Images at Librifly

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Gun leaning on a chair with the barrel pointing downwards, Carl Pischinger (Niederhollabrunn-Streitdorf 1823 - 1886 Liezen), 1868, drawing, pencil, sheet: 32.6 x 22.5 cm, l.o. '12, 10 868

Hare, Carl Pischinger (Niederhollabrunn-Streitdorf 1823 - 1886 Liezen), drawing, charcoal, sheet: 24.5 x 23.9 cm

Lying squirrel, Carl Pischinger (Niederhollabrunn-Streitdorf 1823 - 1886 Liezen), 1840, drawing, pencil, pastel; Inscription: pen in black-brown, sheet: 11.9 x 19.2 cm, r.o. '1840'; mo Lettering illegible

Horse halter, Carl Pischinger (Niederhollabrunn-Streitdorf 1823 - 1886 Liezen), drawing, pencil, sheet: 30.6 x 18.3 cm

Landscape with footbridge, Carl Pischinger (Niederhollabrunn-Streitdorf 1823 - 1886 Liezen), 1884, drawing, pencil, watercolour, sheet: 10.4 x 17 cm, r.r. 84

Cows and horses with dogs and shepherds, Carl Pischinger (Niederhollabrunn-Streitdorf 1823 - 1886 Liezen), drawing, watercolour; Inscription: pen in black, sheet: 21.4 x 36.4 cm, r.o. '2 1/2 inches in

Drolleries with a man in a basket, Hieronymus Bosch ('s-Hertogenbosch c. 1450 - 1516 's-Hertogenbosch), c. 1500-1515, drawing, pen and brown ink on paper, 19.2 x 27 cm, l.l. Duke Albert of Saxony Teschen; Letter P with quatrefoil (height: 55

Embarkation of a shrine (pane tear?), Master of 1518 (Antwerp), around 1525, drawing, brush in gray and white, gray wash, on gray primed paper, 28.5 cm (diameter), m.u. Duke Albert of Saxe-Teschen

Two Saints with Angels. (on the left St. Ambrose, the infula over his head, and Charles Borromeo, the cardinal's hat held by angels over his head), Francesco Vanni (Siena 1563/65 - 1610 Siena), drawing, metal pen; Feather; washed; squared;

River landscape with rocks and ancient ruins, Maerten de Cock (Antwerp 1578 - 1661 Augsburg), 1630, drawing, pen and ink in brown, blue and brown wash, 12.2 x 17.2 cm, l. and Duke Albert of Saxe-Teschen, signed and dated left. below: 'Cock

Two allegorical male figures, Ludwig Büsinck (Münden (around) 1599 - 1669 Münden), Frans Floris (Antwerp 1516 - 1570 Antwerp), drawing, pen, brown ink, washed, 25.8 x 17.9 cm (10 3/16 x 7 1/16 in

Landscape with moated castle, drawing, pen and ink in brown, 13.7 x 19.5 cm, l. and Duke Albert of Saxe-Teschen

The feast of Pentecost (torn pane), Lambert van Noort (Amersfoort around 1520 - 1571 Antwerp), 1559, drawing, pen and ink in brown, washed, 28 x 42.3 cm, l. and Duke Albert of Saxe-Teschen

The prodigal son squanders his inheritance, Hans Bol (Mechelen 1534 - 1593 Amsterdam), drawing, pen and black ink, 8.1 x 12.4 cm

Burlesque scene with hop basket, Hieronymus Bosch ('s-Hertogenbosch c. 1450 - 1516 's-Hertogenbosch), c. 1500-1515, drawing, pen with iron gall ink, 19.2 x 27.0 cm, l.l. '7797

Pattern sheet with 'Beggars and Cripples', undefined, around 1530-1540, drawing, ink on paper, washed, 28.9 × 21 cm, possibly on a corner left and right. Duke Albert of Saxe-Teschen, M.u. 'gerome Bosch' (on box); r.b. '12a/24a' (on box);

The fool's kitchen, anonymous, 1567-1580, drawing, pen and black and brown ink, washed, 19.9 x 29.3 cm, l. and Duke Albert of Saxe-Teschen, r.r. 'BRUEGEL

Adoration of the Child Jesus. The Madonna kneels behind the Child; on the right next to the ox and donkey Saint Joseph, on the left an angel; in the background a group of riders, antique building remains, landscape views (lying oval), anonymous,

Death of Saint Catherine of Siena. (Blessing, the pope and his entourage approach the death bed; nuns mourning around the bed, one of them carrying the death candle; staircase architecture with staffage figures in the background on the right),

David warns Joab and Abishai to spare Absolom (Sam.II, chap.18, v.5), David Joris (Bruges 1501 - 1556 Basel), 1554, drawing, pen and brown ink, washed, 31.6 x 20.4 cm, l. and Duke Albert of Saxe-Teschen

David kills Goliath (torn window), Dirk Jakobsz. Vellert (Amsterdam around 1480 - after 1547 Antwerp), around 1523, drawing, pen and brush in Baun, gray and brown wash, 28.5 cm (diameter), middle and Duke Albert of Saxe-Teschen

Hanna takes little Samuel to Silo in the house of the Lord to Eli (torn window), Dirk Jakobsz. Vellert (Amsterdam around 1480 - after 1547 Antwerp), 1523, drawing, pen and ink in brown, gray wash, 28.6 cm (diameter), middle and Duke Albert of

David's escape (torn window), Dirk Jakobsz. Vellert (Amsterdam around 1480 - after 1547 Antwerp), 1523, drawing, pen and brush in dark and light brown, washed gray, over black chalk or charcoal, 28.5 cm (diameter), with Duke Albert of

The Judgment of Solomon, Jan de Bisschop (Amsterdam 1628 - 1671 The Hague), drawing, pen and ink in brown, washed, 27.1 x 21.4 cm, r.r. Duke Albert of Saxe-Teschen, lower left the Lucas van Leyden monogram: ' L

The Marriage Mariae ('Sposalizio'), Jan de Beer (Antwerp c. 1475 - 1528 Antwerp), c. 1515-1520, drawing, pen and black ink, brush and white ink, on gray-tinted paper; partial revisions in the background architecture, probably by another hand,

Saint Ignatius heals the sick and possessed, drawing, sanguine, 24.7 x 16.7 cm, l.l. Duke Albert of Saxe-Teschen

Mary and child, enthroned between choirs of angels, at her feet a world landscape, Jan de Bisschop (Amsterdam 1628 - 1671 Den Haag), drawing, pen and ink in brown, brown wash. The column chapter left. A patch is drawn on the throne., 23.7 x

January (broken glass), Jörg Breu d. A. (Augsburg around 1475/80 - 1537 Augsburg), around 1521, drawing, pen in black grey, washed, diameter: 23.6 cm, u.M. Duke Albert von Sachsen-Teschen, Passepartout: 'Attributed to Luc de Leyden

Oriental prince in a conch (torn disc?), Dutch master, around 1520, drawing, pen and ink in black and brown, washed, heightened with white, on brownish paper, 25.3 cm (diameter), below Albert von Sachsen-Teschen

Embarkation of a shrine (pane tear?), Master of 1518 (Antwerp), around 1525, drawing, brush in gray and white, gray wash, on gray primed paper, 28.5 cm (diameter), m.u. Duke Albert of Saxe-Teschen

Cavalcade (torn disc?), drawing, pen and brush in grey, heightened with white, on gray paper, 27.8 cm (diameter

Princess on horseback with entourage in front of a forest monastery (pane tear?), master from 1518 (Antwerp), drawing, pen and brush in grey, washed, heightened with white, on gray paper, 28.7 cm (diameter

Junker, Anonymous, 1522, Drawing, pen and black wash, heightened with white, on grey-green primed paper, 30 x 20.3 cm (11 13/16 x 8 in.), l.l. Duke Albert of Saxe-Teschen, subset: 'Attribué a Luc de Leyden

Landsknecht with flag on his shoulder, Anonymous, 1522, Drawing, black pen, heightened with white, on gray-green primed paper, 31.5 x 21.4 cm (12 3/8 x 8 7/16 in.), l.l. Duke Albert of Saxe-Teschen, subset: 'Attribué à Luc de Leyden

Foreground groups from the Crucifixion B. 74, anonymous, early 17th century, drawing, pen and brown ink, washed, 19.1 x 27 cm, l. and Duke Albert of Saxe-Teschen

Dedication sheet with scenes from the life of St. Cäcilie, Francesco Vanni (Siena 1563/65 - 1610 Siena), drawing, chalk, pen, brown and violet wash, on yellowish primed paper, 31.4 x 26 cm, bottom left Duke Albert of Saxe-Teschen

The apocalyptic horsemen: in full view of the knight next to him the archer between the two the man with the scales, in the background Death, Josef von Führich (Kratzau 1800 - 1876 Vienna), drawing, pencil, according to Cahier: 11.8 x 13 .2 cm,

The conversion of Pauli, anonymous, around 1509, drawing, pen and brown ink, washed, 29.2 x 40.7 cm, l. and Duke Albert of Saxe-Teschen

Loth and his daughters, Maarten van Heemskerck (Heemskerk 1498 - 1574 Haarlem), drawing, pen and brush in grey, dark gray wash, opaque white, 27.6 x 34.3 cm, l. and Duke Albert of Saxe-Teschen

Oriental Head, Master of Frankfurt (Netherlands, around 1460 - around 1505), drawing, pen and brush in brown and red, heightened with white, on reddish paper, 15.8 x 11.8 cm, l. and Duke Albert of Saxe-Teschen

Christ on the cross between Mary and John, Monogrammist TI, Drawing, black ink, washed and heightened with white, on brown paper, 39.7 x 27.9 cm (15 5/8 x 11 in.), l.l. Duke Albert of Saxe-Teschen, underset: 'Claesen van Leyden

Head of a youth, c. 1520, drawing, silverpoint on white prepared paper, 13.4 x 10 cm (5 1/4 x 3 15/16 in.), l.l. Duke Albert of Saxe-Teschen

Plundering and destruction of the Temple of Jerusalem, Maarten van Heemskerck (Heemskerk 1498 - 1574 Haarlem), 1567, drawing, pen and brown ink, 13.8 × 20.4 cm, r.l. 'Maarten van Heemskerck'; ml (on a stone) '1567

Minerva defeats Vulcan, Philipp Galle (Haarlem 1537 - 1612 Antwerp), 1546, drawing, pen in brown, blue wash, heightened with white, 31.6 x 26 cm

Legend of a Saint, Willem Willemsz Tibout (Haarlem around 1525 - 1597 Haarlem), drawing, pen and black ink, washed, heightened with white on blue paper, 27.2 x 27.2 cm, l. and Duke Albert of Saxe-Teschen

Fortuna, Maarten van Heemskerck (Heemskerk 1498 - 1574 Haarlem), 1560, drawing, pen in brown, 16.3 × 23.1 cm, l. u. Duke Albert of Saxe-Teschen

Der Isiskult, Maarten van Heemskerck (Heemskerk 1498 - 1574 Haarlem), 1548, drawing, pen in brown, 27.4 × 40.8 cm, r.u. Duke Albert von Saxe-Teschen, r.u. '1548'; m.u. 'Maarten Heemskerck, 1548'; m.u. 'Piece allegoriques, Le Triomphe de la

The Lamentation of Christ ('Great Descent from the Cross'), anonymous, southern Netherlands, c. 1500, drawing, pen in grey-brown, traces of stylus, additions in light ink to the contours of the figures on the left and right edge of the sheet

Justitia (Cracked Disc), indeterminate, 1520-1530, drawing, brush and black and white, over black chalk or charcoal, on gray-tinted paper, 26.6 cm (diameter), M.u. Duke Albert of Saxe-Teschen, M.u. 'Jenin Gossart van Babuse.'; mu 'around

Design for an ostensorium, undetermined, after 1520, drawing, pen and ink in dark brown, light brown and white, brush in white, on blue-tinted paper, 21.3 × 18.6 cm, l. and Duke Albert of Saxe-Teschen, M.u. 'Jennin mabuse, B:o

Cartouche with the Judgment of Paris, undetermined, after 1520, drawing, pen and ink in dark, light brown and white, brush in white, on blue-tinted paper, 16.2 x 23 cm, l. and Duke Albert of Saxe-Teschen, r.r. 'Jennin Mabuse'; r.b. 'Mabuse'

Abraham and Melchizedek, anonymous, Antwerp, around 1520, drawing, pen and ink in black and white, on gray-primed paper, 36.3 x 24.9 cm, l.l. 'Nicasius gossart van Mabuse

Parable of the banquet of the poor, Jan Swart van Groningen (Groningen around 1495 - 1553/73 Antwerp), drawing, pen in gray, brown and yellowish wash, 26.9 x 18.9 cm, l. and Duke Albert of Saxe-Teschen

Castle by the Sea, Hendrick van Cleve (Netherlands, c. 1525 - 1590), drawing, pen and ink in brown, brown and blue wash, 17.1 x 23.8 cm

Saint Magdalene in half-length with aureole; Crucifix, skull and book are arranged on the right, Francesco Vanni (Siena 1563/65 - 1610 Siena), drawing, chalk; Red chalk, 17.8 x 13.3 cm, l.l. Duke Albert of Saxe-Teschen

City gate at a bridge in an evening landscape, Hendrick van Cleve (Netherlands, c. 1525 - 1590), 1588, drawing, pen and ink in brown, reddish and blue wash, 17.2 x 25.3 cm, l. and Duke Albert of Saxe-Teschen

Boaz sees Ruth in the field, Jan Swart van Groningen (Groningen around 1495 - 1553/73 Antwerp), drawing, traces of chalk, pen in gray, brown wash, 27.4 x 20.3 cm, l. and Duke Albert of Saxe-Teschen

Ruth is lying down with Boas, Jan Swart van Groningen (Groningen around 1495 - 1553/73 Antwerp), drawing, pen and ink in grey, brown wash, 27.4 x 20.3 cm, l. and Duke Albert of Saxe-Teschen

The Plague in Venice, Antonio Vassilacchi GEN. ALIENSE (Italian, 1556 - 1629), drawing, traces of chalk; Feather; washed, 22.3 x 19.0 cm, l.l. Duke Albert of Saxe-Teschen, upper left in old pen and ink 'Swart Jan, 1526

Burying the dead (torn pane), Jan Swart van Groningen (Groningen c. 1495–1553/73 Antwerp), drawing, brown pen, gray brush, 26.6 cm (diameter

Historical scene, drawing, traces of chalk, pen and ink in brown, washed, heightened with white, on blue paper, 16.1 x 14.5 cm, l. and Duke Albert of Saxe-Teschen

Judith and Holofernes (torn window), Dirck Pietersz. Crabeth (Gouda around 1510 - 1574 Gouda), around 1570, drawing, pen and brush in grey-brown, over preliminary drawing with black pen, grey-brown wash, tinted red in the flesh tones, 51 ×

'Ha ha he solus vultur avarus ego?' (window tear?), undetermined, Dutch, around 1550, drawing, pen in brown, gray wash, 26.1 cm (diameter), M.u. Albert von Sachsen-Teschen, o. 'Ha ha he solus (crossed out and replaced with 'non solus'),

Ecce homo, indeterminate, around 1550/1560, drawing, brush in gray and white, on gray-primed paper, 34 x 13.1 cm, bottom left 'JAN SWART' (on passepartout); r.b.: 'N. 96a' (on passe-partout

Saint Charles Borromeo kneels before Mary and the Child, Jacopo Palma, called Palma il Giovane ( or his circle, Venice 1544 - 1628 Venice), drawing, pen; washed; brown paper; the upper left corner inserted, 14.4 x 10.2 cm, l.l. Duke Albert of

The Apostle Paul before Agrippa, Pieter Coecke van Aelst (Aalst 1502 - 1550 Brussels), 1529-1530, drawing, brown pen on brownish-tinted paper, washed, heightened with white, 25.5 × 49.2 cm, r.r. Duke Albert of Saxe-Teschen, m.u.r. 'Pieter

Turbaned female figure on horseback, followed by a similar one on foot, Stage figures in the style of the Fontainebleau school, anonymous, from Fontainebleau (France, active c. 1530 - 1620), c. 1600, drawing, Pen in brown, washed, 25.9 x

Female Figure on Horseback, Followed by a Pedestrian, after Whom She Turns, Stage Figures in the Style of the Fontainebleau Schoolo, Anonymous, from Fontainebleau (France, active c. 1530 - 1620), c. 1600, Drawing, pen and ink in brown,

Armored Man on Horseback Followed by an Same on Foot, Stage Characters in the Style of the Fontainebleau School, Anonymous, from Fontainebleau (France, active ca. 1530 - 1620), c. 1600, Drawing, pen in Brown, washed, 26.9 x 36.5 cm, l. and

Oriental Rider on Horseback and Woman with Basket, Stage Characters in the Style of the Fontainebleau School, Anonymous, from Fontainebleau (France, active ca. 1530 - 1620), c. 1600, Drawing, pen and ink in brown, washed, 26.1 x 36.8 cm, l.

Bursting oriental followed by a running one, Stage figures in the style of the Fontainebleau school, Anonymous, from Fontainebleau (France, active c. 1530 - 1620), c. 1600, drawing, pen and brown wash, 25.7 x 37.5 cm, l. and Duke Albert of

Armored rider beckoned by an armored man on foot, Stage figures in the style of the Fontainebleau school, Anonymous, from Fontainebleau (France, active ca. 1530 - 1620), c. 1600, drawing, pen and ink in brown, washed, 26.2 x 35.2 cm, l. and

The cheese and butter market in Delft (pane tear?), undefined, around 1530/40, drawing, pen and ink in brown and gray, brown and reddish wash, 27.1 cm (diameter), M. and Duke Albert of Saxe-Teschen, mu. 'Pierre Aerten dit Lanye Pier /1507-08'

A bearded saint, book in hand, kneels to the left before the Madonna floating in clouds to the left, Anonymous, Siena (17th century), 1600-1700, Drawing, pen; blue wash, 16.3 x 11.2 cm, l.l. unidentified (six-pointed star); l.b. Duke Albert

Loth and his daughters, Frans Floris (Antwerp 1516 - 1570 Antwerp), drawing, pen and ink in brown, washed, heightened with white, 18.5 x 28.1 cm, l. and Duke Albert of Saxe-Teschen

Isaak blesses Jacob, Crispin van den Broeck (Mechelen 1524 - 1591 Antwerp), drawing, pen and ink in brown, brown and blue wash, heightened with white, 24.4 x 33.5 cm, l. and Duke Albert of Saxe-Teschen

The battle of the Horatii and the Curiatii, anonymous, drawing, brown pen, gray wash, 27.8 x 39.8 cm, with 'Francisco Floris inve' below

Bacchus and Ariadne, Anonymous, Dutch, 2nd half of the 16th century, drawing, black and brown pen, wash, 28.7 x 25.3 cm, l. and Duke Albert of Saxe-Teschen, l. and 'F. Floris

The shepherd, after 1565, drawing, pen and ink in brown, 25.1 × 13.6 cm, l. and Duke Albert of Saxe-Teschen, r.r. 'BRVEGEL'; mu 'Pierre Breughel' (on the box); r.b. '?' and 'P Breughel' (on cardboard, very light pencil); l.b. & r.b. 63

Seated market farmer, Roelant Savery (Kortrijk 1576 - 1639 Utrecht), around 1603, drawing, brown pen over preliminary drawing in black chalk, 15.8 × 15.2 cm, l.l. Duke Albert of Saxe-Teschen, l.u. 'nar he live'; r.b. 'swardtte hoedt, grisse

The team, Roelant Savery (Kortrijk 1576 - 1639 Utrecht), c. 1603, drawing, brown pen over preliminary drawing in black chalk, 16.4 × 18.5 cm, l.l. Duke Albert of Saxe-Teschen, l.u. 'nart leven'; r.b. 'vil wit gris, bruin ockker, light bruin

The Goose Dance, Anonymous, Haarlem, c. 1600, drawing, brown and black pen, brown-grey wash, 24.8 x 44 cm

A Holy Bishop between Christ the Man of Sorrows and Mary with the Child; in the corners above angel heads, anonymous, Genoa, drawing, pen; grey-brown washed; heightened with white; chalk squaring; blue paper, 13.5 x 12.9 cm, l.l. Duke Albert of

Fair with the marriage of Mopsus and Nisa, Marten van Cleve (the Elder) (Antwerp 1527 - 1581 Antwerp), drawing, pen and ink in brown, blue wash, 19.2 x 29.5 cm

Market with Seaport, Marten van Cleve (the Elder) (Antwerp 1527–1581 Antwerp), drawing, pen and brown ink, 19.2 x 29.5cm

Christ in Limbo, Jacob de Gheyn II (Antwerp c. 1565 - 1629 The Hague), c. 1600, drawing, pen and ink in brown and black, washed, on brownish paper, 18.3 x 25 cm, l. and Duke Albert of Saxe-Teschen, M.u. 'Pierre Breughel' (on the box); mu

Sloth (Desidia), The Seven Deadly Sins, Pieter Bruegel d. Ä. (Breda?) 1526/27 - 1569 Brussels), 1557, drawing, pen and grey-brown, 21.4 × 29.8 cm, l.l. Duke Albert of Saxe-Teschen, r.r. 'brueghel, .1.5.5.7.'; The sleeping protagonist

The Last Judgement, Pieter Bruegel the Younger Ä. (Breda?) 1526/27 - 1569 Brussels), 1558, drawing, pen and ink in brown, 23.0 x 30.0 cm, l.l. Duke Albert of Saxe-Teschen, r.r. 'brueghel 1558'; and 'Compt ghy habenedyde myns vaeders hier En

The big fish eat the small ones, Pieter Bruegel the Younger Ä. (Breda?) 1526/27 - 1569 Brussels), 1556, drawing, pen and brush in gray and black, 21.6 x 30.7 cm, l.l. Duke Albert of Saxe-Teschen, r.r. '1556, bruegel

The Tree Man, Hieronymus Bosch ('s-Hertogenbosch c. 1450 - 1516 's-Hertogenbosch), c. 1500, drawing, pen with iron gall ink, 27.7 x 21.1 cm, l.l. Duke Albert of Saxe-Teschen, l.u. with pen by later hand 'BRVEGEL

Landscape with Felsentor, Jacob Savery I (Kortrijk around 1565 - 1603 Amsterdam), around 1600, drawing, traces of chalk, pen and ink in brown, 15.8 x 20.4 cm, l. and Duke Albert of Saxe-Teschen

Felsenklause, drawing, pen and ink in brown, 13.7 x 19.5 cm

Pond landscape with distant castle, around 1540, drawing, pen and ink in brown, 15.6 x 20.1 cm

Castle, drawing, pen and ink in brown, 15.6 x 20.1 cm, l. and Duke Albert of Saxe-Teschen

Saint Raymond of Penaforte rides across the sea on his robe, Francesco Vanni (Siena 1563/65 - 1610 Siena), drawing, chalk; rubella; brownish paper, 19.8 x 16.1 cm, l.l. Duke Albert of Saxe-Teschen

Village at the foot of a fortified castle, around 1560, drawing, pen and brown ink, 13.2 x 19.5 cm, r.l. old inscription 'Joost van L....' (rubbed; meaning Joos van Liere

'Forum modernis aedificiis', Paul Vredeman de Vries (Antwerp 1567 - 1617 Amsterdam), before 1606, drawing, pen and brown over a preliminary study in black chalk, brush in brown, gray and blue, traces of transfer, 18.5 × 29.8 cm, bottom

Two-storey hall with Tuscan columns, Hans Vredeman de Vries (Leeuwarden/Friesland 1526–1606 Hamburg), drawing, pen and brown and black ink, washed, on brownish paper, 20.2 x 26 cm

Three-nave hall with a barrel-vaulted central nave above a low clerestory, Hans Vredeman de Vries (Leeuwarden/Friesland 1526 - 1606 Hamburg), 1557, drawing, pen and ink in brown, 20.6 x 25.6 cm, l. and Duke Albert of Saxe-Teschen

Badestube, Hans Vredeman de Vries (Leeuwarden/Friesland 1526 - 1606 Hamburg), drawing, pen and ink in brown and black, washed, on brownish paper, 21.2 x 26 cm, l. and Duke Albert of Saxe-Teschen

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