Images at Librifly

search results: Drawing clear search

Ulysses is stopped by Zeus from pursuing his enemies, drawing, counterprint in black chalk, 23 x 31.3 cm, l.l. Duke Albert of Saxe-Teschen, numbered left. below with pen: '53' - crossed out and corrected with graphite pencil: '52

Ulysses showing clemency to the subjugated enemies, drawing, black chalk. In the right Corners damaged., 21.8 x 32.6 cm, l.l. Duke Albert of Saxe-Teschen

The Madonna and Child between a standing female figure and a kneeling donor, anonymous, drawing, pen; on parchment, 17.5 x 23.3 cm, l.r. Lagoy; l.b. frieze; mu Duke Albert of Saxe-Teschen;, below in a later hand than the so-called

Cupid and Psyche reclining side by side (Study for 'The Wedding of Cupid and Psyche', Villa Farnesina, Rome), anonymous, drawing, traces of lead pencils; Pen, 17.5 x 27 cm, no collector's stamp Duke Albert von Sachsen-Teschen, 'Timothée

Design for a salon decoration with two mythological scenes: Hercules with the spider skirt at the feet of Omphale, and the robbery of Deianeira, drawing, pencil, pen and brown ink, brown and gray wash, starting from below the left field

Ulysses showing leniency to the subjugated enemies, drawing, counterprint of black chalk. in the left lower corner damaged., 22.7 x 32.9 cm, l.l. Duke Albert of Saxe-Teschen, numbered left. below with pen: '54' (above a numbering in black chalk

Menelaus after the abduction of Helena (Iliad), drawing, black chalk and red chalk, 27.2 x 18.3 cm, l.l. Duke Albert of Saxe-Teschen

Achilles before Lycomedes (Iliad), drawing, black chalk, sanguine. Small tear in the upper left. corner., 26.3 x 15.8 cm, l.l. Duke Albert of Saxe-Teschen, remains of a severely trimmed inscription with pen at the lower edge

Paris pays homage to Helena (Iliad), drawing, black chalk, sanguine, 26.2 x 14.1 cm, l.l. Duke Albert of Saxe-Teschen, inscribed lower center by a different hand with pen: 'tot Fontanebeleau inde, Eetcamer van den Coninck

St. Norbert, victorious over the heretic Tanchelm, Erasmus Quellinus (Antwerp 1607 - 1678 Antwerp), drawing, oil paint (brown, gray and cream), over black chalk, on blue paper, 20.7 x 26.6 cm, l.l. Duke Albert of Saxe-Teschen

The coronation of Charles V in Bologna, Erasmus Quellinus (Antwerp 1607 - 1678 Antwerp), drawing, brush in gray and black, gray wash, heightened with opaque white, on brown-tinted paper, 37.5 x 23.5 cm, l.l. Duke Albert of Saxe-Teschen,

A pope as builder (from the history of the House de la Tour), Erasmus Quellinus (Antwerp 1607 - 1678 Antwerp), drawing, pen and brown pen, brush in gray, opaque white, washed gray, over black chalk, on grey-blue paper, 29, 7 x 33.2 cm,

Entry of a Pope on Horseback into a City (from the History of the House de la Tour), Erasmus Quellinus (Antwerp 1607 - 1678 Antwerp), drawing, brown pen, gray brush, opaque white, gray wash, over black chalk, on gray-blue paper, 29.3 x 41.9

Communion of a Bishop (from the History of the House de la Tour), Erasmus Quellinus (Antwerp 1607 - 1678 Antwerp), drawing, brown pen, gray brush, opaque white, gray wash, over black chalk, on gray-blue paper, 26, 6 x 38 cm, l.l. Duke

Achilles receives the sword from the hand of Thetis; left helmet and shield; architecture and a palm tree in the background on the right, Pietro da Cortona (Cortona 1596 - 1669 Rome), drawing, chalk; metal pin; brownish paper, 24.8 x 18.8 cm,

Knighthood (from the history of the House de la Tour), Erasmus Quellinus (Antwerp 1607 - 1678 Antwerp), drawing, brown pen, gray brush, opaque white, gray wash, over black chalk, on grey-blue paper, 29.6 x 41 cm, l.b. Duke Albert of

Episcopal consecration (from the history of the House of de la Tour), Erasmus Quellinus (Antwerp 1607 - 1678 Antwerp), drawing, brown pen, gray brush, opaque white and cream highlights, gray wash, over black chalk, on grey-blue paper, 26, 1

Swearing-in of two men before a council meeting (from the history of the House de la Tour), Erasmus Quellinus (Antwerp 1607 - 1678 Antwerp), drawing, brown pen, gray brush, opaque white, gray wash, over black chalk, on grey-blue paper, 25.9

Reception of a mounted pope by a prince (from the history of the House de la Tour), Erasmus Quellinus (Antwerp 1607 - 1678 Antwerp), drawing, brown pen, gray brush, opaque white, gray wash, over black chalk, on grey-blue paper, 26.2 x 39.6

A general receiving his coat of arms from the emperor (from the history of the House of de la Tour), Erasmus Quellinus (Antwerp 1607 - 1678 Antwerp), drawing, pen in brown, brush in grey, opaque white and cream-colored highlights, gray wash,

Vertumnus and Pomona, Jan Erasmus Quellinus (Antwerp 1634 - 1715 Mechelen), drawing, brush and pen in grey, washed gray, heightened with opaque white, over black chalk, on grey-brown paper, 18 x 13.7 cm, l.l. Duke Albert of Saxe-Teschen,

Allegory with a locked tower and IHS symbol: Engraving template for the title page of 'Elogia Societatis Iesu' (1676), Erasmus Quellinus (Antwerp 1607 - 1678 Antwerp), 1676, drawing, brown pen, gray wash, over black chalk, stippled, 22.3 x

Three children playing with a basket of fruit and a wreath of flowers, Johannes Popels (Netherlands, mentioned 1633 - 1664), drawing, pen and ink in brown, 12 x 18.7 cm, l.l. Duke Albert of Saxe-Teschen, carton: 'J. Poopels d'Anvers lineavit'

Church Interior (St. Catherine in Amsterdam ?), Anonymous, Drawing, Pen and brown ink, watercolor and opaque paint, gold paint, black chalk, graphite pencil; two continuous horiz. creases in the middle; vert. creases; re. small tears., 34.5 x

Cavalry battle, Dirck Stoop (Utrecht around 1615 - 1685 Utrecht or Hamburg), drawing, pen and ink in brown, light blue wash., 11.3 x 14.3 cm, l. and Duke Albert of Saxe-Teschen, carton: 'J Marsson de Jonge, ABr.' (Bredius) - 'no later'

Minerva presents a girl with an hourglass to Jupiter, who, carried by the eagle, hovers on clouds; he points to the top right with his left hand; in the background landscape with buildings, anonymous, drawing, chalk; Feather; washed; heightened

Two Grazing Horses, Dirck Stoop (Utrecht c. 1615 - 1685 Utrecht or Hamburg), Drawing, Black chalk; small defect above on the left. edge., 18.0 x 24.8 cm, r. and Duke Albert of Saxe-Teschen

The Via Mala with the Rhine Bridge, Lambert Doomer (Amsterdam 1624 - 1700 Amsterdam), 1692, drawing, black chalk, brown pen, watercoloured, 24.2 x 40.9 cm, r. and Duke Albert of Saxe-Teschen, carton: 'Rhein Bridge near Z [...?],

View of Saumur from the south, Lambert Doomer (Amsterdam 1624 - 1700 Amsterdam), drawing, pen and ink in brown, watercoloured, mixed with opaque white in places, 23.9 x 41.4 cm, inscribed right. below by another hand: 'Doomer

View of Tours from the north, Lambert Doomer (Amsterdam 1624 - 1700 Amsterdam), early 1670s, drawing, pen in brown, brown wash, watercolour, on journal paper; three continuous horizontal light lines at the top., 24 x 41.2 cm, l.l. Duke

View of the ramparts and the Latin school of Nantes, Lambert Doomer (Amsterdam 1624 - 1700 Amsterdam), early 1670s, drawing, pen and brown, reddish-brown, green and blue-grey wash; three continuous horizontal light lines at the top., 23.5 x

Valkenburg Castle near Nijmwegen, Lambert Doomer (Amsterdam 1624 - 1700 Amsterdam), drawing, pen and ink washed in brown, reddish brown, green and gray (mixed with opaque white), traces of black chalk; three continuous horizontal light lines at

Drachenfels am Rhein, Lambert Doomer (Amsterdam 1624 - 1700 Amsterdam), drawing, pen and ink washed in brown, brown, green and gray (mixed with opaque white)., 23.8 x 38.2 cm, l. and Duke Albert of Saxe-Teschen, inscribed lower center by a

The Kleefsche Poort in Kranenburg, Lambert Doomer (Amsterdam 1624 - 1700 Amsterdam), c. 1663, drawing, pen and ink in brown, with brown wash; Margins by later hand with graphite pencil., 21.6 x 26.3 cm, l. and Duke Albert of Saxe-Teschen

Village street with welcoming scene, Lambert Doomer (Amsterdam 1624 - 1700 Amsterdam), c. 1692, drawing, pen and ink in brown, brown and gray wash, tempera; abrasions, dirt and stains in several places; small defect right at the bottom edge.,

Allegory in honor of the Collegio Romano. (Four allegorical women between two statues in front of a palace architecture; above a balustrade two women, one of whom is holding a compass; below the statues the coat of arms of the Borghese), Pietro da

Village street with passage through barns, Lambert Doomer (Amsterdam 1624 - 1700 Amsterdam), early 1660s, drawing, pen and ink in brown, brown and gray wash, 13.0 x 25.9 cm, l.l. Duke Albert of Saxe-Teschen

Peasant woman beating a child on her knees, Adriaen Brouwer (Netherlands, 1605/06 - 1638), drawing, pen in brown, gray wash, stylized, 18.1 x 14 cm, l.l. Duke Albert of Saxe-Teschen, numbered left. above in another hand with graphite pencil:

Organ grinder, children and pipe smokers in front of a gate, Adriaen Brouwer (Netherlands, 1605/06 - 1638), drawing, graphite pencil, pen in brown, gray wash, 14.8 x 18.7 cm, l.l. Duke Albert of Saxe-Teschen, inscribed lower center by a

Tavern scene with a peasant couple, Adriaen Brouwer (Netherlands, 1605/06 - 1638), drawing, brown pen, gray and brown brush, washed, 14 x 18.3 cm, l.l. Duke Albert of Saxe-Teschen

School room, Thomas Wyck (Beverwijk 1616/24 - 1677 Haarlem), drawing, pen and ink in brown, brown wash, over graphite pencil; on irregularly oval paper, 19.3 x 24.3 cm, bottom left Duke Albert of Saxe-Teschen, inscribed below by someone

Rural inn scene, Adriaen van Ostade (Haarlem 1610 - 1685 Haarlem), drawing, pen in brown, colored with watercolours, over black chalk, 19.2 x 29.3 cm, l.l. Duke Albert of Saxe-Teschen, inscribed on the right. below in an unknown hand with pen

Rural inn scene with a fiddler, Adriaen van Ostade (Haarlem 1610 - 1685 Haarlem), drawing, pen in brown, colored with watercolours, over black chalk, 17.9 x 29 cm, l.l. Duke Albert of Saxe-Teschen, inscribed lower center by a different hand

Self-Portrait, Jacob Adriaensz. Backer (Harlingen 1608 - 1651 Amsterdam), 1638, drawing, black chalk, 14.3 x 14.7 cm, l. and Duke Albert of Saxe-Teschen, inscribed left. below: 'Jacob Abacker, fecit 1638., in Vlissingen

Gathering of Women in a Room, Jan de Bray (Haarlem 1626/27–1697 Amsterdam), Drawing, Black chalk; creases left above, stained in places., 27.2 x 19.7 cm, l. and Duke Albert of Saxe-Teschen, dated right. below: '1663 A/27' ('4/27' ?);

Allegory of navigation with the emblem and motto of the Accademia Partentia. (Five allegorical figures above the map; on the left Zeus receives the cardinal's hat; an eagle carries a stone; on the right a magnificent ship and the sea with sailing

One of Joseph's brothers in a long coat, Jacob Adriaensz. Backer (Harlingen 1608 - 1651 Amsterdam), early 1630s, drawing, black and white chalk, on blue paper, 38.8 x 21.8 cm, r. and Duke Albert of Saxe-Teschen

One of Joseph's brothers with his right arm outstretched, Jacob Adriaensz. Backer (Harlingen 1608 - 1651 Amsterdam), early 1630s, drawing, black chalk, heightened with white chalk, on blue paper; partially brownish discolored and foxed; small

View of the fortifications of a burning city, Robert van den Hoecke (Netherlands, 1622 - 1668), drawing, pen and brush in brown, over graphite pencil, brown wash in the lower third, also watercolors and opaque white at the top, 23.1 x 30.5

View of the fortifications of a city under fire, military staffage in the foreground, Robert van den Hoecke (Netherlands, 1622 - 1668), drawing, gray brush, gray wash, over graphite pencil, 19.8 x 29.4 cm, l.l. Duke Albert of Saxe-Teschen,

Susanna and the two elderly, Peter van Lint (Antwerp 1609 - 1690 Antwerp), drawing, pen and brush in brown, brown wash, over graphite pencil, 20.1 x 25.2 cm, l.l. Duke Albert of Saxe-Teschen, numbered left. above in another hand with graphite

The Adoration of the Shepherds, Peter van Lint (Antwerp 1609 - 1690 Antwerp), drawing, gray and white oil paint, incised grid, 16 x 11.8 cm, l.l. Duke Albert of Saxe-Teschen

Shepherds and shepherdesses dancing a dance, Peter van Lint (Antwerp 1609 - 1690 Antwerp), drawing, pen and ink in brown, brown wash, opaque white heightening and corrections, over graphite pencil, 9.4 x 16 cm, r.r. Duke Albert of

Shepherds with wine and cake, Peter van Lint (Antwerp 1609 - 1690 Antwerp), drawing, pen and ink in brown, brown wash, opaque white heightening and corrections, over graphite pencil, 9.9 x 16.2 cm, r.r. Duke Albert of Saxe-Teschen

View of Utrecht, Herman Saftleven (Rotterdam 1609 - 1685 Utrecht), Drawing, Black chalk, brown wash; continuous vertical creases and creases in the middle; left vertical pleat at top., 26.3 x 52.7 cm, r. and Duke Albert of Saxe-Teschen,

Panoramic landscape with Wageningseberg, Herman Saftleven (Rotterdam 1609 - 1685 Utrecht), drawing, black chalk, brush in brown, washed; continuous vertical creases and folds in the middle; slightly damaged at the upper edge., 24.8 x 53.6 cm,

Panoramic landscape near Wageningen, Herman Saftleven (Rotterdam 1609 - 1685 Utrecht), drawing, black chalk, brush in brown, washed gray; traces of a vertical fold; tear at the upper edge; creases and brownish spots in places., 24.8 × 52 cm (9

Rocky Landscape with a Hilltop Castle and a River Valley, Herman Saftleven (Rotterdam 1609 - 1685 Utrecht), 1650, drawing, black chalk, brush and brown, gray and brown wash; Traces of a vertical fold., 33.5 x 44.7 cm, l. and Duke Albert of

Church and houses by a still body of water, Herman Saftleven (Rotterdam 1609 - 1685 Utrecht), 1677, drawing, black chalk, brush in gray (mixed with opaque white in places), washed, on chopped paper (a 175 mm wide strip added to the left) .,

The Castle 'De Doorwerth' on the Rhine (near Arnhem), Herman Saftleven (Rotterdam 1609 - 1685 Utrecht), 1651, drawing, black chalk, brush in brown, on brownish and partly white primed paper. Autograph margins with black chalk; traces of a

Farmhouses between trees, Herman Saftleven (Rotterdam 1609 - 1685 Utrecht), drawing, black chalk, brown and gray brush, wash, opaque white, on brownish-tinted paper. A continuous horizontal line under the top edge., 26.9 x 38.4 cm, l. and

Edge of a Forest with a View of a River and Hills, Herman Saftleven (Rotterdam 1609 - 1685 Utrecht), 1652, Drawing, Black chalk, brush and gray and brown wash, washed (mixed with opaque white); traces of a vertical fold; Slightly stained in

Rhine landscape with hills (near Doorwerth ?), Herman Saftleven (Rotterdam 1609 - 1685 Utrecht), 1651, drawing, black chalk, brush in brown, washed, opaque white, on brownish-tinted paper., 23.5 x 38.6 cm, l . and Duke Albert of

Rocky mountain path with a view of a river valley, Herman Saftleven (Rotterdam 1609 - 1685 Utrecht), 1677, drawing, black chalk, brush in gray, washed (mixed with opaque white)., 19.2 x 30.9 cm, l. and Duke Albert of Saxe-Teschen

Two putti bear a coat of arms; two hovering above hold a helmet and a sword, anonymous, drawing, chalk; gray wash; heightened with white; oxidized; squared; blue paper, 25.1 x 23.6 cm, l.l. Duke Albert of Saxe-Teschen

Loading scene on a river bank, Herman Saftleven (Rotterdam 1609 - 1685 Utrecht), 1677, drawing, black chalk, brush in grey, washed., 19.1 x 31.0 cm

Dunes with Village and View of the Sea, Herman Saftleven (Rotterdam 1609 - 1685 Utrecht), 1650, drawing, black chalk, brush in brown, wash; Vertical crease and squeeze folds in the middle., 22.1 x 28.1 cm, l.o. '35

Hilltop castle with a view of a river landscape, Herman Saftleven (Rotterdam 1609 - 1685 Utrecht), drawing, black chalk, brown brush, brown and blue wash; continuous vertical pleats in the middle., 22.0 x 29.0 cm, r. and Duke Albert of

Landscape Sheep with a Farmstead and a Swineherd, Herman Saftleven (Rotterdam 1609–1685 Utrecht), 1650, Drawing, black chalk, brush and brown wash; two continuous vertical creases and creases in the middle., 22.0 x 28.1 cm, l. and Duke

Rocky forest landscape with a creek crossing, Herman Saftleven (Rotterdam 1609 - 1685 Utrecht), 1650, drawing, black chalk, brush and brown, brown and gray wash; Traces of a vertical fold., 22.1 x 28.1 cm

Hilly Landscape with a Weathered Tree, Herman Saftleven (Rotterdam 1609–1685 Utrecht), 1650, drawing, black chalk, brush and brown ink, wash; Continuous creases and creases in the middle and right. thereof., 22.0 x 27.8 cm

View of a Mountain Village, with Archway and Wall in Middle Distance, Herman Saftleven (Rotterdam 1609–1685 Utrecht), 1650, drawing, black chalk, brush and brown, brown and gray wash; Traces of a vertical fold., 21.8 x 27.8 cm, l. and Duke

Rocky Landscape with Water and Wooden Bridge, Herman Saftleven (Rotterdam 1609–1685 Utrecht), 1648, Drawing, Black chalk, brush and gray and brown; Traces of a vertical fold., 21.9 x 27.8 cm, l. and Duke Albert of Saxe-Teschen

Wooded Rocky Landscape with Two Wooden Bridges, Herman Saftleven (Rotterdam 1609 - 1685 Utrecht), 1650, drawing, black chalk, brush and brown, gray and brown wash; Traces of a vertical fold., 21.8 x 28.0 cm

Decaying Tower with Wall and Gate at an Estuary, Herman Saftleven (Rotterdam 1609 - 1685 Utrecht), 1650, drawing, black chalk, brush and brown ink, gray wash; Traces of a vertical fold., 21.8 x 27.8 cm, l. and Duke Albert of Saxe-Teschen

Ulysses as a beggar at Eumaios, drawing, counterprint of black chalk and sanguine. the left patched upper corner, the right. lower corner torn; Slight brownish soiling., 22.4 x 30.3 cm, l.l. Duke Albert of Saxe-Teschen, numbered left. below by

Ulysses orders the unfaithful maids to be punished, drawing, counterprint of black chalk and sanguine. Pale brownish dirt; small defect on the right. top corner; in the left and in the right. upper corner slightly trimmed., 22.3 x 32.6 cm, l.l.

Athena allows Laërtes to gain new strength, drawing, black chalk, sanguine. the left upper corner slightly damaged; pale brownish soiling., 23 x 33.7 cm, l.l. Duke Albert of Saxe-Teschen

Four princes taking the oath before the Pope (from the history of the House de la Tour), Erasmus Quellinus (Antwerp 1607 - 1678 Antwerp), drawing, brown pen, gray brush, opaque white, gray wash, over black chalk, on grey-blue paper, 30 x

Two Horses, a City in the Distance, Dirck Stoop (Utrecht c. 1615 - 1685 Utrecht or Hamburg), Drawing, Black chalk; isolated brownish spots., 18.2 x 25.8 cm, r. and Duke Albert of Saxe-Teschen

Young drunkard, drawing, black chalk, heightened with white chalk, on yellow-tinted paper, white correction on the shoulder, 31.8 x 23.5 cm, l.l. Duke Albert of Saxe-Teschen, labeled and numbered left. below in an unknown hand with graphite

Landscape with a View of Renkum, Herman Saftleven (Rotterdam 1609 - 1685 Utrecht), Drawing, Black chalk, brush and gray and brown brush, heightened with white chalk, on brownish-tinted paper; Creases in several places., 29.8 x 39.6 cm, l. and

Four winged putti chasing birds, anonymous, drawing, sanguine, 29.5 x 35.5 cm, l.l. Duke Albert of Saxe-Teschen, lower right (cut off) 'Pietro da Cortona'; next to '199

Rocky bay with a view of a town, Herman Saftleven (Rotterdam 1609 - 1685 Utrecht), after 1647, drawing, black chalk, brush in brown, washed (mixed with opaque white), scraped in the sky area, on light brown toned paper; Traces of a horizontal

Fight of naked men, four of them on horseback, anonymous, Raffaello Santi (Urbino 1483 - 1520 Rome), drawing, pen; a vertical tear in the middle, 25 x 42.7 cm, l.l. Duke Albert of Saxe-Teschen, lower left in an old hand '39

The Holy Family, Jan de Bray (Haarlem 1626/27 - 1697 Amsterdam), 1659, drawing, black chalk, sanguine, gray wash., 22.1 x 18.1 cm, r. and Duke Albert of Saxe-Teschen; right and C. Ploos van Amstel (L. 2034

Assumption Day. (Mary kneels on clouds above a sarcophagus, surrounded by putti; heads of angels look down on them from above), anonymous, Roman, 17th century, drawing, red chalk; torn; stained, 42.3 x 30.0 cm, below bottom Duke Albert of

Farmer squinting into his drinking jug, half-length, Isaac van Ostade (Haarlem 1621 - 1649 Haarlem), drawing, pen in brown, washed, over black chalk., 4.6 x 4.5 cm, l. and Duke Albert of Saxe-Teschen

Bust of a noble man with long hair, Leendert van der Cooghen (Haarlem 1632 - 1681 Haarlem), drawing, red chalk; on the left Edge torn in the middle., 21.5 x 19.0 cm, l. and Duke Albert of Saxe-Teschen, cf. Cooghen's drawing in Berlin

Woman with fish and basket standing on a bridge, Willem Pietersz. Buytewech (Rotterdam (around) 1591/92 - 1624 Rotterdam), c. 1621, drawing, brown pen, black chalk, light blue wash; fingered, 19.4 x 13.7 cm, l. and Duke Albert of

The front gate of the Wittevrouenpoort in Utrecht, during demolition, Herman Saftleven (Rotterdam 1609 - 1685 Utrecht), 1648, drawing, black chalk, brush and brown wash; Traces of two continuous vertical creases in the middle and right. of

Cove lined with rocks, Herman Saftleven (Rotterdam 1609 - 1685 Utrecht), drawing, black chalk, brush in brown, wash. The rocks in the middle covered with graphite pencil., 21.5 x 27.5 cm, l. and Duke Albert of Saxe-Teschen, inscribed on the

Sea Beach with Dunes, Herman Saftleven (Rotterdam 1609 - 1685 Utrecht), 1650, drawing, black chalk, brush in brown, wash; two continuous vertical pleats in the middle., 22.1 x 28.0 cm, numbered top left. with graphite pencil: '34

Mountainous landscape with a steep rocky mountain covered with houses, Herman Saftleven (Rotterdam 1609 - 1685 Utrecht), drawing, black chalk, brush in brown, washed; re. a small oval hole at the top., 19.0 x 29.2 cm, l. and Duke Albert of

Forest interior with resting hiker, Herman Saftleven (Rotterdam 1609 - 1685 Utrecht), drawing, black chalk, brush in brown, washed., 18.2 x 27.4 cm, l. and Duke Albert of Saxe-Teschen

Tree-rich shore landscape, Cornelis Saftleven (Gorkum 1607 - 1681 Rotterdam), drawing, black chalk, gray wash., 17.5 x 22.6 cm, l. and Duke Albert of Saxe-Teschen, inscribed left. below in an unknown hand with graphite pencil: 'vlieger f

Hilly landscape with trees, drawing, black chalk, brush in brown, washed; traces of a vertical fold; small defect on the right. upper corner., 22.5 x 32.0 cm, l. and Duke Albert of Saxe-Teschen, inscribed on the right. above in an unknown hand

Coast with house and ships, Thomas Wyck ( (Inv: Jan Asselijn), Beverwijk 1616/24 - 1677 Haarlem), drawing, graphite pencil, brush in gray and brown, gray wash., 20.1 x 31.8 cm, l. and Duke Albert of Saxe-Teschen

Rhine landscape with barges on the bank, Herman Saftleven (Rotterdam 1609 - 1685 Utrecht), drawing, red chalk, black chalk, brush in gray, washed gray over counterprint (copy of a painting, with onion juice)., 18.6 x 27.0 cm, l. and Duke

River landscape with house and barge, Herman Saftleven (Rotterdam 1609 - 1685 Utrecht), drawing, red chalk, brush in gray, washed gray, over counterprint (copy of a painting, with onion juice)., 20.3 x 27.6 cm, l. and Duke Albert of

search results: Drawing clear search