Images at Librifly

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Peasant couple in the hills near Olevano, Franz Theobald Horny (Weimar 1798 - 1824 Olevano Romano near Rome), 1817, drawing, pencil, 44.3 x 59 cm, verso: l. u. 'Jul. Schnorr', '15f.', C a[?]/oaxow', '1817', Mi. etc.: '792'; re. u.: 'Vom

Partial copy after Peter Paul Rubens: The love garden, Crescentius Josephus Johannes Seydelmann (Dresden before 1750 - 1829 Dresden), 1813, drawing, brush in brown, 73.8 x 55 cm, no collector's stamp Duke Albert of Saxe-Teschen

Copy after Raphael: The Madonna of St. Sixtus, Apollonia Seydelmann (Venice 1767/68 - 1840 Dresden), 1809, drawing, brush in brown, 64.9 x 49.7 cm, l.l. Duke Albert of Saxe-Teschen, verso: according to Grünling 1823, no. 1113: company

View of the castle ruins and the town of Weinheim in der Pfalz, Johann Jakob Strüdt (Tegernau im Wiesental 1773 - 1807 Friedelsheim/Pfalz), 1801, drawing, body colors; black framing line, 41 x 54.4 cm, l.l. Duke Albert of Saxe-Teschen

Joseph and Potiphar's wife in front of a state bed; left view of the antechamber, in which four people are conversing, late 16th century, drawing, pen; washed; heightened with gold; the sheet was folded several times, 33.3 x 41.6 cm, l.l. Duke

Portion from the Nerva Forum in Rome in a fantasy landscape, Maximilian von Verschaffelt (Mannheim 1754 - 1818 Vienna), 1801 (1802?), Drawing, brown brush, watercolour, over pencil; Glossy heightening in the dark areas, 50.7 x 65.9 cm, no

Plautier's round grave at Ponte Lucano Plauzio in Tivoli, Maximilian von Verschaffelt (Mannheim 1754 - 1818 Vienna), 1801, drawing, brown brush, watercolour, over pencil marks; in the dark areas glossy heightening, 50.8 x 65.3 cm, l.l. Duke

Crown Prince Archduke Ferdinand of Austria visits the cuirassier regiment led by Duke Albert of Saxe-Teschen as colonel owner near Eisenstadt 1818, Sebastian Warmuth Edler von Schlachtfeld (Pardubice 1788 - 1873 Vienna), 1819, drawing, pencil,

The Hintersee in Berchtesgaden, on the Pinzgauer Straße towards the Mühlsturzhorn, Ernst Welker (Gotha 1788 - 1857 Vienna), 1818-1821, drawing, watercolour, pen and brown-grey and gray ink, over traces of pencil; in the foreground gloss

The Cathedral in Regensburg, Georg Christian Wilder (Nuremberg 1797–1855 Nuremberg), 1820, drawing, pen and brush in gray, watercolour, over pencil; Black border line, 471 x 490 mm, no collector's stamp Duke Albert of Saxe-Teschen

Park view with monument statue under trees, Hendrik Voogd (Amsterdam 1766 - 1839 Rome), 1822, drawing, black chalk, on yellowish paper., 59.2 x 44.7 cm

Farm with a mill by a stream, August Robert Zimmermann (Zittau 1818 - 1864 Munich), 19th century, drawing, pencil, on brownish paper, 427 x 596 mm, l.l. '36' (lead.); re. Below: 'Cfe' Passepartout: on Albert mount 'Robert Zimmermann

study sheet. (Three masked cloaked figures on the way to the right; half-length portrait of a young girl with a hat to the left, looking at the viewer; on the left an old woman in lost profile to the right), drawing, pen; gray wash; heightened

Sacra Conversazione in a landscape with trees in front of a group of mountains. (A rider and a hiker are on the way on the right towards the background of the picture), anonymous, drawing, ink, pen, 21.3 x 38 cm, l.l. Duke Albert of

View of Dresden with the Japanese Palace, the Augustus Bridge and the Old Town, Christian Gottlob Hammer (Dresden 1779 - 1864 Dresden), 1809, drawing, watercolour, body colour, over traces of pencil; traces of glossy heightening, 50.8 x 75.1

Mountainous tree landscape with a settlement; in the left foreground sits a pilgrim in profile to the right, Domenico Campagnola (Venice?) c. 1500 - 1564 Padua), 1558, drawing, pen; large tear above the upper right corner, 22.7 x 37.4 cm, l.l.

The holy clan with a donor couple, Girolamo da Treviso (Treviso 1497/98 - 1544 Boulogne-sur-Mer), 1527, drawing, pen; washed; heightened with white; squared; bluish paper; the upper corners bevelled:, 30 x 38 cm, M.u. Duke Albert of

Flagellation of Christ, Federico Zuccari (Sant' Angelo in Vado 1540/41 - 1609 Ancona), before 1573, drawing, pen, washed, heightened with white, on blue-grey paper, 25.2 x 22.3 cm, bottom left Duke Albert of Saxe-Teschen

Our Lady hands Simon Stock the scapular, 1574, drawing, pencil, black chalk, heightened with white; trace of a horizontal fold; 35 mm above and parallel to continuous creases; center right brown spots; slight soiling and water damage at the

Circle of Gods, Bartolomäus Spranger (Antwerp 1546 - 1611 Prague), drawing, pen in brown, watercolour, heightened with white, on greenish-grey tinted paper, 37.3 cm (diameter

The Fall of Man (left: Creation of Eve), Jan Nagel (Netherlands, c. 1560 - 1602), drawing, traces of chalk, brush in brown and olive, opaque white, on brownish paper, 26.4 x 75.6 cm

The Last Supper, Joos van Winghe (Brussels 1544 - 1603 Frankfurt am Main), drawing, pen and ink in brown, washed, heightened with white, on brownish-tinted paper, 46.7 x 42.8 cm

Adoration of the Shepherds, anonymous, Dutch, 2nd half of the 16th century, drawing, pen and brush in brown, washed, heightened with white, 41.5 x 55.3 cm, Duke Albert of Saxe-Teschen, lower left in pen 'Parmegianino

Battle of the Amazons, Jan van der Straet (Bruges 1523 - 1605 Florence), 1564, drawing, pen and brush in brown, wash, opaque white, on reddish-tinted paper, 37.1 x 64.3 cm

Portrait of a younger man with a full beard to the left, the gaze is directed past the viewer to the right, anonymous, drawing, red chalk; black chalk, 35.7 x 25.3 cm, l.l. Duke Albert of Saxe-Teschen

Saul's Defeat by the Philistines, Jan van der Straet (Bruges 1523–1605 Florence), 1579, Drawing, Black chalk, partially smudged, Brown pen, brown wash; possibly stylus marks, 37.8 x 52.6 cm, l.l. Duke Albert of Saxe-Teschen

Mucius Scaevola, Frans Floris (Antwerp 1516 - 1570 Antwerp), drawing, red chalk, 41.5 x 55.8 cm, l. and Duke Albert of Saxe-Teschen

Christ on the Mount of Olives, Nicolo Martinelli, gen. il Trometta (Pesaro around 1540 - 1611 Rome), drawing, pen, washed, white heightened, 37.8 x 25.2 cm, l.u. Duke Albert of Saxe-Teschen

study sheet. (Half-length figure of a youth with book; half-length figure of a young man with outstretched hands; two studies of hands), Federico Zuccari (Sant' Angelo in Vado 1540/41 - 1609 Ancona), drawing, chalk; rubella; brownish paper;, 40.2

Two bearded heads in profile to the right and almost front; six studies of hands, Federico Zuccari (Sant' Angelo in Vado 1540/41 - 1609 Ancona), drawing, chalk; rubella; tan paper;, 40.2 x 27.3 cm

Four Studies of the Dead Christ Supported by Angels, Cesare Pollini (Italy, c. 1560 - c. 1630), Drawing, Pen; heightened with white; oxidized; reddish paper; drawn on two pieces of paper, 14.3 x 18.1 cm, r.r. Duke Albert of Saxe-Teschen

The golden calf being carried through the crowd by four men, drawing, chalk; Feather; washed; heightened with white; greenish paper; water stain below, 30 x 39.6 cm, l.l. Duke Albert of Saxe-Teschen, lower right 'TINTOR' (cut off) in an old

Adoration of the Magi, Anonymous, Drawing, stylus marks; Feather; washed; heightened with white; oxidized, 31.8 x 44.4 cm, l.l. and ru (three times) Lanier; l.b. Lely; r.b. Duke Albert of Saxe-Teschen, lower right in brush 'Jacomo, Tintoret

The Massacre of the Innocents, Anonymous, 2nd half of the 16th century, Drawing, pen; washed; white heightened, 29 x 41.5 cm, r.r. Duke Albert of Saxe-Teschen

The Last Supper, Anonymous, Drawing, Chalk; Feather; blue paper, 18.8 x 42.5 cm, r.r. Richardson Jr.; r.b. Reynolds; l.b. Duke Albert of Saxe-Teschen, the respective colors are noted on the robes

Venus accroupie, 1806-1810, drawing, black chalk, sheet: 57 × 42.9 cm, l.l. Duke Albert of Saxe-Teschen

Nude study of a standing youth in front view with raised arms, holding a staff in the left, anonymous, drawing, red chalk, 26.3 x 14.8 cm, l.l. Duke Albert of Saxe-Teschen

Marriage of Cupid and Psyche, Raffaello Motta (Italian, (c. 1550 - 1578), Drawing, pen and ink; Paint brush; washed; chalk traces; squared, 27.8 x 80.6 cm, Duke Albert of Saxe-Teschen

Assumption of the Virgin, drawing, chalk; lead pencil; Paint brush; oil paint; squared; brown primed paper, 34.4 x 25.8 cm, l.l. Duke Albert of Saxe-Teschen

Martyrdom of Saint Sebastian, Luca Cambiaso (Moneglia 1527 - 1585 San Lorenzo de El Escorial), drawing, chalk; Feather; washed; paper glued together in the middle; holes; cracks; Flecks, 78.8 x 47.2 cm, Duke Albert of Saxe-Teschen, lower right

deployment of an army of warriors; (On the iconography according to Bellori 'The Entry of Emperor Sigismund in Mantua', according to Hartt 'The Entry of Emperor Charles V in Mantua'), anonymous, drawing, pen, washed, heightened with white,

The Duke of Wellington at the Battle of Waterloo, June 18, 1815, John Augustus Atkinson (London 1775 - 1831 London), Arthur William Devis (England, 1763 - 1822), after 1815, drawing, pen in ink, watercolour, framing line, 42 x 58.3 cm,

Christ on the Mount of Olives, Anonymous, Drawing, pen on parchment; the upper right corner is missing; brown spot over right half; holes; cracks; Knick, 38.7 x 69.0 cm, Duke Albert of Saxe-Teschen

Copy after the facade decoration of the Palazzo Gaddi in Rome (later Palazzo Cesi), anonymous, drawing, pen in brown, brown wash, 41.7 x 79 cm, l.l. Duke Albert of Saxe-Teschen, right above the portal below the coat of arms 'CLE VII PM'; all

Group of people on a staircase. (In the middle distance sits a crowned man under a canopy; in front of him a man with a skull kneels; in the foreground a bearded man kneels in front of a roller on which a figure from the back with a saber puts his

Heckenpredigt, Crispin van den Broeck (Mechelen 1524 - 1591 Antwerp), about 1566, drawing, pen in brown, brown and blue washed, white height, 37.9 × 53.4 cm, r. u. Duke Albert von Saxe-Teschen, m.u. 'inconino/ Rasanbalment des Reformés

The Battle of Marignano, anonymous, drawing, black-grey pen, bluish wash, crease in the middle, a strip attached at the top, 54 x 77 cm, bottom left wrong Dürer monogram

group of reclining men and women; in the middle a dog, anonymous, drawing, pen; washed; heightened with white; brown paper, 26.8 x 44.1 cm, l.l. Duke Albert of Saxe-Teschen, lower right in red chalk 'Tintoret', in pen '9

Christ as the Man of Sorrows, Paolo Farinato (Verona 1524 - 1606 Verona), drawing, pen, ink, washed, 24.9 x 17.3 cm, l.l. unidentified E.B. (L.827); l.b. Duke Albert of Saxe-Teschen

Head of the Apostle, Jacopo da Ponte, called Jacopo Bassano (Bassano del Grappa around 1515 - 1592 Bassano), around 1555-1560, drawing, black chalk, sanguine, pastel colors on blue paper, 13.2 x 13.2 cm, r.l. Duke Albert of Saxe-Teschen,

Carrying the Cross, anonymous, 2nd half of the 16th century, drawing, pen; washed; heightened with white; blue paper, 17.2 x 13.6 cm, l.l. Duke Albert of Saxe-Teschen

Apostles prostrated on the ground (study for a transfiguration), Pomponio Amalteo (Motta di Livenza (Treviso) 1505 - 1588 San Vito al Tagliamento (Pordenone)), drawing, brown brush, heightened with white, on blue paper, 19.5 x 35 cm, r.b.

Francesco Sforza and his wife Bianca Maria Visconti of St. Sigismund or St. Jerome recommended to the floating Mary, flanked by Sts. Daria and Crisanto, Giulio Campi (Cremona after 1507 - Cremona 1572), around 1540, drawing, pen, washed, red

Resurrection of Christ, anonymous, drawing, ink, pen, 13.8 x 8.8 cm, bottom left Duke Albert of Saxe-Teschen

Crowning with thorns, anonymous, drawing, ink, pen, 13.3 x 8.8 cm, l.l. Duke Albert of Saxe-Teschen

Joshua and Eleazar distribute the promised land. (They are sitting under a canopy, men are standing to the right and behind; in the center foreground a naked boy with an amphora, seen from the back, points to a group of men), anonymous, drawing,

The magician Elymas is punished with blindness by Paul, anonymous, drawing, pen; washed; a strip added to the lower left to the middle, 12 x 18.4 cm, l.l. Duke Albert of Saxe-Teschen, upper right in chalk '2

Scipio pardons the prisoners, anonymous, drawing, pen; washed; a strip cut out at the top right, 13.3 x 20 cm, l.l. Duke Albert of Saxe-Teschen, upper right on the backing paper in chalk '3

The Muses on the Summit of Helicon, anonymous, drawing, pen; washed; a strip cut out at the top right, 12.8 x 19.9 cm, l.l. Duke Albert of Saxe-Teschen, top right of the drawing in chalk '4

In a room, a prince dressed in antique clothes and his entourage gives an order to a boy who is standing in front of him and is lifting a beam with both hands, Federico Zuccari (Sant' Angelo in Vado 1540/41 - 1609 Ancona), drawing, pen, ink,

Marianne, Princess of Prussia, half-length, seated, Wilhelm Hensel (Trebbin 1794 - 1861 Berlin), 1822, drawing, pencil. Slightly foxed; dirty; light fringes; browned, 22.9 x 15.3 cm, l.l. '18.' (Lead

The body of Patrokles being carried from the battlefield, anonymous, drawing, metal pin; Feather; washed; white heightened, 22.4 x 33.5 cm, l.l. Duke Albert of Saxe-Teschen, lower right in the old hand 'Batista Franco

Copy after L. Rosenfelder: portrait of the king. Prussian general von Werder, Hermann Römer (Königsberg 1838 - 1883 Berlin), 1858, drawing, black chalk, wiped, 23.8 x 21.4 cm, album page: Mi. under the sheet: 'Königl: prussia: General von

View of Castle Tyrol near Meran, Friederike von Gumppenberg (German, 1823 - 1916), 1865, Drawing, watercolor, over pencil; on backing paper, 202 x 319 mm, Mi. under the backing paper: 'Bei Schloß Tyrol.', pen in black; re. under the base

The Finding of Moses. The four figures stand under a tree; in the background a town on a hill), anonymous, drawing, pen; washed; heightened with white; gray colored paper, 36.5 x 24.4 cm, l.l. Duke Albert of Saxe-Teschen

Adoration of the shepherds, Jan Speckaert (Brussels c. 1540 - c. 1577 Rome), drawing, pen, ink, washed, 18.7 x 15.2 cm, r.r. zoomers (L. 1511); l.b. Reynolds (L. 2364); r.b. Duke Albert of Saxony Teschen, lower left, the third digit

Count Karl von der Gröben, half-length portrait, Franz Krüger (Großbadegast 1797 - 1857 Berlin), around 1828 or earlier, drawing, black chalk, heightened in white with a brush, on yellow-brown paper; fixed, on backing paper, 213 x 180 mm

Count Anton zu Stolberg-Wernigerode, half-length portrait, Franz Krüger (large bather 1797 - 1857 Berlin), around 1822-1830, drawing, charcoal, heightened with white chalk, on yellow-brown paper; fixed, on backing paper, 238 x 194 mm

Adoration of the Magi, Jan Speckaert (Brussels c. 1540 - c. 1577 Rome), drawing, pen; washed; all corners are missing, 18.8 x 15.3 cm, l.l. zoomers (L. 1511); r.b. Reynolds (L. 2364); mu Duke Albert of Saxony Teschen, in pencil '176

Oberkonsistorialrat Dr. von Burger, Gustav Ferdinand Leopold König (Coburg 1808 - 1869 Erlangen), 1854, drawing, pencil and black chalk, light gray wash, the tie pin heightened in white with a brush, on yellowish paper; Pencil border line

Entombment of Christ, Andrea Meldolla, called Schiavone (Zara (Sebenico) around 1500/15 - 1563 Venice), 1550, drawing, metal pencil, chalk, brush, brown and green wash, red, yellow and blue wash marks, heightened with opaque white brownish

The Holy Family with John, Elizabeth and a Donor, Anonymous, Venetian, Drawing, pen; blue-grey wash, 14.6 x 11.7 cm, below bottom Duke Albert of Saxe-Teschen

Head study after an antique head, anonymous, drawing, chalk; heightened with white; brownish paper; heavily rubbed, 35.4 x 24.8 cm, l.l. Duke Albert of Saxe-Teschen

Male Head Study (Vespasian ?), Anonymous, Venetian, Drawing, chalk; white heightened, 32.6 x 24.5 cm, l.l. Duke Albert of Saxe-Teschen

Archangel Michael fighting Satan, Paolo Farinato (Verona 1524 - 1606 Verona), drawing, pen; washed; heightened with white; partially oxidized; brownish paper; rounded at the top, 40.3 x 25.9 cm, Lanier; l.b. Duke Albert of Saxe-Teschen, lower

The sinking of the pharaoh in the Red Sea, Paolo Farinato (Verona 1524 - 1606 Verona), drawing, pen; washed; white heightened, 36.6 x 31.8 cm, l.l. Duke Albert of Saxe-Teschen

The Judgment of Solomon, Paolo Farinato (Verona 1524 - 1606 Verona), drawing, chalk; Feather; washed; heightened with white; partially oxidized; gray paper, 34.1 x 26.8 cm, l.l. Duke Albert of Saxe-Teschen, lower right 'Palo Farinati'; next to

King Solomon, Nicolo Martinelli, called il Trometta (Pesaro around 1540 - 1611 Rome), drawing, pen; washed; Chalk; heightened with white; the paper composed of several pieces, 27.1 x 24.3 cm, l.l. Duke Albert of Saxe-Teschen, lower right on

Mary with baby Jesus and boy John, anonymous, drawing, red chalk, 28.4 x 38.4 cm, l.l. Duke Albert of Saxe-Teschen

Four angels weep over the body of Christ; the crown of thorns is at his right feet; to the right a small sketch of a figure, Paolo Farinato (Verona 1524 - 1606 Verona), drawing, pen; Chalk; washed; heightened with white; right below the left knee

Noli me tangere. Christ appears to the Magdalene as a gardener (lunette), Paolo Farinato (Verona 1524 - 1606 Verona), drawing, chalk; Feather; washed; heightened with white; on bluish paper, 24.5 x 41.2 cm, l.l. Duke Albert of Saxe-Teschen

Wedding scene, Paolo Farinato (Verona 1524 - 1606 Verona), drawing, pen, wash, heightened with white, on blue paper, 20.5 x 27.7 cm, l.l. Duke Albert of Saxe-Teschen

Christ and angels appear to a holy bishop seated in a landscape to the right; a town in the background, Orazio Farinato (Italy, 1559 - after 1616), drawing, traces of chalk; Feather; washed; heightened with white; brown paper, 41.6 x 27.9 cm,

John the Baptist as a youth; he is sitting in a tree landscape, anonymous, drawing, chalk; Feather; heightened with white; brown paper, 37.7 x 25.8 cm, l.l. Duke Albert of Saxe-Teschen

Moses and the Fathers of the Church, Drawing, Pen; washed; heightened with white; brown paper, 31.5 x 45.9 cm, l.l. Duke Albert of Saxe-Teschen, 1606 'Pa.lo Farinati

Martyrdom of Saint Sebastian in an open colonnaded courtyard, drawing, pen; washed; Heightened in white, 28.7 x 46.5 cm, left to right Albert of Saxe-Teschen

Female Herm with a Satyr, Drawing, Pen; washed; gray paper, 28.7 x 46.5 cm

Study sheet (lady with falcon; lady with falcon and greyhound; two partridges; knight), Antonio Pisano, called Pisanello (Pisa 1395 - 1455 Rome), drawing, pen; on parchment, 18.4 x 25.7 cm, l.l. frieze; r.b. Lagoy; l.b. Duke Albert of

Journey of the Three Kings to Nazareth; they are headed to the left; her entourage in arms carries the gifts, Paolo Farinato (Verona 1524 - 1606 Verona), drawing, pen; washed; white heightened, 42.4 x 35.2 cm, l.l. Duke Albert of Saxe-Teschen,

robbery of Europa. (Jupiter, in the form of a bull, abducts the beautiful king's daughter through the sea; Ovid, Met. II, 835-877), Paolo Farinato (Verona 1524 - 1606 Verona), drawing, pen; washed; heightened with white; gray paper; cut out

Pope Gregory the Great shares his meal with the poor, Paolo Farinato (Verona 1524 - 1606 Verona), drawing, pen, wash, heightened with white, 25.8 x 36.7 cm, Damery; r.b. Duke Albert of Saxe-Teschen, lower right in old pen writing 'P.

Pope Gregory the Great shares his meal with the poor, Paolo Farinato (Verona 1524 - 1606 Verona), 1556-1558, drawing, chalk, pen, wash, heightened with white, on yellow-brown paper, 35.6 x 46.4 cm, l.l. Duke Albert of Saxe-Teschen, bottom

Trajan and the Widow, Paolo Farinato (Verona 1524–1606 Verona), Drawing, Pen; washed; white heightened, 35.7 x 47.9 cm, l.l. Duke Albert of Saxe-Teschen, lower right 'Paolo Farinati'; lower left '94

Tamerlane mounts his horse, Paolo Farinato (Verona 1524 - 1606 Verona), drawing, pen; washed; heightened with white; blue paper, 21.5 x 22.8 cm, l.l. Duke Albert of Saxe-Teschen, lower left 'Paolo Farinati'; lower right the upper remains of a

Rape of a Sabine woman, Paolo Farinato (Verona 1524 - 1606 Verona), drawing, pen; Chalk; washed; heightened in white, 41.3 x 25.8 cm, no collector's stamp Duke Albert of Saxe-Teschen, 'PAOLO.' in the lower center in an old hand

View of Gutenstein, Joseph Mössmer (Vienna 1780 - 1845 Vienna), 1810, drawing, watercolours, opaque white, on blue paper, 44 x 60cm

Portrait of Gameria, daughter of Soliman II, wife of Rostani, anonymous, drawing, chalk; Red chalk, 38.5 x 23.5 cm, l.l. Duke Albert of Saxe-Teschen

Castle ruins, bathhouse and promenade by Tharandt, Christian Gottlob Hammer (Dresden 1779 - 1864 Dresden), 1810, drawing, black brush, watercolour, the part of the stream heightened with light blue body paint, over pencil marks; black framing

Abraham sacrifices his son Isaac, anonymous, drawing, pen; gray wash; white heightened, 12.8 x 18 cm, l.l. Duke Albert of Saxe-Teschen, lower left in old ink 'Iacobus Tintorettus, in ventor:'; including the upper remains of a cut off old pen

Copy after Johann Christian Reinhart: The mill near the large oaks, Princess Maria of Saxony (Dresden 1796 - 1865 Florence), 1810-22, drawing, brush in brown, washed, over pencil, 410 x 541 mm, no collector's stamp Duke Albert von

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