Images at Librifly

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Profile head of a bearded man with a wart on his cheek, Esaias van de Velde (Amsterdam 1587 - 1630 The Hague), 1629, drawing, black grease chalk, brush in brown and gray, washed in places., 19.5 x 15.3 cm, r . and Duke Albert of Saxe-Teschen

Ice Skaters in Front of a City, Pieter de Molyn (London 1595–1661 Haarlem), Drawing, Black chalk, brush and brown, wash with brownish gray; Re. below a semi-oval cut., 13.8 x 19.3 cm, r. and Duke Albert of Saxe-Teschen

Ice skaters at a bar, Pieter de Molyn (London 1595 - 1661 Haarlem), drawing, black chalk, brush in brown, brownish gray wash., 13.8 x 19.3 cm, r. and Duke Albert of Saxe-Teschen

Landscape with cowherds and a view of a tree-covered plain, Pieter de Molyn (London 1595 - 1661 Haarlem), 1655, drawing, black chalk, gray wash., 14.8 x 19.5 cm, l. and Duke Albert of Saxe-Teschen

Study Sheet for the Triumph of Galatea. (Two variants drawn above the main composition), Giovanni Mannozzi (Italy, 1592 - 1636), drawing, pen; the left corners backed and the drawing on the support supplemented in a different ink, 17.7 x 24.8

Landscape [...houten heck...], Pieter de Molyn (London 1595–1661 Haarlem), 1655, Drawing, Black chalk, gray wash; Brownish spots in several places., 14.7 x 19.5 cm

Country road with group of trees and travelers, Pieter de Molyn (London 1595 - 1661 Haarlem), c. 1655, drawing, black chalk, gray wash; slight creases on the right edge., 14.6 x 19.7 cm, r. and Duke Albert of Saxe-Teschen, l.o. '41' (by

Dune landscape with a distant view of a town, Pieter de Molyn (London 1595 - 1661 Haarlem), c. 1655, drawing, black chalk, gray wash; bottom left brown spots and vertical wrinkles; re. Slightly soiled at the top., 14.8 x 19.6 cm, r. and Duke

Two carts in a dune landscape with a farmstead, Aelbert Cuyp (Dordrecht 1620 - 1691 Dordrecht), drawing, black chalk, brush in various shades of brown, gray wash., 12.5 x 19.0 cm, l. and Duke Albert of Saxe-Teschen

Tree-covered hill with church and houses, Pieter de Molyn (London 1595 - 1661 Haarlem), drawing, black chalk, wiped in places; creases at the upper edge; partially brownish spots., 18.3 x 28.9 cm, l. and Duke Albert of Saxe-Teschen

View of a farmstead under trees, in the foreground a small pond, Pieter de Molyn (London 1595 - 1661 Haarlem), c. 1635-1660, drawing, black chalk, black-brown brush, watercolour., 17.6 x 28.4 cm, l. and Duke Albert of Saxe-Teschen

Fenced farmstead with two resting men in front of the gate, drawing, black chalk, watercolour; a hole above left from center., 17.5 x 28.6 cm

Country road with travelers and a distant view of Haarlem, drawing, black chalk, brush in gray, washed., 15.7 x 25.3 cm, inscribed on the left. above: 'Buyten Haerlem', below left: 'VG

Goatherds in front of a hilly landscape, Pieter de Molyn (London 1595 - 1661 Haarlem), drawing, black chalk, brush in grey, washed., 14.3 x 18.6 cm, l. and Duke Albert of Saxe-Teschen, inscribed left. below by another hand: 'Mollyn'. numbered

Saint Lawrence, anonymous, drawing, pen; washed; heightened with white; squared; brown paper, 27.2 x 16.7 cm, r.r. Gelosi; l.b. Duke Albert of Saxe-Teschen, lower left interrupted by the Albert SZ 'P..erucino

Sacra Conversation. (Mary is seated on clouds; on the left below her is Saint Anthony, in whom she has placed the child in his arms; a second monk is kneeling on the right), Giovanni Giacomo Barbello Inchiocchio (Italy, 1604 - 1656), drawing,

Tree-covered mountain landscape with travelers, Pieter de Molyn (London 1595 - 1661 Haarlem), 1658, drawing, black chalk, gray wash; isolated brownish spots., 17.1 x 28 cm, l. and Duke Albert of Saxe-Teschen, l. or numbered by someone else's

In front of a city wall with towers and drawbridges, a Hercules fountain in the foreground, drawing, black chalk, brush in gray, opaque white, gray and light brown wash., 18.9 x 28.8 cm, l. and Duke Albert of Saxe-Teschen, inscribed left.

View of a city (Den Haag ?) over dunes and groups of trees, Joris van der Haagen (Arnhem?) 1613/15 - 1669 Den Haag), drawing, black chalk, brush in gray, heightened with white, on blue paper; defects on the left Edge; in the left lower corner

Houses and trees on a ruin, with herdsmen, Pieter Mulier the Younger (Haarlem c. 1637 - 1701 Milan), drawing, black chalk, brush in black and grey-brown, gray and grey-brown wash; Vertical crease in the middle; partially brownish spots., 28.6

A Standing Donkey, Pieter Mulier the Younger (Haarlem c. 1637–1701 Milan), Drawing, red chalk, black chalk; top left two brown spots., 20.5 x 14.2 cm, r. and Duke Albert of Saxe-Teschen, inscribed left. below by another hand: 'Cav. de

A lying sheep, Pieter Mulier the Younger (Haarlem c. 1637 - 1701 Milan), drawing, red chalk, 6.3 x 14.3 cm, r. and Duke Albert of Saxe-Teschen, inscribed left. below by another hand: 'Cav. de Mulierib

Hut at the edge of the forest with shepherds and cattle, Anthony Jansz. van der Croos (Alkmaar ? 1606/07 - 1662/63 The Hague), 1641, drawing, graphite pencil, gray wash, on parchment; top and right light marginal stripes., 24.4 x 35.2 cm

Bathers at a forest spring, Moyses van Uyttenbroeck (The Hague 1584 or around 1590 - 1648 The Hague), drawing, brown pen, gray brush, washed, over graphite pencil., 14.9 x 18.8 cm, l. and Duke Albert of Saxe-Teschen, numbered right. below by

Weathered old tree, two goats below, drawing, black chalk, brush and gray wash, on parchment; Several light spots in the upper half, roughened and rubbed in several places., 22.2 x 17.9 cm, l. u Albert von Sachsen-Teschen, heavily blurred

Prophet seated on ground facing right; he holds a tablet in both hands; on the right an angel putto pulls back a curtain (lunette), Giovanni Battista Ramenghi (1521 - 1601), drawing, pen; blue wash; a stripe attached to the right and left; rounded

River Landscape with Trees and Herd of Cattle, Frans Ryckhals (Netherlands, 1609 - 1647), drawing, black chalk, wiped in places; several small defects and cracks at the edges., 19 x 28.1 cm, l. and Duke Albert of Saxe-Teschen

Achilles' marriage to Polyxena, Pieter Jansz. Quast (Amsterdam 1606 - 1647 Amsterdam), 1645, drawing, graphite pencil, gray wash, on parchment; Slight abrasions; on the right Edge brown stains from the later edge., 30.2 x 39.6 cm, l. and Duke

Exuberant peasant company in front of an inn, Pieter Jansz. Quast (Amsterdam 1606 - 1647 Amsterdam), drawing, graphite pencil, brush and gray ink, on parchment; Slight soiling and abrasions in several places., 31.2 x 39.6 cm, l. and Duke

Half-dressed spendthrift between four creditors, Pieter Jansz. Quast (Amsterdam 1606 - 1647 Amsterdam), drawing, graphite pencil, brush and gray ink, on parchment; Multiple soiling; bottom left slightly rubbed., 27.2 x 35.9 cm, l. and Duke

Three pleasure-seeking peasants at a table, Pieter Jansz. Quast (Amsterdam 1606 - 1647 Amsterdam), drawing, graphite pencil, brush and gray ink, on parchment; slightly soiled., 23.3 x 27.7 cm, l. and Duke Albert of Saxe-Teschen

Tavern scene with five carousing peasants, Andries Both (Utrecht 1612/13- 1642 Venice), drawing, brown pen, grey-brown wash, over black chalk., 145 x 185 mm

Profile head of a bearded old man, Pieter Jansz. Quast (Amsterdam 1606 - 1647 Amsterdam), drawing, red chalk, wiped in places., 16.5 x 12.3 cm, r. and Duke Albert of Saxe-Teschen, carton: Pynas, JM - No /AMH

The stigmatization of St. Francis, Jacob Symonsz. Pynas (Amsterdam 1592/93 - 1643 Amsterdam), drawing, ocher colored chalk and pen in the same brown, partially wiped; Slightly reddish smeared in the lower area. Fine creases in the habit and above

Half figure of a bearded man in profile (an evangelist?), Jacob Symonsz. Pynas (Amsterdam 1592/93 - 1643 Amsterdam), 1638, drawing, red chalk; A little dirty; Moisture damage on left Edge; Traces of reddish ink at the top and bottom edges., 14.0

Diamond-shaped bust of St. Anthony the Hermit, Jacob Symonsz. Pynas (Amsterdam 1592/93 - 1643 Amsterdam), drawing, brush and pen in brown, red chalk, heightened with opaque white, on rough toned paper (over a counterprint ?); a pinhole in the

legend scene. (A holy monk, surrounded by several kneeling figures, some of whom are holding torches, stands in front of an altar; a choir of angels hovers above), Jacopo Vignali (Italy, 1592 - 1664), drawing, pen; washed; heightened with

Design for a snail-shaped jug, Adam van Vianen I (Utrecht c. 1568/69 - 1627 Utrecht), drawing, brush in gray and brown, washed, over black chalk., 24.7 x 19.4 cm, l. and Duke Albert of Saxe-Teschen

Design for a candelabra with grotesque decoration, Adam van Vianen I (Utrecht c. 1568/69 - 1627 Utrecht), drawing, pen and brush in brown, over black chalk., 22.6 x 12.8 cm, l. and Duke Albert of Saxe-Teschen

Capuchin saint who gave a St. Pilgrims (Christ?) washing their feet, drawing, pen and brown ink, gray wash, over black chalk. Dirty all around; trimmed in the upper corners., 7.5 x 6.1 cm, l.l. Duke Albert of Saxe-Teschen

Christ boy watering his lambs at a spring, drawing, pen in brown, brown and gray wash, stippled. Trimmed and supplemented in the upper corners., 9 x 6.6 cm, l.l. Duke Albert of Saxe-Teschen

Winter landscape with drawbridge and skaters, Aelbert Cuyp (Dordrecht 1620 - 1691 Dordrecht), drawing, black chalk, pen and grey-brown, watercolour; Pinholes where the border lines intersect., 16.5 x 22.4 cm, l. and Duke Albert of

Hungarian cavalry with a prancing horse, Roelant Savery (Kortrijk 1576 - 1639 Utrecht), drawing, black chalk, sanguine, blue and yellow chalk, wiped or washed. Green-edged spot on the coat of the extreme left rider., 20.5 x 31.7 cm, l.l. Duke

Hungarian cavalry, Roelant Savery (Kortrijk 1576 - 1639 Utrecht), Drawing, Black chalk, sanguine, blue and yellow chalk, wiped or washed. tears in the left corners; light brownish spot at lower edge center; brownish stain on the upper edge

Cavalry Battle, Jan (de Jonge) Martszen ( (Maertsen) de Jonghe, Jan, Haarlem 1609/10 - after 1647 (Amsterdam?)), drawing, pen and dark and light brown ink, brush and brown and gray brush, over graphite pencil; Missing parts at the lower

Equestrian battle in a southern landscape, Jan (de Jonge) Martszen ( (Maertsen) de Jonghe, Jan, Haarlem 1609/10 - after 1647 (Amsterdam?)), drawing, brush in several shades of gray, over graphite pencil, on bluish-grey paper; partially

In a landscape before a tree, Pyramus lies dead on the ground; beside him, Thisbe is about to throw herself on her sword, Jacopo Vignali (Italian, 1592 - 1664), drawing, chalk; Paint brush; opaque white; dark gray primed paper; a hole in the

Landscape with trees and a spear bearer and a barking dog, Jacob de Gheyn II (Antwerp c. 1565 - 1629 The Hague), c. 1603, drawing, pen and brown ink over graphite pencil, 24 x 31.4 cm, u.M. Duke Albert of Saxe-Teschen

The spring miracle Moses, Joachim Antonisz. Wtewael (Utrecht 1566 - 1638 Utrecht), drawing, pen and ink in brown and black, washed, heightened with white, 24.6 x 30.6 cm

Hippomenes receives the prize of the race from Atalante, Abraham Bloemaert (Gorinchem 1564 - 1651 Utrecht), drawing, black chalk, pen in brown, washed, heightened with white, 27.2 x 32 cm, l. and Duke Albert of Saxe-Teschen, r. and 'Cornelis

Historical scene (Beiaard legend ?), Nicolaus Knüpfer (Leipzig 1603 - 1660 Utrecht), drawing, black-brown pen, brown brush, over black chalk; several creases and creases., 18.6 x 27.1 cm, l. and Duke Albert of Saxe-Teschen, carton: L...[?]

Appearance of an angel kneeling in front of a sacrificial altar, Nicolaus Knüpfer (Leipzig 1603 - 1660 Utrecht), drawing, pen and ink in brown, blue-grey wash, over black chalk., 29.4 x 21.1 cm, l. and Duke Albert of Saxe-Teschen

A crowd gathered at the city gate listens to a speaker (Acts of the Apostles?), Nicolaus Knüpfer (Leipzig 1603 - 1660 Utrecht), drawing, pen and ink in brown, brown and gray wash., 20.0 x 26.9 cm, l. and Duke Albert of Saxe-Teschen

Expulsion of Hagar and Ishmael, Sebastiano Ricci (Belluno 1659 - 1734 Venice), drawing, pen, ink, washed, 18.7 x 22.5 cm, l.l. Duke Albert of Saxe-Teschen

Noble horseman with handler, Jan Gerritsz. van Bronckhorst (Utrecht c. 1603 - 1661 Amsterdam), drawing, brush in light and dark gray, black chalk, heightened with white; heavily browned and damaged., 23.7 x 27.8 cm, l. and Duke Albert of

Portrait of the pastor of Steenwijkerwold, Jan Philipsz. van Bouckhorst ( (Inv: Jan Bronckhorst), Haarlem c. 1588 - 1631 Haarlem), 1620, drawing, pen in brown, brown and gray wash., 20.4 x 16.1 cm, l. and Duke Albert of Saxe-Teschen,

Death of Saint Antonio Abate Supported by an Angel; lower right head and front foot of a calf, Pietro Sorri (San Giosuè around 1556 - 1621/22 Siena), drawing, pen; Paint brush; washed; heightened with white; brown primed paper; the upper right

Isabelle of Bourbon, Queen of Spain, wife of King Philip IV (engraving model), Paulus Pontius (Antwerp 1603 - 1658 Antwerp), drawing, black chalk, brush in gray and brown, gray wash, pen in brown, opaque white heightening; cracked down.

Forest interior with the Baptist's sermon, Pieter Stevens II (Mechelen around 1567 - after 1624 (Prague?)), drawing, pen in brown, brown and blue wash, white heightened, 17.6 x 27.1 cm, l. and Duke Albert of Saxe-Teschen

An Art Lover and an Artist in Conversation, c. 1630, Drawing, Black chalk, heightened with white; foxing; small defect on the right. Edge; Traces of a vertical fold., 32.3 x 45.0 cm, l. and Duke Albert of Saxe-Teschen, numbered left. above:

Young man making music, Ludolph de Jongh (Rotterdam 1616 - 1679/1697 Hillegersberg), drawing, black chalk (charcoal ?), heightened with white, on brownish toned paper; the beret cut out following the contour and mounted on an additional support;

Standing man, distributing leaves to the left (The Colporteur), Anthonie Palamedesz called Stevers (Delft 1601 - 1673 Amsterdam), drawing, charcoal, heightened with white, on greenish-grey (somewhat browned) paper; on the left edge 6 cm long

View of the sea navigated by ships and boats, drawing, pen and brush in light and dark gray and in brown (brown border line by a later hand?), 18.5 x 29.7 cm, r. and Duke Albert of Saxe-Teschen, Monogr. left below: 'p.k. f

Arcadian landscape with round temple, Jurriaan Andriessen (Amsterdam 1742 - 1819 Amsterdam), drawing, pen (brush ?) in gray and brown, watercoloured, over black chalk., 35.1 x 27.2 cm, l. and Duke Albert of Saxe-Teschen, carton: Jurriaen

Arcadian landscape with a monument to Apollo and Daphne, Jurriaan Andriessen (Amsterdam 1742 - 1819 Amsterdam), drawing, pen (brush ?) in gray and brown, watercoloured, over black chalk., 34.9 x 27.2 cm, right and Duke Albert of Saxe-Teschen

Pastoral scene with a mule rider, Pieter Moninckx (The Hague around 1606 - 1686), drawing, graphite pencil, brush in light and dark gray, watercoloured, opaque white., 28.5 x 37.5 cm, l. and Duke Albert of Saxe-Teschen

Italian Villa Perched High in a Walled Garden, Pieter Moninckx (The Hague c. 1606–1686), drawing, watercolor over graphite pencil, opaque white., 20.1 x 31.8 cm, l. and Duke Albert of Saxe-Teschen, carton: Villa Lante

Sicilian town with a lively river scene, Pieter Moninckx (The Hague around 1606 - 1686), drawing, graphite pencil, brush and pen in grey-brown, watercoloured, opaque white; A continuous vertical crease on the left., 19.8 x 29.1 cm

Roman triumphal arch (Titus Arch?), Pieter Moninckx (The Hague around 1606 - 1686), drawing, pen in brown, graphite pencil, watercoloured., 5.7 x 9.5 cm, r. and Duke Albert of Saxe-Teschen

Roman rotunda (mausoleum ?), Pieter Moninckx (The Hague around 1606 - 1686), drawing, pen in brown, graphite pencil, watercoloured, gray mixed with opaque white, (red chalk ?)., 5.6 x 9.5 cm

A milking peasant woman, Jan Josefsz. van Goyen (Leiden 1596 - 1656 The Hague), drawing, black chalk, 7.6 x 7.6 cm, r. and Duke Albert of Saxe-Teschen

View from the Merwede to the Grote Kerk of Dordrecht, drawing, pen and brown ink, brush and gray ink, washed gray; several brownish spots., 15.2 x 22.1 cm, l. and Duke Albert of Saxe-Teschen, carton: Jos. de Grave? /ABr - no/ JBS

Landscape with a hare hunt and a group of shepherds, anonymous, drawing, black chalk, brush in light and dark gray, watercolour, opaque white; in the upper left Corner torn., 27.7 x 42.1 cm, l. and Duke Albert of Saxe-Teschen, inscribed

Two hay wagons in a wide landscape, drawing, charcoal, watercolour., 19.9 x 31.3 cm, l. and Duke Albert of Saxe-Teschen, box: cf. Bleker /M.RK (Royalton-Kisch); Kraus, (J Giltay 79

Calm sea with boats and ships, drawing, black chalk, graphite pencil, brush in gray, watercolour, pen in brown, 18.7 x 28.6 cm, l. and Duke Albert of Saxe-Teschen

Adam and Eve after the Fall. (Adam and Eve kneel to the right, facing each other, and look up to God the Father floating on a cloud to the left), anonymous, drawing, chalk; Feather; washed, 25.5 x 19.0 cm, l.l. Duke Albert of Saxe-Teschen,

A front view of a kneeling man, with his arms raised; the left arm sketched twice, anonymous, drawing, chalk; Feather; washed, 25.5 x 19.0 cm, above old chalk writing 'Pietro da Cortone'; 'N° 184' in chalk lower left

The Drunkenness of Noah, anonymous, drawing, chalk; Feather; washed; Red chalk squaring, 13.7 x 11.0 cm, l.l. Duke Albert of Saxe-Teschen

Shore landscape with sailing boats under a cloudy sky, drawing, black chalk, gray and grey-brown wash, on partially whitish-primed paper., 11.8 x 24.1 cm, labeled on the left. below by another hand: 'Kuyp

Lying Dog, Aelbert Cuyp (Dordrecht 1620 - 1691 Dordrecht), Drawing, Black chalk, on brownish paper; brown soiling., 11.4 x 17.7 cm, l. and Duke Albert of Saxe-Teschen

Landscape with trees and a mound, Aelbert Cuyp (Dordrecht 1620 - 1691 Dordrecht), drawing, grey-brown pen, brown brush, watercolour, over black chalk., 11.9 x 24.1 cm, r. and Duke Albert of Saxe-Teschen

Houses and trees by the water, Aelbert Cuyp (Dordrecht 1620 - 1691 Dordrecht), drawing, grey-brown pen, brown brush, watercolour, over black chalk., 12.2 x 24.2 cm, r. and Duke Albert of Saxe-Teschen

Abraham meets the angels, Ferdinand Bol (Dordrecht 1616 - 1680 Amsterdam), second half of the 1640s, drawing, pen and ink in brown, brown wash; the right lower part of sheet attached; Creases., 17.6 x 20.3 cm, r.r. Duke Albert of Saxe-Teschen,

Hagar and the Angel, Constantijn Daniel van Renesse (Netherlands, 1626 - 1680), drawing, pen and brush in brown and gray, over red chalk and black chalk, brown, reddish brown and gray wash, opaque white., 15.9 x 20.2 cm, l. and Duke Albert

The Rejection of Hagar, Rembrandt Harmensz. van Rijn (Leiden 1606 - 1669 Amsterdam), around 1637, drawing, black chalk, 19.2 x 15 cm, l.l. Duke Albert of Saxe-Teschen

Lot and His Family Led by the Angel from Sodom, Jan Victors (Amsterdam 1619/29 - 1676 Dutch East Indies), Rembrandt Harmensz. van Rijn (Leiden 1606 - 1669 Amsterdam), around 1638-1639, drawing, pen and brush in brown, washed, 22.6 x 23.5 cm,

Abraham sacrifices Isaac, Jan Victors (Amsterdam 1619/29 - 1676 Dutch East Indies), Rembrandt Harmensz. van Rijn (Leiden 1606 - 1669 Amsterdam), around 1640, drawing, pen and ink in brown, washed, opaque white, preliminary drawing with black

Eliezer and Rebekka at the well, Ferdinand Bol (Dordrecht 1616 - 1680 Amsterdam), 2nd half of the 1640s, drawing, pen in brown, brown wash, 18 x 29.2 cm, l.l. Duke Albert of Saxe-Teschen

The plague of locusts. (Moses is kneeling in a landscape, looking up at God the Father, who is bending down to him out of the clouds; a storm is bringing locusts from the right; Pharaoh with his entourage on the right), anonymous, drawing,

Esthers Mahl, Samuel van Hoogstraten (Dordrecht 1626 - 1678 Dordrecht), c. 1660, drawing, brown pen, brown wash; small defect right at the lower edge; left Dirt on top., 12.2 x 15 cm, l. and Duke Albert of Saxe-Teschen, carton: 'Original in

Judah and Tamar, Gerbrand van den Eeckhout (Amsterdam 1621 - 1674 Amsterdam), drawing, pen and ink in brown, 15.0 x 19.1 cm, l. and Duke Albert of Saxe-Teschen

Joseph tells his dreams, anonymous, around 1645, drawing, brown pen, opaque white., 17.4 x 24.3 cm, l.l. Duke Albert of Saxe-Teschen, l.u. by another hand: 'Rembrandt f

Triumph of Mordecai, anonymous, second half of the 1640s, drawing, brown pen, brown wash, over black chalk, 20.6 x 31.1 cm, l.l. Duke Albert of Saxe-Teschen

Esthers Mahl, Constantijn Daniel van Renesse (Netherlands, 1626 - 1680), Rembrandt Harmensz. van Rijn (Leiden 1606 - 1669 Amsterdam), around 1655, drawing, pen and ink in brown, brown and gray wash, opaque white, traces of red chalk., 13.5

Tobias with the goat, Samuel van Hoogstraten (Dordrecht 1626 - 1678 Dordrecht), c. 1650, drawing, pen and ink in brown, 17.7 x 22.7 cm, l. and Duke Albert of Saxe-Teschen

The departure of young Tobias, anonymous, late 1640s, drawing, pen and brown ink, 17.2 x 22.2 cm, l.l. Duke Albert of Saxe-Teschen, r.r. by another hand with pen: 'Rembrand'. - Numbered left above with graphite pencil: '18

The Departure of Young Tobias, Anonymous, late 1640s, Drawing, pen and drab over red chalk; slight brownish soiling right. below; small green soiling left top, 18.0 x 22.1 cm, l.l. Duke Albert of Saxe-Teschen, top middle: 'R

Young Tobias and the Angel, Anonymous, about 1650, Drawing, pen and brown ink; damaged in the lower corners., 21.6 x 20.2 cm, r.l. Duke Albert of Saxe-Teschen

The young Tobias is frightened by the fish, anonymous, around 1650, drawing, pen and brown ink, only accentuated wash, traces of opaque white; Water damage on left Edge; occasional brownish spots; in the corners, except for the re. lower,

The spring miracle. (A densely packed crowd; people are languishing in front, others are being carried or rushing in with vessels; in the background Moses hitting the rock and Aron, praying, next to him), anonymous, drawing, chalk; Feather;

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