Images at Librifly

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Kitchen piece, Joos van Winghe (Brussels 1544 - 1603 Frankfurt am Main), drawing, pen and ink in brown, washed, 14.7 x 19.3 cm

Gown of a university dignitary, 1814, drawing, pencil, pen, ink, 22.4 x 14.5 cm

Saint Augustine seated in front view, a rolled-up rotulus on his knees, in the right hand a quill, in the left an inkwell, (Conte) Donato de' Bardi (Italy, (c.) 1400 - 1451), Drawing, silverpoint; heightened with white; red primed paper;

Helmeted female head, drawing, pen in brown, 7 x 4.3 cm

Male Proportional Figure, Monogrammist ILDL, c. 1530, drawing, pen and ink in brown, 20.3 x 10.8 cm (8 x 4 1/4 in.), no collector's stamp Duke Albert of Saxe-Teschen

Head of a girl in profile to the right; wears loose hair, Anton Romako (Atzgersdorf (Vienna) 1832 - 1889 Vienna), drawing, charcoal, according to Cahier: 56.1 x 38.3 cm, l.l. 'Romako

allegory of technology; Repetition of the head and hand, Anton Romako (Atzgersdorf (Vienna) 1832 - 1889 Vienna), drawing, pencil, watercolour, opaque white, according to Cahier: 55.7 x 39.4 cm

Lamentation for Christ with a kneeling spiritual donor (design for a church window), Lambert Suavius (Liège c. 1510 - 1567 Frankfurt am Main), 1550, drawing, traces of chalk, brown pen, watercolour, 56.5 x 22.5 cm, l. and Duke Albert of

The Apotheosis of Emperor Maximilian II, Wenzel Jamnitzer (Vienna c. 1507/08–1585 Nuremberg), Drawing, pen and black gray, greenish gray wash, 67.8 x 49 cm (26 11/16 x 19 5/16 in.), detail annotations

Esther before Ahasver, Tobias Stimmer (Schaffhausen 1539 - 1584 Schaffhausen), 1566, drawing, black pen on tinted paper, inked and heightened with white, 43.7 x 32.5 cm, l.l. 'Tobias Stymmer fecit, 1566 c

Study sheet with groups for a depiction of Olympus, Giovanni Battista Ponchino GEN. BOZZATO (Italy, around 1500 - 1570), drawing, pen; washed; the corners trimmed, 28.3 x 25.7 cm, l.l. Duke Albert of Saxe-Teschen, lower right in an old hand

John the Baptist in the desert, Giuseppe Porta, called Salviati (Castelnuovo di Garfagnana around 1520 - Venice around 1575), drawing, red chalk on brownish paper, 28.5 x 19 cm, l.l. Duke Albert of Saxe-Teschen, lower left in the old hand

Cupid aiming, Josef Abel (Aschach, Upper Austria 1764 - 1818 Vienna), around 1817, drawing, brown chalk, 48.8 x 40.1 cm, l.l. Duke Albert of Saxe-Teschen

Socrates chiselling, Josef Abel (Aschach, Upper Austria 1764 - 1818 Vienna), 1807, drawing, pencil, pen and brush in brown, white body paint, 54.1 x 41.9 cm, l.l. Duke Albert of Saxe-Teschen

Triumph of Hungary (draft for the theater curtain in Pest), Josef Abel (Aschach, Upper Austria 1764 - 1818 Vienna), 1810, drawing, pen and ink in black, gray wash, opaque white heightening, 54.8 x 73.8 cm

Equestrian battle, Friedrich L'Allemand (Hanau 1812 - 1866 Vienna), 1852, drawing, watercolour, according to Cahier: 15.3 x 19.7 cm

View of Vienna from the spinner on the cross, Jakob Alt (Frankfurt am Main 1789 - 1872 Vienna), 1817, drawing, watercolour, body colour, 39.9 x 71 cm, Duke Albert of Saxe-Teschen

Forest path with material near Ischl, Anton Altmann the Younger (Vienna 1808 - 1871 Vienna), 1863, drawing, watercolour, according to Cahier: 62 x 49.5 cm

Vault in a house in Mödling, Anton Altmann the Younger (Vienna 1808 - 1871 Vienna), 1862, drawing, gouache, according to Cahier: 49.6 x 62.5 cm

The Sacrifice of Isaac, Anonymous, Drawing, Brush; washed; heightened with white; blue-grey paper;4 corners beveled; Water damage over the entire lower width, on the reverse on the part of the paper with the figure that has remained blue,

Annunciation, Anonymous, Drawing, Pen; washed; heightened with white; faded blue, partially brown colored paper, 25.4 x 30.1 cm, l.l. Lely; l.b. Rogers (L. 625); r.b. Duke Albert of Saxe-Teschen, left under the signature Lely in pencil '144';

Idyllic scene under a large oak tree not far from the Wildensteiner Schlossweiher, Matthias Bachofen (Reigoldswil (Basel) 1776 - 1829 Basel), 1804, drawing, black-grey pen, watercolor and body colors over pencil marks, 39 x 52.4 cm, l.l. Duke

rest on the run, anonymous, drawing, sanguine; squared, 17.9 x 22.3 cm, l.l. Duke Albert of Saxe-Teschen

Aristomenes descends from the grotto of Trophonius with the consecrated shield (Pausanias, book 4, § 16), Franz Caucig (Görz 1755 - 1828 Vienna), before 1810, drawing, pen and brush in gray and brown, pencil preliminary drawing, 50.9 ×

Orestes raging, Johann Nepomuk Ender (Vienna 1793 - 1854 Vienna), 1817, drawing, pen, ink, brown wash, white heightened, 52.7 x 42.5 cm

Paris, sitting leaning back, holding the apple in his right hand, Anselm Feuerbach (Speyer 1829 - 1880 Venice), 1869-1870, drawing, black chalk, heightened with white chalk, on gray-primed paper, 432 x 482 mm

Semiramis and the Babylonian people, Joseph Fischer (Vienna 1769 - 1822 Vienna), 1802, drawing, pen and brush in black, opaque white, on blue paper, 66.1 × 45.6 cm, center right: 'FISCHER. fec 1802

Study for a burial, Pietro Faccini (Bologna 1562 - 1602 Bologna), drawing, brown brush, 24.7 x 18.8 cm, l.l. Duke Albert of Saxe-Teschen

Jesus and the children, Heinrich Friedrich Füger (Heilbronn 1751 - 1818 Vienna), 1811, drawing, pencil, pen in brown, brown ink, washed, heightened with white, 50.3 x 64.7 cm, center right: Füguer

John the Baptist, Heinrich Friedrich Füger (Heilbronn 1751 - 1818 Vienna), 1802, drawing, black and white chalk, 65.4 x 36.8 cm, l.l. Albert of Saxe-Teschen

The Judgment of Paris, Joseph Eißner (Vienna 1788 - 1861 Vienna), around or after 1811, drawing, red chalk, 50.3 x 65 cm, r.r. Duke Albert of Saxe-Teschen

The Judgment of Paris, 1811, drawing, pencil, red chalk wiped, passe-partout section: 49.5 x 64.2 cm, l.l. Duke Albert of Saxe-Teschen

Zeuxis and his models, Heinrich Friedrich Füger (Heilbronn 1751 - 1818 Vienna), 1803, drawing, sanguine and white chalk, preliminary pencil drawing, 50.4 × 64.9 cm, r.r. Duke Albert of Saxe-Teschen

Zeuxis and his models, Joseph Eißner (Vienna 1788 - 1861 Vienna), around 1811, drawing, sanguine, preliminary pencil drawing, squared, 50.3 x 64.6 cm, r.l. Duke Albert of Saxe-Teschen

Venturia calls on Coriolanus to spare the city, Heinrich Friedrich Füger (Heilbronn 1751 - 1818 Vienna), 1802, drawing, black stone chalk, 53.8 x 75.7 cm, l.l. Duke Albert of Saxe-Teschen

Saint Jerome, kneeling to the right, in the desert; on the right the lion, anonymous, Paolo Caliari, called Veronese (Verona 1528 - 1588 Venice), drawing, brush in brown; heightened with white; blue-green primed paper, 24.5 × 16.8 cm, l.l.

Waterfall Between Tree-Covered Rocks, Matthias Joseph Gail (Austrian, 1796 - 1866), Drawing, brush and gray; black framing line, 51.4 x 34.9 cm (20 1/4 x 13 3/4 in.), Mat: on Albert mount ' Gail

Large Tree with Dying Branches on a Forest Path Leading Along a Stream, Matthias Joseph Gail (Austrian, 1796 - 1866), Drawing, brush and gray, black framing line, 65 x 49.7 cm (25 9/16 x 19 9/16 in.), Mat: on Albert mount 'Gail

Alpine landscape with a resting shepherd, Jakob Gauermann (Oeffingen near Stuttgart 1773 - 1843 Vienna), 1804, drawing, watercolour, according to Cahier: 47.5 x 62 cm

Bacchus among the Muses, Bonaventura Genelli (Berlin 1798 - 1868 Weimar), 1822-1832, drawing, black-grey pen, watercolour, heightened with white brush, 41.5 × 65.5 cm (16 5/16 × 25 13/ 16 inches

River landscape near Dresden in the moonlight, Christian Gottlob Hammer (Dresden 1779–1864 Dresden), 1815, drawing, brush in black, watercolour; Black border line, 40.7 x 58.4 cm, no collector's stamp Duke Albert of Saxe-Teschen

The Temptation of Adam, Joseph Hauber (Geratsried near Immenstadt 1766 - 1834 Munich), 1813, drawing, black chalk, sanguine, heightened with chalk in white, on light gray paper, 59.8 x 46.5 cm, no collector's stamp Duke Albert of Saxony

Expulsion from Paradise, Joseph Hauber (Geratsried near Immenstadt 1766 - 1834 Munich), 1813, drawing, black chalk, heightened with white chalk, on light gray paper, 59.2 x 45 cm, no collector's stamp Duke Albert of Saxe-Teschen

Battle of Waterloo, Johann Nepomuk Höchle (Munich 1790 - 1835 Vienna), 1817, drawing, watercolour, brown pen, 48.5 x 66.7 cm, verso: l.l., Invention 1817 le 27 Febr

Parade on the Simmeringer Haide, Johann Nepomuk Höchle (Munich 1790 - 1835 Vienna), drawing, ink, pen, wash, heightened with white, 42.1 x 71.5 cm

Waldbach, Joseph Höger (Vienna 1801 - 1877 Vienna), drawing, brown brush, pencil, passe-partout cut-out: 34.2 x 48.4 cm

The murder of Peter Martyr in a tree landscape, anonymous, drawing, red chalk; Feather; washed; rounded at the top, 38.1 x 24.9 cm, l.l. Duke Albert of Saxe-Teschen, lower right 'Titiano vecelli' in an old hand

The four elements: water (pane tear?), anonymous, drawing, black-brown pen, gray-blue wash, 10.9 x 10.9 cm

The Companion of Peter Martyr, anonymous, drawing, crayon; rubella; irregularly trimmed below; the right red chalk foot continued on the backing paper, 27.9 x 19.3 cm, l.l. Albert (on the backing paper

The four elements: fire (pane crack?), anonymous, drawing, black-brown pen, gray-blue wash, 10.9 x 10.9 cm

The four elements: earth (torn disc?), anonymous, drawing, black-brown pen, gray-blue wash, 10.9 x 10.9 cm

Gutenstein, Vincenz Georg Kininger (Regensburg 1767 - 1851 Vienna), 1808, drawing, pen, brown ink, white heightened, 46.4 x 56 cm, l.l. Duke Albert of Saxe-Teschen

Fountain with Cupid and Psyche, surrounded by rich garden architecture, located in a park, Leo von Klenze (Bockenem 1784 - 1864 Munich), 1813, drawing, watercolour, opaque paint, pen and black brush, over pencil, 400 x 529 mm, l.l. Duke

Alexander and his doctor Philippus, Simon Petrus Klotz (Mannheim 1776 - 1824 Munich), 1807, drawing, black chalk, heightened in white with a brush, on light brown paper, 44.8 x 59.7 cm, l.l. Duke Albert of Saxe-Teschen

Pleasure camp of the Austrian infantry near the new building between Simmering and Kaiserebersdorf, Wilhelm Alexander Wolfgang von Kobell (Mannheim 1766 - 1855 Munich), 1805, drawing, gray pen, watercolour, over pencil marks, 46.2 x 60.9 cm,

Maneuvers of the Austrian cavalry between Minkendorf and Laxenburg, Wilhelm Alexander Wolfgang von Kobell (Mannheim 1766 - 1855 Munich), 1805, drawing, black-grey pen, watercolour, over pencil marks, glossy highlights in places, black framing

Cattle market near Genoa, Wilhelm Alexander Wolfgang von Kobell (Mannheim 1766 - 1855 Munich), 1820, drawing, black-grey pen, watercolour, over pencil, traces of glossy heightening, black framing line, 52.5 x 72.1 cm, no collector's stamp

Horses and sheep with a shepherd in front of a wide landscape, Wilhelm Alexander Wolfgang von Kobell (Mannheim 1766 - 1855 Munich), 1807, drawing, pen and ink in grey, watercolour, over pencil, glossy heightening in places, black framing

Horses on a pasture in front of a river landscape with an approaching storm, Wilhelm Alexander Wolfgang von Kobell (Mannheim 1766 - 1855 Munich), 1807, drawing, black-grey pen, watercolour, traces of glossy heightening, black framing line,

Cows and sheep in the shallow waters of the Schliersee with an approaching thunderstorm, Wilhelm Alexander Wolfgang von Kobell (Mannheim 1766 - 1855 Munich), 1806, drawing, pen in gray, watercolour, light of lightning scratched out, over

Cows and sheep in the shallow water of a mountain lake, Wilhelm Alexander Wolfgang von Kobell (Mannheim 1766 - 1855 Munich), 1806, drawing, gray pen, watercolour, over pencil marks, glossy highlights in places, black framing line, 47.4 x 61

Group of mighty old oak trees in front of a wooden fence in a meadow landscape, Carl Wilhelm Kolbe (the Elder) (Berlin 1757 - 1835 Dessau), around 1810, drawing, black chalk, 43 x 59.2 cm, l.l. Duke Albert of Saxe-Teschen

Lovers in a grotto, surrounded by oversized plants and herbs, Carl Wilhelm Kolbe (the Elder) (Berlin 1757 - 1835 Dessau), c. 1808-10, drawing, black chalk, 41.6 x 56.4 cm, l.l. Duke Albert of Saxe-Teschen

Carrying the grave, Robert von Langer (Düsseldorf 1783 - 1846 Munich-Haidhausen), 1819, drawing, brown brush, opaque white, pencil, on blue paper, 49.8 × 69.3 cm, l.l. Duke Albert of Saxe-Teschen

Marienbad I., 4-part series: Marienbad, Xavier Laurent, 1819, drawing, gouache, 41 x 58.3 cm

Marienbad II., 4-part series: Marienbad, Xavier Laurent, 1819, drawing, gouache, 41.3 x 58.7 cm

Marienhof III., 4-part series: Marienbad, Xavier Laurent, 1819, drawing, gouache, 41.5 x 58.8 cm

Mill Marienbad, Xavier Laurent, 1819, drawing, gouache, 41.3 x 58.6 cm

Bottle factory near Marienbad, Xavier Laurent, 1820, drawing, gouache, 39.9 x 57.1 cm

Big landscape with city view. (Two walkers on the bridge in the middle distance; on the right a shepherd couple with their flock; in the foreground lies a girl seen from behind who has fallen asleep while spinning), anonymous, drawing, pen;

Residence of Albrecht von Sachsen-Teschen, Xavier Laurent, 1821, drawing, gouache, 42.2 x 59.8 cm, l.l. Duke Albert of Saxe-Teschen

Torture scene, Hans Makart (Salzburg 1840 - 1884 Vienna), drawing, pencil; paper, 43.6 x 60.2 cm, b.r. '13

Military scene, Franz Maleck von Werdenfels (Austria, 1787 - 1849), drawing, pen, brush in gray, watercolour, according to Cahier: 45 x 58.6 cm, l.l. Duke Albert of Saxe-Teschen

View of a mill and other buildings in a landscape, anonymous, drawing, ink, pen, 15.1 x 20.9 cm, l.l. Mariette; r.b. Duke Albert of Sachsen-Teschen, lower right old pen number '89

The Allied Monarchs, Johann Georg Mansfeld (Vienna 1764 - 1817 Vienna), 1816, drawing, body colour, 56.8 x 47.8 cm, l.l. Duke Albert of Saxe-Teschen

Castor and Pollux announce his fate to Orestes, Johann Friedrich Matthäi (Meissen 1777 - 1845 Vienna), 1809, drawing, pen and brush in gray, white body paint, traces of black chalk, on blue paper, 45.9 × 70.9 cm, r.b. Duke Albert of

Wide, tree-lined river valley with idyllic staffage (Pan statue with shepherd couple and child in the middle distance, wreath weaver in the foreground), Jacob Wilhelm Mechau (Leipzig 1745 - 1808 Dresden), 1806, drawing, black pen, brown brush,

Draft for a Klopstock monument, situated in an ideal landscape, Jacob Wilhelm Mechau (Leipzig 1745 - 1808 Dresden), Johann Gottfried Klinsky (Dresden 1765 - 1828 Ulm), 1806, drawing, pen in black, brush in brown and yellow-brown, washed,

Draft for a Schiller monument, situated in an ideal landscape, Jacob Wilhelm Mechau (Leipzig 1745 - 1808 Dresden), Johann Gottfried Klinsky (Dresden 1765 - 1828 Ulm), 1806, drawing, pen in black, brush in brown and yellow-brown, washed, over

Julius Caesar, anonymous, drawing, pen, ink, washed, 19 x 14.5 cm, no collector's stamp Duke Albert of Saxe-Teschen

Phoebus rises out of the water with the sun chariot, Johann Conrad Wilhelm Martin Metz (Bonn 1749 - 1827 Rome), 1803, drawing, pen and brush in brown, preliminary pencil drawing, 52.4 × 39.5 cm, l..b. Duke Albert of Saxe-Teschen

Chiron instructs Achilles in astronomy, Johann Conrad Wilhelm Martin Metz (Bonn 1749 - 1827 Rome), 1804, drawing, pen and brush in brown, washed, over pencil, 47.8 x 37.9 cm, l.l. Duke Albert of Saxe-Teschen

Grove with wooden cart, on the right a pond, behind it a church tower, Joseph Mössmer (Vienna 1780 - 1845 Vienna), 1810, drawing, gouache, blue paper, according to Cahier: 44.4 x 57.8 cm, l.l. Duke Albert of Saxe-Teschen

Rock valley with hermits, Joseph Mössmer (Vienna 1780 - 1845 Vienna), 1822, drawing, gouache, blue paper, according to Cahier: 49.5 x 65.5 cm

Caligula, anonymous, drawing, pen; washed; water stains above, 19.5 x 15 cm, l.l. Duke Albert of Saxe-Teschen

View of Tyrol Castle, Joseph Mössmer (Vienna 1780 - 1845 Vienna), 1809, drawing, watercolour, with pen overdrawing the contours, 47.5 x 58.9 cm, l.l. Duke Albert of Saxe-Teschen

Nero, anonymous, drawing, pen, ink, washed, 19.5 x 15 cm, r.r. Duke Albert of Saxe-Teschen

Vespasian, anonymous, drawing, pen, ink, washed, 19 x 14.5 cm, l.l. Duke Albert of Saxe-Teschen

Claudius, anonymous, drawing, pen, ink, washed, 18.5 x 15 cm, r.r. Duke Albert of Saxe-Teschen

Sylvius Otho, anonymous, drawing, pen, ink, washed, 19 x 14.5 cm, l.l. Duke Albert of Saxe-Teschen

The Crucifixion, Karl Russ (Vienna 1779 - 1843 Vienna), 1803, drawing, pen and brush in brown, 62.3 × 44.4 cm, l.l. Duke Albert of Saxe-Teschen, l.u. ' KR 1803 ' ( pen in brown ), ' Rus ' ( pencil ) Passepartout: on Albert mount ' Raucher '

portrait of Countess Balk as Aurora, soaring into the air and marking her way with roses; below that in the plain the city of Rome, Friedrich Rehberg (Hannover 1758 - 1835 Munich), 1805-08, drawing, black chalk, light gray wash, heightened

Augustus, anonymous, drawing, pen, ink, washed, 18.5 x 15 cm, r.r. Duke Albert of Saxe-Teschen

Christ healing the sick at the Pool of Bethesda, Joseph Sutter (Linz 1781 - 1866 Linz), 1808 - 1828, drawing, pencil, charcoal; squared in pencil; blind stylized, 540 x 693 mm, r.l. 'Rippenhausen', l.t., upside down: '17' (pencil, five

River landscape with farmhouse, Johann Christoph Rist (Stuttgart 1790/91 - 1876 Augsburg), 1815, drawing, brush in brown and gray, partially heightened with brush in white, over pencil, 484 x 640 mm, l.l. Duke Albert of Saxe-Teschen

Vitellius, anonymous, drawing, pen, ink, washed, 19 x 14.5 cm, l.l. Duke Albert of Saxe-Teschen

Spring with cattle trough between Ariccia and Genzano, Johann Martin von Rohden (Kassel 1778 - 1868 Rome), 1818-20, drawing, black chalk, on yellowish paper, 59.5 x 44.5 cm, l.l. Duke Albert of Saxe-Teschen

Titus, anonymous, drawing, pen, ink, washed, 19 x 14.5 cm, l.l. Duke Albert of Saxe-Teschen, upper left in pencil '2

Domitian, anonymous, drawing, pen, ink, washed, 19 x 14.5 cm, l.l. Duke Albert of Saxe-Teschen

Haspar a Spada, Ludwig Ferdinand Schnorr von Carolsfeld (Königsberg 1788/89 - 1853 Vienna), drawing, black pen, gouache, l.l. Duke Albert of Saxe-Teschen

search results: Drawing clear search