Images at Librifly

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Annunciation. (In front of a columned hall, the Madonna kneels on the right in front of a prayer desk; on the left, the angel kneels, sharply profiled; God the Father hovers in a halo of angels from above), Ridolfo Ghirlandaio (Italy, 1483 -

An angel shows a companion of St. Francis the chairs above the clouds, Domenico Cresti gen. Passignano (Badia a Passignano (Tavarnelle Val di Pesa) 1559 - 1638 Florence), drawing, pen, ink, wash, 16.7 x 16.0 cm, left to right Albert of

Saint Francis challenges the ruler to put his hand in the fire and prove the truth of the Christian faith, Domenico Cresti gen. Passignano (Badia a Passignano (Tavarnelle Val di Pesa) 1559 - 1638 Florence), drawing, pen, ink, washed, 16.0 x

Christ appears to St. Francis on clouds, Domenico Cresti called Passignano (Badia a Passignano (Tavarnelle Val di Pesa) 1559 - 1638 Florence), drawing, pen, ink, wash, 17.0 x 16.4 cm, bottom left Duke Albert of Saxe-Teschen

Saint Francis appears in Egypt to two of his brothers and bids them baptize the ruler, Domenico Cresti gen. Passignano (Badia a Passignano (Tavarnelle Val di Pesa) 1559 - 1638 Florence), drawing, pen, ink, wash, 16, 0 x 16.0 cm, l.l. Duke

Miracle of the spring of Saint Francis, Domenico Cresti called Passignano (Badia a Passignano (Tavarnelle Val di Pesa) 1559 - 1638 Florence), drawing, pen, ink, washed, 16.0 x 16.1 cm, l.l. Duke Albert of Saxe-Teschen

An angel appears to Saint Francis, Domenico Cresti called Passignano (Badia a Passignano (Tavarnelle Val di Pesa) 1559 - 1638 Florence), drawing, pen, ink, washed, 16.0 x 16.0 cm, l.l. Duke Albert of Saxe-Teschen

Saint Francis heals a leper, Domenico Cresti called Passignano (Badia a Passignano (Tavarnelle Val di Pesa) 1559 - 1638 Florence), drawing, pen, ink, washed, 16.0 x 15.9 cm, l.l. Duke Albert of Saxe-Teschen

The Christ Child appears in the arms of St. Francis in front of a depiction of the Nativity, Domenico Cresti known as Passignano (Badia a Passignano (Tavarnelle Val di Pesa) 1559 - 1638 Florence), drawing, pen, ink, wash, 16.2 x 16 .2 cm, l.l.

While Saint Anthony is preaching, Saint Francis appears to him in clouds, Domenico Cresti gen. Passignano (Badia a Passignano (Tavarnelle Val di Pesa) 1559 - 1638 Florence), drawing, pen, ink, wash, 16.0 x 15.9 cm, l.b. Duke Albert of

Christ standing in the mandorla with outstretched hands, Pietro Vannucci di Cristoforo, called Perugino ( and workshop, Città della Pieve c. 1450 - 1523 Fontignano), drawing, metal pin; Feather; washed; heightened with white; slightly rubbed,

Saint Francis resists the temptation, whereupon the roses bloom, Domenico Cresti called Passignano (Badia a Passignano (Tavarnelle Val di Pesa) 1559 - 1638 Florence), drawing, pen, ink, washed, 16.0 x 15.9 cm, r.b. Duke Albert of

Saint Francis receiving the bread of a miser from Spoleto and praying for him, Domenico Cresti called Passignano (Badia a Passignano (Tavarnelle Val di Pesa) 1559 - 1638 Florence), drawing, pen, ink, wash, 16.7 x 15, 9 cm, l.l. Duke Albert of

Saint Francis heals a man with deformities, Domenico Cresti called Passignano (Badia a Passignano (Tavarnelle Val di Pesa) 1559 - 1638 Florence), drawing, pen, ink, washed, 16.2 x 15.8 cm, l.l. Duke Albert of Saxe-Teschen

Two angels escort St. Francis into the church with the roses, Domenico Cresti called Passignano (Badia a Passignano (Tavarnelle Val di Pesa) 1559 - 1638 Florence), drawing, pen, ink, wash, 16.2 x 15.2 cm, l.b. Duke Albert of Saxe-Teschen

First source of the lower Rhine, Johann Ludwig Bleuler (Feuerthalen 1792 - 1850 Laufen), 1st half of the 19th century, drawing, etching, heavily overpainted, 32.2 x 47.8 cm, passepartout: M.u. 'Première source du Rhin.'; r.b. 'No. 1

Glacier of the Rhine Forest, Johann Ludwig Bleuler (Feuerthalen 1792 - 1850 Laufen), 1st half of the 19th century, drawing, etching, body colour, 32 x 48.2 cm, passepartout: M.u. 'Glacier du Rheinwald.'; r.b. 'N. 2

Ilanz on the banks of the Upper Rhine, Johann Ludwig Bleuler (Feuerthalen 1792 - 1850 Laufen), 1st half of the 19th century, drawing, etching, heavily overpainted, 32.2 x 48.4 cm, passepartout: M.u. 'Vue d'Ilanz, prem.e ville sur les bords du

Splügen, Johann Ludwig Bleuler (Feuerthalen 1792 - 1850 Laufen), 1st half of the 19th century, drawing, etching, heavily overpainted, 31.8 x 47.9 cm, passepartout: M.u. 'Le Village de Splugen.'; r.b. 'N. 4

Source of the Rhine, Johann Ludwig Bleuler (Feuerthalen 1792 - 1850 Laufen), 1st half of the 19th century, drawing, etching, heavily overpainted, 32.1 x 47.7 cm, passepartout: M.u. 'Source du Rhin anterior.'; r.b. 'N.5

Confluence of the Rhine sources near Chamot, Johann Ludwig Bleuler (Feuerthalen 1792 - 1850 Laufen), 1st half of the 19th century, drawing, etching, heavily overpainted, 31.8 x 47.5 cm, passepartout: M.u. 'Ruine de Haldenstein au dessus de

View towards St. Marie and the Medels valley, Johann Ludwig Bleuler (Feuerthalen 1792 - 1850 Laufen), 1st half of the 19th century, drawing, etching, heavily overpainted, 31.9 x 47.8 cm, passepartout: M.u. 'Vue contre Ste. Marie et la Vallée

Saint Francis places the roses on the altar pedestal; above the vision of Mary and Christ, Domenico Cresti called Passignano (Badia a Passignano (Tavarnelle Val di Pesa) 1559 - 1638 Florence), drawing, pen, ink, washed, 16.2 x 16.0 cm, l.l.

Dissentis Monastery and surroundings, Johann Ludwig Bleuler (Feuerthalen 1792 - 1850 Laufen), 1st half of the 19th century, drawing, etching, heavily overpainted, 32.1 x 48.2 cm, passepartout: M.u. 'Couvent de Dissentis et ses environs, prize

Ortenstein Castle, Johann Ludwig Bleuler (Feuerthalen 1792 - 1850 Laufen), 1st half of the 19th century, drawing, etching, heavily overpainted, 32.1 x 48.4 cm, passe-partout: M.u. 'Chateau d'Ortenstein and l'entrée de la Vallée de

Razuns Castle, the Galanta and the way to Gunkels, Johann Ludwig Bleuler (Feuerthalen 1792 - 1850 Laufen), 1st half of the 19th century, drawing, etching, heavily overpainted, 32.1 x 48.5 cm, passepartout: M.u. 'Chateau de Razuns, le mont

The Rhine, Johann Ludwig Bleuler (Feuerthalen 1792 - 1850 Laufen), 1st half of the 19th century, drawing, etching, heavily overpainted, 32.1 x 48.1 cm, passepartout: M.u. 'Réunion des deux bras du Rhin superior et du milieu

Rhine waterfall and obverse, Johann Ludwig Bleuler (Feuerthalen 1792 - 1850 Laufen), 1st half of the 19th century, drawing, etching, heavily overpainted, 31.7 x 48 cm, passepartout: M.u. 'Cascade du Rhin et du torrent d'Avers dans le Roffleü,

Vue d'Andées en avant de Splügen prize à gauche de Barenbourg, Johann Ludwig Bleuler (Feuerthalen 1792 - 1850 Laufen), 1st half of the 19th century, drawing, etching, heavily overpainted, 31.6 x 47.8 cm, passepartout: mu 'Vue d'Andées en

Zillis im Schamstal, Johann Ludwig Bleuler (Feuerthalen 1792 - 1850 Laufen), 1st half of the 19th century, drawing, etching, heavily overpainted, 31.6 x 48.2 cm, passepartout: M.u. 'Village de Zillis in the Vallée de Schams'; r.b. no 15

Trons, Johann Ludwig Bleuler (Feuerthalen 1792 - 1850 Laufen), 1st half of the 19th century, drawing, etching, heavily overpainted, 32 x 48.5 cm, passepartout: M.u. 'Ruine de Haldenstein au dessus de Ragaz et de la Vallée de Sargans.'; r.b.

Réunion des deux fleuves, Johann Ludwig Bleuler (Feuerthalen 1792 - 1850 Laufen), 1st half of the 19th century, drawing, etching, heavily overpainted, 32.3 x 48.2 cm, r.r. no 20

Confluence of the sources of the Rhine near Reichenau, Johann Ludwig Bleuler (Feuerthalen 1792 - 1850 Laufen), 1st half of the 19th century, drawing, etching, heavily overpainted, 31.9 x 48.1 cm, passepartout: M.u. 'Réunion du Rhin anterieur

Pope Honorius and Saint Francis with the roses, Domenico Cresti called Passignano (Badia a Passignano (Tavarnelle Val di Pesa) 1559 - 1638 Florence), drawing, pen, ink, washed, 16.2 x 16.0 cm, l.l. Duke Albert of Saxe-Teschen

The Coire Valley and its surroundings, Johann Ludwig Bleuler (Feuerthalen 1792 - 1850 Laufen), 1st half of the 19th century, drawing, etching, heavily overpainted, 32 x 48.3 cm, passepartout: M.u. 'Ville de Coire et ses environs.'; r.b. no 22

Mount Tabor near the monastery of Pfeffers, Johann Ludwig Bleuler (Feuerthalen 1792 - 1850 Laufen), 1st half of the 19th century, drawing, etching, heavily overpainted, 32.2 x 48.5 cm, passepartout: M.u. 'Mont de Tabor près du Couvent de

Path with tunnel passage coming from Tusis, Johann Ludwig Bleuler (Feuerthalen 1792 - 1850 Laufen), 1st half of the 19th century, drawing, etching, heavily overpainted, 46.9 x 32.5 cm, passepartout: M.u. 'Galerie du trou perdu en venant de

The bridge in the middle of the Via mala, Johann Ludwig Bleuler (Feuerthalen 1792 - 1850 Laufen), 1st half of the 19th century, drawing, etching, heavily overpainted, 47.5 x 31.7 cm, passepartout: M.u. 'Le pont du milieu de la Via mala.'; r.b.

Haldenstein ruins above Ragaz and the Sargans valley, Johann Ludwig Bleuler (Feuerthalen 1792 - 1850 Laufen), 1st half of the 19th century, drawing, etching, heavily overpainted, 31.9 x 48.1 cm, passepartout: M.u. 'Ruine de Haldenstein au

Castle and village of Vaduz, Johann Ludwig Bleuler (Feuerthalen 1792 - 1850 Laufen), 1st half of the 19th century, drawing, etching, heavily overpainted, 32.1 x 48.1 cm, passepartout: M.u. 'Le chateau and village de Vaduz'; r.b. no 26

The Rhäticon mountains, from Sargans Castle, Johann Ludwig Bleuler (Feuerthalen 1792 - 1850 Laufen), 1st half of the 19th century, drawing, etching, heavily overpainted, 31.5 x 48.2 cm, passepartout: M.u. 'Les Montagnes de Rhäticon, prizes

Werdenberg Castle and the Rhine Valley, Johann Ludwig Bleuler (Feuerthalen 1792 - 1850 Laufen), 1st half of the 19th century, drawing, etching, heavily overpainted, 31.6 x 48 cm, passepartout: M.u. 'Chateau de Werdenbergr et le val du Rhin.';

Confluence of the Ill and Rhine, Johann Ludwig Bleuler (Feuerthalen 1792 - 1850 Laufen), 1st half of the 19th century, drawing, etching, heavily overpainted, 32.1 x 48.3 cm, passepartout: M.u. 'Réunion de l'Ill et du Rhin.'; r.b. 'N. 28

Saint Francis preaches from the pulpit to the bishops and the people, Domenico Cresti called Passignano (Badia a Passignano (Tavarnelle Val di Pesa) 1559 - 1638 Florence), drawing, pen, ink, wash, 16.0 x 15.9 cm, l.b. Duke Albert of

View of Vienna from Nußdorf, Joseph Fischer (Vienna 1769–1822 Vienna), drawing, pen and brown ink, brown wash, 31 x 43.8 cm (12 3/16 x 17 1/4 in

Vienna, Burgtor, anonymous, 19th century, drawing, pen, 14.2 x 18.2 cm

Vienna, Inner District, anonymous, 19th century, drawing, pen, 14.3 x 18.2 cm

Vienna, inner district: Red Tower Gate, anonymous, 19th century, drawing, pen, 14.3 x 18.3 cm

Vienna, Inner District, anonymous, 19th century, drawing, pen, 14.3 x 18.2 cm

Vienna, Inner District, Stubentor?, anonymous, 19th century, drawing, pen, 14.3 x 18.2 cm

The Outer Castle Gate, anonymous, 19th century, drawing, brush, 23.2 x 27 cm

The inner castle gate after the outer one had been blown up, Anton Stutzinger (Vienna 1821 - after 1875 Vienna), drawing, brush, 24.4 x 32.4 cm, r. Above: 'The inner castle gate after the outer one had been blown up in 1810

Saint Francis as bishop preaching to the bishops and the people on the benches, Domenico Cresti gen. Passignano (Badia a Passignano (Tavarnelle Val di Pesa) 1559 - 1638 Florence), drawing, pen, ink, washed, 16.2 x 15, 2 cm, l.l. Duke Albert

The outer Kärntnertor around 1808, Moritz Leybold (Vienna 1806 - 1857 Vienna), drawing, watercolour, 23.3 x 27.4 cm, r. o.: 'The outer Vorwerks-Kärntner-Thor. c. 1808

The Carinthian Gate with the stone bridge, Moritz Leybold (Vienna 1806 - 1857 Vienna), drawing, watercolour, 20.2 x 34.8 cm

Kärntnertor, Emil Hütter (Vienna 1835 - 1886 Vienna), 1860, drawing, watercolour, 17.6 x 24.4 cm

Kärntnertor, Emil Hütter (Vienna 1835 - 1886 Vienna), drawing, watercolour, 21.8 x 29.5 cm

The Augustinian Bastion with the Albertina, Emil Hütter (Vienna 1835 - 1886 Vienna), drawing, watercolour, 27.4 x 44.2 cm

Ambrosio Augustini's coffee house with the guard house on the Rotenturmbastei, Anton Stutzinger (Vienna 1821 - after 1875 Vienna), drawing, brush, 17.3 x 16.1 cm

The Outer Fisherman's Gate, against the bastion, anonymous, 19th century, drawing, brush, 23.5 x 32 cm

Field Marshal Colloredo's funeral procession 1824, The Cortège passes the Stubentorbrücke, Anton Stutzinger (Vienna 1821 - after 1875 Vienna), 1860, drawing, watercolour, 19.2 x 25.8 cm, l. u.: 'Anton Siegl.' Bottom left: 'F. M. L.

The Neutorbrücke with the Vorwerk, behind the cone house, Anton Stutzinger (Vienna 1821 - after 1875 Vienna), 1860, drawing, watercolour, 14 x 19.9 cm, below: 'The Neuthorbrücke with the Vorwerk, behind the Kegelhaus. 1820. After Malek cop.

The Neutor 1859, Anton Stutzinger (Vienna 1821 - after 1875 Vienna), 1859, drawing, brush, 31 x 24.7 cm, bottom left: 'Das Neuthor. 1859

The bishops in the pulpit with empty benches in front of the people, Domenico Cresti called Passignano (Badia a Passignano (Tavarnelle Val di Pesa) 1559 - 1638 Florence), drawing, pen, ink, washed, 16.4 x 15.9 cm, l.b. Duke Albert of

Part of the Red Tower Gate, Anonymous, 19th century, drawing, pen, 13.6 x 9.4 cm

Hoffest in der Winterreitschule der Hofburg in Wien am 7. Jänner 1744 aus Anlass der Hochzeit von Erzherzogin Maria Anna und Herzog Carl Alexander von Lothringen am 12. Jänner 1744, Giuseppe Galli Bibiena (Parma 1696 - 1756 Berlin), 1744,

Architectural sketches, Giuseppe Galli Bibiena (Parma 1696 - 1756 Berlin), 1744, drawing, pen, ink, sepia, 33.6 x 50.1 cm, Mirror writing translucent on the reverse, which does not appear on the obverse, so that the folded reverse seems

Sankt Ruprecht, anonymous, 19th century, drawing, pen, 13.9 x 9.7 cm

Sankt Ruprecht, Anton Stutzinger (Vienna 1821 - after 1875 Vienna), drawing, brush, 21.3 x 32.1 cm, r. u.: 'A. Stutzinger after v. Mayer' M. u.: 'The S. Ruprechtskirche 1800

Frontal view of the foot of the organ with the bust of Anton Pilgrams in St. Stephen's Cathedral in Vienna, Joseph Fischer (Vienna 1769 - 1822 Vienna), around 1820, drawing, ink, pen, 16.4 × 21.7 cm, and detailed inscription

Frontal view of the foot of the organ (with the bust of Anton Pilgram) in St. Stephen's Cathedral in Vienna, Joseph Fischer (Vienna 1769 - 1822 Vienna), around 1820, drawing, pencil, ink, pen, 37 × 29.1 cm, and detailed inscription; r.b.

The pilgrim pulpit in Vienna's St. Stephen's Cathedral, Joseph Fischer (Vienna 1769 - 1822 Vienna), c. 1820, drawing, pencil, ink, pen, wash, blue watercolour, 30.8 × 21.4 cm

Sermon of Saint Francis, Domenico Cresti called Passignano (Badia a Passignano (Tavarnelle Val di Pesa) 1559 - 1638 Florence), drawing, pen, ink, wash, 16.3 x 15.3 cm, l.l. Duke Albert of Saxe-Teschen, verso cartouche 'No. 31

The Minorite Church with parts of the tower and the Hahnl House, Moritz Leybold (Vienna 1806 - 1857 Vienna), 1852, drawing, watercolour, 25.9 x 20 cm, l. u.: 'The Minorite Church with the house 'zum Hahnl.' 1852

Choir of the Michaelerkirche with the houses built in front of it on Bräunerstrasse, Moritz Leybold (Vienna 1806 - 1857 Vienna), 1852, drawing, watercolour, 16.2 × 20.5 cm, l. u.: 'Choir of the Michaelerkirche with the front-built houses in

Dominican Church. Today's main front, Anonymous, 19th century, drawing, pencil, 23.3 x 29.8 cm

Dominican Church at the time of the Turkish siege in 1529, anonymous, 19th century, drawing, pen, 23.3 x 38.7 cm

Saint Peter, general view, anonymous, 19th century, drawing, pen, watercolour, 34.2 x 26.1 cm

The Jesuit Church, J. H. Lang, 19th century, drawing, pencil, 35 x 24.5 cm

Sankt Johann in the Kärntnerstrasse before the reconstruction in 1808, Carl L. Wiesböck (Vienna 1811 - 1874 Vienna), drawing, watercolour, 14.6 x 17.7 cm, r. above: 'S. Johann in the Kärtnerstraße, before the renovation of the year 1808.

Church interior, Anonymous, 19th century, drawing, pen, 14.1 x 20.2 cm

A part of Minoritenplatz with the old country house, Anton Stutzinger (Vienna 1821 - after 1875 Vienna), 1859, drawing, pencil, washed, 33 x 46.8 cm, bottom left: 'Ein part of Minoritenplatz with the old country house. ' right below: 'Copied

The Donation of the Belt of the Madonna, drawing, metal pin; Feather; washed; a crease in the middle; perforated, 31.7 x 52.2 cm, l.l. Duke Albert of Saxe-Teschen

Saint Francis reads a document, Domenico Cresti called Passignano (Badia a Passignano (Tavarnelle Val di Pesa) 1559 - 1638 Florence), drawing, pen, ink, washed, 16.2 x 15.2 cm, l.l. Duke Albert of Saxe-Teschen, verso cartouche 'No. 32

Spitalplatz (Lobkowitzplatz), Emil Hütter (Vienna 1835 - 1886 Vienna), 1858, drawing, watercolour, 32.1 x 91.4 cm, r. u.: 'E. Hütter fec. (hard to read word) 1858

The old ramp at the Archduke Albrecht Palace, Anton Stutzinger (Vienna 1821 - after 1875 Vienna), 1858, drawing, watercolour, 14.5 x 32.8 cm, r. u.: 'Ramp up to E. H. Albrecht at Spitalplatz.. July 1858

The square in front of the Kärtnertor-Theater, Anton Stutzinger (Vienna 1821 - after 1875 Vienna), 1858, drawing, watercolour, 22.8 x 44 cm, bottom left: 'Place in front of the Kärntner-Thor-Theater. July 1858

Wall painting of the house where the fox preaches to the geese, Wallnerstrasse 271, Anton Stutzinger (Vienna 1821 - after 1875 Vienna), 1859, drawing, watercolour, 26.3 x 27.9 cm, below: 'The house with the shield' where the Wolf preaches to

The Pailerttor in Vienna, demolished in 1732, Anton Stutzinger (Vienna 1821 - after 1875 Vienna), 1859, drawing, brush, pencil, 22.3 x 17.1 cm, below: 'The Pailerttor in Vienna, demolished in 1732, after an im Privately owned figure,

Houses No. 565, 566 on Spenglergasse between the police headquarters and the savings bank. Broken off in 1860, Anton Stutzinger (Vienna 1821 - after 1875 Vienna), around 1860, drawing, watercolour, 33.5 x 28.7 cm, l. u.: 'The houses no. 565

The ditch. Houses No. 281 and 282 (Liebigsches Haus), insight into the Naglergasse, Moritz Leybold (Vienna 1806 - 1857 Vienna), drawing, watercolour, 21.2 x 20 cm, centered above: 'Die Häuser No. 281 and 282 at Graben. corner of Naglergasse

The corner house of the Komödiegässel (Führichgasse) and the Kärntnerstrasse, Anton Stutzinger (Vienna 1821 - after 1875 Vienna), drawing, watercolour, 28 x 20.1 cm, top left: 'corner of the Komödiegässchens in the Kärntnerstrasse. house

Saint Francis in a boat in front of a fortified town, Domenico Cresti called Passignano (Badia a Passignano (Tavarnelle Val di Pesa) 1559 - 1638 Florence), drawing, pen, ink, washed, 16.0 x 16.0 cm, l.l. Duke Albert of Saxe-Teschen

Herrengasse. Count Kolowrat'sches Haus (Café Central), Moritz Leybold (Vienna 1806 - 1857 Vienna), drawing, watercolour, 19.2 x 20.1 cm, M. above: 'Grfl. Kolowratche's house on the site of the new stock exchange building. Herrengasse No. 241

Im Ledererhof, Carl L. Wiesböck (Vienna 1811 - 1874 Vienna), 1859, drawing, watercolour, 18.8 x 27.4 cm, bottom left: 'Der Ledererhof' r. u.: 'C. Wiesboeck 859

The tower of the Federlhof seen from Bäckerstrasse, house no. 768, Moritz Leybold (Vienna 1806 - 1857 Vienna), drawing, watercolour, 23.2 x 18.4 cm

Lugeck 1810, Anton Stutzinger (Vienna 1821 - after 1875 Vienna), 1859, drawing, sepia, 24.7 x 21.6 cm, r. below: 'Luegeck 1810 after J. Mayer by A. Stutzinger 1859

Rauhensteingasse. The ABC House, Moritz Leybold (Vienna 1806 - 1857 Vienna), 1856, drawing, watercolour, 16.9 x 13 cm, center below: 'Rauhensteingasse. The house to the A.B.C. 1856

The Finkelstein'sche Bierhaus (No. 855) No. 4 corner of Domgasse, Moritz Leybold (Vienna 1806 - 1857 Vienna), drawing, watercolour, 15.8 x 18.8 cm, r. o.: 'The Finkstein beer house no. 855. now no. 4

Jordangasse with the Steinhof, Carl L. Wiesböck (Vienna 1811 - 1874 Vienna), drawing, watercolour, 20.3 x 26.7 cm, bottom left: 'Jordangasse with the Steinhof

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