Images at Librifly

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Latona and the Peasants, Anonymous, Flemish, early 17th century, Drawing, pen and brown ink, watercolour, 26.9 x 32.6 cm

Hunting still life with fruit and a little monkey, anonymous, drawing, brown pen, gray wash, over black chalk, 17.6 x 25.9 cm, l.l. Duke Albert of Saxe-Teschen

Sketch sheet with hunting dog studies and grotesque masks, Frans Snyders (Antwerp 1579 - 1657 Antwerp), Drawing, Black, ocher, brown and red chalk, heightened with white chalk, the masks only with red chalk, on yellow-tinted paper. Traces of

Three chasing hunting dogs, anonymous, drawing, watercolour, over graphite pencil, 34 x 48 cm, l.l. Duke Albert of Saxe-Teschen

Boar attacked by hunting dogs, Frans Snyders (Antwerp 1579 - 1657 Antwerp), drawing, pen and ink in brown, brown wash, over graphite pencil, on brown-tinted paper. Trace of a vertical fold on the left. area., 14.9 x 20.4 cm, r.b. Lempereur,

Half-length portrait of a younger man with a moustache, bow tie and white collar, his right arm in a bandage, Ottavio Leoni (Rome c. 1578 - 1630 Rome), drawing, chalk; rubella; heightened with white, on blue paper, 22 x 14.2 cm, l.l. Duke

Two Dying Hounds, Frans Snyders (Antwerp 1579 - 1657 Antwerp), Drawing, Black chalk, red chalk, heightened with white chalk, on brownish paper; Caption: graphite pencil. Spots brown in places; continuous horizontal crease at the upper edge.,

Study of a crouching hunting dog, barking upwards, Frans Snyders (Antwerp 1579 - 1657 Antwerp), Drawing, Black chalk, sanguine, heightened with white chalk, on brownish paper. Large brown spots in the upper edge area and left. below., 21.8 x

Stag chased by three hounds, Frans Snyders (Antwerp 1579 - 1657 Antwerp), drawing, black chalk, heightened with white chalk, on blue paper. Scattered brownish spots; on the right edge area discolored brownish; Traces of vertical creases right.

Three Studies of a Hunting Dog, Frans Snyders (Antwerp 1579 - 1657 Antwerp), Drawing, Black chalk, heightened with white chalk, on blue paper. foxing; left upper corner torn off, right. upper corner cut off; small defect on the left edge below;

Two studies of a greyhound, Frans Snyders (Antwerp 1579 - 1657 Antwerp), Drawing, Black chalk, heightened with white chalk, on blue paper. foxing; upper right corner damaged; small hole in the right lower corner; two large brown spots;

Mary enthroned with the Christ Child and the boy John, surrounded by saints and angels, Salomon de Bray (Amsterdam 1597 - 1664 Haarlem), 1622, drawing, black chalk, pen in brown, washed, 21.8 x 19.6 cm, l. and Duke Albert of Saxe-Teschen,

The Adoration of the Magi, Salomon de Bray (Amsterdam 1597 - 1664 Haarlem), 1654, drawing, pen in brown, brown and gray wash, over graphite pencil., 7.0 x 5.8 cm, r. o. Albert of Saxe-Teschen

The Circumcision of Christ, Salomon de Bray (Amsterdam 1597 - 1664 Haarlem), drawing, pen and ink in brown, gray wash., 7.1 x 6.0 cm

Rear figure of a boy climbing stairs with a wheel fragment, around 1654, drawing, black chalk, sanguine, pen and ink, 31.9 x 24.2 cm, r. and Duke Albert of Saxe-Teschen

Sara de Bie, Jacob Adriaensz. Backer (Harlingen 1608 - 1651 Amsterdam), early 1640s, drawing, black chalk, heightened with white, on grey-blue paper, 28.9 x 22.5 cm, l. and Duke Albert of Saxe-Teschen, cardboard notes: Jac. Backer.The oil

Half-length portrait of a man with parted hair rolled up at the side, bow tie, raised moustache, open collar and breastplate, Ottavio Leoni (Rome around 1578 - 1630 Rome), drawing, chalk, heightened with white, on blue paper, 21.5 x 14.4 cm,

Portrait of a young woman with a lace collar, David Bailly (Leiden 1584 - 1657 Leiden), 1628, drawing, brush and pen in black and gray, washed, 16.4 x 14.6 cm, r.r. Duke Albert of Saxe-Teschen, r.r. 'A.° 1628

Portrait of a young man, David Bailly (Leiden 1584 - 1657 Leiden), 1628, drawing, black and gray brush, brown pen, gray wash, 16 x 14.3 cm, r.r. Duke Albert of Saxe-Teschen, Mr. 'A.° 1628

Portrait of a young clergyman (in the oval), Jan de Bray (Haarlem 1626/27 - 1697 Amsterdam), drawing, graphite pencil, light brown wash, on parchment primed in white; the oval outlined in gold paint with pen and brush., 10.7 x 8.3 cm, r. and

Forest landscape with a noble couple on their horses and a servant, Jacques Fouquier (Antwerp?) 1590/91 - 1655/56 Paris), drawing, pen in brown, brown wash, traces of black chalk; gridded with black chalk; Inscription: graphite pencil, pen.

Forest landscape with thunderstorm, Jacques Fouquier (Antwerp?) 1590/91 - 1655/56 Paris), drawing, pen and brush in brown, washed. Black, white, brown and green soils; soiling of gray oil paint below the fort; Tears, breaks and creases on

Traveled ravine at the edge of a forest in front of a village, Jacques Fouquier (Antwerp?) 1590/91 - 1655/56 Paris), drawing, gray brush, brown pen, watercolour, over black chalk, 22.9 x 36.6 cm, l.b. Duke Albert of Saxe-Teschen

Tyrolean high forest with gorge and mountain monastery, Peter van Houck (Antwerp 1575 - 1626 Brussels), 1616, drawing, pen and brush in gray, gray wash; Caption: feather. Re. upper corner missing (worm damage); small missing parts at the lower

Fantastic view of the Tiber with Rome in the background, Pieter Stevens II (Mechelen around 1567 - after 1624 (Prague?)), 1592, drawing, brown pen, brown and blue wash, 20.5 x 37 cm, l. and Duke Albert of Saxe-Teschen

The Tiber Island, Pieter Stevens II (Mechelen c. 1567 - after 1624 (Prague?)), drawing, pen and ink in brown, brown and blue wash, 22.1 x 36.4 cm, l. and Duke Albert of Saxe-Teschen

Portrait of a youth with curly hair and a protruding lace collar to the left, Ottavio Leoni (Rome around 1578 - 1630 Rome), drawing, chalk, sanguine, ocher pencil, heightened with white, on blue paper, 22.4 x 16.5 cm, r.r. Chevalier de

Castle in a mountainous landscape, Joos de Momper the Younger (Antwerp 1564 - 1635 Antwerp), 1622, drawing, pen and ink in brown and black, gray wash, 24.5 x 37.8 cm, l. and Duke Albert of Saxe-Teschen

Emperor Charles V (bust portrait in an oval laurel wreath under a garland of fruit), Pieter Soutman (Haarlem c. 1593/1601 - 1657 Haarlem), drawing, black chalk, gray wash, accents with pen in brown; cut to follow the oval and glued into the

Wladislaus IV Vasa, Pieter Soutman (Haarlem ca. 1593/1601 - 1657 Haarlem), c. 1628, drawing, black chalk, pen in dark brown, trimmed to follow the laurel, 28.2 x 24.7 cm

Johannes von Nassau, Count von Katzenelnbogen (half-length portrait in the oval), Pieter Soutman (Haarlem approx. 1593/1601 - 1657 Haarlem), drawing, black chalk, gray wash, accents and compass circles for the oval construction with pen in

King Ladislaus IV of Poland (half-length portrait in the oval), Pieter Soutman (Haarlem ca. 1593/1601 - 1657 Haarlem), drawing, black chalk, wiped, gray (with opaque white) wash, accents with pen in dark brown, stippled, dem Cut to the

The Holy Family, Jan Harmensz. Muller (Amsterdam 1571 - 1628 Amsterdam), around 1600, drawing, brown pen, on parchment, 5.7 x 4.7 cm, l.l. Duke Albert of Saxe-Teschen

The Holy Family by Candlelight, Jan Harmensz. Muller (Amsterdam 1571 - 1628 Amsterdam), 1595, drawing, brown pen, blue and gray wash, gold heightening, 5.9 x 5.4 cm, r.r. Duke Albert of Saxe-Teschen

The Adoration of the Magi, Crispin van den Broeck (Mechelen 1524 - 1591 Antwerp), drawing, pen and ink in brown, washed, 11.4 x 7.5 cm, l. and Duke Albert of Saxe-Teschen

Castle garden with music-making and strolling company, Sebastian Vrancx (Antwerp around 1573 - 1647 Antwerp), drawing, pen in brown, watercoloured, traces of black chalk. The re. upper corner torn off, restored and the drawing added with a

Bust of a lady with a large lace collar to the right, Ottavio Leoni (Rome around 1578 - 1630 Rome), 1627, drawing, chalk, sanguine, ocher pencil, heightened with white, on blue paper, 20.8 x 14.8 cm, l.l. Duke Albert of Saxe-Teschen, lower

Courtly company with a fortune teller, Sebastian Vrancx (Antwerp around 1573 - 1647 Antwerp), drawing, pen and ink in brown, watercolour. Slanted tears at the top and bottom right edge. from the middle; slight soiling at the edges; Creases in the

Cavalry Battle, Sebastian Vrancx (Antwerp c. 1573 - 1647 Antwerp), drawing, pen and ink in brown, brown wash, traces of graphite pencil, Caption: graphite pencil. Slightly soiled and rubbed throughout., 15.8 x 21.3 cm, l.l. Duke Albert of

Ambushed cavalry in a tree-covered landscape, Sebastian Vrancx (Antwerp around 1573 - 1647 Antwerp), drawing, pen and gray, watercolour. Several creases in the upper corners., 20.5 x 31 cm, l.l. Duke Albert of Saxe-Teschen

Rear of the gate on the outer bailey of Brederode Castle, drawing, black chalk, brush and pen in grey, brown and gray wash; missing part at the top left edge; left a pleat at the bottom., 17.9 x 29.5 cm, l. and Duke Albert of Saxe-Teschen,

Wooded river landscape with hunter, Maerten de Cock ( (Inv: Gillis Hondecoeter), Antwerp 1578 - 1661 Augsburg), drawing, graphite pencil, pen in brown, brown and gray wash; ransacked soiled by stains and splashes; re. a vertical crease., 13.4

Meadow landscape with a distant view of a town, Aert van der Neer d. Ä. (Amsterdam 1603/04 - 1677 Amsterdam), around 1650-1655, drawing, brown brush, on light gray paper, 22.1 x 18.4 cm, l.l. Duke Albert of Saxe-Teschen

Coastal landscape with fishing boats and sailing ships, drawing, graphite pencil and black chalk, pen in brown, watercolour., 19.4 x 27.5 cm, l. and Duke Albert of Saxe-Teschen, carton: 'J. Greenwood ?' (Van Regteren Altena

Lying dog, Aelbert Cuyp (Dordrecht 1620 - 1691 Dordrecht), around 1645, drawing, black chalk, gray wash, light green watercolour, 7.2 x 14.3 cm, l.l. Duke Albert of Saxe-Teschen

Minerva's Visit to the Muses on Mount Helicon, Paulus Willemsz. van Vianen (Utrecht around 1570 - 1613/14 Prague), around or before 1602, drawing, brown pen, pink-brown wash, 14.6 x 19.8 cm, l.l. Duke Albert of Saxe-Teschen

Bust of an elderly gentleman with a goatee to the right, Ottavio Leoni (Rome around 1578 - 1630 Rome), drawing, chalk, sanguine, heightened with white, on blue paper, 23.4 x 16.4 cm, l.l. Duke Albert of Saxe-Teschen, lower center in ink 'P

Study of a seated putto, in profile to the right, Pieter van Mol (Antwerp 1599–1650 Paris), Drawing, Black bold crayon, heightened with white and cream chalk, on blue laid paper; Inscription: graphite pencil, 33.4 x 27.1 cm, l.l. Duke

Susanna bathing (engraving model), Gaspard de Crayer (Antwerp 1584 - 1669 Ghent), drawing, pen and brush in brown and grey-brown, washed, over black chalk, stippled; Caption: feather. foxing; Traces of multiple vertical and horizontal folds

Mariae Himmelfahrt, Gaspard de Crayer (Antwerp 1584 - 1669 Ghent), drawing, pen and brush in brown, gray-brown wash and bluish-white wash, over graphite pencil (and black chalk?), 36.4 x 24.2 cm, M.u. Duke Albert of Saxe-Teschen

The risen Christ in front of a kneeling woman, Gaspard de Crayer (Antwerp 1584 - 1669 Ghent), drawing, black chalk, gray wash, 21 x 15.1 cm, l.l. Duke Albert of Saxe-Teschen

The Abduction of the Sabines, Gaspard de Crayer (Antwerp 1584–1669 Ghent), Drawing, pen and brown ink and gray brush, over black chalk; Inscription: graphite pencil, 24.3 x 32.8 cm, l.l. Duke Albert of Saxe-Teschen, l.u. 'Crayer' (by another

Lying cow and three sheep, drawing, black chalk, charcoal, brush in gray, washed, over graphite pencil., 20.2 x 29.8 cm, l. and Duke Albert of Saxe-Teschen

Study of a sitting dog, David Teniers d. Ä. (Antwerp 1582 - 1649 Antwerp), drawing, black, red and white chalk, washed in places, brush in gray, on ocher primed paper, 6.5 x 5.9 cm, l.l. Duke Albert of Saxe-Teschen

Study of a sleeping dog, David Teniers d. Ä. (Antwerp 1582 - 1649 Antwerp), drawing, black and white chalk, washed in places, on ocher primed paper, 4.7 x 9.2 cm, M.u. Duke Albert of Saxe-Teschen

The belt donation of the Madonna, Bartolomeo della Porta called Fra Bartolomeo (Florence 1472 - 1517 Florence), around 1516, drawing, black chalk, heightened with white, on reddish primed paper, 21.6 x 16.1 cm, l.l. Duke Albert of

Half-length portrait of the poet Tommaso Stigliano (1573-1651) with bald head, mustache brushed up and bow tie to the right, Ottavio Leoni (Rome around 1578 - 1630 Rome), drawing, chalk, red chalk, heightened with white, on blue paper, 23.3 x

Gallant dinner party, Dirck Hals ( (Inv: Frans Hals), Haarlem 1591 - 1656 Haarlem), drawing, pen in brown, watercoloured, over graphite pencil., 26.0 x 35.8 cm, l. and Duke Albert of Saxe-Teschen

The regents of the St. Elisabeth Hospital in Haarlem, anonymous, drawing, brown pen, gray brush, gray wash., 14.6 x 24.4 cm, l. and Duke Albert of Saxe-Teschen, box: 'according to Hals' (Bredius); as well as the names of the sitters from the

Seated woman with bonnet and stand-up collar, next to her a little book on the table, Willem Pietersz. Buytewech (Rotterdam (around) 1591/92 - 1624 Rotterdam), drawing, pen and ink in brown, washed grey-brown, over black chalk., 18.8 x 12.4

Cheerful table company outdoors, Gesina ter Borch (Deventer 1631 - 1690 Zwolle), 16(7)5, drawing, graphite pencil, 15.3 x 21.6 cm, l. and Duke Albert of Saxe-Teschen, dated left. below: '165'; inscribed by someone else's hand: 'G.T.Borch

Monk and prostitute seated on a river bank, Adriaen Pietersz. van de Venne (Delft 1589 - 1662 The Hague), drawing, graphite pencil and pen and gray ink on parchment; water damage; perforated in the lower right corner., 25.9 x 28.2 cm, r. and

Procession of children with rods and dogs, up to a hilltop town, drawing, pen and brown and gray ink, gray wash, over black chalk., 19.8 x 31.1 cm, l. and Duke Albert of Saxe-Teschen, inscribed left. in an unknown hand with graphite pencil:

View of the Wittevrouwenpoort in Utrecht, drawing, black chalk, gray brush, brown wash., 19.4 x 29.9 cm, l. and Duke Albert of Saxe-Teschen, box: 'Witte Vrouwenport Utrecht, Rez

Landscape with church ruins and houses, Herman Saftleven ( (Inv: Th. R. Camphuysen), Rotterdam 1609 - 1685 Utrecht), drawing, black chalk, brush in brown, washed., 19.5 x 33.9 cm, Cardboard: 'GSK 75: H. Saftleven, E HB 82: Yes, late

Group of bathers in front of a hilly landscape, drawing, pen and brush in brown, washed., 17.5 x 23.1 cm, l. and Duke Albert of Saxe-Teschen

Portrait of Pier Francesco Paoli da Pesaro with combed hair, mustache and bow tie to the left, Ottavio Leoni (Rome around 1578 - 1630 Rome), drawing, chalk, red chalk, heightened with white, on blue paper, 23.4 x 15.8 cm, l.b. Duke Albert of

Two women and a putto (shepherdess, Venus and Cupid ?), Cornelis van Poelenburch (Utrecht 1594/95 - 1667 Utrecht), drawing, red chalk. - Watermark: fool's cap, 13.7 x 25.2 cm, l. and Duke Albert of Saxe-Teschen

Diana and Actaeon, Cornelis van Poelenburch (Utrecht 1594/95 - 1667 Utrecht), drawing, red chalk, 13.7 x 25.1 cm, l. and Duke Albert of Saxe-Teschen

Arch of the silversmiths in S. Giorgio in Velabro in Rome, Cornelis van Poelenburch (Utrecht 1594/95 - 1667 Utrecht), drawing, pen and brush in brown, washed, over black chalk; traces of red chalk and green paint; abrasions and stains in places;

Party playing cards, Esaias van de Velde (Amsterdam 1587 - 1630 The Hague), drawing, black-brown pen, gray brush, gray wash., 13.7 x 18.8 cm, r. and Duke Albert of Saxe-Teschen, carton: 'E. v. Velde, Benesch' - 'Yes /ABr'. - Cahier (under H

Company at table outdoors, Esaias van de Velde (Amsterdam 1587 - 1630 The Hague), drawing, black-brown pen, gray brush, gray wash; on the left Edge and bottom center vertical creases; bottom right brownish spots., 13.8 x 19.7 cm, r. and Duke

Village street with carriages and folk festival, drawing, pen and ink in brown, gray wash, 31.9 x 18.8 cm, l.l. Duke Albert of Saxe-Teschen

On the quay of a boat harbor, anonymous, drawing, pen and brown ink, blue wash, over graphite pencil; Inscription: graphite pencil, 18.8 x 30 cm, l.l. Duke Albert of Saxe-Teschen, l.u. 'Brughel'; l.o. '32' (written by someone else

Tree-filled river landscape with wayside cross and castle, Jan Brueghel the Elder (Brussels 1568 - 1625 Antwerp), drawing, pen and ink in brown, brown and blue wash; Inscription: graphite pencil, pen. trace of a vertical fold; green dirt on the

Country road at the edge of the forest with farmers and carts on the way to the market, anonymous, drawing, pen and gray and brown, brush and blue, gray, blue and brownish wash; Caption: graphite pencil. Very dirty; vertical creases right. from

Trees on a Hill with a Group of Travelers, Jan Brueghel the Elder (Brussels 1568 - 1625 Antwerp), c. 1603/1604, drawing, brown pen, brown and blue brush, on brownish-tinted paper, 20.5 x 31 cm

Half-length portrait of a young lady with flowers in her hair, pearls and a protruding lace collar, Ottavio Leoni (Rome around 1578 - 1630 Rome), drawing, chalk, sanguine, pastel pencil in brown and yellow, heightened with white, on blue

Country road at the edge of the forest with peasants and carts on the way to the market, Jan Brueghel the Elder (Brussels 1568 - 1625 Antwerp), drawing, pen and brown ink, brush and blue wash, brown, gray and blue; Inscription: pen, graphite

Forest road with farmers and carts on the way to the market, anonymous, drawing, pen in brown, brush in blue, watercolour. traces of a vertical fold; in the right lower corner damaged; yellowish brown spots in several places., 28.5 x 50.5 cm,

Farmhouse with draw well, Jan Brueghel the Elder (Brussels 1568 - 1625 Antwerp), drawing, brown pen, gray brush, blue and gray wash, 25.5 x 49.8 cm, l.l. Duke Albert of Saxe-Teschen; r.b. Lankrink, l.b. 'Brughel' (by another hand

Rocky landscape with the Temple of Sybil near Tivoli, Jan Brueghel the Elder (Brussels 1568 - 1625 Antwerp), drawing, pen and brush in brown, brush in blue, brown and blue wash, over graphite pencil; Inscription: graphite pencil., 25.3 x 20.3

Armed peasants drive looting soldiers out of a kitchen, drawing, pen and brown ink, washed brown and gray, over black chalk. Brown spots in places, especially on the upper edge., 21.3 x 28.6 cm, l.l. Duke Albert of Saxe-Teschen

Annunciation Mariae (engraving model), anonymous, drawing, black chalk, heightened with white chalk, on bluish gray paper, stippled. in the left lower corner trimmed and supplemented., 27.5 x 22.3 cm, r.r. Duke Albert of Saxe-Teschen

Flight into Egypt, Cornelis Schut (Antwerp 1597 - 1655 Antwerp), drawing, pen and ink in brown, brown wash, over graphite pencil, traces of opaque white; Caption: feather. Horizontal, partially broken crease below the middle., 13 x 10.9 cm,

Holy Family with angels and the boy John, Cornelis Schut (Antwerp 1597 - 1655 Antwerp), drawing, pen and ink in brown, brown wash; Caption: graphite pencil. blemish on the right. lower corner., 19.1 x 13.4 cm, l.l. Duke Albert of Saxe-Teschen,

Holy Family with angels and the kneeling boy John, Cornelis Schut (Antwerp 1597 - 1655 Antwerp), drawing, pen and ink in brown, brown wash; Caption: feather. abrasions on the left Edge; several creases in the left lower corner; small punctiform

Half-length portrait of a lady with a high hairstyle, earrings and a two-row pearl necklace, Ottavio Leoni (Rome around 1578 - 1630 Rome), drawing, chalk, heightened with white, on brown paper, 22.5 x 15.4 cm, l.l. Duke Albert of

Mary with the Infant Jesus and the boy John, half-length in an oval, Cornelis Schut (Antwerp 1597 - 1655 Antwerp), drawing, pen and brush in gray-brown, gray-brown wash, over graphite pencil, stippled, over a counter-print of red paint or

The conversion of Pauli, Cornelis Schut (Antwerp 1597 - 1655 Antwerp), drawing, graphite pencil, light brown pen, grey-brown wash; Inscription: graphite pencil, 26 x 20.6 cm, r.b. Duke Albert of Saxe-Teschen

Marriage of St. Katharina (Mary with Child and St. Katharina), anonymous, drawing, pen and brush in brown, brown-grey wash, over graphite pencil; Caption: feather. Trimmed in the corners and supplemented on the backing., 19.6 x 15.6 cm, r.r.

Three putti with soap bubble and globe (vanitas allegory), Jacob de Wit (Amsterdam 1695 - 1754 Amsterdam), c. 1722, drawing, pen and brush in brown, brown and gray wash, sanguine and brown chalk, thinned opaque white, over graphite pencil.,

Fantastic landscape with the rest on the run and the round temple of Tivoli, Gillis van Valckenborch (Antwerp around 1570 - 1622 Frankfurt am Main), drawing, brown pen, watercolour, 18.9 x 30.6 cm, l. and Duke Albert of Saxe-Teschen

Fantastic landscape with a couple of pilgrims, Frederik van Valckenborch (Antwerp around 1570 - 1623 Nuremberg), 1597, drawing, brown pen, watercolour, 18.9 x 30.3 cm

The Denial of Peter, Arnout Mijtens (Brussels c. 1541 - 1602 Rome), drawing, pen and ink in brown, brown and blue wash, 29.9 x 22.1 cm, r. and Duke Albert of Saxe-Teschen

The Prodigal Son with the Whores (Casual Table Society by Candlelight), Gerrit van Honthorst (Utrecht 1590 - 1656 Utrecht), c. 1622, drawing, black chalk, pen and brown ink, washed, heightened with white; Traces of a triple fold (one

Group of street musicians on a parapet, Leonaert Bramer (Delft 1596 - 1674 Delft), drawing, light and dark gray brush, black chalk, white highlights, on grey-brown paper., 30.2 x 40.9 cm, l. and Duke Albert of Saxe-Teschen

Air (female allegory), Gerrit van Honthorst (Utrecht 1590 - 1656 Utrecht), drawing, black chalk, brown wash, heightened with white; Dark oxidized opaque white., 35.2 x 25.7 cm, r. and Duke Albert of Saxe-Teschen

Bust of a lady with a stiffened veil to the left, Ottavio Leoni (Rome around 1578 - 1630 Rome), drawing, chalk, heightened with white, on bluish paper, 20 x 16 cm, l.l. Duke Albert of Saxe-Teschen

The fire (female allegory), Gerrit van Honthorst (Utrecht 1590 - 1656 Utrecht), drawing, black chalk, brown wash, white heightened, 35.2 x 25.2 cm, r. and Duke Albert of Saxe-Teschen, left. below (by hand?): 'G. H.IN.VENT

search results: Drawing clear search