Images at Librifly

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Trabant with a long beard, Lucas van Valckenborch the Elder (Löwen or Mechelen around 1535 - 1597 Frankfurt am Main), 1578/79, drawing, watercolor and body paint, 33.1 x 17.2 cm, l. and Duke Albert of Saxe-Teschen

Trabant with a short beard, Lucas van Valckenborch the Elder (Löwen or Mechelen around 1535 - 1597 Frankfurt am Main), 1578/1579, drawing, watercolor and body paint, 26 × 13.9 cm, l. and Duke Albert of Saxe-Teschen, M.u. 'inConou' (on the

Halberdier, Lucas van Valckenborch the Elder (Löwen or Mechelen c. 1535 - 1597 Frankfurt am Main), 1578/79, drawing, watercolor and body paint, 30.8 x 14.2 cm, l. and Duke Albert of Saxe-Teschen

Blocks of stone, Friedrich August von Sachsen (born 1806), 1814, drawing, pencil, 13.9 x 19 cm, l.l. Duke Albert of Saxe-Teschen, below (between the frame lines) 'Frederic Auguste de Saxe à l'âge de 8. ans

Hütte, Princess Amalie of Saxony, before 1822, drawing, pencil, 17.4 x 26.6 cm, l.l. Duke Albert of Saxe-Teschen, below (between the frame lines) 'La Princesse Amalie de Saxe à l'âge de 12 ans

Hütte, Princess Maria of Saxony (Dresden 1796 - 1865 Florence), 1804, drawing, pencil, 13.9 x 18.2 cm, l.l. Duke Albert of Saxe-Teschen, below (between the frame lines) 'La Peincesse Marie de Saxe à l'âge de 6 ans

Waldtal, Princess Maria of Saxony (Dresden 1796 - 1865 Florence), 1816, drawing, pencil, 33.5 x 47.3 cm, below (between the frame lines) 'La Princesse Marie de Saxe à l'âge de 20 ans

Geometric constructions, Princess Maria Anna of Saxony (Dresden 1799 - 1832 Pisa), 1805, drawing, pencil, 18.7 x 28.6 cm, l.l. Duke Albert of Saxe-Teschen, below (between the frame lines) 'La Princesse Marie Anne de Saxe á l'âge de 6 ans

Winter landscape with skaters in front of a tower, Andreas Schelfhout (Den Haag 1787 - 1870 Den Haag), drawing, watercolour, opaque white, over graphite pencil; gridded with graphite pencil (numbered squaring); large brown spot in the left top

At the Ponte del Paradiso in Venice, Eduard Hildebrandt (Danzig 1818 - 1869 Berlin), 1854, drawing, watercolour, 247 x 183 mm, collector's mark (drawing in Cahier), verso: (according to Cahier): 'No. 309 Ed. Hildebrandt. Game from Venice

Lot near Florence, Christian Jank (Munich 1833 - 1888 Munich), around 1860, drawing, watercolour, 26.1 × 19.9 cm

Chapel near Meran in Tyrol, Gustav Reinhold (Gera 1798 - 1849 Königssee (Berchtesgaden)), drawing, watercolour, according to Cahier: 22.1 x 21.4 cm, r.r. 'Reinold

The cloister in the monastery of Maulbronn/Württ., Carl Scharold (Würzburg 1811 - around 1865 Würzburg), 19th century, drawing, watercolour, pen in brown, traces of body colour, 23.6 × 20.5 cm, l. hidden in the inscription on an epitaph

Hungarian Costumes, Károly (Karl) Sterio (Újmoldova, Hungary (Moldova Nouă, Romania), 1822 or 1823 - 1862 Pest (Budapest, Hungary)), c. 1855, drawing, watercolour, 27.8 × 41.9 cm

Hungarian Costumes, Károly (Karl) Sterio (Újmoldova, Hungary (Moldova Nouă, Romania), 1822 or 1823 - 1862 Pest (Budapest, Hungary)), c. 1855, drawing, watercolour, 28 × 41.7 cm

Hungarian Costumes, Károly (Karl) Sterio (Újmoldova, Hungary (Moldova Nouă, Romania), 1822 or 1823 - 1862 Pest (Budapest, Hungary)), c. 1855, drawing, watercolour, 30.9 × 44.6 cm

The Holy Family with the Child John, Vincenzo Camuccini (Rome 1771 - 1844 Rome), 1808, drawing, pen; washed; heightened with white; brown paper, 41.6 x 32.5 cm, l.l. Duke Albert of Saxe-Teschen, lower right in black ink, 'v. Camuccini f.,

South transept of Beauvais Cathedral, Pierre-François Bouchard (Lyon 1831 - 1889 Villiers-le-Bel), drawing, watercolour, 31.2 x 23.2 cm, on the cover of the cart with brush in black: 'BAES

A mounted soldier bids farewell to his family, Fortuné Ferogio (Marseille 1805–1888 Paris), drawing, watercolour, watercolor varnish, 20.1 x 24.6 cm

An old farmer and a girl praying in front of a wayside cross in a mountainous landscape, Henri Dorschwiller (Colmar 1783 - 1859 Paris), drawing, watercolour, 25.7 x 20 cm

Two children riding on a wooden bench, Fortuné Ferogio (Marseille 1805 - 1888 Paris), drawing, brown brush, 19.3 x 15.7 cm

Types of soldiers from the Thirty Years' War, Johann Eduard Tourneur (Austria, Vienna 1834 - 1897), 1867, drawing, watercolour, 20.4 × 26.4 cm

View of Funchal on the island of Madeira, Ignaz Kuhn, Max Kuhn (senior) (?, Munich 1838 - 1888 Munich), 1860-1861 ?, Drawing, watercolour, 27.1 × 42.9 cm

Soldier Types, Johann Eduard Tourneur (Austria, Vienna 1834 - 1897), 1867, drawing, watercolour, 20.7 × 25.8cm

View of a Gothic church with a late Romanesque bell tower, churchgoers and a view of the sea, François Étienne Villeret (Paris around 1800 - 1866 Paris), drawing, watercolor over pencil drawing, 18.4 x 13.3 cm

Portrait of Jean VIII de Créqui, Monsieur de Canaples, around 1550, drawing, stone chalk, sanguine, foxed paper, 30.7 x 21.6 cm, l.l. Duke Albert of Saxe-Teschen

Old beggar with child, Pierre Alexandre Wille (Paris 1748 - 1821 Paris), 1801, drawing, pen and ink in brown, 37.8 x 25.9 cm, l.l. Duke Albert of Saxe-Teschen, M.u. with pencil: '100', top left: '49

Crucifixion with Mary, John and Mary Magdalene, Giorgio Vasari (Arezzo 1511 - 1574 Florence), around 1560, drawing, pencil; Feather; washed; heightened with white; oxidized; ocher primed paper; cut out round at the top, 45.6 x 33.7 cm, l.l.

Unidentified Scene from the Life of a Saint, Anonymous, Drawing, chalk; Feather; washed, 25.2 x 17.7 cm, Duke Albert of Saxe-Teschen

Merchants (Mercatura) (pane tear), anonymous, 1563, drawing, pen, black-brown gray wash on yellowish paper, circular, 29.1 x 29.1 cm, bottom left Duke Albert of Saxe-Teschen, M.o. 'MERCATURA

Psyche discovers Cupid, Piero Buonaccorsi called Perino del Vaga (Florence 1501 - 1547 Rome), before 1542/45, drawing, chalk, pen, washed, 12.3 x 24.8 cm, Duke Albert of Saxe-Teschen

Anif Castle, Johann Fischbach (Grafenegg 1797 - 1871 Munich), drawing, pencil, watercolour, passe-partout cut-out: 30.4 x 38.1 cm

Town square with early Gothic church and Hôtel de la Poste, François Étienne Villeret (Paris around 1800 - 1866 Paris), drawing, watercolor over preliminary pencil drawing, 18.4 x 13.1 cm

The Florentines under the commanders Pietro and Ranuccio Farnese defeat the Pisans, anonymous, drawing, pen; washed; heightened with gold; blue paper; Horizontal crease, 55.3 x 39.6 cm, l.l. Duke Albert of Saxe-Teschen

Male figure, Hanuš Johann Peter Paul Schwaiger (Jindřichův Hradec (Neuhaus, South Bohemia) 1854 - 1912 Prague), 1881, drawing, pencil, according to Cahier: 23.8 x 17 cm

Assumption of the Virgin (tondo); four figures of saints (spandrel); the angel pushes the demons into the abyss; the creation of Adam (bezel), drawing, metal pin; Feather; Watercolor; composed of several parts; transverse folds at regular small

Warrior in antique costume, Monogrammist ILDL, c. 1530, drawing, pen and ink in brown, 20.3 x 10.8 cm (8 x 4 1/4 in.), no collector's stamp Duke Albert of Saxe-Teschen

Study of a Putto, anonymous, drawing, brush; washed; heightened with white; blue-grey paper; 4 corners beveled; Water damage over the entire lower width, particularly pronounced water stains on the part of the paper with the figure that has

Caesar's death, Heinrich Friedrich Füger (Heilbronn 1751 - 1818 Vienna), 1810, drawing, pen and brush in black, opaque white, over black chalk preliminary drawing, on blue paper, 53.7 × 75.6 cm, l.l. Duke Albert of Saxe-Teschen

The four elements: air (pane tear?), anonymous, drawing, black-brown pen, gray-blue wash, 10.9 x 10.9 cm

An elderly Russian woman receives money as a wedding present for her young companion, Paul Marie Roussel (Paris 1804–1877 Paris), drawing, watercolor and gouache, 18 x 23.2 cm

Staircase in the Kunsthistorisches Museum, Robert Raschka (Bucharest 1847 - 1908 Vienna), 1891, drawing, pencil, watercolour, opaque white heightening, sheet: 22.8 x 37.3 cm

Monkeys as wandering musicians, Alois Greil (Linz 1841 - 1902 Vienna), 1892, drawing, watercolour, preliminary pencil drawing, 18 x 23.9 cm

Portal with Corinthian columns, Neptune in the gable between Pax and Victoria, Piero Buonaccorsi called Perino del Vaga (Florence 1501 - 1547 Rome), before 1529/30, drawing, pen, washed, 54.4 x 30.3 cm, l.l. Duke Albert of Saxe-Teschen, on

Crucifixion. (Scene with the three crosses and numerous figures on horseback, with ladders, the wailing women under the cross of Christ), Baccio Bandinelli (Florence 1493 - 1560 Florence), drawing, pen; washed; partially punctured; assembled

Saint Catherine of Alexandria is saved from martyrdom by God the Father in the Glory of the Angels, anonymous, drawing, pen; washed; heightened with white; brown paper; brittle;composed of two parts; a rectangular dark brown stripe added to the

putti playing in a vine arbor; they are picking fruit and frolicking with a bunny, anonymous, Giulio Romano (Rome 1499 - 1546 Mantua), drawing, pen; washed; heightened with white; brown paper; pierced, 41.7 x 38.6 cm

The Massacre of the Innocents, Anonymous, Drawing, Pen; Chalk squaring, 43 x 54.1 cm, l.l. Duke Albert of Saxe-Teschen, lower right in old pencil writing 'Baccio Bandinelli'; Quill number '34' in the right corner

Pentheus being Torn by the Menads, Daniele Ricciarelli, gen Daniele da Volterra (Volterra 1509–1566 Rome), late 1540s, drawing, chalk; washed; longitudinal crease; a stripe attached on the right; left margin added; bad condition, 24.5 x 55.2

The musical contest between Apollo and Pan, Giulio Romano (Rome 1499 - 1546 Mantua), c. 1527, drawing, pen and ink in brown, brown wash, traces of squaring in black pencil, the outlines punched through for transfer; assembled from four pieces

Hylas stolen by the nymphs. Three nymphs, cheered on by Cupid, abduct Hylas while Hercules sleeps on the left (Theocritus XIII; Virgil, Eclogae VI, 44), Giulio Romano (Rome 1499 - 1546 Mantua), c. 1530, drawing, pen; gray wash; heightened

Diomedes is wounded by Pandarus (lunette), Giulio Romano (Rome 1499 - 1546 Mantua), c. 1538, drawing, pen; a stripe added at the top for regular rounding; the lower edge badly damaged; the lower left corner torn off; Center crease, 41 x 56.8 cm,

The battle between Scipio and Hannibal at Zama, anonymous, drawing, chalk; Feather; washed; white heightened, 42.3 x 58.6 cm, l.l. Duke Albert of Saxe-Teschen, on the banner top left 'SPQR

Scipio occupies Hannibal's camp and shows mercy (Titus Livius XXVII, 19, 2, anonymous, drawing, chalk; pen; washed; heightened with white; water stains;, 40.2 x 57 cm, l.u. Duke Albert of Saxe-Teschen

The clemency of Scipio (Titus Livius XXVI, 50, 1-12), anonymous, drawing, chalk; Feather; washed; heightened with white; partially oxidized; center crease, 40.8 x 60.8 cm, l.l. Duke Albert of Saxe-Teschen

Soldiers on foot and on horseback, crossing a river (frieze), Giulio Romano (Rome 1499 - 1546 Mantua), c. 1531/1532, drawing, pen, washed, assembled from two parts, 27.8 x 78.9 cm, l.l. Duke Albert of Saxe-Teschen, below right on the left

The Conversion of Paul. (Naked Saul has fallen from the rearing horse; Paul's mounted companions scatter), anonymous, drawing, pen; heightened with white; composed of three pieces old; Drawn on lower right in the missing rectangle on the backing

The ordering of common property by the apostles (Acts 2, 44f and Acts 4, 32-37), anonymous, drawing, pen, washed, heightened with white; brown paper; cut out round at the top; cut out along the bottom right sitting figure and traced onto the

Preaching of John the Baptist, Pirro Ligorio (Naples c. 1500 - 1583 Ferrara), drawing, chalk; Feather; washed; heightened with white; assembled from two parts, 45.6 x 74.3 cm, and Lely (once on each section); l.b. Duke Albert of Saxe-Teschen

The women of Darius before Alexander, Taddeo Zuccaro (Sant' Angelo in Vado 1529 - 1566 Rome), c. 1561, drawing, chalk; Feather; gray wash; heightened with white; blue paper; center crease, 39.8 x 54 cm, l.l. Duke Albert of Saxe-Teschen, lower

Draft for a wall decoration with the miracle of Pentecost in the innermost arch and the sending of the apostles in the semicircle above; on the cornice Caritas, the four cardinal virtues and the coat of arms of Gregory XIII; Putti Carrying the Four

Holy family and several saints on a staircase, drawing, pen; washed; cut out round at top, 48.3 x 32.5 cm, unidentified (L.1325a); l.b. Duke Albert of Saxe-Teschen, lower right in pen 'H.C.H' (L.1325a

Raising Lazarus, anonymous, drawing, red chalk; Chalk, 31.5 x 60.7 cm, l.l. Duke Albert of Saxe-Teschen

Boar and stag hunt, Antonio Tempesta (Florence 1555 - 1630 Rome), drawing, pen, washed, heightened with white, on brown paper, 37.8 x 62.2 cm, l.l. Duke Albert of Saxe-Teschen, lower right in black ink 'Ant. tempera

Three men seated left by a column, Giovanni Francesco Bezzi called il Nosadella (Italy, 1500 - 1571), drawing, red chalk; Feather; Chalk; washed; the washed drawing irregularly trimmed and glued to two extended backing sheets, 17.5 x 13.8 cm,

Midday, Franz Kollarz (Josefstadt (Josefov) 1829 - 1894 Vienna), around 1855, drawing, pencil, heightened with white, on construction paper, 31.9 × 24 cm, below bottom 'The Noon', pencil

French coast in the evening light, Andreas Schelfhout (Den Haag 1787 - 1870 Den Haag), drawing, watercolour, over graphite pencil; left Brownish soiled at the top margins, 16.9 x 21.1 cm

Water castle, anonymous, drawing, pen and ink in brown, 19.6 x 30.6 cm

The morning, Franz Kollarz (Josefstadt (Josefov) 1829 - 1894 Vienna), around 1855, drawing, pencil, heightened with white, on construction paper, 31.9 × 24 cm, below bottom 'The Morning', pencil

Blue gentian and alpine roses with some mountain landscape, Ignaz Seelos (Bozen 1827 - 1902 Vienna), 1870-1890, drawing, watercolour, pencil, 22 × 15.7 cm

The disturbed rendezvous, Franz Kollarz (Josefstadt (Josefov) 1829 - 1894 Vienna), 1889, drawing, pencil, 25.6 × 20.5 cm

The evening, Franz Kollarz (Josefstadt (Josefov) 1829 - 1894 Vienna), around 1855, drawing, pencil, heightened with white, 31.9 × 24 cm, below bottom 'The Evening', pencil

river landscape with trees and buildings against a mountain background; in the foreground three staffage figures, Filippo Giuntotardi (Italy, 1768 - 1831), 1807, drawing, brush; Sepia, 35.6 x 50.2 cm, l.l. Duke Albert of Saxe-Teschen, signed

Drawing for an astrolabe, Anonymous, 1560-1570, Drawing, pen and ink, the pictorial frieze in ink, the mathematical framework in brown ink and sanguine, passe-partout: 38 x 30.9 cm

In the central niche is a picture of the Madonna, including two putti with an empty banner; on either side Saints Michael, Giovanni Gualberto, John and Bernardino degli Uberti, Federico Zuccari (Sant' Angelo in Vado 1540/41 - 1609 Ancona),

Emperor Friedrich Barbarossa (1122-1190) hands over the baton as governor of Perugia to Count Ludovico Baglioni, Vincenzo Camuccini (Rome 1771 - 1844 Rome), before 1806/10, drawing, graphite, pen and gray ink, brown wash, heightened with white

Niobe tries in vain to protect her last daughters from Diana's arrows (Homer, Iliad XXIV, 602-617; Ovid, Met. VI, 146f.), Bartolomeo Pinelli (Rome 1781 - 1835 Rome), c. 1810, drawing, black chalk, pen and ink in dark brown, brush in gray

The Duel between Eteocles and Polynices, Bartolomeo Pinelli (Rome 1781 - 1835 Rome), c. 1820, drawing, black chalk, pen in dark brown, brush in gray and brown, white body paint, 43.2 × 59.4 cm, l.b. Duke Albert of Saxe-Teschen

Christ as judge of the world receives Adam and Eve, cleansed from original sin, in the presence of the Virgin Mary and John the Baptist; below faith, charity and hope, anonymous, drawing, sanguine; Feather; washed, 55.5 x 41.2 cm, l.l. Duke

Christ as judge of the world, anonymous, drawing, chalk; Feather; reddish-brown wash; damaged at the lower edges, 570 x 405 mm, l.l. Duke Albert of Saxe-Teschen

The secular princes and potentates on clouds with choirs of angels, Federico Zuccari (Sant' Angelo in Vado 1540/41 - 1609 Ancona), before 1579, drawing, pen, wash, reddish-purple watercolour, 59 x 40.4 cm, l.l. Duke Albert of Saxe-Teschen,

The Hellish Punishment of the Sluggish, Federico Zuccari (Sant' Angelo in Vado 1540/41 - 1609 Ancona), before 1579, drawing, pen, brown and red wash, assembled from two parts, 48 x 73 cm, l.l. Duke Albert of Saxe-Teschen, lower center

The punishment of the voluptuous in hell, Federico Zuccari (Sant' Angelo in Vado 1540/41 - 1609 Ancona), before 1579, drawing, pen, brown and red wash, 50 x 72.8 cm, l.l. Duke Albert of Saxe-Teschen, lower center 'Zucaro

The miser's punishment in hell, Federico Zuccari (Sant' Angelo in Vado 1540/41 - 1609 Ancona), before 1579, drawing, pen, brown and red wash, 51.6 x 75 cm, l.l. Duke Albert of Saxe-Teschen, lower center 'Zucaro'; 'Z' upper left in the same

The Hellish Punishment of the Jealous, Federico Zuccari (Sant' Angelo in Vado 1540/41 - 1609 Ancona), before 1579, drawing, pen, brown and red wash, 52 x 75 cm, l.l. Duke Albert of Saxe-Teschen, lower left in pen '2'; lower right 'Zucaro

The punishment of the intemperate in hell, Federico Zuccari (Sant' Angelo in Vado 1540/41 - 1609 Ancona), before 1579, drawing, pen, brown and red wash, 49 x 73.5 cm, l.l. Duke Albert of Saxe-Teschen, lower center 'Zucaro'; Quill number '160'

Adoration of the Shepherds, Anonymous, Drawing, Brush and brown; opaque white; blue paper; the upper corners beveled; the lower left corner torn off; cracks; Horizontal fold, 51.5 x 39.0 cm, l.l. Hudson; l.b. Duke Albert of Saxe-Teschen

Assumption of the Virgin, Anonymous, Drawing, Pen; gray wash; opaque white; blue-grey, faded paper, 36.5 x 55.5 cm, l.l. Duke Albert of Saxe-Teschen

Last Judgment, Giovanni Battista Trotti called Malosso (Cremona 1555 - 1619 Parma), drawing, pen; gray wash; trimmed at top, 69.2 x 32.5 cm, l.l. Duke Albert of Saxe-Teschen

Group of people in front of a round arch, Federico Zuccari (Sant' Angelo in Vado 1540/41 - 1609 Ancona), drawing, pen, gray wash, heightened with white, on blue paper, 44.2 x 39.2 cm, l.l. Duke Albert of Saxe-Teschen

Magnificent fountain, crowned with winged putti, Tommaso Laureti gen. il Siciliano (Palermo around 1530 - 1602 Rome), drawing, pen, washed, 57 x 40 cm, l.l. Duke Albert of Saxe-Teschen, lower right 'Tomasso Laurati

Magnificent fountain with a round basin and the coat of arms of Pope Pius IV de'Medici, crowned with Neptune on a column decorated with mythical animals, Tommaso Laureti gen. il Siciliano (Palermo around 1530 - 1602 Rome), drawing, pen, washed,

Magnificent fountain with a square fountain basin, crowned with the Ephesian Diana (variant that can be folded down: Hercules and Cerberus), in the base the coats of arms of Pius IV de'Medici and Pier Donato Cesi, Tommaso Laureti gen. il Siciliano

Magnificent fountain with Hercules, Tommaso Laureti called il Siciliano (Palermo around 1530 - 1602 Rome), drawing, pen, washed, 57.4 x 40 cm, l.l. Duke Albert of Saxe-Teschen, lower right 'Tomasso Laurati

Adoration of the Shepherds, Anonymous, Drawing, pen; washed; heightened with white oil paint; brown paper; a wide strip added at the bottom, 61.0 x 41.0 cm, l.l. Duke Albert of Saxe-Teschen

The Fall of the Angels, Jacopo Zanguidi Bertoja (Parma 1544 - before 1573/74 Parma, Caorarola), drawing, pen and ink in brown, brown wash, heightened with white, the radial lines in black pen, 43.8 x 43.8 cm, l.l. frieze; r.b. Duke Albert of

Adoration of the Sacrament, Anonymous, Drawing, Pen; grey-green washed; heightened with white; grey-green primed paper, 39.5 x 55.0 cm, r.r. Hudson; l.b. Duke Albert of Saxe-Teschen

Saint Benedict raises a dead child (sequence of scenes no. XXXII, LCI, vol.V, col. 352). The scene takes place under arcades with a view of a palace, on the facade of which scaffolding is being erected; Staffage figures, anonymous, drawing,

Ascension Mariae, anonymous, drawing, pen; washed; heightened with white; oxidized; brown paper; Centerfold, 41.2 x 53.0 cm, Lanier (L.2908 and Suppl.); Lely; lankrink; Haym; Albert of Saxe-Teschen

The Villa Bonaparte (formerly Belgiojoso) in Milan, Friedrich Loos (Graz 1797 - 1890 Kiel), drawing, body colors, 42.5 x 63 cm, Duke Albert of Saxe-Teschen

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