Images at Librifly

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Group of half-figures with tambourine player, Adriaen van Nieulandt (Antwerp 1587 - 1658 Amsterdam), drawing, pen and ink in light and dark brown, washed gray., 10.2 x 15.0 cm, l. and Duke Albert of Saxe-Teschen

Broad valley in the rain of strokes, Joos de Momper the Younger (Antwerp 1564 - 1635 Antwerp), drawing, pen in brown, gray wash, 20.3 x 31.7 cm, l. and Duke Albert of Saxe-Teschen

River landscape with town and castle rock (in the foreground a group of trees and two huntsmen with falcons and dogs), Adriaen van Nieulandt (Antwerp 1587 - 1658 Amsterdam), drawing, pen in brown, gray wash, black chalk (wiped), over graphite

Landscape with trees and ox drivers, Adriaen van Nieulandt (Antwerp 1587 - 1658 Amsterdam), drawing, pen and ink in brown, gray (with opaque white) wash, over graphite pencil, 21.8 x 30.2 cm, l.l. Duke Albert of Saxe-Teschen

Peasant Wedding, Marten van Cleve (the Elder) (Antwerp 1527 - 1581 Antwerp), drawing, pen and ink in brown, brown and blue wash, heightened with white, 26.7 x 41.3 cm, l. and Duke Albert of Saxe-Teschen

River landscape with wooden bridge and tower, Hans Bol (Mechelen 1534 - 1593 Amsterdam), drawing, pen and ink in brown, washed, 14 x 19.8 cm, l. and Duke Albert of Saxe-Teschen

View of Sta. Maria in Cosmedin and the Vesta Temple in Rome, Matthijs Bril (Antwerp around 1550 - 1583 Rome), drawing, pen and ink in brown, 19.9 x 27.2 cm, l. and Duke Albert of Saxe-Teschen

Poseidon and Amphitrite, Bartolomäus Spranger (Antwerp 1546 - 1611 Prague), around or before 1592, drawing, dark brown pen, grey-brown wash, heightened with white, over sketch in black chalk or charcoal, supplemented by a later hand with pen

Venus and Cupid on a dolphin, Bartolomäus Spranger (Antwerp 1546 - 1611 Prague), around 1580-1585, drawing, black-brown pen, over charcoal or black chalk, brown wash, white heightened, 18.8 x 20.1 cm, l.l. Duke Albert of Saxe-Teschen

Minerva in the company of the muses, Bartolomäus Spranger (Antwerp 1546 - 1611 Prague), drawing, pen in brown, brown and red wash, white heightened, 20.8 x 30 cm

Apollo, Bartolomäus Spranger (Antwerp 1546 - 1611 Prague), drawing, traces of chalk, pen in brown, washed, heightened with white, 20.2 x 14 cm, l. and Duke Albert of Saxe-Teschen

River gods observe the transformation of Daphne, Abraham Bloemaert (Gorinchem 1564 - 1651 Utrecht), c. 1592, drawing, pen and brown ink, washed, 29.6 × 32.8 cm

Hercules, Deïaneira and Nessus, Adriaen de Vries (The Hague around 1556 - 1626 Prague), around 1605, drawing, pen and brown over sketch in charcoal or chalk, brown wash, heightened with white, 38.8 x 32.3 cm, l.l. Duke Albert of

Judith with the head of Holofernes, anonymous, 1665, drawing, pen and black wash, 15 cm (diameter), next to the head; right '1665 the ridei

The Ascension of John Evangelista, Anonymous, 1500 - 1600, Drawing, pen; washed; rubbed paper, 15.5 x 27 cm, bottom left Duke Albert of Saxe-Teschen

Beggar seated on a staircase, looking backwards, anonymous, drawing, chalk; Red chalk, 26.2 x 16 cm, l.l. Duke Albert of Saxe-Teschen, lower left in old pen and ink 'Pinturichio

A monk is carried on a stretcher, with his upper body erect and his hands raised in blessing, from a mountain village through a crowd to a building with ancient columns; a bishop walks behind him, Giovanni Mauro della Rovere, called il

Minerva with the Lukas shield, Bartolomäus Spranger (Antwerp 1546 - 1611 Prague), around 1591-1595, drawing, black-brown pen, brush in watercolours, partially mixed with opaque white, 18.2 x 11.9 cm, r.r. Duke Albert of Saxe-Teschen

St. Family with two angels, anonymous, drawing, pen and ink in brown, 16.7 x 21 cm, l. and Duke Albert of Saxe-Teschen, r. and 'Spranger

Lot and his daughters, Jan Pietersz. Saenredam (Zaandam 1565 - 1607 Assendelft), around 1600, drawing, black chalk, red chalk, brush in black and opaque white on brownish paper, 32.4 × 29.5 cm, l.l. Duke Albert of Saxe-Teschen, r.r. 'J

The wondrous multiplication of bread, Peter Candid called Peter de Witte (Bruges around 1548 - 1628 Munich), drawing, pen and black, washed, heightened with white, grid lines, on brownish paper, 20.4 x 49.2 cm, l. and Duke Albert of

The Adoration of the Savior ('Speculum Sacerdotum'), Peter Candid called Peter de Witte (Bruges around 1548 - 1628 Munich), 1597, drawing, pen and ink in black and gray, washed, heightened with white, 20 x 30.7 cm, l . and Duke Albert of

Saint Elizabeth cares for the poor, Johann Matthias Kager (Munich 1575-1634 Augsburg), drawing, pen and ink in black-brown, gray-brown wash, heightened with white with a brush, slightly rubbed, 24.8 x 17.8 cm, l.l. Duke Albert of

The Battle of Bohemia near Mühldorf, Hans Werl (Munich around 1570 - 1608 Munich), drawing, pen and black, gray wash, grid lines in red chalk, 21.5 x 27.9 cm, l. and Duke Albert of Saxe-Teschen

Allegory 'Praemium', Peter Candid called Peter de Witte (Bruges around 1548 - 1628 Munich), around 1588-1591, drawing, brown pen, gray wash, white heightened, 38.9 x 28.6 cm, l. and Duke Albert of Saxe-Teschen, inscription: 'DAT DEUS OMNE

A young woman, seen from behind, in forlorn profile to the left, with a child in her arms, strides to the left; on her right in the background an old woman, on her left the head of a boy. (elbow), Francesco Vanni (Siena 1563/65 - 1610 Siena),

The sermon of the Baptist, Karel van Mander (Meulebeke 1548 - 1606 Amsterdam), 1597, drawing, black and brown pen, brown, blue and greenish wash, heightened with white, 16.2 x 22.7 cm, r. and collection John Spencer (L. 1530), M.u. '1597';

The marriage trade, proverbs, Karel van Mander (Meulebeke 1548 - 1606 Amsterdam), c. 1592, drawing, pen and ink in black and brown, washed, heightened with white, 21.8 × 16.8 cm, l. and Duke Albert of Saxe-Teschen, M.u. 'KA'; mu '(Icon),

The revelers, proverbs, Karel van Mander (Meulebeke 1548 - 1606 Amsterdam), around 1592, drawing, pen and ink in black and brown, washed, heightened with white, 22.3 x 17.3 cm, l.l. Duke Albert of Saxe-Teschen, r.r. 'KA'; r.b. '(Symbol); b.

Landscape with the sale of Joseph by his brothers, Jan Wildens (Antwerp 1584/86 - 1653 Antwerp), drawing, pen and ink in brown, with brown and blue wash; Inscription: pen in brown. At the bottom left. torn; partially soiled at the edges by the

Landscape with the discovery of the cup by Benjamin, Jan Wildens (Antwerp 1584/86 - 1653 Antwerp), drawing, pen in brown, brown and green wash, (over graphite pencil?). Stained at the edges by the gray ink of the framing line; top left a

Winter landscape with peasants, wood gatherers and a hunter, drawing, black and white chalk, on laid paper toned in brown. Vertical creases at center; partially brownish spots., 28.4 x 39.5 cm, l.l. Duke Albert of Saxe-Teschen

Tree-rich hill with a castle, Herman van Swanevelt (Woerden near Utrecht around 1600 - 1655 Paris), drawing, pen in brown, brown and grey-brown wash, over black chalk. Approx. 2 cm added to the paper at the top., 13.9 x 19.9 cm, l.l. Mariette,

Forest landscape with pond and cornfield, Jan Wildens (Antwerp 1584/86 - 1653 Antwerp), drawing, pen and ink in brown, watercolour. Continuous oblique crease on the right. Third., 28 x 39.2 cm, l.l. Duke Albert of Saxe-Teschen

Head of a Monk in Lost Profile to the Left, Giovanni Battista Vanni (Italian, 1599 - 1660), Drawing, chalk; Red chalk, 18.9 x 13.0 cm, l.l. Duke Albert of Saxe-Teschen, 'G. B. Vanni

The Last Supper, Jan Wierix (Antwerp c. 1549 - c. 1620 Brussels), 1599, drawing, pen and brown ink on parchment, 10.2 cm (diameter), l. and Duke Albert of Saxe-Teschen

Christ before Pilate, Jan Wierix (Antwerp around 1549 - around 1620 Brussels), 1599, drawing, pen and brown ink on parchment, 10.2 cm (diameter), l.l. Duke Albert of Saxe-Teschen, M.u. 'Johan Wierix inventor et fecit 1599', M.u. ' Jan Wierix

Christ before the High Priest, Jan Wierix (Antwerp c. 1549 - c. 1620 Brussels), 1599, drawing, pen and brown ink on parchment, 10.2 cm (diameter), l. and Duke Albert of Saxe-Teschen

Ecce homo, Jan Wierix (Antwerp c. 1549 - c. 1620 Brussels), 1599, drawing, pen and brown ink on parchment, 10.3 cm, l. and Duke Albert of Saxe-Teschen, M.u. 'Johan Wierix inventor

Pilate's Hand Washing, Jan Wierix (Antwerp c. 1549 - c. 1620 Brussels), 1599, drawing, pen and brown ink on parchment, 10.2 cm (diameter), l. and Duke Albert of Saxe-Teschen

Roman Imperial Portrait, Series of Roman Imperial Portraits, Jan Wierix (Antwerp c. 1549 - c. 1620 Brussels), drawing, pen and brown ink on parchment, 1.3 x 1 cm

Portrait of a Roman Emperor, Series of Portraits of a Roman Emperor, Jan Wierix (Antwerp c. 1549 - c. 1620 Brussels), drawing, pen and brown ink on parchment, 1.3 x 1 cm

Portrait of a Roman Emperor, Series of Portraits of a Roman Emperor, Jan Wierix (Antwerp c. 1549 - c. 1620 Brussels), drawing, pen and brown ink on parchment, 1.3 x 1 cm

Portrait of a Roman Emperor, Series of Portraits of a Roman Emperor, Jan Wierix (Antwerp c. 1549 - c. 1620 Brussels), drawing, pen and brown ink on parchment, 1.3 x 1 cm

Portrait of a Roman Emperor, Series of Portraits of a Roman Emperor, Jan Wierix (Antwerp c. 1549 - c. 1620 Brussels), drawing, pen and brown ink on parchment, 1.3 x 1 cm

Portrait of a Roman Emperor, Series of Portraits of a Roman Emperor, Jan Wierix (Antwerp c. 1549 - c. 1620 Brussels), drawing, pen and brown ink on parchment, 1.3 x 1 cm

Portrait of a Roman Emperor, Series of Portraits of a Roman Emperor, Jan Wierix (Antwerp c. 1549 - c. 1620 Brussels), drawing, pen and brown ink on parchment, 1.3 x 1 cm

Portrait of a Roman Emperor, Series of Portraits of a Roman Emperor, Jan Wierix (Antwerp c. 1549 - c. 1620 Brussels), drawing, pen and brown ink on parchment, 1.3 x 1 cm

Portrait of a Roman Emperor, Series of Portraits of a Roman Emperor, Jan Wierix (Antwerp c. 1549 - c. 1620 Brussels), drawing, pen and brown ink on parchment, 1.3 x 1 cm

Portrait of a Roman Emperor, Series of Portraits of a Roman Emperor, Jan Wierix (Antwerp c. 1549 - c. 1620 Brussels), drawing, pen and brown ink on parchment, 1.3 x 1 cm

Two dancing couples of peasants, Jan Wierix (Antwerp c. 1549 - c. 1620 Brussels), drawing, pen and brown ink on parchment, 1.8 x 3.3 cm

Dancing peasant couple, Jan Wierix (Antwerp c. 1549 - c. 1620 Brussels), drawing, pen and brown ink on parchment, 1.8 x 3.3 cm

Portrait of an unknown gentleman (Jan Curtius ?), Jan Wierix (Antwerp c. 1549 - c. 1620 Brussels), 1613, drawing, pen and brown on parchment, 9.1 × 6.2 cm, M. ' Johann Wierix, F Anno 1613 '; r.b. 'x

Head of a Capped Boy in Front View to the Right, Giovanni Battista Vanni (Italian, 1599 - 1660), Drawing, chalk; Red chalk, 17.7 x 13.3 cm, l.l. Duke Albert of Saxe-Teschen, lower left in pencil 'P. F. Vanni

Head of a Boy Looking Up, Bowing Strongly Back, in Profile to the Left, Giovanni Battista Vanni (Italian, 1599 - 1660), Drawing, chalk; Sanguine, 17.7 x 13.3 cm

Landscape. Wooded Hills with Farmsteads ('Casali') and Castle, Agostino Tassi (Italy, c. 1580 - 1644), Drawing, pen and ink; washed with brown ink, 17.9 x 27.0 cm, l.l. Duke Albert of Saxe-Teschen

Portrait of an Unknown, undetermined, early 17th century, drawing, pen and brown on parchment, 12.9 x 10.2 cm, l. or later writing 'Johan Wierinx f

Portrait of Thomas Howard, Duke of Norfolk, drawing, pen and brown ink, 24.5 x 19.6 cm, Duke Albert of Saxe-Teschen

Fortuna, Johann Sadeler the Younger Ä. (Brussels 1550 - 1600 Venice), 1597, drawing, black chalk, pen in brown, blue wash, sanguine, 24.7 x 18.8 cm, l. and Duke Albert of Saxe-Teschen, r. and 'Hans Sadeler kopersteker in Venetia May 1';

The Adoration of the Shepherds, c. 1600, drawing, black pen, gray wash, 38 × 32.5 cm, r.l. Duke Albert of Saxe-Teschen, M.u. 'Barolomeus Dolendo' (on box); 'Barolomeus Willemsz Dolendo' (on passepartout); verso 'Barolomeus Willemsz Dolendo'

The Adoration of the Magi, around 1600, drawing, black ink, gray wash, 36.5 × 32.3 cm, l.l. Duke Albert of Saxe-Teschen, M.u. 'Barolomeus Dolendo' (on box); mu 'Barolomeus Willemsz Dolendo' (on passepartout); verso 'Barolomeus Willemsz

Mountain landscape with resting muleteers and a view of a river valley, drawing, pen and brown ink, watercolour, 32.9 x 47.2 cm

Edge of the forest with riverside road, Paul Bril (Antwerp 1554 - 1626 Rome), 1610, drawing, pen and ink in brown, brown and gray wash, 18 x 26.9 cm, r. and Duke Albert of Saxe-Teschen

Mountain road descending into a river valley, Paul Bril (Antwerp 1554 - 1626 Rome), drawing, pen and ink in brown, brown and green wash, 20.2 x 26.7 cm, l. and Duke Albert of Saxe-Teschen

Overgrown Ruins, 1599, drawing, pen and brown ink with wash, 26.4 x 41.6 cm

Seaport with sailing ships, Paul Bril (Antwerp 1554 - 1626 Rome), drawing, pen and ink in brown, brown and gray wash, 19.8 × 28.5 cm, l. and Duke Albert of Saxe-Teschen, M.u. 'Paul Brill' (on box); mu 'Paul Brill' (on passepartout

A holy priest before Christ; on the right a praying priest kneels in a nave, Francesco Villamena (Assisi 1566 - 1624 Rome), drawing, chalk; wiped heightened with white; gray paper, 26.2 x 18.0 cm, l.l. Duke Albert of Saxe-Teschen, lower center

View of Trajan's Forum, Anonymous, drawing, pen and brown ink, watercolour, 20.6 x 31.3 cm

The Adoration of the Shepherds, Friedrich Sustris (Venice or Amsterdam c. 1540 - 1599 Munich), drawing, pen and gray and brown ink, gray wash, on brownish paper, traces of grid lines, 21.7 x 20.4 cm, l. and Duke Albert of Saxe-Teschen

The Sacrament of the Altar, Jan van der Straet (Bruges 1523 - 1605 Florence), drawing, pen and ink in brown, gray wash, heightened with white, on brownish paper, 18.4 x 27.6 cm, l. and Duke Albert of Saxe-Teschen, lower middle '14

Soldiers attack a village (middle of the picture: a couple of armored horsemen in conversation), Sebastian Vrancx (Antwerp around 1573 - 1647 Antwerp), drawing, pen and ink in brown, brown wash, over graphite pencil; Caption: feather. Heavily

Christ takes leave of his mother, drawing, pen; gray wash; lighter primed; brown paper, 24.5 x 30.1 cm, l.l. Duke Albert of Sachsen-Teschen, lower right on lighter ground in an old hand 'F. Vanius

Ceres, Anonymous, Drawing, pen and brown on parchment, 24.2 x 19.6 cm

Christ on the Mount of Olives, Jan Wierix (Antwerp c. 1549 - c. 1620 Brussels), 1599, drawing, pen and brown ink on parchment, 10.1 cm (diameter), l. and Duke Albert of Saxe-Teschen

Annunciation, Jan Wierix (Antwerp c. 1549 - c. 1620 Brussels), drawing, pen and brown on parchment, 8.7 x 6.7 cm

Italian mountain monastery above a waterfall, Paul Bril (Antwerp 1554 - 1626 Rome), drawing, pen and brown ink, watercolour, 27 x 19.5 cm

Christ with Nicodemus, drawing, brush in grey, washed, 16.0 x 20.7 cm, l. and Duke Albert of Saxe-Teschen, r. and by another hand with pen: 'Van oort fecit

The Penitent Mary Magdalene, anonymous, drawing, black chalk, black and brown pen, 17.9 x 14.5 cm, l. and Duke Albert of Saxe-Teschen

The Rejection of Hagar (Hagar's Farewell), drawing, pen and brown ink (gall ink), wash, graphite pencil (only in the figures), over black chalk ., 22.4 x 20.1 cm, l. and Duke Albert of Saxe-Teschen

The Adoration of the Magi, Anonymous, Dutch, about 1600, drawing, pen and brown wash, grid lines, 22.1 x 29.4 cm

St. Macharius, Abraham Bloemaert (Gorinchem 1564 - 1651 Utrecht), drawing, pen and ink in brown, washed, heightened with white, 12.9 x 8.8 cm, r. and Duke Albert of Saxe-Teschen

Farm with shepherds seated, Abraham Bloemaert (Gorinchem 1564 - 1651 Utrecht), drawing, pen and gray ink, brown wash, 15.2 x 24.4 cm

The death watch, Belgica series, Joachim Antonisz. Wtewael ( (Uytewael), Joachim, Utrecht 1566 - 1638 Utrecht), 1612, drawing, pen and ink in grey, grey-brown and black, washed, white body paint, 19.0 x 24.3 cm, r. and Duke Albert of

Landscape with Tobias and the Angel, Jacob Savery I (Kortrijk around 1565 - 1603 Amsterdam), drawing, pen and ink in brown, washed, 19.3 x 16.2 cm, l. and Duke Albert of Saxe-Teschen

View across the Vltava to Prague (watermills in the foreground), Pieter Stevens II (Mechelen around 1567 - after 1624 (Prague?)), Drawing, pen and ink in brown, washed gray and blue, opaque white. The opaque white oxidized to violet-grey in

The square of the horse market in Antwerp, drawing, pen and ink in brown, watercolour; Caption: graphite pencil. traces of a fold; a tear through the left bottom corner; horizontal creases near upper edge; occasional small brown soiling., 20.9 x

Wooded hilly landscape with a castle in the distance, around 1610, drawing, pen and brown ink, blue and brown brush, blue and brown wash, 25.7 x 33 cm, l.l. Duke Albert of Saxe-Teschen

Edge of the forest with a view of a hamlet and a small town, around 1610, drawing, brown pen, brush in brown, blue and violet, brown, blue-grey and blue wash, 24.8 x 38.3 cm, u.M. Duke Albert of Saxe-Teschen

Forest interior, around 1610, drawing, brown pen, blue and brown brush, blue and brown wash, white body paint, 24.9 x 40.6 cm, l.l. Duke Albert of Saxe-Teschen

Landscape with a heron hunter, anonymous, Flemish, around 1600, drawing, pen and ink in brown, 25.7 x 40 cm, l. and Duke Albert of Saxe-Teschen

Mountain landscape with mules, anonymous, Flemish, around 1600, drawing, pen and ink in brown, 27 x 40.1 cm, l. and Duke Albert of Saxe-Teschen

Saint Dominic heals Cardinal von Fossanova's nephew who fell from his horse, Matteo Rosselli (Florence 1578 - 1650 Florence), drawing, pen, ink, washed, 22.0 x 17.3 cm, bottom left Duke Albert of Saxe-Teschen

The soul receives Amor divinus from the heavenly treasure chest, Otho van Veen (Leiden 1556 - 1629 Brussels), drawing, oil on paper, 12.1 x 10.5 cm, l. and Duke Albert of Saxe-Teschen, r. and 'Otto Venius

The soul renounces earthly nobility and wealth in favor of the heavenly, Otho van Veen (Leiden 1556 - 1629 Brussels), drawing, oil on paper, 13.1 x 10.5 cm, r. and 'Otto Venius

Sleeping Cupid, Otho van Veen (Leiden 1556 - 1629 Brussels), drawing, black chalk, sanguine, 24.4 x 16.2 cm, l. and Duke Albert of Saxe-Teschen

Chronos Drags Luxuria to Hell, Otho van Veen (Leiden 1556 - 1629 Brussels), drawing, pen in brown, brown and gray wash, 12.7 x 16 cm, 'Otto Veen' below

Time chases away the lusts of the world from an old man whom prudence, wisdom and temperance take into their care, anonymous, drawing, pen and black, reddish-brown wash, grid lines, 28.4 x 22.7 cm, l. and Duke Albert of Saxe-Teschen

Portrait of Giulio Romano, Otho van Veen (Leiden 1556 - 1629 Brussels), 1600, drawing, pastel, 20 x 16.2 cm, l. and writing from the 17th century 'Otto Vaenius del. ca. A° 1600'; right and writing from the 18th century 'Ritrattodi Mr. Giulio

Christ raising the youth from Nain, drawing, pen and ink in brown, washed gray and brown., 20.6 x 32.2 cm, l. and Duke Albert of Saxe-Teschen, carton: 'cf. Schapelhouman in Bulletin van het Riksmuseum, c. 1985/6' (M. Royalton-Kisch). - On the

The three Marys at the grave, Adam van Noort (Antwerp 1562 - 1641 Antwerp), drawing, pen and ink in brown, gray wash., 20.5 x 31.1 cm, l. and Duke Albert of Saxe-Teschen

search results: Drawing clear search