Images at Librifly

search results: Drawing clear search

Elias veils his face from God (15), Life and miracles of the prophet Elias (41 engravings), Abraham van Diepenbeeck (s' Hertogenbosch 1596 - 1675 Antwerp), drawing, graphite pencil, brown pen, black chalk, gray wash, opaque white, ransacked

Elias lays his cloak over Elisha plowing (16), Life and miracles of the prophet Elias (41 engravings), Abraham van Diepenbeeck (s' Hertogenbosch 1596 - 1675 Antwerp), drawing, graphite pencil, brown pen, black chalk, gray wash, Opaque white,

Elias and Elisa as founders of the Carmelite order (17), Life and miracles of the prophet Elias (41 engraving templates), Abraham van Diepenbeeck (s' Hertogenbosch 1596 - 1675 Antwerp), drawing, graphite pencil, brown pen, black chalk, gray

Elias has a chapel built on Mount Carmel and preaches in it (18), Life and miracles of the prophet Elias (41 engravings), Abraham van Diepenbeeck (s' Hertogenbosch 1596 - 1675 Antwerp), drawing, graphite pencil, pen in brown, black chalk, grey

Elias curses King Ahab after the stoning of Naboth (19), Life and miracles of the prophet Elias (41 engravings), Abraham van Diepenbeeck (s' Hertogenbosch 1596 - 1675 Antwerp), drawing, graphite pencil, brown pen, black chalk, gray wash,

Elias and King Ahab in Naboth's vineyard (20), Life and miracles of the prophet Elias (41 engraving templates), Abraham van Diepenbeeck (s' Hertogenbosch 1596 - 1675 Antwerp), drawing, graphite pencil, brown pen, black chalk, gray wash,

Elias sends back the messengers of the injured King Ahaziah, Life and Miracles of the Prophet Elias (41 engravings), Abraham van Diepenbeeck (s' Hertogenbosch 1596 - 1675 Antwerp), drawing, graphite pencil, brown pen, black chalk, gray wash,

Elias lets fire fall on Ahaziah's captain (23), Life and miracles of the prophet Elias (41 engravings), Abraham van Diepenbeeck (s' Hertogenbosch 1596 - 1675 Antwerp), drawing, graphite pencil, brown pen, black chalk, gray wash, opaque white,

Elias also lets fire fall on Ahaziah's second captain (24), Life and miracles of the prophet Elias (41 engravings), Abraham van Diepenbeeck (s' Hertogenbosch 1596 - 1675 Antwerp), drawing, graphite pencil, brown pen, black chalk, gray wash,

Allegory. (Venus sitting on clouds, Cupid to her right, Hercules to the left, to whom she is handing an apple), Francesco Fracanzano (Monopoli 1612 - 1656 Naples), drawing, brush in brown; heightened with white; blue paper; cambered and rounded

Elias on the deathbed of King Ahaziah (25), Life and miracles of the prophet Elias (41 engravings), Abraham van Diepenbeeck (s' Hertogenbosch 1596 - 1675 Antwerp), drawing, graphite pencil, brown pen, gray wash, opaque white, stippled; bottom

The Ascension of Elias (26), Life and Miracles of the Prophet Elias (41 Engraving Templates), Abraham van Diepenbeeck (s' Hertogenbosch 1596 - 1675 Antwerp), drawing, graphite pencil, brown pen, black chalk, gray wash, opaque white,

Christ between Moses and Elias, Carmelites kneeling at his feet (27), Life and miracles of the prophet Elias (41 engraving templates), Abraham van Diepenbeeck (s' Hertogenbosch 1596 - 1675 Antwerp), drawing, graphite pencil, pen in brown,

Elias and Christ in Paradise (28), Life and miracles of the prophet Elias (41 engravings), Abraham van Diepenbeeck (s' Hertogenbosch 1596 - 1675 Antwerp), drawing, graphite pencil, brown pen, black chalk, gray and brown wash, opaque white,

Elias before Christ ascending to heaven (29), Life and miracles of the prophet Elias (41 engravings), Abraham van Diepenbeeck (s' Hertogenbosch 1596 - 1675 Antwerp), drawing, graphite pencil, brown pen, black chalk, gray wash, opaque white,

Elijah frees St. Patricius von Demen (30), Life and Miracles of the Prophet Elias (41 engravings), Abraham van Diepenbeeck (s' Hertogenbosch 1596 - 1675 Antwerp), drawing, graphite pencil, brown pen, black chalk, gray and brown wash, opaque

Elias appears to a kneeling man and a lady (31), Life and miracles of the prophet Elias (41 engravings), Abraham van Diepenbeeck (s' Hertogenbosch 1596 - 1675 Antwerp), drawing, graphite pencil, brown pen, gray and brown wash, with black chalk

Elias with a protective cloak spread out over the assembled Carmelites (32), Life and miracles of the prophet Elias (41 engraving templates), Abraham van Diepenbeeck (s' Hertogenbosch 1596 - 1675 Antwerp), drawing, graphite pencil, brown pen,

Plague sufferers, including a Jesuit, are healed in front of a statue of Elias (34), Life and miracles of the prophet Elias (41 engravings), Abraham van Diepenbeeck (s' Hertogenbosch 1596 - 1675 Antwerp), drawing, graphite pencil, pen in

Elias appears to the priest J. Galeato (33) during the plague of 1655, Life and miracles of the prophet Elias (41 engravings), Abraham van Diepenbeeck (s' Hertogenbosch 1596 - 1675 Antwerp), drawing, graphite pencil, brown pen, gray wash,

Martyrdom of Saint Ursula and her ten thousand virgins, Luigi Rodriguez GEN. IL SICILIANO (Italy, mentioned 1594 - 1606), drawing, pen; washed; heightened with white; blue-grey paper; octagonal trimmed, 23.8 x 25.2 cm, bottom left Rogers (L.

Elias with crucifix as a Christian missionary (36), life and miracles of the prophet Elias (41 engraving templates), Abraham van Diepenbeeck (s' Hertogenbosch 1596 - 1675 Antwerp), drawing, graphite pencil, pen in brown, gray and brown wash,

The crucified Elias (37), Life and miracles of the prophet Elias (41 engravings), Abraham van Diepenbeeck (s' Hertogenbosch 1596 - 1675 Antwerp), drawing, graphite pencil, brown pen, black chalk, gray wash, opaque white, stippled, 27 .4 x

Elias lying under the cross (38), Life and miracles of the prophet Elias (41 engravings), Abraham van Diepenbeeck (s' Hertogenbosch 1596 - 1675 Antwerp), drawing, graphite pencil, brown pen, black chalk, gray and brown wash, Opaque white,

The risen Elias with wounds in front of his cross (39), Life and miracles of the prophet Elias (41 engravings), Abraham van Diepenbeeck (s' Hertogenbosch 1596 - 1675 Antwerp), drawing, graphite pencil, brown pen, black chalk, gray wash,

Elias receives laurel wreath and martyr's palm from Christ (40), Life and miracles of the prophet Elias (41 engravings), Abraham van Diepenbeeck (s' Hertogenbosch 1596 - 1675 Antwerp), drawing, graphite pencil, brown pen, black chalk, gray and

Invasion of Rogers I of Sicily into a city (1080) - in the sky Elias with raised sword over fleeing Saracens, Life and miracles of the prophet Elias (41 engraving templates), Abraham van Diepenbeeck (s' Hertogenbosch 1596 - 1675 Antwerp), drawing,

Carmelite saint at the desk, with a skull and an apparition of the Virgin Mary, Abraham van Diepenbeeck (s' Hertogenbosch 1596 - 1675 Antwerp), drawing, red chalk and black chalk, pen in brown, accents and corrections with thinned opaque white;

St. Laurentius, Abraham van Diepenbeeck (s' Hertogenbosch 1596 - 1675 Antwerp), drawing, graphite pencil, pen in brown, brown wash, autograph polygonal border line with pen, 8.8 x 6.4 cm, l.l. Duke Albert of Saxe-Teschen

The Carmelite saint Maria Magdalena de Pazzi BC at the hostage column, Abraham van Diepenbeeck (s' Hertogenbosch 1596 - 1675 Antwerp), drawing, black chalk, pen in brown, heightened with opaque white, rasterized with graphite pencil, 12.7 x 8

Esther kneels before Ahasuerus, who has descended from the throne to lift her, Lodovico Gimignani (Rome 1643 - 1697 Zagarola), drawing, chalk; Money; Feather; gray wash; heightened with white; brownish paper, 20.7 x 29.8 cm, l.l. Duke Albert of

The Jesuit martyr D. Johannes de Goto, on the cross pierced by two lances and crowned by an angel with laurel (preparatory engraving), Abraham van Diepenbeeck (s' Hertogenbosch 1596–1675 Antwerp), Drawing, pen and ink in brown, brown wash,

St. Anthony of Padua with the Christ child on his arm, Abraham van Diepenbeeck (s' Hertogenbosch 1596 - 1675 Antwerp), drawing, brush in black-grey, washed gray, over graphite pencil; three brown spots on the left area, 15.2 x 8.5 cm, r.b.

St. Elisabeth, Abraham van Diepenbeeck (s' Hertogenbosch 1596 - 1675 Antwerp), drawing, graphite pencil, brush in grey-brown and opaque white, on octagonally trimmed paper; fingered, 8.8 x 6.6 cm, l.l. Duke Albert of Saxe-Teschen

St. Blaise, Abraham van Diepenbeeck (s' Hertogenbosch 1596 - 1675 Antwerp), drawing, graphite pencil, brown pen, brown wash, on octagonally trimmed paper; fingered, 8.4 x 6.2 cm, r.l. Duke Albert of Saxe-Teschen

St. Franz Xaver gets his lost crucifix back from a crab (engraving template), Abraham van Diepenbeeck (s'Hertogenbosch 1596 - 1675 Antwerp), drawing, graphite pencil, pen in brown, gray wash, 15.8 x 19.5 cm, l.l. Duke Albert of Saxe-Teschen

Enthroned Ecclesia (frontispiece model for C. Hazart, Kerckelycke Historie, Antwerpen 1667), Abraham van Diepenbeeck (s' Hertogenbosch 1596 - 1675 Antwerpen), drawing, black chalk, brown pen, gray brush, gray wash, opaque white; fingered,

A lady on her deathbed, surrounded by relatives and priests, Abraham van Diepenbeeck (s' Hertogenbosch 1596–1675 Antwerp), drawing, black chalk, brown pen, on octagonally trimmed paper; trace of a horizontal fold above the middle; three

Communicating nuns in front of a Whitsun altar, Abraham van Diepenbeeck (s' Hertogenbosch 1596 - 1675 Antwerp), drawing, graphite pencil, brown pen, gray wash; ransacked in the corner left damaged below, 10.6 x 7.9 cm, l.l. Duke Albert of

Communicating Carmelite under an arcade - above a depiction of the rain of manna, Abraham van Diepenbeeck (s' Hertogenbosch 1596 - 1675 Antwerp), drawing, graphite pencil, brown pen, gray wash; fingered, 13.6 x 8.1 cm, l.l. Duke Albert of

The Death of St. Francis Xavier on the Island of Goa, Lodovico Gimignani (Rome 1643–1697 Zagarola), Drawing, chalk; Money; rubella; Feather; Ink; Paint brush; washed; heightened with white; brown primed paper, 50.2 x 30.0 cm, l.l. Duke Albert

Pilgrims in front of a Marian altar with votive offerings, Abraham van Diepenbeeck (s' Hertogenbosch 1596 - 1675 Antwerp), drawing, pen and ink in brown and black, brush in grey, washed gray, opaque white; foxing, 13.9 x 10.7 cm, l.l. Duke

Carmelites offering their writings to the enthroned Ecclesia (template for the engraving by P. Clouvet), Abraham van Diepenbeeck (s' Hertogenbosch 1596 - 1675 Antwerp), drawing, graphite pencil, pen in brown, gray wash, corrections with light

Pilgrims in front of the forest chapel by S. Maria de Corten-bosch (preliminary drawing for the engraving by Jac. Neeffs), Abraham van Diepenbeeck (s' Hertogenbosch 1596 - 1675 Antwerp), drawing, pen in brown, brown wash, opaque white

Mary recommends to Pope Honrius III. the Carmelite order, Abraham van Diepenbeeck (s' Hertogenbosch 1596 - 1675 Antwerp), drawing, pen and brown pen, brush in gray, washed gray, heightened with opaque white, on grey-brown toned paper;

Monks, beggars and sick people in front of a monastery, Abraham van Diepenbeeck (s' Hertogenbosch 1596 - 1675 Antwerp), drawing, brown pen, gray brush, gray wash, opaque white, on gray-brown toned paper; stylized, 6.3 x 7.0 cm, l.l. Duke

Audience of an enthroned pope, Abraham van Diepenbeeck (s' Hertogenbosch 1596 - 1675 Antwerp), drawing, pen and brown pen, brush and gray ink, gray wash, opaque white, on gray-brown toned paper; stylized, 6.1 x 7.2 cm, l.l. Duke Albert of

Miraculous rupture of a gallows rope (Miracle of Mary), Abraham van Diepenbeeck (s' Hertogenbosch 1596 - 1675 Antwerp), drawing, pen in brown, brown and gray wash, heightened and corrected with opaque white, over graphite pencil; the rider on

Venus is crowned by the Three Graces (round in a laurel wreath), Abraham van Diepenbeeck (s' Hertogenbosch 1596 - 1675 Antwerp), drawing, black chalk, pen and gray brown and brown, gray wash, opaque white; cut in a circle following the laurel;

Callisto and Jupiter in the form of Diana, Abraham van Diepenbeeck (s' Hertogenbosch 1596 - 1675 Antwerp), drawing, pen in brown, brush in gray and opaque white, washed in gray, traces of black chalk; ransacked Partially brownish oxidized

Venus weeps for Adonis, Abraham van Diepenbeeck (s' Hertogenbosch 1596 - 1675 Antwerp), drawing, brown pen, gray brush, gray wash, traces of black chalk; ransacked Gray brown spot on the left. margin, 9.6 x 13.9 cm, l.l. Duke Albert of

In the middle below in a niche the Madonna; Angels playing music are standing to the left and right, above them God the Father in angelic glory; the whole in a rich ornamental frame, Innocenzo Francucci, (Italy, 1490/94 - 1547/50), drawing,

Armida on her chariot drawn by four unicorns with her entourage before an oriental ruler on his throne in front of the fortified city of Gaza, Giacinto Gimignani (Pistoia 1611 - 1681 Rome), drawing, chalk; brush in grey; light gray wash;

Polyphemus throws a boulder at Akis, whom he surprised with Galatea, Abraham van Diepenbeeck (s' Hertogenbosch 1596 - 1675 Antwerp), drawing, brown pen, gray brush, gray wash, opaque white, over graphite pencil; fingered, 9.7 x 13.9 cm,

Virtue allegory with Fortuna reaching out for laurels, Abraham van Diepenbeeck (s' Hertogenbosch 1596 - 1675 Antwerp), drawing, black-brown pen, gray brush, gray wash, over graphite pencil; Opaque white correction (bottom left above the crown);

Young hero shot at by Cupid when he saw a woman, Abraham van Diepenbeeck (s' Hertogenbosch 1596 - 1675 Antwerp), drawing, brown pen, gray brush, gray wash, opaque white, over graphite pencil; fingered, 9.7 x 13.7 cm, l.l. Duke Albert of

Latona (Leto) transforms the shepherds of Delos into frogs, Abraham van Diepenbeeck (s' Hertogenbosch 1596 - 1675 Antwerp), drawing, graphite pencil, black chalk, brown pen, gray and brown wash, traces of red chalk; trace of a vertical fold;

The Death of Meleager, Abraham van Diepenbeeck (s' Hertogenbosch 1596–1675 Antwerp), drawing, black chalk, gray wash; Continuous vertical creases on the right. margin, 24.5 x 19.3 cm, b.r. Duke Albert of Saxe-Teschen, lower center by another

A king before a burnt offering in the temple, speaking to the people, Abraham van Diepenbeeck (s' Hertogenbosch 1596 - 1675 Antwerp), drawing, black chalk, brown pen, gray wash, opaque white; Irregular continuous horizontal pleat above the

The Roman Emperor Marc Aurel and his Doctors (draft for a tapestry), Abraham van Diepenbeeck (s' Hertogenbosch 1596 - 1675 Antwerp), 1650-1670, drawing, black chalk, brown pen, gray wash, opaque white corrections; Creases in several places,

A king and assembled gentlemen - all in Spanish costume seated on chairs, Abraham van Diepenbeeck (s' Hertogenbosch 1596–1675 Antwerp), drawing, black chalk, brush and gray ink, gray wash; brown spots on top; at the top right. torn from the

Miraculous extinguishing of a burning house, Abraham van Diepenbeeck (s' Hertogenbosch 1596–1675 Antwerp), drawing, pen and brown ink, black chalk, with gray wash, over graphite pencil; three vertical lines with red chalk; in the upper

The Parnassus. Apollo and the Muses making music; on the far left two poets come up the mountain, anonymous, drawing, chalk; Feather; washed; the upper corners beveled, 21.7 x 30.5 cm, l.l. Duke Albert of Saxe-Teschen

Two theologians seated at a table in front of the hall of a Protestant church, Abraham van Diepenbeeck (s' Hertogenbosch 1596–1675 Antwerp), drawing, brown pen, gray brush, gray wash, over graphite pencil; ransacked Trace of a horizontal

The hero kneeling before his lady - above them Cupid, in the background a lion fight and other scenes, Abraham van Diepenbeeck (s' Hertogenbosch 1596 - 1675 Antwerp), drawing, pen in brown, brush in gray, washed gray, over graphite pencil;

Equestrian portrait of Henry IV before the battle of Ivry, Abraham van Diepenbeeck (s'Hertogenbosch 1596 - 1675 Antwerp), drawing, pen and brush in brown, brush in grey, washed gray and brown, over graphite pencil; ransacked brownish soiling in

Several angels with cloth and tools of the Passion - in the background several bearers of the cross in the imitation of Christ, Abraham van Diepenbeeck (s' Hertogenbosch 1596 - 1675 Antwerp), drawing, pen in brown, brush in grey, gray and brown

The four evangelists at a table - behind them Peter and Paul under a picture of Christ, flanking an empty text field, Abraham van Diepenbeeck (s' Hertogenbosch 1596 - 1675 Antwerp), drawing, brown pen, gray brush, gray wash, over graphite

Silenus, Thalia and four satyrs framing an empty text field, Abraham van Diepenbeeck (s' Hertogenbosch 1596 - 1675 Antwerp), drawing, brown pen, gray brush, gray wash, over graphite pencil; ransacked brownish soiling in the corners, 7.9 x 4.5

Three scholars with mathematical and astronomical instruments (with empty text field), Abraham van Diepenbeeck (s' Hertogenbosch 1596 - 1675 Antwerp), drawing, brown pen, gray brush, gray wash, over graphite pencil; ransacked hole left in the

The Last Supper (with empty text field), Abraham van Diepenbeeck (s' Hertogenbosch 1596 - 1675 Antwerp), drawing, brush in gray, gray wash, (black chalk?), over graphite pencil; hole right in the upper area. Brownish dirt in the corners, 10.8

Several men seated around a table (with empty text field), Abraham van Diepenbeeck (s' Hertogenbosch 1596 - 1675 Antwerp), drawing, pen in brown, brush in gray, washed gray, over graphite pencil; ransacked brownish soiling in the corners, 10.9

Saint Alexis sits dying to the right on the steps in front of his parents' house, holding a scroll in his clasped hands; an angel putto with palm tree and cross floats down, anonymous, drawing, red chalk; Feather, 37.4 x 27.2 cm, l.l. Mariette;

A young messenger in front of an enthroned princess, Abraham van Diepenbeeck (s'Hertogenbosch 1596 - 1675 Antwerp), drawing, pen and ink in brown, over graphite pencil, 7.2 x 9.3 cm, r.r. Duke Albert of Saxe-Teschen

Arrival of Count Monteray in Antwerp - below a portrait of a lady, above a princess enthroned, Abraham van Diepenbeeck (s'Hertogenbosch 1596 - 1675 Antwerp), drawing, pen in brown, gray wash, opaque white, 15.0 x 9.4 cm, l.l. Duke Albert of

A saddled horse, led by a young woman by the halter, Abraham van Diepenbeeck (s' Hertogenbosch 1596 - 1675 Antwerp), drawing, black chalk, pen in brown, opaque white, screened with pen and red chalk; ransacked pieced paper, (the whole figure

Entry of the Count of Monteray into Antwerp, Abraham van Diepenbeeck (s'Hertogenbosch 1596 - 1675 Antwerp), drawing, pen in brown, gray wash, opaque white, traces of black chalk; screened with sanguine; two small defects on the right. edge

Peasant family by the fireplace, Abraham van Diepenbeeck (s' Hertogenbosch 1596 - 1675 Antwerp), drawing, black chalk, pen in brown, two accents with red chalk (on the head of the middle figure and right above next to the plate), 18.5 x 16 .5

Draft for a thesis with a portrait of Archduke Leoplod Wilhelm and allegorical figures, Abraham van Diepenbeeck (s'Hertogenbosch 1596 - 1675 Antwerp), drawing, graphite pencil, brown pen, brown wash; several creases on the right. upper area,

Ornamental frame for Pontius' copper engraved portrait of Archduke Leopold Wilhelm, Abraham van Diepenbeeck (s' Hertogenbosch 1596 - 1675 Antwerp), drawing, black chalk, brown pen, gray wash; defects on the left Edge; Creases in the left lower

Head of a young woman (plaster model), Abraham van Diepenbeeck (s' Hertogenbosch 1596 - 1675 Antwerp), drawing, black chalk, heightened with white chalk, on blue paper; brown soiling in the marginal areas; re. of the right eyes dirty with ink;

Large horse market in front of Haarlem, Arnout ter Himpel (Netherlands, 1634 - 1686), drawing, pen and ink in brown, gray wash, traces of opaque white. The birds with brush in black-grey (by a later hand?). - Watermark: crowned lily coat of

View of a Farmhouse from the Edge of a Forest, Arnout ter Himpel (Netherlands, 1634 - 1686), drawing, pen and brown wash, gray and brown wash, brush and black-grey, on a sheet assembled in two parts (vertical fold in the middle). Foxed., 20.2

Elegantly dressed youth with a feather cap, striding to the right with outstretched hands, Baccio del Bianco (Italy, 1604 - 1656), drawing, chalk; Red chalk, 28.2 x 19.9 cm, l.l. Duke Albert of Saxe-Teschen

Pasture Landscape with a View of Wassenaar, Arnout ter Himpel (Netherlands, 1634 - 1686), 1658, Drawing, Black chalk, gray (mixed with opaque white?) and brownish wash. Brown spots and light soiling in several places., 18.6 x 28.8 cm, l.l.

Edge of a Forest with a Stream and a Footbridge, Arnout ter Himpel (Netherlands, 1634 - 1686), Drawing, Black chalk, washed gray (mixed with opaque white). Damaged in the corners. Slight brownish soiling at the top., 18.8 x 25.5 cm, r.r. Duke

Edge of a forest with a view of a village church, Arnout ter Himpel (Netherlands, 1634 - 1686), drawing, black chalk, washed gray (mixed with opaque white?). Bottom creases; Slight brownish soiling at top. Damaged in the lower corners., 18.9 x

View of a Village from an Elevated Edge of a Forest, Arnout ter Himpel (Netherlands, 1634 - 1686), drawing, black chalk, gray wash. Added to a piece of paper strip approx. 3 cm wide on the right. The upper corners damaged. Brownish soiling in

Hilly Forest Landscape, Arnout ter Himpel (Netherlands, 1634 - 1686), drawing, black chalk, gray wash. Brownish stains, dirt and abrasions in several places., 17.7 x 28.6 cm, l.l. Duke Albert of Saxe-Teschen

Lady and huntsman, Vinzenz Katzler (Vienna 1823 - 1882 Vienna), drawing, pencil, sepia wash, 23.8 × 24.6 cm

Southern forest landscape, Frans de Neve (Antwerp 1606 - 1681/88 (Antwerp or Brussels?)), drawing, pen and ink in brown, gray wash, 28.5 x 42.1 cm, l.l. Duke Albert of Saxe-Teschen, inscribed on the right. Edge

An ox in the pasture, in the background a rider, Albert Jansz. Klomp (Netherlands, 1618 - 1688), drawing, black chalk, gray wash., 19.5 x 25 cm, l.l. Duke Albert of Saxe-Teschen

Herd of cattle on the pasture, Albert Jansz. Klomp (Netherlands, 1618 - 1688), drawing, black chalk, gray wash, watercolour, on yellowish toned paper. Slight soiling in several places., 25.2 x 39.6 cm, l.l. Duke Albert of Saxe-Teschen

Standing male nude from the back, right arm on hip, Stefano della Bella (Florence 1610 - 1664 Florence), early 1650s, drawing, chalk, pen, 19 x 9.9 cm, l.l. Duke Albert of Saxe-Teschen

Herd of cattle at the edge of the forest with a distant view of a village church, Albert Jansz. Klomp (Netherlands, 1618 - 1688), 1685, drawing, black chalk, gray wash, watercolour. Dirt in several places., 27.4 x 37.4 cm, l.l. Duke Albert

Cows and sheep, some lying, on a pasture, Albert Jansz. Klomp (Netherlandish, 1618 - 1688), 1685, Drawing, Black chalk, washed grey, brown, reddish brown and yellowish. Opaque white corrections., 27.2 x 37.5 cm, l.l. Duke Albert of

Herd of cattle and resting hunter taking a foot bath, drawing, black chalk, watercoloured, traces of red chalk, on yellowish-tinted paper., 26.1 x 36.5 cm, l.l. frieze, Albert of Saxe-Teschen

Praying Hermit, in profile to the left, Cornelis van Dalen (Netherlands, mentioned 1685-1696), drawing, black chalk. traces of a horizontal fold; brown soiled paper. Restored defects on the left. and lower edge., 21.7 x 16.3 cm, l.l. Duke

Penitent Peter, half-length, Cornelis van Dalen (Netherlands, mentioned 1685-1696), Drawing, Black chalk, wiped, heightened with white chalk. Traces of a horizontal fold., 32.3 x 27 cm, l.l. Duke Albert of Saxe-Teschen

Half-length portrait of an old, bearded man, looking up (an apostle?), Cornelis van Dalen (Netherlands, mentioned 1685-1696), drawing, black chalk, wiped, gray wash (mixed with opaque white). traces of a horizontal fold; re. damaged upper

search results: Drawing clear search