Images at Librifly

search results: Drawing clear search

The Madonna seated on clouds, the child on her lap, appears to Antony, Bartholomew and two other saints, anonymous, drawing, chalk; rubella; red wash, 26.0 x 21.5 cm, l.l. Albert;, in the middle below in an old hand 'Nr. 10

Ruin Carlsbach, Johann Varrone (Milan 1832 - 1910 Mödling), 1872, drawing, watercolour, pencil, according to Cahier: 23.5 x 31.1 cm, l.l. 'Carlsbach ruins, Sept. 11, 1872.'; verso: 'at Ybbs Kemmelbach

Hallstatt am See, Johann Varrone (Milan 1832 - 1910 Mödling), 1876, drawing, watercolour, over preliminary pencil drawing, 31.1 x 47.4 cm, l.l. 'Hallstatt, August 1876

Fölz-Thal near Aflenz, Johann Varrone (Milan 1832 - 1910 Mödling), 1881, drawing, watercolour, heightened with white, according to Cahier: 23.4 x 31.2 cm, bottom left 'Fölz-Thal near Aflenz.'; r.b. 'Mitteralpe, August 30, 1881'; verso:

The Adlitzgraben, Johann Varrone (Milan 1832 - 1910 Mödling), 1882, drawing, watercolour, pencil, 23.3 × 32.6 cm, r.r. 'Adlitzgraben, at the Semmeringer Hotel

Torrent in Gastein, Johann Varrone (Milan 1832 - 1910 Mödling), drawing, pencil, watercolour, 20.5 × 28.5 cm, l.l. 'Torrent - Gastein

Wooded River Valley with Mill and Farmhouses, Johann Philipp Veith (Dresden 1768–1837 Dresden), 18th century, Drawing, black chalk, on paper tinted light blue; black framing line, 13.3 x 19.1 cm, r.r. Duke Albert of Saxe-Teschen

Two Horses, Anonymous, Drawing, Pen; brownish paper; something added on the right, 13.4 x 19.9 cm, l.l. Mariette; l.b. Duke Albert of Saxe-Teschen, lower right (cut off) the upper half of two figures

The Finding of Saint Sylvester (on Mount Soracte by Constantine's Messengers), Giuseppe Agellio (Italy, born c. 1570 - 1650), Drawing, chalk; rubella; Feather; Ink; red wash, 19.6 x 30.8 cm, l.l. Duke Albert of Saxe-Teschen, remains of a

Interior of the forest with a stream and weeping willows, Johann Philipp Veith (Dresden 1768 - 1837 Dresden), 1793, drawing, brown brush, over pencil, 21.1 x 26.7 cm, l.l. Duke Albert of Saxe-Teschen

Park landscape with a sarcophagus under a large oak tree, Johann Philipp Veith (Dresden 1768 - 1837 Dresden), late 18th, early 19th century, drawing, brush in brown, washed, over pencil; traces of a brown framing line above, 21.3 x 27 cm,

Alpine lake in Switzerland or in northern Italy, Johann Philipp Veith (Dresden 1768 - 1837 Dresden), around 1802, drawing, pen in brown and black-grey, brush in brown, washed, the chimney smoke heightened in white with a brush, over pencil

Landscape with a farmhouse on the edge of a forest and figures, Johann Philipp Veith (Dresden 1768 - 1837 Dresden), 1793, drawing, brush in brown, washed, over pencil; Black framing line and painted frame in the manner of French passe-partouts,

Farm by a pond with figures, Johann Philipp Veith (Dresden 1768 - 1837 Dresden), 1793, drawing, brush in brown, washed, over pencil; black framing line and painted frame in the manner of French passe-partouts, 33.7 x 46.3 cm, l.l. Duke Albert

Watermill in a wooded river valley, Johann Philipp Veith (Dresden 1768 - 1837 Dresden), 1790, drawing, watercolour, over traces of pencil; black framing line and painted frame in the manner of French passe-partouts, 34.9 x 47.6 cm, l.l. Duke

Forest landscape with two country women by the wayside, Johann Philipp Veith (Dresden 1768 - 1837 Dresden), before 1790, drawing, black pen, gray brush, washed, over traces of pencil; black framing line, 48.6 x 36.4 cm, l.l. straw, no

Architectural capriccio with ancient ruins and figures, Maximilian von Verschaffelt (Mannheim 1754 - 1818 Vienna), 1795, drawing, brush in gray-brown and yellow-brown, over pencil marks; black framing line, 32.5 x 40.7 cm, l.l. Duke Albert of

Village of Sulz in Lower Austria, Karl Ludwig Friedrich Viehbeck (Austria, 1769 - 1827), drawing, pen and ink on tracing paper, 19.3 x 28.1 cm

Ruins of Falkenstein am Donnersberg, Karl Ludwig Friedrich Viehbeck (Austrian, 1769 - 1827), drawing, watercolour, pencil, 36 x 53.3 cm

Two drawings pasted in a rich frame (top in circle: man with ruff; bottom in oval: Holy Family; in the corners signs of the zodiac; in between day, night, sea, land; poetry; painting; fencing; geometry; 4 evangelists), Cristoforo Roncalli,

View from a hill with day trippers down to a town on the river (Linz?), Karl Ludwig Friedrich Viehbeck (Austria, 1769 - 1827), c. 1820, drawing, pen and ink in brown, watercolour, 38.9 × 58.1 cm

The Pals von Feldkirch and the mountains in the Ill Thal, drawn in front of the village of Fresch on the Schellenberge, Karl Ludwig Friedrich Viehbeck (Austria, 1769 - 1827), drawing, watercolour, pencil, 30.4 x 40 cm, M.u. 'The Pals of

Lake Constance with the town of Bregenz, Karl Ludwig Friedrich Viehbeck (Austria, 1769 - 1827), drawing, watercolour, pencil, 19 x 28.1 cm, r.r. 'c Viehbeck'; Passepartout: M.u. 'Lake Constance with the city of Bregenz

Baden in the Grand Duchy of Baden, Karl Ludwig Friedrich Viehbeck (Austria, 1769 - 1827), drawing, watercolour, pencil, 37.2 x 53.4 cm, passe-partout: M.u. 'Bathing in the Grand Duchy of Baden

Mainz, Karl Ludwig Friedrich Viehbeck (Austria, 1769 - 1827), 1795, drawing, watercolour, pencil, 36.5 x 53.3 cm, l.l. 'Karl Viehböck after nature in July 1795. as then Fränck district contingent Grenad:Lieut

Heidelberg, Karl Ludwig Friedrich Viehbeck (Austria, 1769 - 1827), 1799, drawing, watercolour, pencil, 37 x 54.4 cm, r.r. 'K: Viehbeck from nature signed: in July 1799'; Passepartout: M.u. 'Heidelberg

From the Heights behind Bruchsall towards Speyer and Manheim, Karl Ludwig Friedrich Viehbeck (Austrian, 1769 - 1827), drawing, watercolour, pencil, 36.2 x 53.6 cm

Strasbourg from Kehl, Karl Ludwig Friedrich Viehbeck (Austria, 1769 - 1827), drawing, watercolour, pencil, 36 x 53.5 cm, passe-partout: M.u. 'Strasbourg from Kehl

Winterburg near Kreutzenach, Karl Ludwig Friedrich Viehbeck (Austria, 1769 - 1827), drawing, watercolour, pencil, 36.1 x 53.3 cm, passe-partout: M.u. 'Winterburg not far from Kreutzenach

Temple of the Virgin, Giuseppe Valeriano ( oder, Italy, 1530 - 1606), Scipione Pulzone gen. il Gaetano (Italy, 1550 - 1598), Drawing, pen and ink; Ink; washed, 26.6 x 16.4 cm, l.l. Albert of Saxe-Teschen

'Christ places a child among his disciples to give them an example of true simplicity', Christian Leberecht Vogel (Dresden 1759 - 1816 Dresden), around 1790, drawing, black chalk, pen and brush in brown, washed, watercolour, in places

Christ on the Mount of Olives, Christian Leberecht Vogel (Dresden 1759 - 1816 Dresden), 1775-80, drawing, brush in gray, washed, heightened with brush in white, over traces of chalk, 25.5 x 18.8 cm, r.r. Duke Albert of Saxe-Teschen

Two sleeping bacchantes and a faun child watched by a satyr, Christian Leberecht Vogel (Dresden 1759 - 1816 Dresden), 1778, drawing, black chalk, brush in brown, washed, watercolour, over pencil; brown framing line, 37.1 x 50.2 cm, l.l.

The Three Graces and Cupid with a garland of flowers and a cornucopia of fruit on clouds, Christian Leberecht Vogel (Dresden 1759–1816 Dresden), 1790s, drawing, red chalk, traces of black chalk, watercolour, over pencil, 51.1 x 36.8 cm, mu

Two nymphs in front of a pedestal, turning towards the viewer, Christian Leberecht Vogel (Dresden 1759 - 1816 Dresden), 1775-80, drawing, sanguine, pen in brown, brush in gray, watercolour, over pencil, heightened in places with brush in

Child with a birdcage, Christian Leberecht Vogel (Dresden 1759 - 1816 Dresden), 1790s, drawing, brown brush, wash, watercolour, over pencil; Frame painted in gray with a brush, 31.5 x 27.1 cm, bottom left in the depiction: Duke Albert of

View of Fürstenstein with a view of Englburg and Saldenburg, Max Joseph Wagenbauer (Öxing near Grafing, Upper Bavaria 1774 - 1829 Munich), 1804-05, drawing, pen and gray ink, watercolour, 25.2 x 35.6 cm, no collector's stamp Duke Albert

The bridge near Dingolfing, Max Joseph Wagenbauer (Öxing near Grafing, Upper Bavaria 1774 - 1829 Munich), 1804-05, drawing, pen and ink in gray and black, watercolour, over pencil marks, 24.9 x 35.2 cm, l.l. Duke Albert of Saxe-Teschen

Confirmation of the Jesuit Order. (Saint Ignatius of Loyola kneeling accepts the document from the pope, surrounded by the college of cardinals; above, Saint Ignatius in glory, adoring the crucifix), Andrea Boscoli (Florence 1560 - 1608 Rome),

Mourning of the mother of Menecas, Creon's son, who sacrificed himself in the battle of Thebes against the Greeks, Georg Friedrich Eberhard Wächter (Balingen 1762 - 1852 Stuttgart), before 1816, drawing, pen and brown ink, washed in places;

Landscape with cows, Maria Dorothea Wagner, née DIETRICH (Weimar 1719 - 1792 Meissen), drawing, pencil; black framing line, 22.9 x 27.3 cm, l.l. W.G. Becker, mat: on Albert mount 'Madame Wagner

Four women, some bathing at a lake in a mountainous landscape, Franz Walter (Alsace, 1755 - after 1797 ), 1775-1800, drawing, black chalk, gray wash, heightened in white with brush, 25.9 x 18, 3 cm, l.l. Duke Albert of Saxe-Teschen, r.r.

Nude of an old man, Joseph Walter (born 1775), 1791/1797, drawing, black chalk, heightened with white chalk, on brown-grey coated paper, 36.9 x 49.4 cm, l.l. Duke Albert of Saxe-Teschen, right. under the figure's left foot: 'Walter gez 797

The Dürer House in Nuremberg, Johann Philipp Walther (Mühlhausen 1798 - 1868 Nuremberg), 1827, drawing, watercolour, pen and ink in black-grey, over pencil, in front partially heightened with brush in white; black framing line, 21.2 × 25.9

Drill demonstration with figure riding by the cuirassier regiment of Duke Albert von Sachsen-Teschen near Trauendorff, Sebastian Warmuth Edler von Schlachtfeld (Pardubice 1788 - 1873 Vienna), drawing, pen and brush in grey, washed, black framing

Copy after Charles Le Brun: Affect study of a man with a fur hat and fur jacket as an allegory of anger, Friedrich Warsow (Germany, born 1787), 19th century, drawing, pen and black ink, 50.7 × 35.7 cm, M.u.Herzog Albert von Sachsen-Teschen,

Rosen, Sebastian Wegmayr (Vienna 1776 - 1857 Vienna), drawing, watercolour, body paint, over pencil, 28.7 x 21.7 cm, passe-partout: verso; l.b. '40'; 'D73old

Austrian attack on Aspern during the battle of May 21, 1809, Weingarten, 1809, drawing, pen and brush in gray, over pencil marks, 21.7 x 35.8 cm, l.l. Duke Albert of Saxe-Teschen, - Passepartout: verso, <, Mi.u. Adhesive sign 'From the

Judith led before Holofernes with her maid; in perspective tents with warriors; In the tent on the right again Holofernes, Andrea Boscoli (Florence 1560 - 1608 Rome), drawing, chalk and pen, washed, 15.7 x 20.3 cm, l.l. Jan Pietersz Zoomer;

'cell dr Martin Luther in the Augustinian monastery in Erfurth, in which he lived from 1505 to 1507.', Georg Christian Wilder (Nuremberg 1797 - 1855 Nuremberg), 1819, drawing, black-grey pen, watercolour; black-grey framing line, 16.1 × 13.6

Draft drawing with detailed studies for the monstrance of the church in Prigglitz near Wiener Neustadt, Georg Christian Wilder (Nuremberg 1797 - 1855 Nuremberg), 1827, drawing, pencil, watercolour, gray and yellow, on paper with a bluish green

The Prigglitz monstrance (clean drawing), Georg Christian Wilder (Nuremberg 1797 - 1855 Nuremberg), 1827, drawing, pen and ink in black and gray, washed and watercoloured, over pencil marks, 50.8 × 28.7 cm, center and scale over '1. Vienna

Four farmers near a rock face, Tiberius Dominikus Wocher (Mimmenhausen 1728 - 1799 Reute (Bad Waldsee)), 1770s, drawing, brown pen, washed, over pencil, 18.6 x 22.5 cm, l. and Duke Albert of Saxe-Teschen, l.u. 'T Wocher' (pen in brown

Alter Orietale gave a speech to a group of old people, Tiberius Dominikus Wocher (Mimmenhausen 1728 - 1799 Reute (Bad Waldsee)), 1774, drawing, lead pencil, brush in gray and grey-brown, pen in black, 17.7 x 22.3 cm, r.b. Duke Albert of

Bust portrait of an old oriental, Tiberius Dominikus Wocher (Mimmenhausen 1728 - 1799 Reute (Bad Waldsee)), 1777, drawing, pen and black, washed; Pencil marks, 18 x 14.3 cm, l.l. Duke Albert of Saxe-Teschen

Two animated female figures with fluttering robes, Andrea Boscoli (Florence 1560 - 1608 Rome), drawing, pen and ink; washed, 15.6 x 12.5 cm, l.l. Duke Albert of Saxe-Teschen, lower left 'Boscoli' in an old hand; Lower right '4' in different ink

Shepherdess with a telescope, Caspar Wolf (Muri, Aargau 1735 - 1783 Heidelberg), around 1771-77, drawing, pencil, watercolour, 14 x 10.8 cm, r.r. Duke Albert of Saxe-Teschen

Country woman with her child, sitting on a stone, Caspar Wolf (Muri, Aargau 1735 - 1783 Heidelberg), around 1771-77, drawing, pencil, watercolour, 15.5 x 11.5 cm, r.r. Duke Albert of Saxe-Teschen, passe-partout: on Albert mount 'Wocher

Castle ruins with tower and figures by a draftsman, Marquard Fidel Dominikus Wocher (Mimmenhausen near Salem 1760 - 1830 Basel), 1789, drawing, gray pen, gray and brown brush, washed, partially heightened with white brush, over pencil marks;

Swiss farmhouse by a lake in the evening light, Marquard Fidel Dominikus Wocher (Mimmenhausen near Salem 1760 - 1830 Basel), 1789, drawing, brush in black, brown and gray, washed, pen in black, over traces of pencil; black framing line, 19.9

Portrait of Johann Caspar Lavater, Marquard Fidel Dominikus Wocher (Mimmenhausen near Salem 1760 - 1830 Basel), 1799, drawing, watercolor and body colour, over traces of pencil; gray painted frame, 18.4 x 14.4 cm, verso: 'from the Frisian

Oak trees on a wall near Castel Gandolfo in Rome, Hendrik Voogd (Amsterdam 1766 - 1839 Rome), 1793, drawing, pen in black-grey, brush in brown, washed, 26.3 x 40.2 cm, presumably an inscription on the reverse of the sheet Transferred to the

Landscape, Michael Wutky (Krems 1739-1823 Vienna), 1772-1785, drawing, brown ink, 15.7 x 19.4 cm, l. and Duke Albert of Saxe-Teschen

The Gulf of Naples from Pozzuoli, Michael Wutky (Krems 1739-1823 Vienna), 1782-1783, drawing, brush in brown, 33 x 44.8 cm, l. and Duke Albert of Saxe-Teschen

Side of the Arch of Janus and San Giorgio in Velabro in Rome, Michael Wutky (Krems 1739-1823 Vienna), 1772-1785, drawing, pencil, 33.9 x 44.3 cm, l. and Duke Albert of Saxe-Teschen

Exterior of the Museo Pio-Clementino with the Sala Rotonda under construction, Michael Wutky (Krems 1739-1823 Vienna), 1772-1785, drawing, brush in gray, watercolour, 34.5 x 48.2 cm, l. and Duke Albert of Saxe-Teschen

Holy Family with the Child John, Alessandro Casolani (Italian, 1552/53 - 1607), Drawing, chalk; Feather; washed; heightened with white; brown paper, 21.8 x 15.7 cm, l.l. Duke Albert of Saxe-Teschen

Landscape with a Waterfall, Michael Wutky (Krems 1739-1823 Vienna), 1772-1785, drawing, brown ink, 43.9 x 33.6 cm

Count Aladar Andrässy, Anton Zampis (Vienna 1820 - 1883 Vienna), c. 1865, drawing, pencil, black chalk, brush in black, heightened with white, 30.8 × 46.9 cm

Emperor Franz Joseph I on horseback (preliminary drawing for the lithograph), Anton Zampis (Vienna 1820 - 1883 Vienna), around 1865, drawing, pencil, heightened in white with brush, 14.5 × 19.9 cm

Races in an oval vignette made from a belt; including two female half-length figures, Anton Zampis (Vienna 1820 - 1883 Vienna), drawing, pencil on brownish paper, 25.8 x 27 cm

Elegant team of sleighs in a landscape, Anton Zampis (Vienna 1820 - 1883 Vienna), drawing, pencil on brownish paper, 17.5 x 27.7 cm

Neoclassical temple facade, Joseph Ziegler (Austria, 1774 - 1846), drawing, pen and ink in grey, watercolour, according to Cahier: 32.5 x 26.5 cm, l.l. Duke Albert of Saxe-Teschen, M. 'PANTHEON, WIENENSE MAGNIFICUM ALBERTUS AUGUST

Allegorical picture frame, Josef Anton Zimmermann (Augsburg 1705/1754 - 1797 Munich), drawing, pen and ink in reddish brown, washed, 13.6 x 8.8 cm, l. and Duke Albert of Saxe-Teschen

Madonna and Child in a Landscape, Clemens von Zimmermann (Düsseldorf 1788 - 1869 Munich), c. 1820-1822, drawing, pencil, heightened with white chalk, on blue paper; Pencil framing line traced below with black chalk; The image ends with an arch

Jacob's departure with Rebekka, Clemens von Zimmermann (Düsseldorf 1788 - 1869 Munich), 1816, drawing, brown-grey pen, washed, heightened with white with brush, on brownish paper; black framing line, 266 x 365 mm, no collector's stamp Duke

Annunciation, Giuseppe Valeriano (Italian, 1530 - 1606), Drawing, pen and ink; washed, 26.0 x 20.0 cm, r.r. Duke Albert of Saxe-Teschen, lower left in an old hand 'di padre Giosepe Valleriano 1594'; top left '11

Christ and the adulteress, Clemens von Zimmermann (Düsseldorf 1788 - 1869 Munich), before 1820, drawing, black chalk, heightened with white chalk, over traces of pencil, on light brown paper; Black framing line, 236 x 290 mm, no collector's

Russian soldier in a wild gallop, Carl Friedrich Zimmermann (Berlin 1796 - 1820 Loisach (river) near Wolfratshausen), around 1813, drawing, black chalk, on light brown paper, 223 x 281 mm, l.l. Duke Albert of Saxe-Teschen

Group of oaks, August Robert Zimmermann (Zittau 1818 - 1864 Munich), 19th century, drawing, black chalk, wiped, 314 x 440 mm, right. bottom: 'R Zimmerman', Black Chalk Passepartout: verso, bottom center: '17946/40646 Suppl. 11

Shore landscape with large trees and figures, Adrian Zingg (St. Gallen 1734 - 1816 Leipzig), 1773, drawing, black pen, gray brush, washed, 15.7 x 19.7 cm, l.l. Duke Albert of Saxe-Teschen, r.o. '53' (lead

Landscape with a farmhouse on a ravine and a view of a village, Adrian Zingg (St. Gallen 1734 - 1816 Leipzig), c. 1770-80, drawing, black pen, gray brush, washed, 17.5 x 23.1 cm, r.b. Duke Albert of Saxe-Teschen

Castle, castle and town of Frauenstein in Saxony, Adrian Zingg (St. Gallen 1734 - 1816 Leipzig), around 1770-80, drawing, black pen, gray brush, washed, 16.7 x 23.2 cm, l.l. Duke Albert of Saxe-Teschen

Construction of a stone bridge, behind it a thatched hut, Johann Georg Wille (Biebertal, Gießen 1715 - 1808 Paris), 1759-65, drawing, pen in brown, brush in black and gray, washed, over traces of pencil; black framing line, 20.3 x 29.6 cm,

Mountain road over a rocky pass with a view of a southern landscape; in the foreground a devotional scene, Adrian Zingg (St. Gallen 1734 - 1816 Leipzig), 1776, drawing, pen and brush in brown with brown wash, 30.4 x 45.6 cm, l.l. Duke Albert of

Visit to a peasant hut by a pond in the moonlight, Adrian Zingg (St. Gallen 1734 - 1816 Leipzig), c. 1765-70, drawing, black pen, black and gray brush, washed, 20.5 x 31.9 cm

A soldier breaks into a room where the main characters are two funny fat drinkers; Scene from the 17th century, Philipp von Stubenrauch (Vienna 1784 - 1848 Vienna), drawing, watercolour, black-grey pen, over pencil marks; black framing line,

The Madonna appears to Saints Peter and Stephen, Cristoforo Roncalli, called Pomarancio (Pomarance 1552 - before 1626 Rome), drawing, pen; washed; Red chalk squaring, 30.7 x 17.3 cm, below bottom Duke Albert of Saxe-Teschen, lower right in an

Landscape with a Farmhouse Between Trees and Two Men Resting, Johann Philipp Veith (Dresden 1768–1837 Dresden), late 18th, early 19th century, Drawing, black chalk, on paper tinted light blue; black framing line, 13.5 x 19.2 cm, r.r. Duke

The Ortler peak, the source of the Etsch and the lower Reschen lake, Karl Ludwig Friedrich Viehbeck (Austria, 1769 - 1827), drawing, watercolour, pencil, 19 x 28.3 cm, l.l. 'c Viehbeck del'; Passepartout: M.u. 'The Ortler peak, the origin of

Tower of the monastery of St. Nikola near Passau and Oberhaus, Max Joseph Wagenbauer (Öxing near Grafing, Upper Bavaria 1774 - 1829 Munich), 1805-06, drawing, pen and ink in grey, watercolour, 25.2 x 35.2 cm, no collector's stamp Herzog

Group of Orientals in front of tree and tent, Tiberius Dominikus Wocher (Mimmenhausen 1728 - 1799 Reute (Bad Waldsee)), 1774, drawing, lead pencil, brown brush, washed, black pen, 17.4 x 225 cm, l.l. Duke Albert of Saxe-Teschen

Dressage act, Anton Zampis (Vienna 1820 - 1883 Vienna), around 1865, drawing, pencil, watercolour, 29.4 × 31.6 cm

Old Castle and Abbey of Klosterneuburg, Peter Joseph Zurkinden, drawing, gouache, over pencil, 28.8 x 37.2 cm, r.r. Duke Albert of Saxe-Teschen

View of Dresden with a bridge, Adrian Zingg (St. Gallen 1734 - 1816 Leipzig), 2nd half of the 18th, early 19th century, drawing, outline etching, washed in brown with a brush, sheet: 9.5 x 14.5 cm, r.b. Duke Albert of Saxe-Teschen (L 174),

The Elbe between Aussig and Lobositz, Johann Sebastian Bach (Berlin 1748 - 1778 Rome), around 1775, drawing, brush in brown, washed, over traces of pencil; black framing line, 19.4 x 26.2 cm, r.r. Duke Albert of Saxe-Teschen

Hohnstein Castle as seen from the site, Christian August Günther (Pirna an der Elbe 1759 - 1824 Dresden), 1790s, drawing, black and black-grey pen, watercolour, over pencil marks; black framing line, 26 x 36.5 cm, l.l. Duke Albert of

The Gloriette in Schönbrunn, Lorenz Janscha (Radmannsdorf (Krain) 1749 - 1812 Vienna), around 1790, drawing, watercolour, 26.8 x 41.3 cm, l. and Duke Albert of Saxe-Teschen

Kaltenleutgben village, Lorenz Janscha (Radmannsdorf (Krain) 1749 - 1812 Vienna), 1790-1810, drawing, watercolour, 26.4 x 40.5 cm, r. and Duke Albert of Saxe-Teschen

Laxenburg, Turkish Pavilion, Lorenz Janscha (Radmannsdorf (Krain) 1749 - 1812 Vienna), 1790-1800, drawing, watercolour, 26.7 x 41.2 cm, l. and Duke Albert of Saxe-Teschen

search results: Drawing clear search