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Winter landscape with skaters, Hendrick Avercamp (Amsterdam 1585 - 1634 Kampen), drawing, pen and ink in brown, watercolor and body colour, over black chalk., 18.2 x 30.3 cm, r. and Duke Albert of Saxe-Teschen, Monogr. below, right from the
A woman and two fishermen with barrels in front of a bay, Hendrick Avercamp (Amsterdam 1585 - 1634 Kampen), drawing, pen and ink in brown, watercoloured, over graphite pencil., 18.3 x 20.6 cm, l. and Duke Albert of Saxe-Teschen
Wooden bridge with milk carrier and travellers, drawing, pen and ink in grey, watercolour, over black chalk., 11.8 x 18.0 cm, l. and Duke Albert of Saxe-Teschen
Still life with fruit, wine and lobster, Jan Davidsz de Heem (Utrecht 1606 - 1684 Antwerp), drawing, charcoal and black chalk, wiped in places, individual accents with pen in brown., 23.9 x 31.3 cm, l. and Duke Albert of Saxe-Teschen, signed
The feast of the gods with Juno asking Jupiter to direct the winds against Aeneas' fleet, Jan van den Hoecke (Antwerp before 1611 - 1651 Antwerp), drawing, graphite pencil, brush in brown and gray, brown wash. Traces of a criss-cross fold, 29.7
Charity, drawing, black chalk, sanguine, traces of heightening with white chalk, on brown toned paper, 24.8 x 21.8 cm, l.l. Duke Albert of Saxe-Teschen, inscribed on the lower edge by someone else's hand with graphite pencil (difficult to
Ornamental framing of an altar painting: healing of the sick, anonymous, 1658-1685, drawing, brown pen, brown wash, brush in gray, over graphite pencil, 14.9 x 9.5 cm, l.l. Duke Albert of Saxe-Teschen
Ornamental framing of an altarpiece: Jesuits before the Pope, with Madonna in heaven, Anonymous, 1658-1685, Drawing, brush and gray and black, gray wash; the outer architectural framing with graphite pencil, 152 x 97 mm, l.l. Duke Albert of
The Birth of the Virgin, anonymous, drawing, chalk, 15.9 x 12.5 cm, l.l. Duke Albert of Saxe-Teschen
study sheet. (Left an evangelist in front view looking to the left; in the middle John the Evangelist striding to the right in a niche; on the right a monk standing to the left; below a study of John the Evangelista with a chalice; three hand studies
Ornamental framing of an altarpiece: The Miracles of Franz Xavier, with Madonna in Heaven, Anonymous, 1658-1685, Drawing, brush and gray and black, gray wash; the outer architectural frame with pen in brown, 15.2 x 9.7 cm, l.l. Duke Albert of
Ornamental framing of an altarpiece: Battle of the Milvian Bridge, with Madonna in the sky, Anonymous, 1658-1685, Drawing, pen and gray ink, gray wash; the outer architectural frame with pen in brown, 15.1 x 9.5 cm, l.l. Duke Albert of
Bacchic scene (feast with satyrs and nymphs), Justus van Egmont (Leiden 1601 - 1674 Antwerp), drawing, pen and ink in brown, with brown wash, over graphite pencil; Traces of red chalk, small opaque corrections. Continuous vertical crease on the
Forest interior, drawing, brush in brown, brown wash, heightened with opaque white, over graphite pencil; the figures with brush in violet-grey over black chalk, 28.8 x 36.6 cm, l.l. frieze; r.b. Duke Albert of Saxe-Teschen, l.u. by another
Tree-rich pasture landscape with a path and staffage, drawing, black chalk, brush in gray, gray wash. Slightly damaged on the left. upper corner and lower edge in the middle., 18.3 x 25 cm, r.l. Duke Albert of Saxe-Teschen
Tree-covered landscape with a herd of cattle and farmers on a country road, anonymous, drawing, brush in gray, watercolour, black chalk; over graphite pencil, 24.5 x 29.8 cm, l.l. Duke Albert of Saxe-Teschen, l.u. by another hand with
Landscape with trees and ruins, drawing, pen and brown and grey. Slightly stained., 11.8 x 19.5 cm, r.r. Duke Albert of Saxe-Teschen
Landscape with a road and staffage at the foot of an overgrown cliff, Gillis Neyts (Gent ca. 1618 - 1687 Antwerp), drawing, brown and gray pen, on parchment, 19.2 x 22.8 cm, l.l. Duke Albert of Saxe-Teschen, r.o. by another hand with graphite
Entry of Archduke Leopold Wilhelm in Antwerp, Gillis Neyts (Gent ca. 1618 - 1687 Antwerp), drawing, graphite pencil, on grey-brown primed parchment. Mottled primer; here and there minor abrasions and slight soiling., 12.3 x 19.6 cm, r.l. Duke
Apostle or prophet of the Old Testament, stepping backwards to the left, hands raised, a book under his left arm, about to announce something, Taddeo Zuccaro (Sant' Angelo in Vado 1529 - 1566 Rome), drawing, brush in gray; brownish primed
Landscape with hay harvest and church (summer), Gillis Neyts (Gent ca. 1618 - 1687 Antwerp), drawing, pen and ink in brown, 13.8 x 10.6 cm, l.l. Duke Albert of Saxe-Teschen
View of a town, staffage with a carriage in the foreground (in a circular detail), Gillis Neyts (Gent ca. 1618 - 1687 Antwerp), drawing, pen and ink in brown, gray wash, 11.9 x 12 cm, l.l. Duke Albert of Saxe-Teschen
View of a castle ruin, three archers in the foreground (in a circular section), Gillis Neyts (Gent ca. 1618 - 1687 Antwerp), drawing, pen and ink in brown, gray wash, 12 x 12.1 cm, l.l. Duke Albert of Saxe-Teschen
View of a city, a garden with a high cross in the foreground, Gillis Neyts (Gent ca. 1618 - 1687 Antwerp), drawing, pen and ink in brown, watercolour. Torn at the upper edge., 13.9 x 18 cm, l.l. Duke Albert of Saxe-Teschen
Tree-covered, hilly landscape with a river and buildings, Gillis Neyts (Gent ca. 1618 - 1687 Antwerp), drawing, pen and gray ink, watercolour, 13.9 x 17.9 cm, l.l. Duke Albert of Saxe-Teschen
Landscape with an Italian House and a Female Mule Rider with Companion, Gillis Neyts (Gent c. 1618–1687 Antwerp), Drawing, pen and ink in brown, washed grey-brown and light gray in the sky. Damage and slight soiling top center and center left.,
Mountainous landscape with a castle, Gillis Neyts (Gent ca. 1618 - 1687 Antwerp), drawing, graphite pencil, brush in grey, washed, on slightly gray toned paper. Slightly soiled in places with small stains., 16 x 23 cm
Mountain Landscape, Gillis Neyts (Ghent c. 1618 - 1687 Antwerp), drawing, graphite pencil, brush and gray wash, on slightly gray toned paper, 15.5 x 23.4 cm
View across meadows to a church, in the foreground soldiers playing a throwing game, Gillis Neyts (Gent ca. 1618 - 1687 Antwerp), drawing, pen and ink in brown, 13.8 x 10.6 cm, l.l. Duke Albert of Saxe-Teschen
Seated Female Figure Left in a Landscape; in the background a town in front of hills, drawing, pen; gray wash; brownish paper, 14.5 x 19.2 cm, l.l. Duke Albert of Saxe-Teschen
View of a moated castle, in front of it a small boat with an arbour, Gillis Neyts (Gent ca. 1618 - 1687 Antwerp), drawing, pen and brown ink. - Watermark: fool's head, 13.8 x 10.6 cm, l.l. Duke Albert of Saxe-Teschen
View of a water mill, Gillis Neyts (Gent ca. 1618 - 1687 Antwerp), drawing, pen and ink in brown, 13.7 x 10.8 cm, l.l. Duke Albert of Saxe-Teschen
Ezekiel's vision of the coming of the Messiah, drawing, black chalk, gray and opaque white brush. Traces of a vertical fold on the left. Edge (creases)., 22.9 x 17.5 cm, r.l. Duke Albert of Saxe-Teschen
The Adoration of the Shepherds, drawing, pen and brown ink, brush and gray ink, gray wash; ransacked traces of one vertical and three horizontal folds; horizontal crease below center; numerous small abrasions., 34.6 x 31.5 cm, l. and Duke
The Adoration of the Shepherds, Anthonis van Dyck (Antwerp 1599 - 1641 London-Blackfriars), around 1618-1621, drawing, black chalk, pen and brush in brown, washed, heightened with white, 22.8 x 19.2 cm, r.r. Duke Albert of Saxe-Teschen,
Rest on the Run, Anonymous, Drawing, Pen and brown ink; brownish spotted paper., 23.3 x 19.3 cm, l. and Duke Albert of Saxe-Teschen
Rest on the run with angel dance, anonymous, drawing, black chalk, pen and brush in gray and brown, washed, heightened with opaque white, on brownish-tinted paper., 31.9 x 44.2 cm, r. and Duke Albert of Saxe-Teschen
Mocking of Christ, Anonymous, Drawing, Black chalk, brush and gray and brown, wash; Scratches and brownish soiling., 24.0 x 20.6 cm, r. and Duke Albert of Saxe-Teschen, below, right. from the middle, by someone else's hand with graphite
Christ on the cross with the two Marys and John, Anonymous, drawing, brush and black gray and gray wash, gray wash, heightened with thinned opaque white; slight soiling from red chalk; darkly oxidized in the clouds, 24.3 x 16.1 cm, r. and Duke
Christ on the cross, drawing, graphite pencil, brush in brown, on irregularly brownish toned paper. Small brown soiling in several places., 32.8 x 18.5 cm, r.l. Duke Albert of Saxe-Teschen, l. below: 'Achen
King Herod Returns to His Palace After the Massacre of the Innocents, Giovanni Mannozzi (Italy, 1592 - 1636), drawing, chalk; rubella; Brownish paper, 35.2 x 25.9 cm, no collector's stamp Duke Albert von Sachsen-Teschen, lower right in pencil
The Lamentation of Christ (Descent from the Cross), anonymous, drawing, black chalk, pen in gray, brush in grey-brown, opaque white corrections, on grey-brown paper; horizontal crease at top edge; larger tears on the right. border above; a
Christ Lying Under the Cross, Giovanni Benedetto Castiglione (Genoa 1609 - 1664 Mantua), drawing, gum tempera on canvas; crumbling layer of paint, 45.5 x 33.5 cm, no collector's stamp Duke Albert von Sachsen-Teschen, lower left in black '152',
The Entombment of Christ, anonymous, drawing, black chalk, pen and brush in brown, sanguine and yellow chalk, grey-brown wash, 25.4 x 19.4 cm, l.l. Duke Albert of Saxe-Teschen
The five wise and the five foolish virgins, drawing, brush in brown, brown and gray wash, heightened with opaque white, over black chalk, on brownish tinted paper with multiple pieces (left half and right upper corner), 12.9 x 26, 2 cm, l.l.
The Crucifixion of Peter, Anthony van Dyck (Antwerp 1599–1641 London-Blackfriars), c. 1620, drawing, black chalk, and brown brush. damage to the edges; the corners trimmed and supplemented., 16.3 x 19.5 cm, l.l. Duke Albert of Saxe-Teschen,
Head study for a henchman, Anthonis van Dyck (Antwerp 1599 - 1641 London-Blackfriars), c. 1620, drawing, pen and ink in brown. damage to the edges; the corners trimmed and supplemented., 16.3 x 19.5 cm
St. Bartholomew (half-length portrait), Anthonis van Dyck (Antwerp 1599 - 1641 London-Blackfriars), drawing, pen and ink in brown, on paper tinted with red chalk. Large brownish water stain on the left. half., 18.4 x 13.5 cm, l.l. Duke Albert
Mary and the Child are Adored by Saints, Anthony van Dyck (Antwerp 1599–1641 London-Blackfriars), c. 1619–1621, drawing, black chalk, brush and brown, heightened with white. Fractures and small defects in places, especially on the left. on
Mary and the child are adored by saints, Anthony van Dyck (Antwerp 1599 - 1641 London-Blackfriars), c. 1619-1621, drawing, black chalk, pen and brush in brown, heightened with white, 19.6 x 28.7 cm, Duke Albert of Saxe-Teschen
Study sheet: Maria with child between kneeling saint and hl. Joseph; below a male figure and a group of angels, Anthonis van Dyck (Antwerp 1599 - 1641 London-Blackfriars), drawing, pen and brown ink, on grey-brown paper. Brownish spots in the
Mary with St. Francis holding the Infant Jesus in his arms, drawing, pen and brush in brown, brown and grey-brown wash, over graphite pencil. trace of a horizontal fold; light brown spots, especially in the area of the Madonna., 29.5 x 20.1 cm,
Seated young man, front view, leaning to the left, his right hand pressed to his chest, his left leaning on his side, Giuseppe Cesari called Cavaliere d' Arpino (Arpino 1568 - 1640 Rome), drawing, chalk; Red chalk, 26.7 x 19.4 cm, l.l.
Mary with child and putti, St. Dominic handing the rosary, drawing, brown pen, black chalk, gray wash, heightened with white chalk, over black chalk, on grey-brown paper. Above on the left Edge soiled by a brown fingerprint., 30.1 x 29 cm,
Melchizedek and Elijah receiving bread from the angel (study), drawing, red chalk, brown brush, on brownish paper., 24.1 x 16.5 cm, l.l. Duke Albert of Saxe-Teschen
Study with four figures, Peter Paul Rubens (Siegen 1577 - 1640 Antwerp), drawing, red chalk, brown brush, black chalk (soiling?), on brownish paper., 23.9 x 16.3 cm, l.l. Duke Albert of Saxe-Teschen
Roma triumphans, drawing, pen in brown, brush in ocher brown, brown and gray wash, 22 x 30.4 cm, l.l. Duke Albert of Saxe-Teschen, r.r. in pen 'Rubb:', in graphite pencil 'Rubens' (each by a later hand
Perseus turns his enemies into stone with the head of Medusa, drawing, pen and brush in brown, brown wash, minor opaque white corrections, 12 x 26.1 cm, l.l. Duke Albert of Saxe-Teschen
The banquet at Achelloos, Jacob Jordaens (Antwerp 1593 - 1678 Antwerp), drawing, pen and brush in brown, washed in various shades of brown, over black chalk. Vertical crease from the jug-bearer to the dog; small soiling on the right. margin.,
Trees in the wind, Anthonis van Dyck (Antwerp 1599 - 1641 London-Blackfriars), drawing, red chalk, brush in brown and gray, brown wash. Two gray soiled patches on the right. margin., 44.1 x 29.8 cm, l.l. frieze; r.b. Duke Albert of
St. Anthony, kneeling before Mary and adoring the child, anonymous, drawing, brush and black ink, gray wash, heightened with opaque white, on light brown toned paper., 24.8 x 19.8 cm, l. and Duke Albert of Saxe-Teschen, right. below with
Half-length portrait of a bearded man, in profile to the right, left hand on chest, drawing, graphite pencil, sanguine, brown and gray pen, heightened with opaque white, rasterized with graphite pencil, on brown toned paper; 10 mm left, 20
study sheet. (Standing man with curly hair and beard seen from behind, turned slightly to the right, his right hand resting on a staff; studies of the head, the right hand and the feet lower left), Giovanni Mannozzi (Italy, 1592 - 1636),
Male head to the right, looking up (Marinus Janssens?), Anthonis van Dyck (Antwerp 1599 - 1641 London-Blackfriars), drawing, brown pen, 11.1 x 10 cm, l.l. Mariette; r.b. Duke Albert of Saxe-Teschen
Male head with a long beard, slightly raised and looking to the right (St. Augustine), Anthony van Dyck (Antwerp 1599 - 1641 London-Blackfriars), drawing, brown pen, 11 x 9.9 cm, l.l. Mariette; r.b. Duke Albert of Saxe-Teschen
Bust of a beggar with a bandage on his head (from the painting with St. Martin), anonymous, drawing, sanguine and black chalk, heightened with white chalk, on brownish paper. Dirt on the edges., 36.1 x 30.8 cm, l.l. Duke Albert of
Lowered head of a bearded old man, facing left, Drawing, Black chalk, heightened with white chalk, over graphite pencil, on blue laid paper. Brownish edges of extensive water damage in the lower and upper area; small brown spots in the middle.,
Head of a youth, facing left, Anthonis van Dyck (Antwerp 1599 - 1641 London-Blackfriars), drawing, black chalk and red chalk, wiped, heightened with white chalk, pen in brown, opaque white, 17.1 x 15 cm, l.l. Duke Albert of Saxe-Teschen,
Anton van Dyck, Anonymous (17th or 18th century?), Drawing, pen in brown, brown and gray wash, red chalk in the flesh tones, over black, partly wiped chalk. in the left upper corner damaged; in the right a horizontal pleat in the upper
Duke Wolfgang Wilhelm von Pfalz-Neuburg with hunting dog, anonymous, drawing, brush and gray and black, heightened with white chalk, over black chalk, on gray (formerly blue?) paper. Slightly foxed; trace of a horizontal fold with accompanying
Portrait of the Princess of Barbaçon (full-length, seated), anonymous, drawing, brush in gray, gray wash, 28.6 x 16.1 cm, l.l. Duke Albert of Saxe-Teschen
Young man with coat and hat, sitting on a chair, drawing, charcoal and black chalk, heightened with white, on brownish uncoated paper; Lower left corner torn off and replaced; brown stains and dirt., 30.7 x 23.4 cm, l. u Albert of
The painter Artus Wolfordt, Anthonis van Dyck (Antwerp 1599 - 1641 London-Blackfriars), around 1627-1635, drawing, black chalk, brush in gray and black, wash. Small hole 20 mm from the right. margin, below center; Slight soiling, especially
Half length of a seated young woman in front view, looking down, with her right hand pointing to the right while her left rests on her lap, Giovanni Mannozzi (Italy, 1592 - 1636), drawing, chalk; rubella; gray and red wash; the upper edge
Pieter Stevens, Anthony van Dyck (Antwerp 1599 - 1641 London-Blackfriars), drawing, black chalk. Brown dirt on the upper edge due to a tear glued underneath as well as on the left. and lower edge, 24.2 x 19.5 cm, l.l. Duke Albert of
Sir Kenelmus Digby, Anthonis van Dyck (Antwerp 1599 - 1641 London-Blackfriars), drawing, black chalk, 19.7 x 15 cm, l.l. Duke Albert of Saxe-Teschen
Jan van Mildert, anonymous, drawing, black chalk, heightened with white chalk, on slightly brownish paper. Brown soiling in the corners; two oblique pleats in the lower area in the middle., 20.8 x 15.4 cm, r.l. Duke Albert of Saxe-Teschen
Portrait of a General, Drawing, Black chalk. Supplemented at the top of a pieced strip 5-12 mm wide; Slightly soiled throughout, 30.1 x 19.4 cm, l.l. Duke Albert of Saxe-Teschen, right. below by another hand with graphite pencil: 'Van Dyck
View of a Forest, Drawing, Black chalk, Black and gray pen; Stains and soiling at the lower edge., 18.6 x 28.1 cm, l. and Duke Albert of Saxe-Teschen
Mountain Landscape with Flight into Egypt, Cornelis Claesz. van Wieringen (Haarlem 1575/77 - 1633 Haarlem), drawing, pen and brown ink, black chalk; water damage on the side edges; re. Blurred below., 16.4 x 26.7 cm, r. and Duke Albert of
The Nieuwe Kerk in Amsterdam, seen from the south, Anonymous, Drawing, pen and black and brown; Water damage and defects on the left. Edge; several stains., 24.2 x 31.1 cm, l. and Duke Albert of Saxe-Teschen, cardboard: etched by him [von
Rock fort with a view of a bay, Joos de Momper the Younger (Antwerp 1564 - 1635 Antwerp), drawing, pen and ink in brown, washed, 19.1 x 28 cm, l. and Duke Albert of Saxe-Teschen
Self-Portrait, Lucas Vorsterman (Zaltbommel 1595–1675 Antwerp), Drawing, Black chalk; later framed with brown ink, 15.4 x 12.2 cm, l.l. Duke Albert of Saxe-Teschen, Inscribed below in chalk: 'Lucas Vorstermans
Head of a Young Man with Short Hair to the left, Giovanni Mannozzi (Italian, 1592 - 1636), Drawing, chalk; rubella; brownish paper, 21.5 x 14.8 cm, l.l. Duke Albert of Saxe-Teschen, below in old ink writing 'Gianni Manozzi di S. Giovanni
Emperor Charles V (half-length portrait in the oval), Lucas Vorsterman (Zaltbommel 1595 - 1675 Antwerp), drawing, pen and brown ink (copper engraving style); ransacked cut to follow the oval. Small abrasions on the edges., 25.3 x 20.1 cm, bottom
Portrait of a General in Armor ('Duke of Alba'), Lucas Vorsterman (Zaltbommel 1595 - 1675 Antwerp), Drawing, pen in brown, brown wash, over black chalk (or graphite pencil?); continuous vertical lines with pen in red (P1, K3); cropped in a
Jan-Gaspar Gevartius (Gevaerts), Lucas Vorsterman (Zaltbommel 1595 - 1675 Antwerp), drawing, red chalk, washed in places; accentuated in the face by a hand other than that of another with black chalk. Cracks on the neck and on the right. Edge;
Portrait of a man in an oval above a coat of arms cartouche (tree and two wolves), Lucas Vorsterman (Zaltbommel 1595 - 1675 Antwerp), drawing, graphite pencil, on parchment. Two brownish spots on chest and crest; gray roughening right Of the
The repulsion of Hagar, Martin Faber (Emden 1587 - 1648 Emden), drawing, pen and ink in dark and grey-brown, brown wash, heightened with white, on brownish paper; Vertical crease in the middle; top right of which damaged area., 26.2 x 33.2 cm,
Tavern scene, Jan Miense Molenaer (Haarlem c. 1610 - 1668 Haarlem), drawing, brush and gray wash, pen and brown ink; continuous horizontal creases in the upper half., 23.8 x 36.6 cm, l. u Albert of Saxe-Teschen
Dinner party with a woman, child and two card players, Jan Miense Molenaer (Haarlem around 1610 - 1668 Haarlem), drawing, pen and brush in brown, watercoloured, over graphite pencil, traces of white heightening, on brownish-tinted paper,
Seven marauding soldiers, four of them on horseback, waiting under trees, Esaias van de Velde (Amsterdam 1587 - 1630 Den Haag), 1628, drawing, black chalk, gray wash., 19.4 x 31.5 cm, lower right. Albert of Saxe-Teschen
Sketch for a Roman cavalry battle (sacrificial death of Decius Mus ?), Esaias van de Velde (Amsterdam 1587 - 1630 The Hague), 1618, drawing, black chalk; brownish stains and soiling in several places; left upper corner torn off and replaced.,
Bust of a youth with long curls looking up to the right, Jacopo Confortini (Florence 1602 - 1672 Florence), drawing, chalk; rubella; brownish, formerly bluish paper; supplemented at the bottom and top right corners, 22.7 x 17.0 cm, l.l. Duke
Landscape with Two Bridges and a Distant View of the Sea, Esaias van de Velde (Amsterdam 1587–1630 Den Haag), 1628, drawing, black chalk, gray wash. -, 20.2 x 31.4 cm, l. and Duke Albert of Saxe-Teschen
Dammstrasse with stilt houses and a distant view of the sea, Esaias van de Velde (Amsterdam 1587 - 1630 Den Haag), drawing, black chalk, grey-brown wash., 19.1 x 28.3 cm, l. and Duke Albert of Saxe-Teschen, box: H. Saftleven (...?), late VG
Ruined Tower and Houses by a Country Road, Esaias van de Velde (Amsterdam 1587–1630 The Hague), 1624, drawing, black chalk, 19.1 x 30.3 cm
Hut at the Confluence of Two Mountain Streams, Esaias van de Velde (Amsterdam 1587–1630 The Hague), 1624, drawing, black chalk, 20.1 x 30.9 cm
River bank with two houses and several boats, one jacked up on land, Esaias van de Velde (Amsterdam 1587 - 1630 Den Haag), drawing, black chalk, gray wash., 17.5 x 29.5 cm, cardboard : Esselens ?, (...?) - Yes! /Th.L
Boaz and Ruth in the field, Claes Cornelisz. Moeyaert (Amsterdam 1592/93 - 1655 Amsterdam), drawing, pen and ink in brown, traces of opaque white., 15.8 x 20.2 cm, l. and Duke Albert of Saxe-Teschen, carton: 'genuine cl. Moyaert, as template

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