Images at Librifly

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Landscape with castle, Martin von Molitor (Vienna 1759 - 1812 Vienna), around 1800, drawing, gouache on blue paper, 31 x 24.6 cm, bottom left: Albert von Sachsen-Teschen

The empty tomb of Christ. (Peter and John and the two Marys look into the empty tomb), Bernardino Poccetti, gene Poccetti (Florence 1548 - 1612 San Marino di Valdelsa (Florence)), drawing, red chalk; washed with brown ink; heightened in white,

Designs for two mantle figures; the heads are only lightly indicated; one kneeling, Bernardino Poccetti, gene Poccetti (Florence 1548 - 1612 San Marino di Valdelsa (Florence)), drawing, red chalk; Chalk squaring, 23 x 22 cm, crosswise in an old

Saint Filippo Benizzi, assisted by confreres and women, distributes alms; on the left a crowd; right building and horseman; in front a boat, Bernardino Poccetti, gene Poccetti (Florence 1548 - 1612 San Marino di Valdelsa (Florence)), drawing,

Rural scene with cows and a couple, Martin von Molitor (Vienna 1759 - 1812 Vienna), drawing, gouache, 18.9 x 25.4 cm, l.l. 'Molitor

Girl in a barn with cow and calf, Martin von Molitor (Vienna 1759 - 1812 Vienna), c. 1800, drawing, gouache, tinted paper, 20.6 x 26.6 cm

Evening landscape with a pond, Martin von Molitor (Vienna 1759 - 1812 Vienna), around 1800, drawing, gouache, tinted paper, 17.4 x 21.5 cm, bottom left: Albert von Sachsen-Teschen

Cows in a ford, Martin von Molitor (Vienna 1759 - 1812 Vienna), drawing, gouache, 20 x 25.5 cm, l.l. 'Molitor

Peasant hut, Martin von Molitor (Vienna 1759 - 1812 Vienna), around 1800, drawing, watercolour, 25.5 x 33.5 cm

Alpine landscape with a sawmill, Martin von Molitor (Vienna 1759 - 1812 Vienna), c. 1800, drawing, gouache, blue paper, 21.1 x 28.8 cm

Peasant hut with duck pond, Martin von Molitor (Vienna 1759 - 1812 Vienna), 1806, drawing, gouache, blue paper, 32.4 x 39.3 cm, no collector's stamp Duke Albert von Sachsen-Teschen, verso top left in black ink 'F . Gauvet 1820

Köhlerhütte, Martin von Molitor (Vienna 1759 - 1812 Vienna), around 1800, drawing, gouache, tinted paper, 33.5 x 45.5 cm

Köhlerhütte, Martin von Molitor (Vienna 1759 - 1812 Vienna), c. 1800, drawing, gouache, blue paper, 15.2 x 21 cm

Piero di Gino Capponi, President of the Council of State of France, before King Charles VIII, King of France. (He destroys and annuls privileges granted by his father to Louis XI in the presence of the king.), Bernardino Poccetti, gene Poccetti

Karlskirche seen from the bastion, Martin von Molitor (Vienna 1759 - 1812 Vienna), around 1800, drawing, pen and gray ink, watercolour, 26.4 x 21 cm, r.r. Duke Albert of Saxe-Teschen

View of Perchtoldsdorf near Vienna, Martin von Molitor (Vienna 1759 - 1812 Vienna), 1785, drawing, pencil, 31.2 x 44.5 cm

The Albrechtsburg in Meissen, Martin von Molitor (Vienna 1759 - 1812 Vienna), around 1790, drawing, chalk, 11 x13.6 cm

Sketch of a donkey, Martin von Molitor (Vienna 1759 - 1812 Vienna), drawing, pencil, 7.1 x 12 cm

Girl at the fountain, Martin von Molitor (Vienna 1759 - 1812 Vienna), drawing, chalk, gray wash, heightened with white on blue paper, 18.1 x 13.7 cm

Sleeping youth, Martin von Molitor (Vienna 1759 - 1812 Vienna), drawing, oil, heightened with white, 7.9 x 12 cm

Tomb of Archduchess Marie Christine by Antonio Canova, Johann Maria Monsorno (Varena di Fiemme (Trentino) 1768 - 1836 Vienna), drawing, etching, executed with brush in gray and black and with pen in black; violet frame, 42.4 x 35.9 cm, l.l.

Princely family portrait. (A grand duke of Tuscany and his wife are sitting around a table under a canopy; five boys and four girls are standing around them; the grand ducal crown on the table), anonymous, drawing, pen, ink, washed, 38.5 x 27.8

Shepherd with herd in the shadow of a rock, Friedrich Müller (Bad Kreuznach 1749 - 1825 Rome), 1768-78, drawing, red chalk, heightened with white chalk, on blue paper, 25.5 x 32 cm, l.l. Duke Albert of Saxe-Teschen

Pauline, Queen of Württemberg, Johann Gotthard von Müller (Bernhausen 1747 - 1830 Stuttgart), 1820, drawing, pencil, black chalk, brush and black ink, wash; Brown paper fascia glued on, 21.1 x 19.1 cm, centered and on the brown fascia:

Portrait of the artist's brother, Karl Müller, Johann Friedrich Wilhelm Müller (Stuttgart 1782 - 1816 Sonnenstein (Pirna)), before 1806, drawing, black chalk, 23.4 × 17.6 cm, center below: 'Friedrich Müller. Portrait of his brother

Vestibule in the farmhouse in Goisern near Ischl, Leopold Munsch (Vienna 1826 - 1888 Pressburg), around 1850, drawing, watercolour, pencil, 26.2 × 35.2 cm

Tree study, Leopold Munsch (Vienna 1826 - 1888 Pressburg), around 1850, drawing, watercolour, 23.8 × 17.1 cm

Apollo turns the Pierids into magpies. (Apollo in the middle, the violin in his left hand, the bow in his right; on the right the group of muses looking at the transformation of the Pierids into magpies), Giovanni Battista Naldini (Fiesole c. 1537

Valley landscape with a fortress on the river and rural figures, Johann Heinrich Müntz (Mulhouse in Alsace 1727 - 1798 Kassel), c. 1770-76, drawing, black-grey pen, watercolour, over traces of pencil; black-grey framing line, 21.9 x 28.2 cm,

Tree-lined wide valley with a monument on a river and with rural figures, in the background a fortress, Johann Heinrich Müntz (Mulhouse in Alsace 1727 - 1798 Kassel), 1770-76, drawing, black-grey pen, watercolour, over pencil marks, 18.6 x

Valley landscape with a fortress on the river and rural figures, Johann Heinrich Müntz (Mulhouse in Alsace 1727 - 1798 Kassel), c. 1770-76, drawing, black-grey pen, watercolour, over pencil marks, 18.6 x 25.6 cm, l.l. Duke Albert of

St. Paul prevents the guard from committing suicide, Avanzino Nucci, called dal Borgo (Città di Castello around 1552 - 1629 Rome), drawing, chalk, sanguine, 34.7 x 24 cm, bottom left Duke Albert of Saxe-Teschen, lower center in pen 'M

The Holy Trinity (lunette), Anonymous, Drawing, pen; watercolor paints; Paper in five parts, 27 x 19 cm, l.l. Duke Albert of Saxe-Teschen, lower left in an old hand 'T. Zugharo 1560

Sebaldus, Countess Ambrosiana and Rutland conjure up the dead of the magic castle of the six counts on the Rhine, Gustav Heinrich Naeke (Frauenstein in Sachsen 1786 - 1835 Dresden), 1817, drawing, pen and ink in black-grey, 11.2 × 7.8 cm

Ancient heroine left behind at a spring with a water jug, sadly looking after her companions going away to the sea, Gustav Heinrich Naeke (Frauenstein in Sachsen 1786 - 1835 Dresden), before or around 1817, drawing, black-grey pen; black-grey

A young woman leans through a window into the chamber of a young scholar, who looks up at her in horror, Gustav Heinrich Naeke (Frauenstein in Sachsen 1786 - 1835 Dresden), c. 1817, drawing, black-grey pen; black-grey framing line, over pencil

God the Father, over whom the dove hovers, adored by six angels kneeling on clouds; at the top a sibyl and a prophet as spandrel figures, Anonymous, Master of the Ghisleri Apse, c. 1570, drawing, chalk; Feather; washed, 11.2 x 19.8 cm, l.l.

Forest landscape with a stream, Christoph Nathe (Niederbielau near Görlitz 1753 - 1806 Schadewalde in the Lauban district), around 1785, drawing, brown brush, washed, over black chalk, 25.3 x 28.6 cm, r.r. Duke Albert of Saxe-Teschen

Village on the edge of the forest with figures, Christoph Nathe (Niederbielau near Görlitz 1753 - 1806 Schadewalde in the district of Lauban), 1785, drawing, brush in brown, washed, over black chalk, 24.4 x 28.4 cm, l.l. Duke Albert of

Young woman in antique robe with a bowl in her hand in front of a fountain entrance in a park landscape, Christoph Nathe (Niederbielau near Görlitz 1753 - 1806 Schadewalde in the district of Lauban), 1785, drawing, brown brush, washed, over

Allegory of Nemesis, depicted as a relief in a landscape, on the right a dove flying towards it, Christoph Nathe (Niederbielau near Görlitz 1753 - 1806 Schadewalde in the district of Lauban), around 1799, drawing, pen and brush in brown,

'Ecce Homo' (mythical creature composed of an angel looking at the moon through binoculars and a donkey eating thistles), Christoph Nathe (Niederbielau near Görlitz 1753 - 1806 Schadewalde in the district of Lauban), 1798, drawing, pen and Brush

Father's workshop in Döbling, Michael Neder (Vienna 1807 - 1882 Vienna), 1852, drawing, pencil, 24.9 x 35.8 cm

Old woman seated to the right, Michael Neder (Vienna 1807 - 1882 Vienna), 1843, drawing, pencil, passe-partout cutout: 38.3 x 27.8 cm

A prophet and a Sibyl surrounded by angels holding books for them, in front of an architectural frame, Federico Zuccari (Sant' Angelo in Vado 1540/41 - 1609 Ancona), drawing, chalk; Feather; washed; heightened with white; brown primed, 10.3 x

A stretch of road near Meran shaded by trees, Ludwig Neelmeyer (Osnabrück 1814 - 1870 Gries near Bozen), 1850, drawing, pencil, brush in gray and brown, washed, pen in black in places, heightened with brush in white; Outlining line with pen

Leonburg Castle near Meran, Ludwig Neelmeyer (Osnabrück 1814 - 1870 Gries near Bozen), 1845, drawing, pencil, brush in gray, washed; Crayon border line on the backing paper, 21.6 × 32.3 cm

Kienhaus near Meran, Ludwig Neelmeyer (Osnabrück 1814 - 1870 Gries near Bozen), 1844, drawing, pencil, brush in gray, washed; trace of a pencil edging line on the left; Outlining line in pen and brown on the backing paper, 23.6 × 30.3 cm

Mountains near St. Michael in South Tyrol, Ludwig Neelmeyer (Osnabrück 1814 - 1870 Gries near Bozen), 1849, drawing, pencil, watercolour, 31.3 × 52.7 cm

Trees by the water near St. Michael, Ludwig Neelmeyer (Osnabrück 1814 - 1870 Gries near Bozen), 1849, drawing, pencil, watercolour; Crayon border line on the backing paper, 16.6 × 21.2 cm

Landscape near Castelbell im Vinschgau, Ludwig Neelmeyer (Osnabrück 1814 - 1870 Gries near Bozen), 1844, drawing, pencil, brush in gray, washed; Outlining line in pen in red on the backing paper, 30.7 × 49 cm

Massif in clouds near Gandegg, Ludwig Neelmeyer (Osnabrück 1814 - 1870 Gries near Bozen), 1846, drawing, pencil, watercolour; partially heightened in white with a brush; Outlining line in pen and brown on the backing paper, 31.4 × 43 cm

Deciduous tree, Joseph Mössmer (Vienna 1780 - 1845 Vienna), 1837, drawing, gouache, 25.8 x 20.7 cm

Winegrowers' Festival, Joseph Mössmer (Vienna 1780 - 1845 Vienna), 1832, drawing, gouache, 40 x 55.5cm

Hermitage, Eduard Mössmer (Vienna 1814 - 1838 Vienna), around 1835, drawing, brown brush, 34.1 x 42.3 cm, re. and: 'Eduard Mössmer

Landscape with a lake and a boat on it, Martin von Molitor (Vienna 1759 - 1812 Vienna), 1806, drawing, pen, brown ink, washed, 26.8 x 39.6 cm

Mountain landscape with hermitage, Martin von Molitor (Vienna 1759 - 1812 Vienna), around 1800, drawing, watercolour, 21.2 x 28.5 cm

Sleeping dog, Martin von Molitor (Vienna 1759 - 1812 Vienna), around 1800, drawing, black chalk, heightened with white, tinted paper, 27.5 x 42.7 cm, bottom left: Albert von Sachsen-Teschen

The Holy Trinity surrounded by angels with instruments of torture (tondo), Federico Zuccari (Sant' Angelo in Vado 1540/41 - 1609 Ancona), drawing, chalk; Feather; brownish paper, 14.8 x 14.8 cm, bottom left Duke Albert of Saxe-Teschen

The mismatched couple in a landscape setting, Jacob Hoefnagel (Antwerp 1573 - 1632/33 Hamburg or Netherlands), 1602, drawing, brown pen, washed, on brownish paper, traces of red, blue and opaque white; Frame: black ink, gray and blue wash,

Ten subjects from the Bellerophon table from the 6th chants of the Illiade d'homère, Sigmund Ferdinand von Perger (Vienna 1778 - 1841 Vienna), 1809, drawing, pen, washed, 19.5 × 35.3 cm

Two horses with a rider, August Xaver Karl von Pettenkofen (Vienna 1822 - 1889 Vienna), drawing, pen and black ink, passe-partout cut-out: 17.8 x 22.8 cm, l.l. 'ESTATE, PETTENKOFEN

Theater decoration: interior of a prison, Josef Platzer (Prague 1751 - 1806 Vienna), drawing, black pen, watercolour, 37 x 44.5 cm, r.r. Duke Albert of Saxe-Teschen

Farmhouse, Ignaz Raffalt (Weißkirchen 1800 - 1857 not far from Hainbach near Vienna), around 1850, drawing, watercolour, 14.8 × 22.7 cm

Animal piece: Three cows by the river, Johann Nepomuk Rauch (Vienna 1804 - 1847 Rome), drawing, ink, brush, watercolour, according to Cahier: 32.8 x 47 cm

View of Lake Como, Joseph Rebell (Vienna 1786 - 1828 Dresden), 1811, drawing, watercolour, 27.9 x 41.3 cm, l.l. Duke Albert of Saxe-Teschen

Exit between rocks to a lake in a Tyrolean landscape, Friedrich Rehberg (Hanover 1758 - 1835 Munich), 1818-19, drawing, black chalk, brush in brown and gray, washed, heightened with white chalk, on blue paper; black framing line below; on

Young man embracing an old woman, Jacob Hoefnagel (Antwerp 1573 - 1632/33 Hamburg or Netherlands), 1602, drawing, pencil (the young man's hand traced), 31 x 29 cm, no collector's stamp Duke Albert of Saxe-Teschen, above in later hand 'Vom

Marriage of Mary, Antonio Viviani GEN. SORDO D'URBINO (Italian, 1560 - 1620), drawing, pen; washed; chalk squaring; brownish paper, 16 x 27.7 cm, l.l. Duke Albert of Saxe-Teschen

Bust portrait of an oriental, Johann Andreas Benjamin Nothnagel (Buch (Saxony-Coburg) 1729 - 1804 Frankfurt am Main), drawing, pen and brush in dark brown, washed, 13.1 x 10.9 cm, l.l. Duke Albert of Saxe-Teschen, r.o. old serial number: '59

Half-length portrait of an oriental, Johann Andreas Benjamin Nothnagel (Buch (Saxony-Coburg) 1729 - 1804 Frankfurt am Main), drawing, brush with gray wash, 7.0 x 5.6 cm, r.r. Duke Albert of Saxe-Teschen

'Der Schuldespot': A teacher spanks a boy's bare bottom while a second boy sticks his tongue out at him behind him, Georg Emanuel Opiz (Prague 1775 - 1841 Leipzig), 1800-1814, drawing, pen and brush in grey; black-grey framing line over reddish

'The pious gift': A fat monk fetches eggs from an old woman who is also grinning, Georg Emanuel Opiz (Prague 1775 - 1841 Leipzig), 1800-1814, drawing, pen and brush in black; black-grey framing line over red traces, 20 x 15.8 cm (7 7/8 x 6 1/4

'Hamburg Heroes': Two ragged sentries, Georg Emanuel Opiz (Prague 1775 - 1841 Leipzig), 1800-1814, drawing, pen and brush in gray; black-grey framing line over red traces, 20 x 15.7 cm (7 7/8 x 6 3/16 in.), l.l. Duke Albert of Saxe-Teschen,

'The Dispute of Etiquette': Two men try to let each other go first, Georg Emanuel Opiz (Prague 1775 - 1841 Leipzig), 1800 - 1814, drawing, pen and brush in gray; black-grey framing line over red traces, 20.1 x 15.7 cm (7 15/16 x 6 3/16 in.),

Quarrelsomeness and Equanimity, Exemplified by a Couple in the Household, Georg Emanuel Opiz (Prague 1775–1841 Leipzig), 1805, Drawing, Watercolor, Body paint, 34.5 x 46.6 cm (13 9/16 x 18 3/8 in ), l.b. Duke Albert of Saxe-Teschen, l.u.

Adoration of the Shepherds, Federico Zuccari (Sant' Angelo in Vado 1540/41 - 1609 Ancona), drawing, chalk; Feather; washed; brownish paper, 39.5 x 27.7 cm, l.l. Duke Albert of Saxe-Teschen

View of the Viennese suburbs of Lerchenfeld and Hernals, Josef Orient (Feketeváros 1677 - 1747 Vienna), before 1747, drawing, watercolour, brushed over with pen and black-grey, 21.5 x 37.6 cm, lower left: Albert von Sachsen- Teschen

View of Schönbrunn Palace and the Viennese suburb of Meidling, Josef Orient (Feketeváros 1677 - 1747 Vienna), drawing, watercolour, overlaid with black-grey with pen, 21.2 x 37.4 cm

Ten subjects of the Bellerophon table from the 6th chants of the Illiade d'homère, Sigmund Ferdinand von Perger (Vienna 1778 - 1841 Vienna), 1809, drawing, pen, washed, 18.8 × 23 cm

Ten subjects of the Table de Bellerophon tirés du 6e chants de l'Illiade d'homère, Sigmund Ferdinand von Perger (Vienna 1778 - 1841 Vienna), 1809, drawing, pen, washed, white heightened, 19 × 25.3 cm, lower carton : verso: Text

Ten subjects of the Bellerophon table from the 6th chants of the Illiade d'homère, Sigmund Ferdinand von Perger (Vienna 1778 - 1841 Vienna), 1809, drawing, pen, washed, 19.6 × 24.5 cm

Ten subjects of the Bellerophon table from the 6th chants of the Illiade of Homère, Sigmund Ferdinand von Perger (Vienna 1778 - 1841 Vienna), 1809, drawing, pen, washed, 18.7 × 25.3 cm

Ten subjects of the Bellerophon table from the 6th chants of the Illiade of Homère, Sigmund Ferdinand von Perger (Vienna 1778 - 1841 Vienna), 1809, drawing, pen, washed, 18.8 × 26.1 cm

Ten subjects of the Bellerophon table from the 6th chants of the Illiade d'homere, Sigmund Ferdinand von Perger (Vienna 1778 - 1841 Vienna), 1809, drawing, pen, washed, 20.8 × 28.3 cm

Ten subjects of the Table de Bellerophon tirés du 6e chants de l'Illiade d'homere, Sigmund Ferdinand von Perger (Vienna 1778 - 1841 Vienna), 1810, drawing, pen, washed, white heightened, 19.1 × 28.9 cm

The calling of Matthew, Giuseppe Cesari called Cavaliere d' Arpino (Arpino 1568 - 1640 Rome), around 1599, drawing, chalk, red chalk, on brownish paper, 22.3 x 26.4 cm, l.l. Duke Albert of Saxe-Teschen, lower left in a later hand 'Fed.

Ten subjects of the Bellerophon table from the 6th chants of the Illiade of Homère, Sigmund Ferdinand von Perger (Vienna 1778 - 1841 Vienna), 1809, drawing, pen, washed, 19.4 × 30.7 cm

Ten subjects of the Table de Bellerophon tirés du 6e chants de l'Illiade d'homere, Sigmund Ferdinand von Perger (Vienna 1778 - 1841 Vienna), 1810, drawing, feather, washed, white heightened, 19.7 × 26.5 cm, Undercarton: verso: text

Blocked audience in the Carl Theater in Leopoldstadt, Johann Christian Schoeller (Rappoltsweiler 1782 - 1851 Vienna), 1843, drawing, pen and brush in grey, washed; Pencil and black framing line, 14.4 x 11.4 cm (5 11/16 x 4 1/2 in.), M. below

Street in Cairo, Anton Perko (Purgstall 1833 - 1905 Ragusa), 1881, drawing, watercolour, 19.2 × 15.6 cm

The Colossi of Memnon near Thebes, Anton Perko (Purgstall 1833 - 1905 Ragusa), 1881, drawing, watercolour, 17.7 × 21 cm

Ball scene, Franz von Persoglia (Laibach 1852 - 1912 Vienna), 1880-1890, drawing, watercolour, 21.3 × 16 cm

Two jugs, August Xaver Karl von Pettenkofen (Vienna 1822 - 1889 Vienna), drawing, pencil, brown-grey paper, 9.7 x 9.8 cm

Christ heals the paralytic, Federico Zuccari (Sant' Angelo in Vado 1540/41 - 1609 Ancona), c. 1568, drawing, chalk; Feather; washed; heightened with white; partially oxidized; brown paper, 41.8 x 26.8 cm, l.l. Duke Albert of Saxe-Teschen,

Hungarian peasant huts, August Xaver Karl von Pettenkofen (Vienna 1822 - 1889 Vienna), 1855, drawing, pencil, 26.5 x 44.7 cm, l.l. 'r

Cemetery, August Xaver Karl von Pettenkofen (Vienna 1822 - 1889 Vienna), drawing, pencil, 15.8 x 30.8 cm

Noli me tangere, Anonymous, Genoa, Drawing, pen; washed; brownish paper, 38.5 x 21.5 cm, l.l. Duke Albert of Saxe-Teschen

Two horses, August Xaver Karl von Pettenkofen (Vienna 1822 - 1889 Vienna), drawing, pen and ink in brown, 16.5 x 15 cm, l.l. 'ESTATE, PETTENKOFEN

Water mill on a slope in a mountainous landscape, with figures, Matthias Pfenninger (Zurich 1739 - 1813 Zurich), 2nd half of the 18th, early 19th century, drawing, black chalk, pen and brush in black-grey, washed, heightened with a brush in

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