Images at Librifly

search results: Drawing clear search

Coast with ships and fishing boats at anchor, drawing, gray-brown pen, gray brush, gray wash., 12.7 x 17.4 cm, l. and Duke Albert of Saxe-Teschen

Derelict Farmhouse with Two Figures, Jan Josefsz. van Goyen (Leiden 1596 - 1656 The Hague), drawing, black chalk, 15.6 x 26.8 cm, right. below a second time by another hand: 'v.g

View of a Row of Houses Facing the Water at the Back, Jan Josefsz. van Goyen (Leiden 1596–1656 The Hague), Drawing, Black chalk; brownish soiled; re. Larger brown spots at top., 15.9 x 27.7 cm, numbered left. below by another hand: '22

Dunes with fence and unrigged boat, houses in the background, Jan Josefsz. van Goyen (Leiden 1596–1656 The Hague), Drawing, Black chalk; Brown stains in several places., 13.5 x 25.1 cm, numbered left. below by another hand: '25

Tree-covered river bank with three houses, Jan Josefsz. van Goyen (Leiden 1596–1656 The Hague), Drawing, Black chalk; Damage and soiling in places (top and bottom left)., 15.3 x 24.9 cm, numbered left. below by another hand: '12

Saint Charles Borromeo kneeling to the left with arms crossed in front of his chest, Agostino Ciampelli (Florence 1565 - 1630 Rome), drawing, red chalk; Feather; washed; brownish paper, 29.8 x 20.0 cm, l.l. Mariette; l.b. Max von Fries; r.b.

Farmstead with a haystack and a view of a wide landscape, Jan Josefsz. van Goyen (Leiden 1596–1656 The Hague), Drawing, Black chalk; Re. soiled with red chalk on top re. Upper corner torn off., 12.8 x 24.1 cm, numbered left. below by another

Derelict House and Group of Figures, Overlooking a Beach, Jan Josefsz. van Goyen (Leiden 1596–1656 The Hague), drawing, black chalk. - Watermark (indistinct in the middle of the sheet - a crown of lilies of a coat of arms ?); on the right Edge

Homestead with a sign on a tree, Jan Josefsz. van Goyen (Leiden 1596–1656 The Hague), Drawing, Black chalk; Re. Upper corner removed and supplemented., 12.2 x 22.6 cm, numbered on the left. below by another hand: '14

Group of Women and Children, Leonaert Bramer (Delft 1596–1674 Delft), drawing, light and dark gray brush, black chalk, white highlights, on grey-brown paper., 30.2 x 40.9 cm

Four Church Fathers and St. Bonaventura, Jacob Jordaens (Antwerp 1593 - 1678 Antwerp), drawing, red chalk, brush in red, heightened with opaque white and cream (oil ?); Inscription: sanguine, 17.5 x 13.7 cm, below bottom Duke Albert of

Head of an Old Woman, facing left, Jacob Jordaens (Antwerp 1593–1678 Antwerp), Drawing, Black chalk, heightened with white chalk. Slight brownish soiling on the right. margin, 10.1 x 9 cm, l.l. Duke Albert of Saxe-Teschen

Head sketch, Thomas Wyck (Beverwijk 1616/24 - 1677 Haarlem), drawing, pen and ink in brown, brown wash, over graphite pencil; damaged at the edges; brownish and bleaching spots; the tips of the lower corners trimmed to round off., 18.5 x 28.3

Forest landscape with calm water, Lodewyk de Vadder (Brussels 1605 - 1655 Brussels), drawing, black chalk, brush in gray, opaque white, gray and light green wash, on yellowish-brown toned paper; Caption: graphite pencil. Brown opaque white

View of the shore and the church of Delfshausen, Jan Josefsz. van Goyen (Leiden 1596 - 1656 The Hague), 1653, drawing, black chalk, gray wash., 11.6 x 19.5 cm, l. and Duke Albert of Saxe-Teschen

Country road with a buggy in front of a homestead, Jan Josefsz. van Goyen (Leiden 1596 - 1656 The Hague), 1626, drawing, black chalk, gray wash, 18.8 x 30.2 cm, l.l. Duke Albert of Saxe-Teschen

Homestead with a view of a distant shore, Jan Josefsz. van Goyen (Leiden 1596–1656 The Hague), Drawing, Black chalk; Stains in several places., 12.4 x 25.3 cm, numbered left. below by another hand: '4

Dune landscape with water and two figures by a fence, Jan Josefsz. van Goyen (Leiden 1596–1656 The Hague), Drawing, Black chalk; Re. top missing corner and brown spots; left torn at the top edge., 11.2 x 26.2 cm, numbered on the left. below by

Mountainous Landscape with Travelers, Roelant Roghman (Amsterdam 1627–1692 Amsterdam), Drawing, pen and brown ink, brown and gray wash, over black chalk; Upper left corner damaged, 15.2 x 22.9 cm, l. and Duke Albert of Saxe-Teschen

The Portico di Ottavia in Rome, with empty market tables and men waiting (Fischmarkt, Sa. Maria in Porticus, drawing, pen and brown, washed. traces of a preliminary chalk drawing; Stains and soiling in several places. Abrasion and damage on the

Ornamental framing of an altar painting: Coronation of the Virgin Mary, anonymous, 1658-1685, drawing, graphite pencil, pen in brown, brown wash, opaque white heightening, 15 x 9.5 cm, l.l. Duke Albert of Saxe-Teschen, inscribed left. below

View of Dinant, Gillis Neyts (Gent ca. 1618 - 1687 Antwerp), drawing, pen and ink in brown, 13.8 x 10.6 cm, l.l. Duke Albert of Saxe-Teschen

The Healing of the Lame Man, Anthonis van Dyck (Antwerp 1599 - 1641 London-Blackfriars), drawing, pen in brown, brown wash, over black chalk, on brownish-tinted paper; retouched by an unknown hand with opaque white and black chalk. foxing; on

Head study of a bishop, Anthonis van Dyck (Antwerp 1599 - 1641 London-Blackfriars), drawing, black chalk, heightened with white chalk, on brownish paper. Small brown spots on the face; dirt on the upper edge; water stain on the right Edge; small

Ascent to San Pietro in Vincoli in Rome, Jacob Wilhelm Mechau (Leipzig 1745 - 1808 Dresden), 1778, drawing, black pen, brown and gray brush, wash, heightened with white brush, traces of pencil, 23 x 33.5 cm, r.b. Duke Albert of

Entombment of Christ, Joseph Anton Rhomberg (Dornbirn 1786 - 1855 Munich), 1819, drawing, recto: black-brown pen, grey-brown wash, heightened in white with brush, over pencil marks - verso: pencil, 33.5 x 44.8 cm (13 3/16 x 17 5/8 in.), l.l.

Hunter at the ready, Anton Strassgschwandtner (Vienna 1826 - 1881 Vienna), 1860, drawing, 13.6 × 11.2 cm

View from the Reisenberg towards the Danube, Lorenz Janscha (Radmannsdorf (Krain) 1749 - 1812 Vienna), around 1796, drawing, pencil, watercolour, 26.5 x 41.1cm, l. and Duke Albert of Saxe-Teschen, verso: right. and 'Vue du salon rustique

The Salzgasse with the monastery gate, Carl L. Wiesböck (Vienna 1811 - 1874 Vienna), 1858, drawing, watercolour, 20.2 x 14 cm, l. u.: 'The salt alley with the monastery gate

Girl leaning on a staff to the right, Carl Pischinger (Niederhollabrunn-Streitdorf 1823 - 1886 Liezen), 1853, drawing, pencil, chalk/crayon?, sheet: 24.9 x 16.8 cm, r.r. '8, 22 1853

Group of impoverished peasants resting by a tree, Willem de Heer (Netherlands, c. 1638 - 1681), drawing, pen and brown and gray ink, brown and gray wash, (over graphite pencil?), on parchment, 18.8 x 18.1 cm, bottom right Duke Albert of

Portrait of an Old General, Michiel van Miereveld (Delft 1567 - 1641 Delft), Drawing, Black chalk and sanguine, accentuated with brush, on white-primed parchment., 14.4 x 11.7 cm, right and Duke Albert of Saxe-Teschen, inscribed left. above:

Study sheet, Jan Brueghel the Elder (Brussels 1568 - 1625 Antwerp), drawing, pen in brown, brush in blue, blue wash. trace of a vertical fold; at the top right. underlaid with a strip of paper., 14.6 × 29.3 cm, l.l. Duke Albert of

François Lelio Brancaccio, Anthonis van Dyck (Antwerp 1599 - 1641 London-Blackfriars), drawing, black chalk, accentuated with brush in gray; below a horizontal line in pen and brown by a later hand. Heavy soiling (traces of glue) on the lateral

Ulysses sacrifices to Hades and keeps the dead from the blood of the sacrificial animals with a raised sword, drawing, black chalk, sanguine. Slight brownish soiling in the upper corners, 22.7 x 31.9 cm, l.l. Duke Albert of Saxe-Teschen,

Dog's Head (Head of a Wolfhound), Herman Saftleven (Rotterdam 1609–1685 Utrecht), 1673, Drawing, Black chalk, sanguine, gray and brown wash; re. a small brown stain at the top., 15.6 x 13.4 cm, l. and Duke Albert of Saxe-Teschen

Standing old woman with caricature-like features leaning left on a staff, Lorenzo Lippi (Italian, 1606 - 1665), drawing, chalk; Feather; Ink; washed; brown paper, 26.6 x 18.3 cm, l.l. Duke Albert of Saxe-Teschen, upper left 'Lorenzo Lippi' and

Outskirts of the village by the water (III-22), '3e Livre de Dessin de AB. Flamen' with 50 leaves, Albert Flamen (Bruges c. 1620 - after 1693 Paris), drawing, pen and gray and brown ink, 10.3 x 14.3 cm, l. and Duke Albert of Saxe-Teschen

House of Hans and Anny Moller, Vienna XVIII, Starkfriedgasse 19, ground plan of the 1st floor and the mezzanine floor, 1927-1928, architectural drawing, blueprint, 34.2 x 38.8 cm

Bank Freyung, Vienna I., corner of Freyung and Strauchgasse (Palais Hardegg), axonometric, floor plan; on verso project by Adolf Loos, around 1919, architectural drawing, pause; Pencil, 350 x 427mm

Country house for Leo Prince Sapieha, villa with pitched roof, view, 1918, architectural drawing, drawing paper; Pencil, 181 x 203mm

Terraced villa (hanging house), destination unknown Ground plan and elevation, 1918, architectural drawing, tracing paper; Pencil, 21.2 x 34.4cm

Bad Groß Ullersdorf (North Moravia), Thesstal sanatorium, wrought-iron grille I, Alfred Castelliz (Celje 1870 - 1940 Vienna), 1912, architectural drawing, tracing paper; Pen drawing (black), 40.5 x 63.3 cm

Vienna I, Burgtheater, design for foyers and staircases, wall elevations, Carl von Hasenauer (Vienna 1833 - 1894 Vienna), 2nd half of the 19th century, architectural drawing, pencil on transparent paper

Vienna I, Hofburg, Outer Castle Gate, floor plan, half with ceiling soffit, 1844, architectural drawing, chalk (preliminary drawing); pen in black; multicolored wash, sheet: 50.9 x 72.6 cm, 'Plan, Of the new castle gate, in Vienna, built,

Vienna I, Hofburg, Altes Burgtheater, new building project on the site of the summer riding school, longitudinal section, 1810, architectural drawing, graphite (preliminary drawing); black and sepia pen; multicolored wash, sheet: 30.9 x 47.1

Vienna I, Hofburg, Leopoldine Wing, draft for a picture room, floor plan, wall development, 1861, plan, graphite (preliminary drawing); pen in black; multicolored wash, sheet: 33.1 x 50.9 cm

Rome, Palazzo Carpegna, north part of the palace, top floor, floor plan, 1643-1649, architectural drawing, paper, Fine; graphite drawing; Construction, drawing and inscription in graphite, 12.6 x 19.1 cm, top right: 'Salotto, loggetta,

River landscape with houses on the left bank, sailing boats in front, Jan Josefsz. van Goyen (Leiden 1596 - 1656 The Hague), drawing, black chalk, 13.1 x 25.0 cm, numbered l. below by another hand: '15

River bank with farmhouses, barge and jetty, Jan Josefsz. van Goyen (Leiden 1596–1656 The Hague), Drawing, Black chalk; Lower left corner missing., 13.8 x 24.9 cm, numbered left. below by another hand: '20

A farmhouse between trees, Jan Josefsz. van Goyen (Leiden 1596 - 1656 The Hague), drawing, black chalk, 11.4 x 23.1 cm, numbered l. below by another hand: '23

Country road with farmsteads and haystack, Jan Josefsz. van Goyen (Leiden 1596 - 1656 The Hague), drawing, black chalk, 12.0 x 24.1 cm, numbered l. below by another hand: '.7

Houses by a River, Jan Josefsz. van Goyen (Leiden 1596–1656 The Hague), Drawing, Black chalk; on the left edge torn; elongated brownish spot left. above; Dirt in several places., 10.9 x 23.2 cm, numbered left. below by another hand: '2

Dunes with bushes and two figures, Jan Josefsz. van Goyen (Leiden 1596–1656 The Hague), Drawing, Black chalk; blemish at the top of the left Edge; left oblique and vertical brown spots; brownish soiled., 12.4 x 23.2 cm, numbered left. below by

Standing mantle figure with outstretched left arm, rear view to the left, Agostino Melissi (Italy, mentioned 1631 - 1675), drawing, red chalk; brownish paper, 18.9 x 12.9 cm, l.l. Duke Albert of Saxe-Teschen

Homestead with haystack, located by the water, Jan Josefsz. van Goyen (Leiden 1596 - 1656 The Hague), drawing, black chalk, 9.8 x 22.0 cm, numbered l. below by another hand: '10

Homestead with a tree, Jan Josefsz. van Goyen (Leiden 1596–1656 The Hague), Drawing, Black chalk; Torn at top left; brownish soiling in several places; elongated brown spot left. above., 12.0 x 24.6 cm, numbered left. below by another hand:

River Landscape with Boat and Windmill, Jan Josefsz. van Goyen (Leiden 1596–1656 The Hague), Drawing, Black chalk; Vertical cut at the top edge; re. cropped at an angle and added to the cardboard; left top corner damaged; brownish soiled., 11.7

View of a River with a Rowing Boat, Jan Josefsz. van Goyen (Leiden 1596–1656 The Hague), Drawing, Black chalk; at the bottom left. cut diagonally, further right. a crack; brownish soiled., 12.0 x 25.0 cm, numbered left. below by another hand:

Dune landscape with houses and two figures, Jan Josefsz. van Goyen (Leiden 1596–1656 The Hague), c. 1630, Drawing, Black chalk; Brownish stains and slight soiling., 11.6 x 23.6 cm, numbered on the left. below by another hand: '17. '; labeled

Bridge with rider and two figures in front of a village, Jan Josefsz. van Goyen (Leiden 1596–1656 The Hague), c. 1630, Drawing, Black chalk; Brownish stains and light soiling in several places., 11.3 x 24.7 cm, numbered on the left. below by

Farmhouses on a street, Jan Josefsz. van Goyen (Leiden 1596–1656 The Hague), Drawing, Black chalk; foxing; re. brownish discoloration at the top, right. soiled with red chalk below, 13.3 x 26.7 cm, numbered on the left. below by another hand:

Farmstead with a haystack and a view over a body of water, Jan Josefsz. van Goyen (Leiden 1596–1656 The Hague), Drawing, Black chalk; re. soiled by gray and brownish stains., 15.6 x 26.5 cm, monogr. re. below by another hand : 'V.G

Dune landscape with three figures, Jan Josefsz. van Goyen (Leiden 1596–1656 The Hague), Drawing, Black chalk; Small defects at the upper edge; brownish soiled, left brown spots below; re. the gray of the later frame line absorbed at the top.,

Descent from the Cross (on the left the two Marys under the cross, behind them two further figures; on the lower right two half figures; on the right and left two ladders are leaning against the cross), Raffaello Guidi (Italy, 1540 - c. 1615),

Ruth and Boaz, Ferdinand Bol (Dordrecht 1616 - 1680 Amsterdam), 2nd half of the 1630s, drawing, brown pen, gray wash, over red chalk and black chalk; slightly foxed., 19.1 x 26.7 cm

Ruth and Naomi, Ferdinand Bol (Dordrecht 1616–1680 Amsterdam), 1630s, drawing, pen and brown ink, gray and brown wash, brush and gray ink, over black chalk, 19.3 x 18.4 cm

Christ on the Mount of Olives, Leonaert Bramer (Delft 1596 - 1674 Delft), drawing, brush in gray, gray wash, traces of opaque white, on yellow-tinted paper., 20.1 x 27.7 cm, inscribed by someone else's hand on the right. below with pen:

Christ on the Mount of Olives, Leonaert Bramer (Delft 1596 - 1674 Delft), drawing, brush and gray, gray wash, opaque white, on blue paper; the opaque white discolored brownish in places. Abrasion throughout at the selective elevations on the

Half-naked couple sitting in front of an Apollo Diana altar in a temple hall, Hendrik Hoogers (Nymwegen 1747 - 1814 Nymwegen), drawing, gray brush, red chalk, gray wash, on parchment; brownish stains and abrasions in several places., 15.5 x

Interior view of the southern aisle of St. Bavo in Haarlem, drawing, pen and ink in brown, watercolour, over black chalk., 40.3 x 31.5 cm, l. and Duke Albert of Saxe-Teschen

The organ in the St. Laurenskerk in Alkmaar, Pieter Jansz. Saenredam (Assendelft 1597 - 1665 Haarlem), drawing, pen and ink in brown, watercolour., 33.6 x 22.1 cm, l. and Duke Albert of Saxe-Teschen, Inscribed and dated: 'Dese teecheningh van

Farmstead with shelter and barn, Roelant Roghman (Amsterdam 1627 - 1692 Amsterdam), drawing, brush in dark brown, washed., 28.2 x 46.0 cm, l. and Moritz von Fries; right and Duke Albert of Saxe-Teschen

Ruins of Ubbergen Castle, Aelbert Cuyp (Dordrecht 1620–1691 Dordrecht), 1651–52, drawing, black chalk, graphite pencil, gray wash, mixed with opaque white, 18 x 27.1 cm, inscribed above: 'ubberghe'. top left by another hand: 'Rogman

Forest section with meadow, drawing, black chalk and brush in grey, washed gray; Left a vertical cut and break lines., 26.2 x 24.0 cm

Saint Charles Borromeo Embracing Saint Filippo Neri, approaching him from the right, Luca Ciamberlano (Italian, c. 1570 - 1641), Drawing, red chalk preliminary drawing; Feather; washed; brown paper, 43.2 x 36.5 cm, l.l. Moritz von Fries; mu

River landscape with cattle and cliff, Roelant Roghman (Amsterdam 1627 - 1692 Amsterdam), drawing, brown pen, gray brush, gray wash; In the lower corners and left. damaged at the top., 12.9 x 18.0 cm, l. and Duke Albert of Saxe-Teschen

Overhanging rock on a bank, Roelant Roghman (Amsterdam 1627 - 1692 Amsterdam), drawing, pen and ink in brown, washed gray and brown, heightened by scraping (in the contour area on the left), over black chalk; heavy soiling; damaged top center;

Forest landscape with a body of water, Roelant Roghman (Amsterdam 1627–1692 Amsterdam), drawing, black chalk, brown pen, gray brush, gray wash; Damaged below left., 15.3 x 23.0 cm, l. and Duke Albert of Saxe-Teschen

Edge of the forest with a view of a plain, Roelant Roghman (Amsterdam 1627 - 1692 Amsterdam), drawing, black chalk, brown pen, gray and brown brush, gray and brown wash., 15.3 x 23.1 cm, l. and Duke Albert of Saxe-Teschen

Landscape with a Ravine and a Wooden Bridge, Roelant Roghman (Amsterdam 1627 - 1692 Amsterdam), drawing, pen and ink in brown, gray and brown wash, traces of black chalk; At the lateral edges and left. damaged in the top corner., 16.2 x 23.0

Edge of the forest with a path and shepherds, Roelant Roghman (Amsterdam 1627 - 1692 Amsterdam), early 1660s, drawing, pen in brown, brown and gray wash, over black chalk, white body paint, 15.2 x 22.9 cm, l.l. Duke Albert of Saxe-Teschen

Wooded landscape with resting horsemen, Roelant Roghman (Amsterdam 1627 - 1692 Amsterdam), drawing, pen in brown, brown and gray wash, over black chalk, opaque white, 15.3 x 23 cm, l. and Duke Albert of Saxe-Teschen

Meadow landscape with an angler, Gillis Rombouts (Haarlem 1630 - 1678 Haarlem), drawing, pen and brown ink, brush and gray ink, washed gray and brown, tinted white-grey in the sky; Re. bottom corner creased., 14.4 x 22.7 cm, l. and Duke

View of the Sea with Fishing Boat and Sailing Ships, Jan Porcellis (Gent c. 1584 - 1632 Soeterwoude), drawing, brush and black and gray wash; Traces of black chalk (in the sky)., 18.5 x 30.5 cm, l. and Duke Albert of Saxe-Teschen

Flagellation of Christ. (Christ is beaten by four henchmen; two spectators in the background on the left; a henchman bends down to the ground in the front left; view of column architecture, staircase with staffage, barrel vault above), Giovanni

A Zeeland cog ('Een Zeeuwsche Koch'), Jan Porcellis (Gent c. 1584 - 1632 Soeterwoude), drawing, pen and brush in gray and brown, washed, stippled; Re. lower corner cut off and supplemented., 16.5 x 26.9 cm, l. and Duke Albert of Saxe-Teschen,

Dune Landscape with a View of the Sea, Jan Porcellis (Ghent c. 1584–1632 Soeterwoude), drawing, black chalk, brown pen, brown and gray wash; Foxing in the upper area., 8.7 x 14.0 cm, l. and Duke Albert of Saxe-Teschen

Dock with a rowing boat in front of a harbour, Jan Porcellis (Ghent c. 1584 - 1632 Soeterwoude), drawing, pen and ink in brown, brown and gray wash., 10.5 x 14.0 cm, l. and Duke Albert of Saxe-Teschen

Seacoast with signal signs and fishing boats on the beach, Jan Porcellis (Gent c. 1584–1632 Soeterwoude), drawing, black chalk, brown pen, gray brush, gray wash; Foxing in the upper area., 8.7 x 14.4 cm, l. and Duke Albert of Saxe-Teschen

Park wall with a pine growing through it, Jan Frans van Bloemen called Orizzonte (Antwerp 1662 - 1749 Rome), drawing, graphite pencil, brush in gray and greenish watercolor paint, gray wash, opaque white (grey oxidized), on gray-brown toned

The Leprozenhuis in The Hague, Joris van der Haagen (Arnhem?) 1613/15 - 1669 Den Haag), drawing, black chalk, brush in gray, watercolour. Bordered with pen in black-brown., 15.7 x 21.5 cm, l. and Duke Albert of Saxe-Teschen, inscribed on the

Sketch of a tree and a column, Joris van der Haagen (Arnhem?) 1613/15 - 1669 Den Haag), drawing, black chalk, brush in gray, watercolour. Bordered with pen in black-brown., 15.7 x 21.5 cm, Inscribed on the reverse by a hand other than that: 't

The Leprozenhuis in The Hague, Joris van der Haagen (Arnhem?) 1613/15 - 1669 Den Haag), drawing, black chalk, brush in gray, watercolour. Bordered with pen in black-brown., 15.7 x 21.5 cm, l. and Duke Albert von Sachsen-Teschen, inscribed on

Landscape sketch with tree and windmill, Joris van der Haagen (Arnhem?) 1613/15 - 1669 Den Haag), drawing, black chalk, brush in gray, watercolour. Bordered with black-brown pen., 15.7 x 21.5 cm, Inscribed on the reverse by a hand other than

Herd of cattle at the edge of a forest, Maerten de Cock (Antwerp 1578 - 1661 Augsburg), 1628, drawing, pen and ink in brown, washed, with blue and green watercolours, 21.7 x 33.1 cm

Entertaining three horsemen in front of a tavern, drawing, pen and brush in grey, washed, on parchment; Orange-brown spots in places (right above and below)., 10.4 x 13.4 cm, r. and Duke Albert of Saxe-Teschen

A man murders a couple in bed in a raised room to the left; in the front room he has thrown away his sword and helmet; three women approach him, Giovanni Battista Ricci (Italian, 1537 - 1627), drawing, chalk; Feather; washed; Chalk squaring,

Study of a seated shepherd boy from the back, Jan Miel (Beveren 1599 - 1663 Turin), drawing, black chalk, heightened with white, on gray-blue paper; Brownish spots throughout; the figure right. overlaid by gray spots., 22.8 x 19.0 cm, l. and

Landing stage with an inn at an estuary, Hendrick Avercamp (Amsterdam 1585 - 1634 Kampen), before 1620, drawing, pen and brown ink over graphite pencil, watercoloured, white body colour; Brown spots throughout at the top., 17.9 x 25.8 cm,

search results: Drawing clear search