Images at Librifly

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Man holding a boy by the hand, each wearing a toga, Cornelis van Poelenburch (Utrecht 1594/95 - 1667 Utrecht), drawing, red chalk, 13.8 x 9.9 cm, l.l. Duke Albert of Saxe-Teschen

A fiddler sitting at a table, Philips Koninck (Amsterdam 1619 - 1688 Amsterdam), drawing, pen in brown, brown wash, opaque white., 16.9 x 16.4 cm, r. and Duke Albert of Saxe-Teschen, Monogr. re. below: 'P - ko'. Inscribed lower left by an

Sea bay with fishermen in front of a city wall and a castle, Philips Koninck (Amsterdam 1619 - 1688 Amsterdam), drawing, black chalk, brown pen, gray wash. Reworked and supplemented by a later hand with brush in brown, blue and opaque white and

View of Wageningen, anonymous, 18th century, drawing, black chalk, watercoloured, brush in brown., 17.5 x 24.3 cm, cardboard: 'Identified by Van Gelder as a view of Wageningen.' - Cahier: according to Bredius about A. Cuyp. - H.Gerson 1936,

Wide landscape with windmill and houses, Philips Koninck (Amsterdam 1619 - 1688 Amsterdam), early 1670s, drawing, pen and ink in brown, washed, 9.8 x 18.3 cm, l.l. Duke Albert of Saxe-Teschen, l.o. '29' (graphite pencil

View of Rhenen, drawing, black chalk, sanguine, yellow ocher chalk, brown, green and yellow wash; partially soiled., 13.2 x 21.7 cm, l. and Duke Albert of Saxe-Teschen, inscribed on the right. below in an unknown hand with graphite pencil:

Cavalry battle (on the commander's hill in the foreground a cavalryman leaping to the left and a standard bearer), Michelangelo Cerquozzi (Rome 1602 - 1660 Rome), drawing, chalk, pen, gray wash, 10.3 x 15.6 cm, l.l. Duke Albert of

Still water with a wooded shore, at the foot of a ruin, drawing, pen and ink in brown, gray and washed with opaque white, black chalk in places, on the right. pieced paper (15-19 mm wide strips), 17.9 x 24.6 cm, l. and Duke Albert of

Forum of Augustus in Rome, Bartholomeus Breenbergh (Deventer 1598 - 1657 Amsterdam), 1627, drawing, brush and brown pen, brown and gray wash, over black chalk. traces of a horizontal fold; Continuous vertical creases on the right. margin.,

View of the left bank of the Tiber in Rome (Ripa grande), Jan de Bisschop (Amsterdam 1628 - 1671 The Hague), drawing, brown brush, washed, over black chalk., 25 x 40.2 cm, l.l. Duke Albert of Saxe-Teschen, inscribed below, left. from centre:

Remains of the Arch of Titus with a view of the Colosseum, Jan Both ( (Inv.: B. Breenbergh), (Utrecht?) c. 1618 - 1652 Utrecht), drawing, graphite pencil, brown brush, washed., 36.1 x 27 cm, l.l. Duke Albert of Saxe-Teschen

The Nymphaeum of the Aqua Julia in Rome, Bartholomeus Breenbergh (Deventer 1598–1657 Amsterdam), Drawing, pen and brown ink, black chalk, with brown and gray wash; the staffage over graphite pencil., 25.7 x 34 cm, l.l. Duke Albert of

View of Mugnano, Bartholomeus Breenbergh (Deventer 1598 - 1657 Amsterdam), 1627, drawing, pen and brush in brown, over black chalk, 24.3 x 32.9 cm, l.l. Duke Albert of Saxe-Teschen

Overgrown ruins with a hut at their feet, Bartholomeus Breenbergh (Deventer 1598 - 1657 Amsterdam), drawing, brush and pen in brown, brown wash, opaque white correction., 22.9 x 33.1 cm, l.l. Duke Albert of Saxe-Teschen

The Aurelian City Walls in Rome View of S. Stefano Rotondo, 1620-1623, drawing, pen and brown wash, over black chalk; the blue watercolor by a later hand, 27 x 39.1 cm, l.l. Duke Albert of Saxe-Teschen, r.r. 'BB' (by later hand

Italian mountain landscape, Bartholomeus Breenbergh (Deventer 1598 - 1657 Amsterdam), drawing, black chalk, brush wash in brown, brown, grey-brown, pink and bluish in the sky; Traces of a vertical fold., 37.9 x 54.3 cm, l.l. Duke Albert of

Cavalry battle (in the foreground two fighting cavalrymen; a standard-bearer is riding in from the center left), Michelangelo Cerquozzi (Rome 1602 - 1660 Rome), drawing, chalk, pen, gray wash, 10.2 x 15.9 cm, l.l. Duke Albert of Saxe-Teschen

A rotunda surrounded by ruins built in a house, Bartholomeus Breenbergh (Deventer 1598 - 1657 Amsterdam), drawing, graphite pencil, brush in grey, washed grey., 19.8 x 28.5 cm, l.l. Duke Albert of Saxe-Teschen

Waterfall at the foot of an Italian town built on rock, drawing, pen and brush in grey, watercolor and body colour, over graphite pencil. top left torn and small loss., 17.5 x 27.1 cm, l.l. Duke Albert of Saxe-Teschen

Italian mountain landscape with a view of a river valley, Bartholomeus Breenbergh (Deventer 1598 - 1657 Amsterdam), drawing, black chalk, brown wash. Two missing parts at the upper edge., 7.3 x 13.6 cm, l.l. Duke Albert of Saxe-Teschen

Fantastic round temple in a hilly landscape, Bartholomeus Breenbergh (Deventer 1598 - 1657 Amsterdam), drawing, brush in grey, washed gray (mixed with opaque white), over black chalk. on the right Edge brownish soiling, partly retouched with

Resting hunters (with a stallion urinating), Philips Wouwerman (Haarlem 1619 - 1668 Haarlem), drawing, pen and brown ink, gray wash. Continuous vertical red chalk line on the right. Edge. Slight water damage at the top left., 13 x 17.6 cm, l.l.

Two horses, one grazing, the other with a lady in the saddle, drawing, gray brush, gray wash, over graphite pencil., 15.4 x 24.7 cm, l.l. Duke Albert of Saxe-Teschen, inscribed left. above in someone else's hand with pen (heavily rubbed):

Resting family, woman with a jug on an unsaddled horse, Philips Wouwerman (Haarlem 1619 - 1668 Haarlem), drawing, sanguine, pen in brown, red, brown and gray wash, opaque white., 13.8 x 22 cm, l.l. Duke Albert of Saxe-Teschen

Kicking horse, held by a man by the halter, Philips Wouwerman (Haarlem 1619 - 1668 Haarlem), drawing, brush in grey, opaque white, over graphite pencil, on brownish-tinted paper. Large brown spots left. below; soiled at the edges; crush

Equestrian battle (in the foreground two fighting horsemen; the horse of the right one has fallen), Michelangelo Cerquozzi (Rome 1602 - 1660 Rome), drawing, chalk, pen, gray wash, 10.2 x 15.9 cm, l.l. Duke Albert of Saxe-Teschen

Three riders in front of a rest house, Philips Wouwerman (Haarlem 1619 - 1668 Haarlem), drawing, black chalk, gray and brown wash., 33.6 x 47.9 cm, l.l. Duke Albert of Saxe-Teschen, Monogr. left below: 'PW' (connected

Stopping travelers in front of an ostaria in a rock arch, drawing, black chalk, brush in grey-brown, washed. traces of a vertical fold; left soiled by brownish spots; Crease below right. from the middle., 29.1 x 41.3 cm, l.l. Duke Albert of

Attack on a wagon train, anonymous, drawing, brush and gray wash, over black chalk. - Watermark: fool's cap., 25.4 x 41.5 cm, l.l. Duke Albert of Saxe-Teschen, inscribed left. (on the carriage) monogrammed 'W

Lady on horseback, Philips Wouwerman (Haarlem 1619 - 1668 Haarlem), drawing, pen and brown ink, gray wash. Brownish spots in several places., 10.7 x 8.2 cm, l.l. Duke Albert of Saxe-Teschen

A trumpet player on horseback, Philips Wouwerman (Haarlem 1619 - 1668 Haarlem), drawing, black chalk, 14 x 12.8 m, l.l. Duke Albert of Saxe-Teschen, inscribed left. below with black chalk, four lines in Dutch. Text (trimmed left): ' ....... en

Saddled horse, standing to the left, drawing, red chalk, 12.8 x 15.9 cm, l.l. Duke Albert of Saxe-Teschen

Lying greyhound with head raised, two others standing in the background, drawing, black chalk, 8.6 x 14.3 cm, l.l. Duke Albert of Saxe-Teschen, inscribed left. below in an unknown hand with black chalk: 'Ph. Wouwermann', right. of which with

Country road with rider and hiker, drawing, pen and ink in brown, brown and greenish gray wash., 12.1 x 19.4 cm, l.l. Duke Albert of Saxe-Teschen

Trumpeter blows to attack, Johann Matthias Weyer (Hamburg 1620 - 1690 Hamburg), drawing, sanguine, 18.6 x 30.2 cm

Deer hunt, drawing, red chalk, wiped in places, over black chalk., 27.4 x 37.9 cm, l.l. Duke Albert of Saxe-Teschen

Lamentation of Christ, Andrea Camassei (Perugia 1602 - 1649 Rome), drawing, chalk; Feather; Ink, 12.5 x 18.7 cm, l.l. Duke Albert of Saxe-Teschen

Remains of an ancient temple with a stone vase and a relief of a sacrificial scene, drawing, red chalk (grease chalk ? varnished ?), accentuated with opaque white. The opaque white darkened., 19 x 25 cm, l.l. Duke Albert of Saxe-Teschen

Path through a rocky landscape covered with trees, in the foreground a farewell scene, Herman van Swanevelt (Woerden near Utrecht c. 1600 - 1655 Paris), c. 1649, drawing, pen and ink in brown, washed gray, over black chalk., 20.4 x 15.3 cm,

Southern landscape with an old fortification wall and a seated pair of shepherds, Herman van Swanevelt (Woerden near Utrecht around 1600 - 1655 Paris), drawing, pen and ink in brown, brown and greenish-grey wash, over red chalk., 19.3 x 25.6

Italian building on a country road, in the foreground a woman carrying a jug, Herman van Swanevelt (Woerden near Utrecht around 1600 - 1655 Paris), drawing, graphite pencil, body colour. Re. brown soiling at the top., 15.4 x 18.9 cm, l.l. Duke

Self-Portrait in the Window, with feather cap and cushion, Ferdinand Bol (Dordrecht 1616 - 1680 Amsterdam), early 1650s, drawing, black chalk, gray wash, 16 x 13.2 cm, l. and Duke Albert of Saxe-Teschen, carton: 'cf. the ......? in d. G.

Raising the Cross, anonymous, c. 1633-35, drawing, black chalk, gray wash, 23.2 x 18.7 cm

Half-length portrait of a bearded old man, in profile to the left, Ferdinand Bol (Dordrecht 1616 - 1680 Amsterdam), drawing, black chalk, brush and gray wash with accentuating yellow, gray and red-brown (red chalk)., 18.4 x 13.6 cm, r. and

Forest clearing with bandits and their prisoners, drawing, brush and black-grey and gray (mixed with opaque white), wash, over black chalk. - Watermark: ? (Tracks right in the area of the sky). Traces of a vertical fold (soiled brown and

Equestrian Portrait of Ferdinand III, Anselmus von Hulle (Netherlands, 1601 - after 1674), drawing, sanguine and graphite pencil; Pen and brush with brown wash, brown (reddish to yellowish) and gray (greenish in places), heightened and

Nude from the back of the man walking to the left with cloak and staff on Michelangelo's cartoon of the 'Battle of Cascina', anonymous, drawing, red chalk; ransacked lower right corner torn off and replaced; paper shredded; upper left corner

Poets and scholars write their works; above them, Cupid on horseback Pegasus holds arrows and a flower in his hand, Andrea Camassei (Perugia 1602 - 1649 Rome), drawing, chalk; brown paper, 20.0 x 15.5 cm, l.l. Duke Albert of Saxe-Teschen,

Equestrian Portrait, Anselmus von Hulle (Netherlands, 1601 - after 1674), Drawing, sanguine and graphite pencil; Pen and brush in brown, yellow-brown and bluish-grey wash, heightened and corrected with opaque white; on paper cut into a circle;

Sailing boat on a calm sea, other boats and ships in the background, Reinier Nooms, called Zeeman (Amsterdam c. 1623 - 1664 Amsterdam), drawing, brush in grey, washed gray, over graphite pencil. Gray spots in several places., 13 x 11.5 cm,

A three-master and fishing boats in the harbour, Reinier Nooms, called Zeeman (Amsterdam c. 1623 - 1664 Amsterdam), drawing, brush and black-grey and gray wash, gray wash (mixed with opaque white in places), over black chalk. Birds later with

Calm Sea with Two Ships in Dock, Reinier Nooms, called Zeeman (Amsterdam c. 1623 - 1664 Amsterdam), drawing, brush and gray, gray wash, over graphite pencil. traces of a vertical fold; Slight water damage on the left. margin., 19.3 x 30.5 cm,

Ships at anchor and caulking in dock, Anonymous, Drawing, brush and black gray and gray, gray wash, black chalk. foxing; torn down center., 18.8 x 30.2 cm, r.r. Mariette, l.b. Duke Albert of Saxe-Teschen, Inscribed (signed?) right. below: 'R

Sea battle with a sinking ship, Reinier Nooms, called Zeeman (Amsterdam around 1623 - 1664 Amsterdam), drawing, brush (and pen ?) in gray, washed gray, over graphite pencil. traces of a vertical fold; Spot soiling retouched with opaque white.

Warships at anchor, drawing, black chalk, graphite pencil, brown pen, gray wash. on the left and on the right edge brownish water damage; two brown spots, left and in the middle; smaller brown soiling on the right. Edge; a crease in the middle

The Sacrifice of Abraham, Abraham van Diepenbeeck (s' Hertogenbosch 1596 - 1675 Antwerp), drawing, black chalk, pen and brown pen, traces of opaque white, on paper cut to a polygonal shape at the top, the inner edge line drawn with graphite

Annunciation, Abraham van Diepenbeeck (s'Hertogenbosch 1596 - 1675 Antwerp), drawing, brown pen, gray brush, gray wash, stippled, 6.4 x 5.6 cm, l.l. Duke Albert of Saxe-Teschen

Bust of a boy with a cloth in motion, drawing, sanguine, 21.3 x 30.2 cm, l.l. Duke Albert of Saxe-Teschen, bottom right in old pen and ink 'Baccio del Bianco

Adoration of the Shepherds, Abraham van Diepenbeeck (s' Hertogenbosch 1596 - 1675 Antwerp), drawing, brown pen, gray brush, gray wash, stippled; horizontal crease in the lower area, 6.3 x 5.6 cm, l.l. Duke Albert of Saxe-Teschen

Presentation in the Temple, Abraham van Diepenbeeck (s'Hertogenbosch 1596 - 1675 Antwerp), drawing, brown pen, gray brush, gray wash, stippled, 6.3 x 5.6 cm, l.l. Duke Albert of Saxe-Teschen

Twelve-year-old Jesus among the scribes, Abraham van Diepenbeeck (s' Hertogenbosch 1596 - 1675 Antwerp), drawing, brown pen, gray brush, gray wash, stippled; horizontal crease in the lower area, 6.4 x 5.6 cm, l. and Duke Albert of

Christ on the Mount of Olives, Abraham van Diepenbeeck (s'Hertogenbosch 1596 - 1675 Antwerp), drawing, brown pen, gray brush, gray wash, black chalk, stippled, 6.3 x 5.6 cm, l.l. Duke Albert of Saxe-Teschen

Geiselung, Abraham van Diepenbeeck (s'Hertogenbosch 1596 - 1675 Antwerp), drawing, brown pen, gray brush, gray wash, black chalk, stippled, 6.4 x 5.6 cm, l.l. Duke Albert of Saxe-Teschen

Crowning with Thorns, Abraham van Diepenbeeck (s' Hertogenbosch 1596 - 1675 Antwerp), drawing, pen in brown, brush in gray, washed gray; ransacked vertical crease, 6.3 x 5.5 cm, l.l. Duke Albert of Saxe-Teschen

Carrying the Cross, Abraham van Diepenbeeck (s'Hertogenbosch 1596 - 1675 Antwerp), drawing, pen in brown, brush in gray, gray wash, stippled; on the left Edge 6 mm attached, 6.3 x 5.6 cm, l.l. Duke Albert of Saxe-Teschen

Christ on the cross, Abraham van Diepenbeeck (s' Hertogenbosch 1596 - 1675 Antwerp), drawing, pen and brown ink, brush and gray ink, gray wash, black chalk, stippled; 6 mm added to the lower edge, 6.4 x 5.6 cm, l.l. Duke Albert of

Resurrection, Abraham van Diepenbeeck (s' Hertogenbosch 1596 - 1675 Antwerp), drawing, brown pen, gray brush, gray wash, stippled; horizontal crease in the lower area, 6.3 x 5.6 cm, l.l. Duke Albert of Saxe-Teschen

Ascension Day, Abraham van Diepenbeeck (s'Hertogenbosch 1596 - 1675 Antwerp), drawing, brown pen, gray brush, gray wash, stippled, 6.4 x 5.5 cm, l.l. Duke Albert of Saxe-Teschen

Sacra Conversation. (The Madonna sits on a throne under a canopy; the Infant Jesus holds the globe in his left hand, his right hand raised in blessing; Saints Nicholas and Agnes kneel on the right, Paulus and Bernardino on the left), Mario Balassi

outpouring of St. Geist (Pentecost), Abraham van Diepenbeeck (s' Hertogenbosch 1596 - 1675 Antwerp), drawing, brown pen, gray brush, gray wash, stippled; horizontal crease in the lower area, 6.3 x 5.5 cm, l.l. Duke Albert of Saxe-Teschen

Mariae Himmelfahrt, Abraham van Diepenbeeck (s'Hertogenbosch 1596 - 1675 Antwerp), drawing, brown pen, gray brush, gray wash, stippled, 6.3 x 5.5 cm, l.l. Duke Albert of Saxe-Teschen

Coronation of the Virgin Mary (Trinity), Abraham van Diepenbeeck (s' Hertogenbosch 1596 - 1675 Antwerp), drawing, brown pen, gray brush, gray wash, stippled, 6.3 x 5.6 cm, l.l. Duke Albert of Saxe-Teschen

Christ before Herod, Abraham van Diepenbeeck (s'Hertogenbosch 1596 - 1675 Antwerp), drawing, pen and brush in brown, brown and gray wash, opaque white, over black chalk, screened with black chalk, 20.0 x 15.5 cm, l.b. Duke Albert of

Resurrection of Christ, Abraham van Diepenbeeck (s' Hertogenbosch 1596 - 1675 Antwerp), drawing, black chalk, brush and gray, gray wash, opaque white; small brown spot over fleeing soldier's helmet; the opaque white oxidized grey-brown in

Rest on the Flight with Angelic Dance, Abraham van Diepenbeeck (s'Hertogenbosch 1596 - 1675 Antwerp), drawing, graphite pencil and brown pen, brown wash, heightened and corrected with opaque white; the opaque white oxidized dark in places, 9.7

Rest on the run, Abraham van Diepenbeeck (s'Hertogenbosch 1596 - 1675 Antwerp), drawing, graphite pencil (heavily wiped in the background on the left), pen in brown, brown wash, 8.8 x 6.9 cm, l.l. Duke Albert of Saxe-Teschen

Rest on the run with helping angels, Abraham van Diepenbeeck (s' Hertogenbosch 1596 - 1675 Antwerp), drawing, graphite pencil, pen in brown, 14.2 x 9.0 cm, below bottom Duke Albert of Saxe-Teschen

Maria with child (knee piece), anonymous, drawing, pen and ink in brown, 26.7 x 16.6 cm, l.l. Duke Albert of Saxe-Teschen

Martyrdom of a Saint. (In front of a palace architecture, a woman is beheaded in the foreground on the right; a bearded man stands, two figures kneel next to him; on the left on an architectural projection, spectators), Astolfo Petrazzi (Siena

The youthful Jesus in conversation with Mary and Joseph, Abraham van Diepenbeeck (s' Hertogenbosch 1596 - 1675 Antwerp), drawing, graphite pencil, wiped, pen in brown, on oval-cut paper, stippled; Crack with loss at the lower edge, 7.9 x 6.0

Coronation of the Virgin Mary, Abraham van Diepenbeeck (s' Hertogenbosch 1596 - 1675 Antwerp), drawing, pen and ink in brown, ocher wash, over graphite pencil, on brown-tinted paper, stippled; fine cracks with very small missing parts; left

Madonna enthroned with the Child Jesus, who hands the laurel wreath to scholars (church fathers?), Abraham van Diepenbeeck (s' Hertogenbosch 1596 - 1675 Antwerp), drawing, graphite pencil, wiped and washed, pen in brown, heightened with opaque

St. Joseph and Mary, who places the Jesus child on his lap, above them God the Father and St. Ghost (engraving template for C. Galle), Abraham van Diepenbeeck (s' Hertogenbosch 1596 - 1675 Antwerp), drawing, black chalk, brush in gray, pen in

St. Dominic receives a rosary from Mary (model for the engraving by C. Galle), Abraham van Diepenbeeck (s' Hertogenbosch 1596 - 1675 Antwerp), drawing, black chalk, heightened with white chalk, brush and pen in gray, pen in brown, gray and

decapitation of St. Katharina (main figure in a second, movable version), Abraham van Diepenbeeck (s' Hertogenbosch 1596 - 1675 Antwerp), drawing, black chalk, brush in brown, brown wash, heightened and corrected with opaque white, on brown

Elias with book and flaming sword (1), Life and miracles of the prophet Elias (41 engraving templates), Abraham van Diepenbeeck (s' Hertogenbosch 1596 - 1675 Antwerp), drawing, graphite pencil, brown pen, black chalk, gray wash, opaque white,

Elijah is fed with fire as an infant (2), Life and miracles of the prophet Elias (41 engraving templates), Abraham van Diepenbeeck (s' Hertogenbosch 1596 - 1675 Antwerp), drawing, graphite pencil, pen in brown, washed gray and grey-brown,

The Presentation of Little Elijah in the Temple (3), Life and Miracles of the Prophet Elijah (41 engravings), Abraham van Diepenbeeck (s' Hertogenbosch 1596 - 1675 Antwerp), drawing, graphite pencil, brown pen, black chalk, gray wash, opaque

Elias before King Ahab, who sacrifices to Baal (4), Life and miracles of the prophet Elias (41 engraving models), Abraham van Diepenbeeck (s' Hertogenbosch 1596 - 1675 Antwerp), drawing, graphite pencil, pen in brown, black chalk (only in the

God speaks to Elias (5), Life and miracles of the prophet Elias (41 engravings), Abraham van Diepenbeeck (s' Hertogenbosch 1596 - 1675 Antwerp), drawing, graphite pencil, brown pen, black chalk, gray wash, opaque white, stippled, 27.6 x

The preaching Elias, provided with bread and meat by two ravens (6), Life and miracles of the prophet Elias (41 engraving templates), Abraham van Diepenbeeck (s' Hertogenbosch 1596 - 1675 Antwerp), drawing, graphite pencil, pen in brown, black

Elias with the widow of Sarepta (7), Life and miracles of the prophet Elias (41 engravings), Abraham van Diepenbeeck (s' Hertogenbosch 1596 - 1675 Antwerp), drawing, graphite pencil, brown pen, black chalk, gray and grey-brown wash, Opaque

Elias and King Ahab on horseback (8), Life and miracles of the prophet Elias (41 engravings), Abraham van Diepenbeeck (s' Hertogenbosch 1596 - 1675 Antwerp), drawing, graphite pencil, brown pen, black chalk, gray wash, opaque white,

Elias and the unsuccessfully sacrificing priests of Baal (9), Life and miracles of the prophet Elias (41 engravings), Abraham van Diepenbeeck (s' Hertogenbosch 1596 - 1675 Antwerp), drawing, graphite pencil, brown pen, black chalk, gray wash,

Fire falls from heaven on the burnt offering of Elias (10), Life and miracles of the prophet Elias (41 engravings), Abraham van Diepenbeeck (s' Hertogenbosch 1596 - 1675 Antwerp), drawing, graphite pencil, brown pen, black chalk, gray wash,

Elias appears the little cloud over the sea (12), Life and miracles of the prophet Elias (41 engravings), Abraham van Diepenbeeck (s' Hertogenbosch 1596 - 1675 Antwerp), drawing, graphite pencil, pen in brown, black chalk, gray and brown

Elias has the priests of Baal massacred (11), Life and miracles of the prophet Elias (41 engravings), Abraham van Diepenbeeck (s' Hertogenbosch 1596 - 1675 Antwerp), drawing, graphite pencil, brown pen, black chalk, gray and grey-brown wash,

Elias and the angel in the desert (13), Life and miracles of the prophet Elias (41 engravings), Abraham van Diepenbeeck (s' Hertogenbosch 1596 - 1675 Antwerp), drawing, graphite pencil, brown pen, black chalk, gray and brown wash, opaque

Elias in the cave of Mount Horeb (14), Life and miracles of the prophet Elias (41 engravings), Abraham van Diepenbeeck (s' Hertogenbosch 1596 - 1675 Antwerp), drawing, graphite pencil, brown pen, black chalk, gray wash, opaque white,

Design for a framed altarpiece attached to the cross; on the predella Entombment, Luigi Rodriguez GEN. IL SICILIANO (Italy, mentioned 1594 - 1606), drawing, pen; washed; rounded at the top, 28.9 x 17.3 cm, M.u. zoomers; l.b. Duke Albert of

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