Images at Librifly

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Preliminary drawing for the title page of the series of engravings 'Thronus Justitiae', Joachim Antonisz. Wtewael (Utrecht 1566 - 1638 Utrecht), c. 1606, drawing, pen and ink in brown, washed gray, heightened with white; Scratches for transfer

The Baptism of Christ, Joachim Antonisz. Wtewael (Utrecht 1566 - 1638 Utrecht), around 1618-1624, drawing, pen and ink in brown and black, washed, heightened with white, composed of two sheets, 31.0 x 40.7 cm, l.l. Duke Albert of

Tree-Lined Country Road with a Pedestrian, Cornelis Hendriksz. Vroom (Haarlem 1591/92 - 1661 Haarlem), around 1638-1642, drawing, pen and ink in brown, washed, watercoloured; the sheet cut horizontally above the middle, the parts glued on top

Forest road with two horse-drawn carriages, Cornelis Hendriksz. Vroom (Haarlem 1591/92 - 1661 Haarlem), around 1638-1642, drawing, brown pen, wash, watercolour, 36.7 x 31.7 cm, l. and Duke Albert of Saxe-Teschen

Trees behind a wooden fence, Cornelis Hendriksz. Vroom (Haarlem 1591/92 - 1661 Haarlem), around 1638-1642, drawing, pen and ink in brown, washed, 28.8 x 30.2 cm, r.r. Duke Albert of Saxe-Teschen

A turbulent sea with boats in front of a pier, Cornelis Claesz. van Wieringen (Haarlem 1575/77 - 1633 Haarlem), late 1620s, drawing, brown pen, grey-brown wash, 17.5 x 29 cm, l.l. Duke Albert of Saxe-Teschen

Madonna and Child in Clouds Between Angels; to the left on the ground below her are two kneeling monks; the child stands on Mary's lap and holds out a book to the saint; on the right in the background a settlement of mountains, Raffaello Vanni

The Liberation of Petri (Candlelight Cellar), Hendrik van Steenwyck (the younger) (Netherlands, c. 1580 - 1649 ), Drawing, brush (and pen?) in dark brown and opaque white, on parchment; Lettering: brush or pen, 10.7 x 12.8 cm

Interior of a Gothic Church, Hendrik van Steenwyck (the younger) (Netherlands, c. 1580 - 1649 ), Drawing, pen and gray and brown ink, watercolor, and body color; with yellow rasterized pen, 15.3 x 22.4 cm, l.l. Duke Albert of Saxe-Teschen

View of an open church chancel (with wall cross-sections), Hendrik van Steenwyck (the younger) (Netherlands, around 1580 - 1649 ), drawing, pen in brown, watercolour, opaque white, over graphite pencil, 26.6 x 17.6 cm

Frederik Hendrik, Prince of Orange (1584-1647), Petrus Schick (Netherlands, 1632 - 1683), 1657, drawing, black chalk, on parchment., 12.8 x 11.7 cm, l. and Duke Albert of Saxe-Teschen, signed and dated: 'P Schick f. 1657

Willem Lodewijk Count of Nassau (1560-1620), Michiel van Miereveld (Delft 1567 - 1641 Delft), drawing, sanguine and black chalk. Reworked in brown ink in an unknown hand; Remnants of a grid drawn in red chalk. Cut out following the head and collar

Fat man in fantastic costume, half-length, Jacob Matham (Haarlem 1571 - 1631 Haarlem), 1612, drawing, pen and ink in brown, 18.3 × 14.2 cm, l.l. Duke Albert of Saxe-Teschen, r.r. 'Matham J, (illegible presumably year); mu 'Jacques Matham'

Male Portrait, Jacob Matham (Haarlem 1571 - 1631 Haarlem), 1599, drawing, black chalk, sanguine, heightened with white, 13.8 x 13.5 cm

Crowd at a festive event, drawing, pen, ink, 10.8 x 15.1 cm, l.l. frieze (2903); r.b. Duke Albert of Saxe-Teschen

bookplate. (On the left sits a female figure (Ecclesia?) in front of an oval frame, pointing to St. Peter's Church in the oval; to her right are two putti with coats of arms; at the top of the standing oval two putti with keys and tiara), Raffaello

Sketch sheet with preparations for the siege of a city, Sébastien Le Clerc (Metz 1637 - 1714 Paris), drawing, black pen, brush, gray wash, red chalk, red chalk grid, fingerings, 7 x 11.8 cm, l.o. Count Moriz of Fries

Diana and Callisto, Jan Wierix (Antwerp c. 1549 - c. 1620 Brussels), ca. 1598, drawing, pen and brown ink on brownish parchment, 36.4 x 28 cm

Trees on a steep slope and a group of country people in conversation, Philipp van den Bossche (Netherlands?), mentioned 1604 - 1615), 1609 ?, Drawing, pen and brown ink, on brownish primed, slightly stained parchment, 16 x 13 cm

The boy Hercules strangles the snakes, Aegidius Sadeler d. J. (Antwerp 1570 - 1629 Prague), drawing, pen and brown ink on parchment, 21.3 x 16.6 cm, l. and 'Eg. Sadeler Fecit

Imperial allegory with imperial eagle, Victoria etc. (upper end of an apotheosis of Rudolf II?), Aegidius Sadeler d. J. (Antwerp 1570 - 1629 Prague), drawing, brush in gray, gray wash, heightened with opaque white, on paper cut in the shape of

Portrait of Johann Unterholtzer von Kranichberg, Aegidius Sadeler d. J. (Antwerp 1570 - 1629 Prague), drawing, black chalk on gray primed paper, 17.3 x 13 cm, l. and Duke Albert of Saxe-Teschen

Bishop enthroned with gesture of blessing, Jeronymus van Diest (Netherlands, mentioned around 1600), drawing, brush in gray and opaque white, on paper tinted light brown; Caption: graphite pencil. Trimmed in the corners., 25.9 x 18.6 cm, l.l.

Landscape with a Gothic monastery church (abbey), around 1600, drawing, pen and brown ink, gray wash, on brownish-tinted paper; tear top left From the middle., 18.3 x 30.9 cm, l.l. Duke Albert of Saxe-Teschen

Grotesque, Cornelis van Cleve (Antwerp 1520 - 1594/1614 Antwerp), drawing, black chalk, brush in brown, heightened with white, 40.7 x 30.7 cm, l. and Duke Albert of Saxe-Teschen

Seated youth on a protruding board from below, drawing, pen and ink in brown, washed, heightened with white, on blue-tinted paper, 19.9 x 26.5 cm, r.l. unidentifiable (Genevosio?); l.b. Duke Albert of Saxe-Teschen, lower center in pen '52'.;

Church interior, Johann Ludwig Ernst Morgenstern (Rudolstadt 1738 - 1819 Frankfurt am Main), drawing, gouache, parchment, passe-partout: 14.8 x 22.6 cm

Church Interior, Anonymous, Drawing, Black pen, Watercolor, Body colors, 25.3 x 19.6 cm

A saint is given by St. Nicholas led to heaven (ground zone: an abbess supported by fellow sisters in front of an altar), Anthonis Sallaert (Brussels 1594 - 1650 Brussels), drawing, reverse pressure, added to the altar with brush in brown;

Toga figure of a young man (Johannes Ev. ?), Anthonis Sallaert (Brussels 1594 - 1650 Brussels), Drawing, Black chalk, black bold chalk, heightened with white chalk, on gray paper. Partly brownish. spots, esp. below; in the right upper corner

Portrait of a young woman with a lace cap and ruff, drawing, brush in brown and black, heightened with white, traces of red (in the cheeks), on brown prepared paper. Blotchy; continuous horizontal break line in the middle; left upper corner

Naked figures dancing with a doll ('Scène des Adamites à Amsterdam'), Francesco Badens (Antwerp 1571 - 1621 Amsterdam), drawing, oil on paper, 20.2 cm (diameter

View of Zschopau, Roelant Savery (Kortrijk 1576 - 1639 Utrecht), drawing, graphite pencil, pen in brown, washed, 13.9 x 21.6 cm, r. and Duke Albert of Saxe-Teschen, right. below in an unknown hand with graphite pencil: 'H. Hondius

The Nativity, Pieter de Jode (Antwerp 1570 - 1634 Antwerp), drawing, pen and ink in brown, brown wash, over graphite pencil, on octagonally cut paper, 4.6 x 3.5 cm, l.l. Duke Albert of Saxe-Teschen

The Adoration of the Magi, Pieter de Jode (Antwerp 1570 - 1634 Antwerp), drawing, pen and ink in brown, brown wash, over graphite pencil, on octagonally cut paper, 4.6 x 35 cm, l.l. Duke Albert of Saxe-Teschen

Pope, emperor and saints kneel under a God the Father pieta (pane crack for a church window in Leuven), Pieter de Jode (Antwerp 1570 - 1634 Antwerp), drawing, black chalk, heightened with white chalk, pen in brown and black-brown, pen drawn

Sacra Conversation. (The Madonna and Child sit elevated under a canopy between two columns; on the right and left John the Baptist and Saint Bartholomew), anonymous, drawing, pen; washed; brownish paper; partially supplemented; rounded at the top,

Mary and John under the empty cross of Christ; in the semicircle above two wailing angels; top right and left lunette figures, Raffaello Schiaminossi (Italy, c. 1529/75- 1622 ), drawing, chalk; Feather; washed; white heightened, 28.2 x 21.3 cm,

Gathering of the gods, wedding feast for Cupid and Psyche (engraving model), Pieter de Jode (Antwerp 1570 - 1634 Antwerp), drawing, pen in brown, brown wash, heightened with white (chalk?), over black chalk; cracked down. Vertical fold track;

Landscape with trees, a berry bush in the foreground, Pieter de Porck (Netherlands, mentioned 1650), drawing, pen and brown ink, on parchment-like prepared paper; partly in dotting style., 15.9 x 13.7 cm

After a self-portrait by Peter Paul Rubens, anonymous, after 1630, drawing, black chalk, brown pen, red chalk, on brownish-grey tinted paper, 28.2 x 19.6 cm, l.l. Duke Albert of Saxe-Teschen, and 'Do. D Peter. Paul. Rubens. Pictor

The Sacrifice of Abraham, Peter Paul Rubens (Siegen 1577 - 1640 Antwerp), drawing, black chalk, brown brush, opaque white, on grey-green paper, 33.3 x 24.9 cm, l.l. Duke Albert of Saxe-Teschen

Annunciation Mariae (engraving model), Peter Paul Rubens (Siegen 1577 - 1640 Antwerp), 1627, drawing, pen and brush in brown, with brown wash, over black chalk; fingered, 29.9 x 19.9 cm, l. and Duke Albert of Saxe-Teschen

The Adoration of the Shepherds (engraving model), anonymous, drawing, black chalk, pen and brush in brown, brush in gray, washed, opaque white, stippled, 29.2 x 19.6 cm, l.l. Duke Albert of Saxe-Teschen, l.u. 'PP Rubens

The Holy Family, anonymous, drawing, black chalk, sanguine, heightened with white chalk, 30.3 x 28.7 cm, r.l. Duke Albert of Saxe-Teschen, color information: 'pú' (purple), 'bl' (blue), 'sw' (black), 'b. pú', 'ge[?]', 'ta

The Last Supper, anonymous, drawing, chalk, pen, washed, brown primed paper, 33 x 37.5 cm, l.l. Duke Albert of Saxe-Teschen

The Beheading of St. Paulus, anonymous, drawing, black chalk, red chalk, heightened with white chalk, on gray toned paper, 27.6 x 29.9 cm, l.l. Duke Albert of Saxe-Teschen, color information: 'fiolet', 'groen' and a trimmed script fragment

Ezekiel's vision. (The prophet strides in a wide landscape with a river and a fortified city; in the middle the apparition with the four heads; from the left an angel with an open book hovers), Raffaello Schiaminossi (Italy, around 1529/75- 1622 ),

The Entombment of Christ, anonymous, drawing, pen and brush in grey, traces of red chalk, 33.7 x 24.7 cm, r.l. and l.b. Duke Albert of Saxe-Teschen (fragmented

Christ as Salvator mundi, anonymous, drawing, black chalk and charcoal, brown wash, heightened with white chalk, 28.3 x 19 cm, r.l. Duke Albert of Saxe-Teschen, l.u. 'P Rubens' (by another hand, cropped left

Mariae Himmelfahrt, Peter Paul Rubens (Siegen 1577 - 1640 Antwerp), drawing, pen and brush in brown, washed, on brown-tinted paper, white retouching, traces of black chalk, 29.2 x 23.1 cm, l.l. Duke Albert of Saxe-Teschen, r.r. '8[2?]'

The saints of the church (All Saints), Peter Paul Rubens (Siegen 1577 - 1640 Antwerp), 1614, drawing, brown pen, brush, grey-brown wash, over graphite pencil, 29.6 x 20 cm, l.l. frieze, r.b. Duke Albert of Saxe-Teschen

Christ as Salvator mundi, Christ and the twelve apostles (after Rubens), anonymous, drawing, black chalk, sanguine, light brown pen, brown and gray brush, opaque white, stippled, 17.8 x 13.6 cm, l.l. Duke Albert of Saxe-Teschen

St. Peter, Christ and the twelve apostles (after Rubens), anonymous, drawing, black chalk, sanguine, light brown pen, brown and gray brush, opaque white, stippled, 18.4 x 12.5 cm, l.l. Duke Albert of Saxe-Teschen

St. Andrew, Christ and the twelve apostles (after Rubens), anonymous, drawing, black chalk, sanguine, pen in light brown, brush in brown and gray, opaque white, stippled, 18 x 12.2 cm, l.l. Duke Albert of Saxe-Teschen

St. Paul, Christ and the twelve apostles (after Rubens), anonymous, drawing, black chalk, sanguine, light brown pen, brown and gray brush, opaque white, stippled, 17.9 x 14 cm, l.l. Duke Albert of Saxe-Teschen

St. Matthew, Christ and the twelve apostles (after Rubens), anonymous, drawing, black chalk, sanguine, light brown pen, brown and gray brush, opaque white, stippled, 18.1 x 12.7 cm, l.l. Duke Albert of Saxe-Teschen

St. Philip, Christ and the twelve apostles (after Rubens), anonymous, drawing, black chalk, sanguine, pen in light brown, brush in brown and gray, opaque white, stippled, 18.3 x 12.6 cm, l.l. Duke Albert of Saxe-Teschen

St. James the Greater, Christ and the twelve apostles (after Rubens), anonymous, drawing, black chalk, sanguine, light brown pen, brown and gray brush, opaque white, stippled, 17.8 x 13.2 cm, l.l. Duke Albert of Saxe-Teschen

St. John the Evangelist, Christ and the twelve apostles (after Rubens), anonymous, drawing, black chalk, sanguine, light brown pen, brown and gray brush, opaque white, stippled, 18.4 x 13.2 cm, l.l. Duke Albert of Saxe-Teschen

St. Bartholomew, Christ and the twelve apostles (after Rubens), anonymous, drawing, black chalk, sanguine, light brown pen, brown and gray brush, opaque white, stippled, 17.7 x 13 cm, l.l. Duke Albert of Saxe-Teschen

St. James minor, Christ and the twelve apostles (after Rubens), anonymous, drawing, black chalk, sanguine, light brown pen, brown and gray brush, opaque white, stippled, 17.9 x 13 cm, r.l. Duke Albert of Saxe-Teschen

St. Matthias, Christ and the twelve apostles (after Rubens), anonymous, drawing, black chalk, sanguine, pen in light brown, brush in brown and gray, washed, heightened with opaque white, stippled, 17.8 x 12.5 cm, r.b. Duke Albert of

St. Thomas, Christ and the twelve apostles (after Rubens), anonymous, drawing, black chalk, sanguine, pen in light brown, brush in brown and gray, washed, heightened with opaque white, stippled, 17.9 x 13 cm, r.l. Duke Albert of

St. Simon, Christ and the twelve apostles (after Rubens), anonymous, drawing, black chalk, sanguine, pen in light brown, brush in brown and gray, washed, heightened with opaque white, stippled, 17.8 x 12.6 cm, l.b. Duke Albert of

St. Peter with keys, cross and rooster, drawing, black chalk, heightened with white chalk, on blue paper, 52.3 x 26.2 cm, l.l. Duke Albert of Saxe-Teschen

the holy Peter and Paul, standing under an archway, anonymous, drawing, black chalk, pen and brush in brown, brown and gray wash, heightened with opaque white, on yellowish-tinted paper., 41.7 x 31 cm, l.l. Duke Albert of Saxe-Teschen

The Madonna with Saint George, Peter Paul Rubens (Siegen 1577 - 1640 Antwerp), drawing, pen and ink in brown, brown and gray (with opaque white) wash, over black chalk, heightened with white oil paint, 27.3 x 22.2 cm, l.b. Duke Albert of

Man striding to the right, raising his hat with his left hand; a hare hangs on a stick over the right shoulder; View of a body of water with ships, Pier Francesco Mola (Coldrerio (Corno) 1612 - Rome 1666), drawing, chalk, red chalk, heightened

The Madonna of St. Sebastian, anonymous, Flemish (17th century), drawing, red chalk and brush in red, heightened with opaque white., 41.9 x 27.2 cm, l.l. Duke Albert of Saxe-Teschen, l.u. 'No. 665 Nourry' (written by someone else

Image of Mary worshiped by angels (draft for the high altar in S. Maria in Vallicella), Peter Paul Rubens (Siegen 1577 - 1640 Antwerp), shortly after April 14, 1608, drawing, pen and brush in brown, brown wash, corrections in Opaque white,

Study sheet with 30 putti, anonymous, drawing, pen and ink in brown, 33.8 x 21.7 cm, l.l. Duke Albert of Saxe-Teschen, l.u. 'P P Rubbens F' (by someone else's hand

Frontispiece to Oliver Bonartus' Ecclesiasticum commentarius (engraving template for Corn. Galle), drawing, pen in brown, brown and gray (with opaque white) wash, white to cream-colored highlights (oil paint?), stippled., 32.2 x 19.6 cm, l.b.

Quos Ego (Neptune commands the storm), anonymous, drawing, black chalk, brush in gray, l.r. accentuated with pen in brown., 26.2 x 29.5 cm

Aeneas and Anchises fleeing Troy, drawing, black chalk, brown pen, on brown-tinted paper, 29.1 x 24.8 cm, l.l. Duke Albert of Saxe-Teschen

The Abduction of Helena, Peter Paul Rubens (Siegen 1577 - 1640 Antwerp), drawing, pen and ink in brown, brown and gray (with opaque white) wash, heightened with opaque white and cream (oil paint?), on greenish-grey primed paper, 27.4 x 40.6

Decius Mus announces his dream, drawing, black chalk, sanguine, watercolor and opaque paint, 36.4 x 40 cm, l.l. Duke Albert of Saxe-Teschen

Ancient battle scene, anonymous, drawing, black chalk, brush in brown, washed, heightened with opaque white and cream (oil paint?), on brownish-tinted paper, 33 x 41.7 cm, l.l. Duke Albert of Saxe-Teschen

tree landscape with farmsteads; on the left under the roof a man, Remigio Cantagallina (Italian, (c. 1582/83 - 1656), drawing, pen; underlaid hole, 18.1 x 26.7 cm, unidentified (L.2083); l.b. Moritz von Fries; r.b. Duke Albert of Saxe-Teschen

Monks and ladies in elegant costume (partial copy from the marriage of St. Catherine in Pomersfelden), anonymous, drawing, black chalk, heightened with white chalk, 29.1 x 34.5 cm, l.l. Duke Albert of Saxe-Teschen, l.u. 'Rubens' (by another

Two naked prisoners and war trophies, anonymous, drawing, black chalk, brush in brown and gray, opaque white, heightened in cream (oil paint?), 46.8 x 35 cm, l.l. Duke Albert of Saxe-Teschen

Pegasus, anonymous, drawing, black chalk, pen and brush in brown, brown, gray and red wash, 27.7 x 21.2 cm, r.l. Duke Albert of Saxe-Teschen, l.u. 'Rubens' (by another hand

Bacchus boy with grapes, anonymous, Peter Paul Rubens (Siegen 1577 - 1640 Antwerp), drawing, black chalk, red chalk, wiped, heightened with white chalk, 30.7 x 19.6 cm, r.l. Duke Albert of Saxe-Teschen, l.u. 'Rubens

The four elements (decoration design for a bowl rim), anonymous, Peter Paul Rubens (Siegen 1577 - 1640 Antwerp), drawing, pen in brown, over graphite pencil, wiped, washed gray, 35 x 31.3 cm, l.l. Duke Albert of Saxe-Teschen, l.u. 'P P.

Design for the high altar of the Jesuit Church in Antwerp, Peter Paul Rubens (Siegen 1577 - 1640 Antwerp), drawing, pen and ink in brown, brown wash, over graphite pencil, 51.9 x 26.1 cm, l.l. Duke Albert of Saxe-Teschen, and 'Altare P. P.

Draft for the ceiling design of the Marienkapelle in the Antwerp Jesuit Church, Peter Paul Rubens (Siegen 1577 - 1640 Antwerp), drawing, pen and ink in brown, gray and brown wash, over preliminary drawing in black chalk, 48.5 x 35.3 cm, l.l.

Hilly landscape with a group of trees and lying trunks, anonymous, drawing, black chalk, gray wash, opaque white, on light brown tinted paper, 23.6 x 28 cm, l.l. Duke Albert of Saxe-Teschen, r.r. 'Rubens' (by another hand

A saint kneeling to the right on clouds, right hand raised in a pointing position, left leaning on a book, Francesco Curradi (Italy, 1570 - 1661), drawing, chalk; heightened with white; brown paper; foxing, 37.3 x 24.3 cm, l.l. Duke Albert of

Hilly grove with hikers, anonymous, drawing, black chalk, heightened with yellow chalk, on gold-brown tinted paper, 18.9 x 29 cm, l.l. Duke Albert of Saxe-Teschen

Landscape with the ruins of the Palatine, anonymous, drawing, pen and ink in brown, brown and gray wash, heightened with opaque white, on greenish-grey paper, 17.8 x 24.2 cm, l.l. Duke Albert of Saxe-Teschen

Ox, Peter Paul Rubens (Siegen 1577 - 1640 Antwerp), around 1618, drawing, black chalk, sanguine, brown and gray brush, traces of white heightening, 28.6 x 44 cm, l.l. Duke Albert of Saxe-Teschen, M.u. 'P P R' (by someone else's hand

Princely horseman with sealed document in his left hand (Sigismund III August King of Poland ?), anonymous, Peter Paul Rubens (Siegen 1577 - 1640 Antwerp), drawing, black chalk and sanguine, wiped, stippled, 32 x 22.1 cm, l.b. Duke Albert of

Robe study, Peter Paul Rubens (Siegen 1577 - 1640 Antwerp), around 1637, drawing, black chalk, red chalk, heightened with white chalk, 41.4 x 30.7 cm, Duke Albert of Saxe-Teschen

Georges Villiers, Duke of Buckingham, Peter Paul Rubens (Siegen 1577 - 1640 Antwerp), March - June 1625, drawing, black chalk, sanguine, traces of white chalk, pen in brown, 38.5 x 26.7 cm, r.r. Duke Albert of Saxe-Teschen, o. 'hertoeg van

Catherine Manners, Duchess of Buckingham, Peter Paul Rubens (Siegen 1577 - 1640 Antwerp), around 1625 or around 1629, drawing, black chalk, sanguine, heightened with white, 36.7 x 26.3 cm, l.l. Duke Albert of Saxe-Teschen, o. 'hertoginne

Don Diego Messía (Mexía) Felipe de Guzmán, Marquis of Leganés, Peter Paul Rubens (Siegen 1577 - 1640 Antwerp), September - December 1627, drawing, black chalk and red chalk and traces of white chalk, 38.5 x 27.6 cm, l.b. Duke Albert of

Portrait of a young lady with a wide lace collar, anonymous, drawing, counterprint of a chalk drawing by A. Watteau; black chalk, sanguine, heightened with white chalk ;, 33.5 x 23.1 cm, l.l. Duke Albert of Saxe-Teschen, l.u. 'P P. Rubens.'

Portrait of Bishop Antoon Triest, anonymous, drawing, black chalk and sanguine, heightened with white chalk, on brownish-tinted paper, 38.4 x 28.6 cm, l.l. Duke Albert of Saxe-Teschen

Portrait study of a clergyman with biretta, en face, anonymous, Peter Paul Rubens (Siegen 1577 - 1640 Antwerp), drawing, black chalk and sanguine, heightened with white chalk, 33.2 x 24.3 cm, l.l. Duke Albert of Saxe-Teschen, r.r. 'Rubbens'

Portrait study of a clergyman with a biretta, in three-quarter profile to the right, anonymous, drawing, black chalk and sanguine, heightened with white chalk, accentuated with brown pen (in the pupils), 30.8 x 23 cm, l.l. Duke Albert of

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