Images at Librifly

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Indian types, Josef Selleny (Vienna 1824 - 1875 Inzersdorf), drawing, pencil, watercolour, 12.3 × 17.7 cm, l.l. lettering illegible; r.b. '241

Fruit market in Ceylon, Josef Selleny (Vienna 1824 - 1875 Inzersdorf), drawing, pencil, watercolour, 12.3 × 17.7 cm, r.r. 'Fruit market v. Galle, Ceylon 12, 238

Goperram Turputree, Josef Selleny (Vienna 1824 - 1875 Inzersdorf), drawing, pencil, passe-partout cut-out: 34.3 × 33.6 cm, l.l. 'Goperram, Turputree'; r.b. '265

Forest on Carnikobar, Josef Selleny (Vienna 1824 - 1875 Inzersdorf), 1858, drawing, pencil, passe-partout section: 48.6 x 35.5 cm, below bottom '178'; r.b. '366

Mangroves on Carnikobar, Josef Selleny (Vienna 1824 - 1875 Inzersdorf), 1858, drawing, pencil, 34.9 × 50.8 cm, l.l. 'mangrove'; r.b. '382

Boitenzorg, Josef Selleny (Vienna 1824 - 1875 Inzersdorf), drawing, pencil, watercolour, 35 x 51.1 cm, detailed inscription

fight scene. Two naked horsemen, two men on foot, Filippo Angeli called Napoletano (Rome, c. 1589 - 1629 Rome), drawing, pen; washed, 9.4 x 13.0 cm, l.l. Duke Albert of Saxe-Teschen, lower right in an old hand '194

Buddha temple in Shanghai, Josef Selleny (Vienna 1824 - 1875 Inzersdorf), 1882, drawing, pencil, watercolour, 35 x 51.1 cm, r.r. Character 'Tscheng-nóm-mjn., 472

Sidney, Josef Selleny (Vienna 1824 - 1875 Inzersdorf), drawing, pencil, 35.1 x 82.7 cm, l.l. 'Darling Point. Sydney.'; r.b. '593

Waldpartie, Josef Selleny (Vienna 1824 - 1875 Inzersdorf), 1858, drawing, pastel, mount: 34.8 × 50.7 cm, l.u. 'Fairy meadow'; r.u. '627

New Zealand forest, Josef Selleny (Vienna 1824 - 1875 Inzersdorf), 1858, drawing, pencil, passe-partout section: 35 × 50.6 cm, r.r. 16 Nov. /17 t, 628

Types of street in Hong Kong, Josef Selleny (Vienna 1824 - 1875 Inzersdorf), drawing, pencil, watercolour, 20.5 × 27.4 cm, l.l. 'Hong Kong'; r.b. '509, 630' (strikethrough

Street types of Santiago, Josef Selleny (Vienna 1824 - 1875 Inzersdorf), drawing, pencil, watercolour, 17 × 10.3 cm, r.r. '727

Street types of Santiago, Josef Selleny (Vienna 1824 - 1875 Inzersdorf), drawing, pencil, watercolour, 17 × 10.3 cm, r.r. '736

Two galloping horsemen, Filippo Angeli called Napoletano (Rome, around 1589 - 1629 Rome), drawing, pen; washed, 9.4 x 13.0 cm, l.l. Duke Albert of Saxe-Teschen, lower right in an old hand '215

Types of streets in Santiago, Josef Selleny (Vienna 1824 - 1875 Inzersdorf), drawing, pencil, watercolour, 17 × 10.5 cm, l.l. 'Santiago Allameda., 4 st'; r.b. '741

Street types of Manila, Josef Selleny (Vienna 1824 - 1875 Inzersdorf), drawing, pencil, watercolour, 12.3 × 18 cm, r.r. '734

Street types of Manila, Josef Selleny (Vienna 1824 - 1875 Inzersdorf), drawing, pencil, watercolour, 12.3 × 14.2 cm, M.r. detail label; r.b. '735

Street types of Manila, Josef Selleny (Vienna 1824 - 1875 Inzersdorf), drawing, pencil, watercolour, 16.8 × 10.3 cm, r.r. '738

Rider and ox wagon, Josef Selleny (Vienna 1824 - 1875 Inzersdorf), drawing, pencil, watercolour, 16.1 × 10.4 cm, r.r. '739

Cacti, Josef Selleny (Vienna 1824 - 1875 Inzersdorf), drawing, pencil, watercolour, 16.7 × 8.3 cm, r.r. '740

Indians on Ceylon, Josef Selleny (Vienna 1824 - 1875 Inzersdorf), drawing, pencil, watercolour, heightened with white, 32.2 × 13.8 cm, M.r. 'Bal aba de filia (Servait

Man in Tahiti, Josef Selleny (Vienna 1824 - 1875 Inzersdorf), drawing, pencil, watercolour, heightened with white, 32.2 × 13.8 cm, l.l. 'Pulta, Taihili

Policeman on Batavia, Josef Selleny (Vienna 1824 - 1875 Inzersdorf), 1858, drawing, watercolour, 32.1 x 17.3 cm, r.r. 'Policoman Batavia Senin Bzar

Musicians on Batavia, Josef Selleny (Vienna 1824 - 1875 Inzersdorf), 1858, drawing, watercolour, 32.1 x 17.3 cm, M.r. 'musician singer. Botavia'; r.b

Two horsemen in front view, Filippo Angeli called Napoletano (Rome, around 1589 - 1629 Rome), drawing, pen; washed, 9.4 x 13.0 cm, l.l. Duke Albert of Saxe-Teschen

Guard in Boitenzorg, Josef Selleny (Vienna 1824 - 1875 Inzersdorf), drawing, watercolour, pencil, heightened with white, 32.1 × 14.8 cm, M.r. Guard Boitenzorg a. Java

Chinese woman, Josef Selleny (Vienna 1824 - 1875 Inzersdorf), drawing, watercolour, pencil, 32.1 × 14.8 cm, r.r. 'Batavia Chinese City, 462

Indian dancer, Josef Selleny (Vienna 1824 - 1875 Inzersdorf), 1858, drawing, pencil, watercolour, 32.6 × 19.8 cm, r.r. 'Dancer

Woman in Tahiti, Josef Selleny (Vienna 1824 - 1875 Inzersdorf), drawing, pencil, watercolour, 32.1 × 18.6 cm

Seascape with a cloudy sky, Josef Selleny (Vienna 1824 - 1875 Inzersdorf), drawing, watercolour, heightened with white, 15.7 × 32.3 cm

Marine with clouds, Josef Selleny (Vienna 1824 - 1875 Inzersdorf), 1859, drawing, watercolour, 21.2 x 32 cm

Fight of two naked warriors over their fallen horses, Filippo Angeli called Napoletano (Rome, around 1589 - 1629 Rome), drawing, pen; washed, 9.4 x 13.0 cm, l.l. Duke Albert of Saxe-Teschen

Philodendron cannaefolium, Josef Selleny (Vienna 1824 - 1875 Inzersdorf), drawing, watercolour, 17 × 12.3 cm, r.r. 'Philodendron cannaifolium, 1/16 Brazil

Asterostigma Langsdorffii, Josef Selleny (Vienna 1824 - 1875 Inzersdorf), drawing, watercolour, 17.2 × 12.3 cm, l.l. 'Asterostigma, Langsdorfii'; r.b. 'Asterostigma colubinum

The painter Clemens von Zimmermann (1788-1869), (Imperial Count) August von Seinsheim (Munich 1789 - 1869 Munich), 1816, drawing, pencil, sanguine, 15.7 × 12.8 cm, left to right Duke Albert of Saxe-Teschen ( Lugt 174), bottom left: 'Le

The allegories of painting, sculpture and architecture, Carl August Senff (Kreypau near Merseburg 1770 - 1838 Tartu (Dorpat)), late 18th, 1st half of the 19th century, drawing, pen and gray, washed, 5.1 x 7, 6 cm, l.l. Duke Albert of

Two men and a woman with a small child at a burial mound, Carl August Senff (Kreypau near Merseburg 1770 - 1838 Tartu (Dorpat)), late 18th, first half of the 19th century, drawing, black-grey pen, gray brush, wash, over pencil, 5.8 x 7.5 cm,

Copy after Guido Reni: Christ with the crown of thorns, Crescentius Josephus Johannes Seydelmann (Dresden before 1750 - 1829 Dresden), late 18th, early 19th century, drawing, brush in brown, over pencil marks; black framing line, 20.6 x 15.5

Copy after Antonio Correggio: St. Magdalena, Crescentius Josephus Johannes Seydelmann (Dresden before 1750 - 1829 Dresden), late 18th, early 19th century, drawing, brush in brown, over traces of black chalk; around the depiction

Copy after Antoine Pesne: The girl with the doves, Crescentius Josephus Johannes Seydelmann (Dresden before 1750 - 1829 Dresden), late 18th, early 19th century, drawing, brush in brown, 28.2 x 23.9 cm, l.l. Duke Albert of Saxe-Teschen

Bust of the Saviour, Adam Friedrich Oeser (Pressburg 1717 - 1799 Leipzig), 1778, drawing, watercolour, black chalk (charcoal?), in places red chalk and pen in black (black chalk?), heightened in white with a brush, 30.4 x 22.1 cm, r.b. Duke

Various sketches with oriental costumes, landscapes, Anton Spreng (Schwechat 1770 - 1845 Vienna), drawing, pen, 29.4 x 43.2 cm

Two grotesque heads in profile, Leonardo da Vinci (Vinci 1452 - 1519 Cloux near Amboise), c. 1503-1505, drawing, pen and ink in brown, 5.8 x 6.2 cm, no Mariette Sz; l.b. Duke Albert of Saxe-Teschen

Altar design with the foundation of S. Maria Maggiore and the miracle of snow (snow falls from the cloak of the floating Madonna; the pope with his entourage approaches from the middle at the back; the princely donors kneel to the right and left; the

Copy after an engraving by William Woollett after Richard Wilson: Cicero's country estate, Stang (died 1811), before 1811, drawing, pen and black ink, traces of pencil in the staffage figures, 35.4 x 51.7 cm, l.l. Duke Albert of Saxe-Teschen

Christ heals the lame (The scene placed in an architectural frame, which has an empty cartouche in the semicircle at the top), Jacopo Chimenti (Florence around 1551 - 1640 Florence), drawing, chalk; Feather; washed; light brown primed paper;

Mariae Himmelfahrt, Jacopo Chimenti (Florence around 1551 - 1640 Florence), drawing, chalk; Feather; washed; Chalk squaring, 38.3 x 36.3 cm, l.l. Duke Albert of Saxe-Teschen, lower center in old ink writing 'di Jacopo da enpoli

Holy Family, Joseph Steinmüller (Vienna 1795 - 1841 Vienna), drawing, black chalk, wiped over traces of pencil, 32 x 30.6 cm

Vestibule and staircase of a prison, lit by a lantern, Christian Ludwig Stieglitz (Leipzig 1756 - 1836 Leipzig), 1781, drawing, pen and ink in black, brown wash, in the area of the lamplight heightened in white with brush, on blue paper, 24,

Copy after Federico Barocci: Hagar and Ismael in the desert, Christian Ernst Stoelzel (Dresden 1792 - 1837 Dresden), 1816 ?, drawing, watercolour, body colour, heightened in white with a brush, 38.6 × 28.1 cm, l.l. Duke Albert of

Cossacks in battle, Anton Strassgschwandtner (Vienna 1826 - 1881 Vienna), around 1855, drawing, pencil, heightened with white, 31.8 × 42.2 cm

Shepherd boy with flock, Anton Strassgschwandtner (Vienna 1826 - 1881 Vienna), around 1855, drawing, pencil, watercolour, 31.8 × 42.2 cm

French hussar, Anton Strassgschwandtner (Vienna 1826 - 1881 Vienna), around 1850, drawing, pencil, watercolour, 9.8 × 13.1 cm

Feldschmiede, Anton Strassgschwandtner (Vienna 1826 - 1881 Vienna), 1851, drawing, pencil, mat cutout: 31 × 42.2 cm

Battery in retreat, Anton Strassgschwandtner (Vienna 1826 - 1881 Vienna), c. 1855, drawing, pencil, passe-partout cutout: 26.9 x 45.9 cm

Outpost battle, Anton Strassgschwandtner (Vienna 1826 - 1881 Vienna), around 1855, drawing, pencil, passe-partout cutout: 15.4 × 28.5 cm

A bishop and a deacon in half length figures standing side by side to the right, anonymous, drawing, chalk; Red chalk, 28.9 x 23.1 cm, l.l. Duke Albert of Saxe-Teschen

Two dragoons, Anton Strassgschwandtner (Vienna 1826 - 1881 Vienna), around 1860, drawing, pencil, 14.4 × 17.9 cm

Circassian horses, Anton Strassgschwandtner (Vienna 1826 - 1881 Vienna), around 1855, drawing, pencil, black chalk, heightened with white, colored pencils, passe-partout cutout: 15.1 × 21.2 cm

Transport of captured Turks, Anton Strassgschwandtner (Vienna 1826 - 1881 Vienna), around 1865, drawing, 16.5 × 22.2 cm, l.l. 'Tony Strassgschwandtner', pencil

Beduins, Anton Strassgschwandtner (Vienna 1826 - 1881 Vienna), around 1865, drawing, 17 × 26.8 cm

Horse racing, Anton Strassgschwandtner (Vienna 1826 - 1881 Vienna), 1869, drawing, 25 x 35.1 cm

Racehorses take an obstacle, Anton Strassgschwandtner (Vienna 1826 - 1881 Vienna), c. 1870, drawing, pencil, 15.7 × 20.4 cm

Racehorse with Jockey, Anton Strassgschwandtner (Vienna 1826 - 1881 Vienna), c. 1870, drawing, pencil, 6.7 × 5.9 cm

Two horse heads in a medallion, Anton Strassgschwandtner (Vienna 1826 - 1881 Vienna), c. 1870, drawing, pencil, oval: 11.5 × 11.3 cm

A monk kneeling to the right in front with an open book in his hands, Jacopo Chimenti (Florence c. 1551 - 1640 Florence), drawing, chalk; heightened with white; brown primed paper, 38.3 x 26.8 cm, no collector's stamp Duke Albert von

Three horse heads and body hunters, Anton Strassgschwandtner (Vienna 1826 - 1881 Vienna), around 1860, drawing, colored pencil, passe-partout cutout (oval): 18.5 × 23.5 cm

Three horse heads to the left, Anton Strassgschwandtner (Vienna 1826 - 1881 Vienna), around 1860, drawing, colored pencil, passe-partout cutout (oval): 18.5 × 23.5 cm

Saint Anthony Abbas, seated between two putti, Cherubino Alberti (Sansepolcro 1553 - 1615 Rome), drawing, chalk; Feather; gray wash; heightened with white; on grey-blue paper, 29.8 x 21.5 cm, r.r. Lagoy; l.b. frieze; mu Duke Albert of

Coronation of the Virgin, Giovanni Mauro della Rovere, called il Fiamminghino (Milan 1575 - 1640 Milan), drawing, pen; washed; heightened with white; blue-grey paper; lunette formed into an irregular hexagon with round and straight sides; the

Portrait of a young man with a red cap, Augsburg master, around 1510/20, drawing, black chalk and colored chalk in brown, red and yellow, partially brush with black ink, heightened with white, on beige prepared paper, 22.3 x 15.7 cm, below

Portrait of a Beardless Man with a Beret, Anonymous, 1513, Drawing, Black charcoal or chalk, colored pencil, brush on yellow-gray paper, 21.2 x 17.2 cm (8 3/8 x 6 3/4 in.), l.l. Duke Albert of Saxe-Teschen, Passepartout: 'Luc. crane. no in

The three living and the three dead, around or after 1510, drawing, black pen, heightened with white, on red-brown primed paper, 30.7 x 43.8 cm, l.l. Duke Albert of Saxe-Teschen

Venus leads Helena to Paris, Rudolph Friedrich Carl Suhrlandt (Ludwigslust 1781 - 1862 Schwerin), 1806, drawing, black chalk, heightened with white chalk, on blue paper; black border line, 308 x 455 mm, l.l. Duke Albert of Saxe-Teschen

The four children of Archduke Carl: Princess Therese, Albert, Karl and Friedrich, Rudolph Friedrich Carl Suhrlandt (Ludwigslust 1781 - 1862 Schwerin), 1824, drawing, black chalk, wiped, heightened with white chalk, red chalk in the cheeks;

Theater decoration: fantastic dungeon architecture, Johann Gottfried Benedict Theil (Dresden, Friedrichstadt 1745 - 1797 Dresden), 1772, drawing, pen and brush in brown, washed, over pencil; black framing line, 45.4 x 31.1 cm, l.l. Duke

'View of the Catholic Church and its Surroundings', Gottlob Friedrich Thormeyer (Dresden 1775 - 1842 Dresden), 1806, drawing, pen and brush in brown, washed; black framing line, 16.6 x 22.8 cm, l.l. Duke Albert of Saxe-Teschen

'View of the Zwinger', Gottlob Friedrich Thormeyer (Dresden 1775 - 1842 Dresden), 1806-08, drawing, pen and brush in brown, washed, over traces of pencil; black framing line, 15.5 x 22.6 cm, l.l. Duke Albert of Saxe-Teschen

The Madonna and Child appearing to John the Baptist and two Saints, Jacopo Confortini (Florence 1602–1672 Florence), drawing, red chalk; Red chalk squaring, 28.2 x 23.3 cm, Duke Albert of Saxe-Teschen

'Die Gallerie', Gottlob Friedrich Thormeyer (Dresden 1775 - 1842 Dresden), 1806-08, drawing, pen and brush in brown, washed, over traces of pencil; black framing line, 15.5 x 22.4 cm, l.l. Duke Albert of Saxe-Teschen

'Das Pirnaisches Thor', Gottlob Friedrich Thormeyer (Dresden 1775 - 1842 Dresden), 1806-08, drawing, pen and brush in brown, washed, over pencil marks; black framing line, 15.8 x 22.6 cm, l.l. Duke Albert of Saxe-Teschen

'The magnificent bridge with its sixteen arches', Gottlob Friedrich Thormeyer (Dresden 1775 - 1842 Dresden), 1806-08, drawing, pen and brush in brown, watercolour, over traces of pencil; black framing line, 15.6 x 22.5 cm, l.l. Duke Albert of

'The area towards Pillnitz, seen from the bridge, together with the bridge railing as foreground', Gottlob Friedrich Thormeyer (Dresden 1775 - 1842 Dresden), 1806-08, drawing, pen and brush in brown, washed, over pencil; black framing line,

'The enclosure with the Italian village, seen through the bridge, with an arch in the foreground', Gottlob Friedrich Thormeyer (Dresden 1775 - 1842 Dresden), 1806-08, drawing, pen and brush in brown, washed, watercolour, over pencil marks;

'The view from the Lindenallee, towards the bridge', Gottlob Friedrich Thormeyer (Dresden 1775 - 1842 Dresden), 1806, drawing, pen and brush in brown, washed, watercolour, over pencil marks; black framing line, 15.7 x 22.6 cm, r.r. Duke

'The Japanese Palace seen from the Elbe', Gottlob Friedrich Thormeyer (Dresden 1775 - 1842 Dresden), 1806-08, drawing, pen and brush in brown, washed, watercolour, over traces of pencil; black framing line, 15.5 x 22.3 cm, r.r. Duke Albert

'The White Thor and the Japanese Palace', Gottlob Friedrich Thormeyer (Dresden 1775 - 1842 Dresden), 1806-08, drawing, pen and brush in brown, washed, watercolour, over pencil marks; black framing line, 15.7 x 22.4 cm, r.r. Duke Albert of

'Die Kreutzkirche', Gottlob Friedrich Thormeyer (Dresden 1775 - 1842 Dresden), 1806-08, drawing, pen and brush in brown, washed, over traces of pencil; black framing line, 21.8 x 17 cm, l.l. Duke Albert of Saxe-Teschen

'Die Frauenkirche', Gottlob Friedrich Thormeyer (Dresden 1775 - 1842 Dresden), 1806-08, drawing, pen and brush in brown, washed, over traces of pencil; black framing line, 21.9 x 17 cm, l.l. Duke Albert of Saxe-Teschen

Landscape with a farmstead on a tree-covered height, a herd of cows and a peasant family on the way, Johann Gottlob Friedrich Tiebel (Dresden 1750 - 1796 Meissen), c. 1777-78, drawing, brush in gray, washed, pen in black and black-grey; black

Rinaldo and Armida, Johann Heinrich Tischbein (the Elder) (Haina 1722 - 1789 Kassel), 1767, drawing, lead pencil, pen in gray, washed, 17.7 x 15.1 cm

Acis and Galathe, Johann Heinrich Tischbein (the Elder) (Haina 1722 - 1789 Kassel), drawing, stone chalk, lead pencil, pen in dark grey, washed, 15.4 x 21.1 cm, with the old inscription below the border line: 'gemalt von I:H: Tischbein 1758.

After the battle in the Teutoburg Forest, Armin has Roman trophies pinned to an oak tree., Johann Heinrich Tischbein (the Elder) (Haina 1722 - 1789 Kassel), after 1767, drawing, pen and ink with gray wash, 17.2 x 22.9 cm

Oak avenue and a property surrounded by a wall, Wolfgang Adam Töpffer (Geneva 1766 - 1847 Morillon near Geneva), c. 1800, drawing, brown brush, wash, over pencil; Inscription: pen in brown, pencil, 38.3 x 48.2 cm, color notes: r.o. 'le

Trees behind a park wall, in front of them washerwomen at the fountain, Wolfgang Adam Töpffer (Geneva 1766 - 1847 Morillon near Geneva), around 1800, drawing, brush in brown, washed, over pencil; Inscription: pencil, 38 x 47 cm, color

The Vernaz mill, with peasants and a cart in front of a ford, Wolfgang Adam Töpffer (Geneva 1766 - 1847 Morillon near Geneva), 1801, drawing, pen and brush in brown, washed, over pencil, pencil framing line, traces of pen and brown touched

Forest clearing with two hikers by the water, Jakob Traunfellner (Vienna 1743 - 1800/1807 Vienna), around 1780, drawing, brown brush, watercolour, 20.6 × 26.7 cm, l.l. Albert of Saxe-Teschen (L. 174

Head study after one of the two sons of Laocoon in the group of the Vatican Museums, Jakob Traunfellner (Vienna 1743 - 1800/1807 Vienna), around 1780, drawing, brush and black wash, 39.2 × 31.9 cm, bottom left Albert of Saxe-Teschen (L. 174

Transport of Hungarian police troops in 1849, Friedrich Treml (Vienna 1816 - 1852 Vienna), drawing, watercolour, 29.45 x 34.1 cm

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