873 World Exhibition in Vienna, Franz Alt, Vienna 1821 - 1914 Vienna, 1873 ?, drawing, watercolor, according to Cahier: 30.7 x 45.2 cm, Austria

View of the Kärntnertor in Vienna, Franz Alt, Vienna 1821 - 1914 Vienna, 1873, drawing, watercolor, 31 x 45.1 cm, panel detail, Austria

The Vienna Ringstrasse near Schwarzenbergplatz, Franz Alt, Vienna 1821 - 1914 Vienna, 1873, drawing, watercolor, 30.4 x 45 cm, panel detail, Austria

Josefstädter Glacis, Franz Alt, Vienna 1821 - 1914 Vienna, drawing, watercolor, 30.8 x 45.1 cm, panel detail, Austria

The town hall square in Vienna, Franz Alt, Vienna 1821 - 1914 Vienna, 1873, drawing, watercolor, 30.6 x 45.1 cm, panel detail, Austria

The Old Kärntnertortheater, Franz Alt, Vienna 1821 - 1914 Vienna, 1873, drawing, watercolor, 30.7 x 45.1 cm, panel detail, Austria

The new court opera in Vienna, Franz Alt, Vienna 1821 - 1914 Vienna, 1873, drawing, watercolor, 30.5 x 45 cm, panel detail, Austria

The old Burgplatz in Vienna, Franz Alt, Vienna 1821 - 1914 Vienna, 1873, drawing, watercolor, 30.6 x 44.9 cm, panel detail, Austria

Panorama of Vienna with the regulated Danube, Franz Alt, Vienna 1821 - 1914 Vienna, 1870s, drawing, watercolor, 30.6 x 94.1 cm, panel detail, Austria

Striding shepherd; shrubs; door frame; turned upside down: two half-length studies of a woman combing her hair; Sketches of a sitting and a standing woman, Franz Theobald Horny, Weimar 1798 - 1824 Olevano Romano near Rome, 1823, drawing, pencil,

View of the Volkserberge and Anagni with rainbow, from Olevano, Franz Theobald Horny, Weimar 1798 - 1824 Olevano Romano near Rome, 1823, drawing, pencil, 183 x 123 mm, right. Johann Georg von Saxony, L. 1466, color information: 'br gr',

JEAN-JACQUES DE BOISSIEU, Vestiges du temple d'Apollon au bord du Lac d'Auverne, 1766, sheet, 173 x 197 mm, brush in gray on laid paper, Vestiges du temple d'Apollon au bord du Lac d'Auverne, Original title, ruins of the apollot temple on the

JEAN-JACQUES DE BOISSIEU, tree study, ca. 1779 - 1802, sheet, 354 x 258 mm, pen and brush in gray and brown on ribbed handmade paper, tree study, JEAN-JACQUES DE BOISSIEU, 18TH CENTURY, BAROQUE FRENCH CLASSICISM, DRAWING, Pen and brush in

JEAN-JACQUES DE BOISSIEU, Ruins in Dargoire, sheet, 321 x 404 mm, brush in black, ink, on paper, Ruins in Dargoire, JEAN-JACQUES DE BOISSIEU, 18TH CENTURY, CLASSICISM, DRAWING, brush in black, ink, on paper, INK, PAPER, BRUSH

JEAN-JACQUES DE BOISSIEU, Hermit, Sheet, 200 x 143 mm, Gray pen on laid paper, Hermit, JEAN-JACQUES DE BOISSIEU, Old beggar with muff, counting money, 18th CENTURY, ROCOCO, DRAWING, Gray pen on laid paper, GRAPHITE?, CHALK?, LEAD-TIN

JEAN-JACQUES DE BOISSIEU, Old beggar with a muff, counting money, 1780, sheet, 200 x 143 mm, brush in gray over chalk on laid paper, Old beggar with a muff, counting money, JEAN-JACQUES DE BOISSIEU, hermit, 18. CENTURY, ROCOCO, DRAWING,

PETER VON HESS, Italian mountain town, sheet, 347 x 478 mm, pencil on vergé paper, Italian mountain town, PETER VON HESS, 19TH CENTURY, DRAWING, pencil on vergé paper, GRAPHITE-CLAY MIXTURE, VERGÉ PAPER, PENCIL DRAWING, GERMAN,

JEAN-JACQUES DE BOISSIEU, half figure of a young woman with a muff, ca. 1770, sheet, 275 x 197 mm, red chalk over gray pencil, traces, on ribbed handmade paper, half figure of a young woman with a muff, JEAN-JACQUES DE BOISSIEU, 18TH

JEAN-JACQUES DE BOISSIEU, Landscape with houses on a mountainside on which a chapel stands, sheet, 214 x 336 mm, brush in gray and black on ribbed handmade paper, Landscape with houses on a mountainside on which a chapel stands, JEAN- JACQUES

JULIUS SCHNORR VON CAROLSFELD, The Wedding at Cana, 1818, sheet, 1320 x 1920 mm, black chalk and brush in brown, heightened with white, squared, on paper, mounted, The Wedding at Cana, JULIUS SCHNORR VON CAROLSFELD, ROME, 19. CENTURY,

JEAN-JACQUES DE BOISSIEU, Vue du pont de la Guillotière à Lyon, 1760, sheet, 191 x 338 mm, watercolor over pen in brown on laid paper, Vue du pont de la Guillotière à Lyon, original title, view of the Rhône bridge in Lyon, JEAN-JACQUES

JOHANN CHRISTIAN REINHART, landscape with the sacrifices of Cain and Abel, ca. 1798, sheet, 754 x 1033 mm, pen in brown and gray over graphite pencil, brown and gray wash, on paper, landscape with the sacrifices of Cain and Abel, JOHANN

JEAN-JACQUES DE BOISSIEU, Landscape near Dargoire, 1795, sheet, 222 x 338 mm, gray brush on laid paper, Landscape near Dargoire, JEAN-JACQUES DE BOISSIEU, 18TH CENTURY, CLASSICISM, DRAWING, gray brush on laid paper INK? DB. à Dargoire en

JOHANN CHRISTIAN REINHART, Heroic landscape with the death of Opheltes during the march of the seven against Thebes, 1798, sheet, 790 x 1006 mm, pen in gray and black, brown and gray wash, on paper, Heroic landscape with the death of Opheltes

JEAN-JACQUES DE BOISSIEU, river landscape with high mountains, in the foreground two painters with spectators, 1788, sheet, 215 x 296 mm, brush and pen in black-grey on handmade paper, river landscape with high mountains, in the foreground

JEAN-JACQUES DE BOISSIEU, river landscape, left a castle, in the middle a group of poplars near a chapel, sheet, 197 x 326 mm, watercolor on ribbed handmade paper, river landscape, left a castle, in the middle a group of poplars near a

JEAN-JACQUES DE BOISSIEU, Head of a laughing old man, sheet, 254 x 199 mm, red chalk, black chalk and brush in gray on paper, Head of a laughing old man, JEAN-JACQUES DE BOISSIEU, 18TH CENTURY, FRENCH CLASSICISM, DRAWING, red chalk, black

JEAN-JACQUES DE BOISSIEU, self-portrait of the artist with a tie, ca. 1781, sheet, 213 x 170 mm, black chalk on ribbed vergé paper, self-portrait of the artist with a tie, JEAN-JACQUES DE BOISSIEU, 18TH CENTURY, FRENCH CLASSICISM, DRAWING,

JEAN-JACQUES DE BOISSIEU, Three Peasants, sheet, 79 x 100 mm, brown pen, brown wash, on paper, Three Peasants, JEAN-JACQUES DE BOISSIEU, 18TH CENTURY, FRENCH CLASSICISM, DRAWING, brown pen, brown wash, on paper, INK?, INK?, PAPER,

PETER VON HESS, two-horse carriage, transporting a barrel, drives down a slope, sheet, 133 x 190 mm, pencil on paper, two-horse carriage, transporting a barrel, rides down a slope, PETER VON HESS, 19TH CENTURY, DRAWING, pencil on paper,

JEAN-JACQUES DE BOISSIEU, A hunter and an angler, sheet, 109 x 72 mm, pen in gray over gray pen on paper, A hunter and an angler, JEAN-JACQUES DE BOISSIEU, 18TH CENTURY, FRENCH CLASSICISM, DRAWING, pen in gray over gray pen on paper, INK?,

JEAN-JACQUES DE BOISSIEU, seated old woman, sheet, 80 x 56 mm, brown pen over gray pen, brown wash, on paper, seated old woman, JEAN-JACQUES DE BOISSIEU, 18TH CENTURY, FRENCH CLASSICISM, DRAWING, pen in brown over gray pen, brown wash,

JEAN-JACQUES DE BOISSIEU, Two heads of old men, en face and in profile to the left, sheet, 108 x 141 mm, black chalk on paper, Two heads of old men, en face and in profile to the left, JEAN-JACQUES DE BOISSIEU, 18TH CENTURY, FRENCH

JEAN-JACQUES DE BOISSIEU, The same old man, once with glasses, in profile to the left, sheet, 221 x 165 mm, black chalk on paper, The same old man, once with glasses, in profile to the left, JEAN-JACQUES DE BOISSIEU, 18TH CENTURY, FRENCH

CLAUDE MELLAN, Portrait of Maddalena Corvina, 1636, sheet, 109 x 86 mm, Black chalk on handmade paper, Portrait of Maddalena Corvina, CLAUDE MELLAN, 17TH CENTURY, BAROQUE, DRAWING, Black chalk on handmade paper, CHALK, HAND PAPER, CHALK

CLAUDE MELLAN, Portrait of Virginia de Vezzo da Velletri, 1626, sheet, 97 x 78 mm, Black chalk on handmade paper, Portrait of Virginia de Vezzo da Velletri, CLAUDE MELLAN, 17TH CENTURY, BAROQUE, DRAWING, Black chalk on handmade paper,

ETIENNE FESSARD, Young man with a hat to the right, sheet, 155 x 129 mm, black pen, all-round border line with the pen in black, remains, on handmade paper, Young man with a hat to the right, ETIENNE FESSARD, 18TH CENTURY, BAROQUE,

ROBERT NANTEUIL, portrait of Gaston d'Orléans with crown, sheet, 56 x 50 mm, black chalk on paper, portrait of Gaston d'Orléans with crown, ROBERT NANTEUIL, 17TH CENTURY, BAROQUE, DRAWING, black chalk on paper, CHALK, PAPER, CHALK

PETER VON HESS, portrait of a farmer's woman with a wool hat in profile to the right, sheet, 167 x 129 mm, pencil on paper, portrait of a farmer's woman with a wool hat in profile to the right, PETER VON HESS, 19TH CENTURY, DRAWING, pencil

ROBERT NANTEUIL, portrait of Louis XIII, King of France, sheet, max. 65 x max. 72 mm, black chalk on vergé paper, portrait of Louis on vergé paper, CHALK, VERGÉ PAPER, CHALK DRAWING, FRENCH, PORTRAIT STUDY, SKETCH

ROBERT NANTEUIL, Portrait of Cardinal Mazarin, sheet, 38 x 36 mm, Black chalk on paper, Portrait of Cardinal Mazarin, ROBERT NANTEUIL, 17TH CENTURY, BAROQUE, DRAWING, Black chalk on paper, CHALK, PAPER, CHALK DRAWING, FRENCH, PORTRAIT

ROBERT NANTEUIL, Portrait of a child, Sheet, 56 x 50 mm, Black chalk on paper, Portrait of a child, ROBERT NANTEUIL, 17TH CENTURY, BAROQUE, DRAWING, Black chalk on paper, CHALK, PAPER, CHALK DRAWING, FRENCH, PORTRAIT STUDY, SKETCH

ROBERT NANTEUIL, A woman, saint?, looking up, sheet, 39 x 37 mm, black chalk, top border line in black, on paper, A woman, saint?, looking up, ROBERT NANTEUIL, 17th CENTURY, BAROQUE, DRAWING, Black chalk, border line in black at the

JEAN-JACQUES DE BOISSIEU, Château Galliard, Les Andelys?, 1796, sheet, 299 x 431 mm, brush in gray and black on vergé paper, Château Galliard, Les Andelys?, JEAN-JACQUES DE BOISSIEU, 18TH CENTURY, FRENCH CLASSICISM, DRAWING, brush in

JEAN-JACQUES DE BOISSIEU, river area, a horse-drawn cart crosses a ford, 1793, sheet, 325 x 493 mm, watercolor on vergé paper, river area, a horse-drawn cart crosses a ford, JEAN-JACQUES DE BOISSIEU, 18TH CENTURY, BAROQUE, DRAWING,

NICOLAS POUSSIN ?, Two figures from the Rape of the Sabine Women, sheet, 427 x 237 mm, brush, red wash, heightened with white, on vergé paper, Two figures from the Rape of the Sabine Women, NICOLAS POUSSIN ?, 17TH CENTURY, BAROQUE FRENCH

JEAN-BAPTISTE LE PRINCE, Oriental women lying in bed, 1767, sheet, 78 x 108 mm, black pen on vergé paper, Oriental women lying in bed, JEAN-BAPTISTE LE PRINCE, 18TH CENTURY, ROCOCO, DRAWING, black pen on vergé paper, INK?, INK?,

JEAN-BAPTISTE LE PRINCE, The Cradle, 1769, sheet, 164 x 191 mm, brush in brown over gray pen, traces, on handmade paper, The Cradle, JEAN-BAPTISTE LE PRINCE, 18TH CENTURY, ROCOCO, DRAWING, brush in brown over gray pen, traces, on

JEAN-ANTOINE WATTEAU imitator, young woman sitting on the floor in profile to the left, sheet, 281 x 224 mm, red and black pen, heightened with white, on vergé paper, young woman sitting on the floor in profile to the left, JEAN-ANTOINE

HEINRICH FUNK, The Herreninsel with the monastery in the Chiemsee, 1842, sheet, 149 x 227 mm, pencil, gray, brown, blue and green watercolors, on paper, The Herreninsel with the monastery in the Chiemsee, HEINRICH FUNK, 19TH CENTURY,

JEAN-ANTOINE WATTEAU, landscape with church tower, ca. 1715 - 1719, sheet, 183 x 294 mm, red chalk, blurred in places, on ribbed handmade paper, landscape with church tower, JEAN-ANTOINE WATTEAU, standing male figure, portrait of Nicolas

NICOLAS LANCRET, after APOLLONIOS OF ATHENS, back view of a male torso, Torso from the Belvedere, sheet, 227 x 185 mm, red and black chalk on paper, back view of a male torso, Torso from the Belvedere, NICOLAS LANCRET, inventor, after

NICOLAS LANCRET, head of a flautist, head of a young man with a flat beret, three hands, two holding a pencil and a compass, before 1730, sheet, 185 x 227 mm, red, black and white chalk on beige paper, head of a flautist, head of a young

FRANÇOIS BOUCHER, violin player, ca. 1736 - 1746, sheet, 247 x 179 mm, red chalk, white chalk and gray pen, border line with the pen in black, ink, on ribbed handmade paper, violin player, FRANÇOIS BOUCHER, 18TH CENTURY, ROCOCO,

NICOLAS LANCRET, head and two hands, sheet, 172 x 97 mm, red chalk on brown handmade paper, head and two hands, NICOLAS LANCRET, 18TH CENTURY, ROCOCO, DRAWING, red chalk on brown handmade paper, RED chalk, handmade paper, red chalk

FRENCH, 18TH CENTURY, A lady's head and a hand, Sheet, 190 x 103 mm, Red and gray pen on brown vergé paper, A lady's head and a hand, French, 18th century, Lady in rear view, her head in lost profile to the left Turned, 18th century,

FRENCH, 18TH CENTURY, afterJEAN-ANTOINE WATTEAU, lady in rear view, head turned to the left in lost profile, after 1715 - 1716, sheet, 190 x 103 mm, red and gray pen on brown vergé paper, lady in rear view, head in lost profile facing

The study of the drawing, Benoît Louis Prévost (Paris 1735 - 1804), 1773, printmaking, etching, sheet: 13.6 x 22.7 cm

Mourning architecture in the Basilica San Lorenzo, Florence 1598, on the occasion of the funeral ceremonies in honor of Philip II of Spain: first drawing, anonymous WVDSDSW, Italy, late 16th century), around 1598, print, etching, sheet: 28.6

Mourning architecture in the Basilica San Lorenzo, Florence 1598, on the occasion of the funeral ceremonies in honor of Philip II of Spain: second drawing, anonymous WVDSDSW, Italy, late 16th century), around 1598, print, etching, sheet:

Mourning architecture in the Basilica San Lorenzo, Florence 1598, on the occasion of the funeral ceremonies in honor of Philip II of Spain: third drawing, anonymous WVDSDSW, Italy, late 16th century), around 1598, print, etching, sheet: 23.5

Mourning architecture in the Basilica San Lorenzo, Florence 1598, on the occasion of the funeral ceremonies in honor of Philip II of Spain: fourth drawing, anonymous WVDSDSW, Italy, late 16th century), c. 1598, print, etching, sheet: 28 x

Mourning architecture in the Basilica San Lorenzo, Florence 1598, on the occasion of the funeral ceremonies in honor of Philip II of Spain: fifth drawing, anonymous WVDSDSW, Italy, late 16th century), around 1598, print, etching, sheet: 28.4

Mourning architecture in the Basilica San Lorenzo, Florence 1598, on the occasion of the funeral ceremonies in honor of Philip II of Spain: sixth drawing, anonymous WVDSDSW, Italy, late 16th century), around 1598, print, etching, sheet: 31.8

NARRATION OF THE SOLEMN ROYAL FESTIVITIES CELEBRATED IN NAPLES ...: Drawing and geometric section of the Firework Machine ... (Tafel XV), Giuseppe Vasi (Corleone 1710 - 1782 Rom), 1749, Druckgraphik, Radierung, Blatt: 93.3 x 83cm

NARRATIVE OF THE SOLEMN ROYAL FESTIVALS CELEBRATED IN NAPLES ...: Drawing of the Scene, ... (Tafel VI), Giuseppe Vasi (Corleone 1710 - 1782 Rom), 1749, Druckgraphik, Radierung, Blatt: 55, 6 x 83 cm

NARRATIVE OF THE SOLEMN ROYAL FESTIVITIES CELEBRATED IN NAPLES ...: Drawing of the Gran Festa da Ballo (Tafel X), Louis Joseph Le Lorrain (Paris 1715 - 1759 St. Petersburg), 1749, Druckgraphik, Radierung, Blatt: 55.6 x 83cms

Vermählung der Prinzessin Marie Louise von Orleans per procurationem mit König Karl II. von Spanien am 31. August 1679 in Fontainbleau, 1679, Druckgraphik, Radierung auf Papier, Blatt: 43.5 × 54.8 cm, [r.u.] 'With Pr. du Roy' (in der

Begräbnisfeier mit Trauergerüst für Kardinal Pietro Aldobrandini in der Kirche Santa Maria sopra Minerva in Rom am 10. Februar 1621, Aus: Giovanni Giacomo de Rossi (Herausgeber), Libro de catafalchi, tabernacoli. With various drawings of French

Feierliche Prozession zur Übertragung des Sarkophages mit den Gebeinen des Heiligen Karl Borromäus in die Krypta ('Scurolo') des Domes in Mailand am 21. September 1751, Blatt 2 (von 2), 1751, Druckgraphik, Radierung (von vier Platten) auf

Representation of the imitation of Christ. In the middle Christ standing with the cross, around him apostles, founders of an order, on the right a pope; above the Trinity, drawing, chalk; Feather; washed, 25.6 x 16.7 cm, below bottom Duke

Portrait of a young woman to the left (elbow), Anonymous, Drawing, chalk; heightened with white; oxidized; blue paper, 26.1 x 18.2 cm, l.l. Duke Albert of Saxe-Teschen, old pencil number '43' top left

Leg studies of a man stepping to the right and drapery study, anonymous, around 1530, drawing, brown pen, 32 x 24.9 cm, recto: l.l. Pierre Jean Mariette, l.b. Duke Albert of Saxe-Teschen, in the left half of the sheet under the drawing

Reclining male nude, Giovanni Battista di Jacopo di Guasparre Rosso, called Rosso Fiorentino (Florence 1494 - 1540 (Paris, Fontainebleau?)), 1527-1528, drawing, pen and brown ink, 22.2 x 38.3 cm, l.l. Duke Albert of Saxe-Teschen, l.u. 'Co P.

God the Father levitating forward, left hand raised, holding robe with right hand, drawing, red chalk; Paper surface damaged, 23.0 x 15.5 cm, l.l. Pierre Jean Mariette; l.b. Moritz von Fries; r.b. Duke Albert of Saxe-Teschen

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