Images at Librifly

search results: Drawing clear search

Eva Nesemann, née Rahm, from the Zillertal, Johann Heinrich Schramm (Teschen 1810 - 1865 Vienna), 1858, drawing, watercolour, heightened with brush in white, brush in black in places, over pencil, on cardboard; partly glossy heightening,

Baptism of Christ, Paolo Farinato (Verona 1524 - 1606 Verona), drawing, pen, traces of chalk, washed, heightened with white, on brown paper, 35.4 x 22.4 cm, l.l. Duke Albert of Saxe-Teschen, lower left in chalk 'Paolo Farinati'; lower

Four Sibyls, Giambattista Zelotti (Venice 1526 - Mantua 1578), drawing, traces of chalk; Feather; washed; a piece inserted at the top, 38.7 x 27.4 cm, l.l. Duke Albert of Saxe-Teschen, lower left 'Fatt' in an old hand

Madonna and Child, Anonymous, Drawing, Pen; gray paper, 38 x 26 cm, l.l. Duke Albert of Saxe-Teschen

Christ before Pilate, Jacopo Ligozzi (Verona c. 1547 - 1626/27 Florence), drawing, pen; washed; heightened with white; on yellow-brown primed paper, 46.4 x 36.9 cm, l.l. Duke Albert of Saxe-Teschen

Mary hands the child to Saint Anthony of Padua, anonymous, Venetian, 2nd half of the 16th century, drawing, pen, ink, washed, 33.3 x 24.3 cm, l.l. Duke Albert of Saxe-Teschen, lower left in chalk 'Palma

The Doge Enrico Dandolo crowns Baldwin emperor in Constantinople; in the foreground herald's trumpets, kettledrums, drums; in the square and on the balustrade spectators, Antonio Vassilacchi GEN. ALIENSE (Italy, 1556 - 1629), drawing, pen,

The Alexander Festival in Persepolis, Joseph Fischer (Vienna 1769 - 1822 Vienna), 1802, drawing, pen and brush in brown, opaque white, black chalk, preliminary pencil drawing, 53 × 79.2 cm

Woman with garland, gusset figure for the Grand Hotel in Vienna (from a series of 20 figures), Eduard Bitterlich (Stupnicka (Galicia, today: Ukraine) 1833 - 1872 Pfalzau near Preßbaum, Lower Austria), around 1870, drawing, charcoal, sheet :

The defeat of the French army at Aspern (May 21/22, 1809): Napoleon crosses the Danube in a boat, Ignace Duvivier (Rians 1758 - 1832 Paris), 1809, drawing, pen, ink, wash, heightened with white, over a black chalk preliminary drawing

Two female figures. (The upper one is seated on a sloping front view, a book in her hands, looking down to the left; the lower one is seated, back view, looking into a mirror in her right hand), Paolo Farinato (Verona 1524 - 1606 Verona),

Two atlases supporting a cornice, Paolo Farinato (Verona 1524 - 1606 Verona), drawing, chalk; Feather; brown and reddish-brown wash; white heightened, 34.3 x 24.3 cm, r.r. Reynolds; l.b. Duke Albert of Saxe-Teschen, lower left in chalk '20';

Mary with baby Jesus and boy John, anonymous, drawing, pen; gray wash, 17.9 × 27.6 cm, l.l. Duke Albert of Saxe-Teschen, lower left in the ink of the drawing 'P.F

Venus and Cupid, Anonymous, Drawing, pen; washed; white heightened, 20 x 25.3 cm, l.l. lanier; r.b. Duke Albert of Saxe-Teschen, lower right 'AVittorio' in an old hand

Choir stall with rich sculptural ornamentation in side view to the right, Anonymous, mid to third quarter of the 16th century, Drawing, pen; washed; the entire right side supplemented, 44.7 x 25.3 cm, r.r. Mariette; l.b. frieze; mu Duke Albert

Repudiation of Hagar, Anonymous, Drawing, chalk; washed; grey-blue paper, 27.9 x 22 cm, l.l. Duke Albert of Saxe-Teschen

Adoration of the Magi, Anonymous, Drawing, pen; washed; heightened with white; pen marks; bad condition, 34 x 41.3 cm, l.l. Duke Albert of Saxe-Teschen

A rider dressed in antique style with a martial entourage rides from the right. to the center of the image; he points commandingly to a conquered man kneeling before him, over whose head a warrior is holding a crown; hi. City on two hills, Pomponio

Faith inspires the four evangelists, Giambattista Zelotti (Venice 1526 - Mantua 1578), drawing, red chalk; Feather; washed, 23 x 30.7 cm, no Mariette Sz; l.b. frieze; r.b. Duke Albert of Saxe-Teschen, lower left in an old hand 'B. Zelotti

Chimney top with two different lateral pillar solutions; two female allegories are seated facing each other, the left one with a child; in the center, in a framed scene, a man rams a staff into the ground, anonymous, 1575 - 1600, drawing, pen;

The Finding of Moses, anonymous, drawing, pen; washed; heightened with white; greenish paper; the upper half damaged by a transverse crease; torn lower right; perforated, 41.1 x 37.3 cm, l.l. Rogers (L. 625); mu Duke Albert of Saxe-Teschen

The Nativity, Taddeo Zuccaro (Sant' Angelo in Vado 1529 - 1566 Rome), c. 1551, drawing, pen; washed; supplemented by diagonal stripes on the right and below, 25.2 x 31.6 cm, r.l. Duke Albert of Saxe-Teschen (upside down

Madonna of an Annunciation. She kneels in front view next to a column base and looks to the right, her left hand lying on a book that is open on a second base on the right, anonymous, drawing, ink, pen, 19 x 15.3 cm, l.l. Duke Albert of

Adoration of the Magi, Valentin Lefebvre (Brussels c. 1642 - 1680/82 (Venice?)), drawing, pen, washed, enlargement grid, 20 x 26.7 cm, below bottom Duke Albert of Saxe-Teschen, upper left in the pen of the drawing 'P: Veronese

Rest on the Flight, Anonymous, Paolo Caliari, called Veronese (Verona 1528–1588 Venice), Drawing, Brush and brown ink; heightened with white; blue paper, 29.2 x 20.6 cm, l.l. Duke Albert of Saxe-Teschen, lower right in pen '58

Rest on the Flight, Anonymous, Paolo Caliari, called Veronese (Verona 1528–1588 Venice), Drawing, Pen; washed; heightened with white; blue paper, 28.2 x 18.7 cm, l.l. Duke Albert of Saxe-Teschen

Head of a bald old man with a beard, Andrea del Sarto (Florence 1486 - 1530 Florence), around 1527-1529, drawing, red chalk, 19.3 x 13.2 cm, l.l. Duke Albert of Saxe-Teschen, r.r. in brown ink 'h

Mary Magdalene Anointing the Feet of Christ in the House of Simon the Pharisee, anonymous, drawing, pen; washed; heightened with white; oxidized, 30.8 x 36.9 cm, l.l. Duke Albert of Saxe-Teschen, lower left in an old hand 'P.V

The Centurion of Capernaum before Christ, Anonymous, Drawing, red chalk; gray wash; the original drawing supplemented with wide stripes at the top and right and continued with pencil, 21.4 x 30.5 cm, l.l. Duke Albert of Saxe-Teschen

Crucifixion with Mary Fainting, Anonymous, Venetian, Drawing, pen; washed; heightened with white; brown primed paper, 38.2 x 29 cm, l.l. Duke Albert of Saxe-Teschen, lower right 'Veronese' and '2' in an old hand; '94' in pen upper left

Martyrdom of a Holy Bishop, Filippo Bellini (Italian, 1550/55–1603), Drawing, Pen; washed; blotchy; Transmission traces, 38.3 x 23.8 cm, l.l. Duke Albert of Saxe-Teschen

Allegorical female figure, Paolo Caliari, called Veronese (Verona 1528 - 1588 Venice), 1555-1565, drawing, brown pen, brown wash, heightened with white, on blue-tinted paper, 38.6 x 27.6 cm, l.l. Sir Joshua Reynolds, Count Moriz von Fries,

Two women, a naked boy; an angel floating in the air, anonymous, drawing, pen; heightened with white; holey; Horizontal crease, 41.7 x 30.1 cm, r.r. Duke Albert of Saxe-Teschen

Portrait of a lady, Andrea del Sarto (Florence 1486 - 1530 Florence), around 1525-1530, drawing, black chalk and sanguine, 39 x 24.3 cm, l.l. Duke Albert of Saxe-Teschen, l.o. 'Andrea del Sarto' (in old handwriting); r.o. '22' (in pencil

Pan as Atlantean in side view as a chimney stele, Anonymous, 1550 - 1580, Drawing, pen; washed; heightened with white; on blue-grey paper, 28 x 17.4 cm, unidentified MB in double circle, Albert of Saxe-Teschen, lower right in pen 'Bauolo,

Atlas in front view as a fireplace stele, Anonymous, 1550 - 1580, Drawing, pen; washed; heightened with white; on blue paper, 27.5 × 15.3 cm (10 13/16 × 6 in.), l.r. unidentified M.B. in a double circle (not with L.); l.b. Duke Albert of

Andrea Contarini returns to Venice victorious over the Genoese, anonymous, drawing, pen; gray wash; heightened with white; blue paper, 41.3 x 49.5 cm, r.l. Duke Albert of Saxe-Teschen, above in the cartouche: 'ANDREO CONTARENO DUX QUI CLODI/

Mariae Himmelfahrt, Giuseppe Porta, called Salviati (Castelnuovo di Garfagnana around 1520 - Venice around 1575), drawing, chalk, pen, washed, heightened with white, on blue paper, 40.5 x 28.5 cm, l.l. Duke Albert of Saxe-Teschen, in the

The Pharaoh's Daughter with Her Companion, Dario Varotari (the Elder) (Verona 1539–1596 Padua), Drawing, black and white chalk; gray paper, 23.5 x 30.2 cm, l.l. Duke Albert of Saxe-Teschen

Sacra Conversazione, Jacopo Palma, called Palma il Giovane (Venice 1544 - 1628 Venice), drawing, pen; Chalk; washed, 26.7 x 20.4 cm, l.l. Duke Albert of Saxe-Teschen

The Rape of the Leucippides by Castor and Pollux, Felice Brusasorzi (Italy, 1539/40 - 1605), drawing, pen, ink, washed, 20.1 x 31.6 cm, r.r. Lagoy; l.b. Duke Albert of Saxe-Teschen, lower right on the backing paper '49' in pen

The Resurrection of the Dead (Ezekiel 37, 1-11), Martino Rota (Sebenico (Dalmatia) around 1520/32 - 1582/83 Vienna), drawing, pen; gray wash; white heightened, 31.5 x 20.2 cm, l.l. Duke Albert of Saxe-Teschen

Harpocrates, the god of silence (tondo), anonymous, drawing, pen; washed; heightened with white; brownish primed paper; cut out round and pasted onto a square, 20.8 x 20.8 cm, bottom left Duke Albert of Saxe-Teschen, lower center in old pen

The three virtues of love, wisdom and justice (standing oval), Jacopo Ligozzi (Verona c. 1547 - 1626/27 Florence), drawing, metal pin; Feather; washed; heightened with gold; on brown paper, 29.9 x 22.2 cm, l.l. Duke Albert of Saxe-Teschen,

Truth triumphs over envy, Jacopo Ligozzi (Verona c. 1547 - 1626/27 Florence), drawing, pen; washed; heightened with gold; brownish primed paper, 30.1 x 23 cm, l.l. Duke Albert of Saxe-Teschen

Allegory of Justice, Jacopo Ligozzi (Verona around 1547 - 1626/27 Florence), drawing, pen, heightened with white, on brown primed paper, 31 x 18.6 cm, l.l. Duke Albert of Saxe-Teschen, lower left 'Ligozzio' in old handwriting

King David plays a psalm on the viola da gamba, Giulio Campi (Cremona after 1507 - Cremona 1572), c. 1542, drawing, preliminary charcoal drawing, pen, brown brush, heightened with white, on brownish paper, 41.9 x 27.1 cm, l.b. Duke Albert

The prophet Jeremiah, Giulio Campi (Cremona after 1507 - Cremona 1572), around 1542, drawing, preliminary charcoal drawing, pen, washed, heightened with white, on brownish paper, 43.2 x 26.9 cm, l.l. Duke Albert of Saxe-Teschen

Nativity, Jacopo Palma, called Palma il Giovane (Venice 1544 - 1628 Venice), drawing, pen, ink, washed, 27.7 x 19.3 cm, l.l. Duke Albert of Saxe-Teschen

Adoration of the Shepherds, Jacopo Palma, called Palma il Giovane (Venice 1544 - 1628 Venice), Drawing, Pen; brownish paper, 40.3 x 27 cm, l.l. Duke Albert of Saxe-Teschen, lower right 'Palma' in an old hand

The Massacre of the Innocents in Bethlehem, Jacopo Palma, called Palma il Giovane (Venice 1544 - 1628 Venice), drawing, pencil, pen, washed, 31.6 x 26.4 cm, l.l. Duke Albert of Saxe-Teschen

Christ on the Mount of Olives, Giorgio Vasari (Arezzo 1511 - 1574 Florence), around 1547-1550, drawing, pen and ink in brown, brown wash over traces of a preliminary drawing in black pencil, 31.1 x 21.1 cm, l.l. Duke Albert of Saxe-Teschen

Lamentation of Christ, Jacopo Palma, called Palma il Giovane (Venice 1544 - 1628 Venice), drawing, pen; washed; white heightened, 23.4 x 26.7 cm, r.r. Duke Albert of Saxe-Teschen, 'Palma' in later penhandwriting in light ink in left corner

John the Baptist seated on a rock to the right, Luca Cambiaso (Moneglia 1527 - 1585 San Lorenzo de El Escorial), drawing, pen; Red chalk, 23.4 x 18.4 cm, l.l. Duke Albert of Saxe-Teschen, lower center in red chalk 'n° 17'; 'Palma Giovane' in

Beheading of Pope Cornelius, Jacopo Palma, called Palma il Giovane (Venice 1544 - 1628 Venice), drawing, pen, washed, heightened with white, 30.7 x 13.4 cm, r.r. Genevosio (L. 545); Duke Albert of Saxe-Teschen, lower right in pencil 'Palma

Annunciation; below John the Evangelist, Saint Jerome and two holy monks, Jacopo Palma, called Palma il Giovane (Venice 1544 - 1628 Venice), drawing, traces of chalk; Feather; washed, 28 x 16.4 cm, l.l. Duke Albert of Saxe-Teschen

ecstasy of a saint. She is seated on the left, her head resting on her right hand; Mary and numerous little angels fly down to her, Jacopo Palma, called Palma il Giovane (Venice 1544 - 1628 Venice), drawing, pen; washed; attached above and

Saint Jerome, holding a skull in his bent right hand, drawing, red chalk; the drawing pasted onto a larger piece of paper and the shading continued in a different red chalk; original along the left foot ..., 24.3 x 19.7 cm, l.b. Duke Albert of

The Last Supper, Jacopo Palma, called Palma il Giovane (Venice 1544 - 1628 Venice), Drawing, Pen; washed; heightened with yellow and reddish paint, 11 x 20.2 cm, bottom left Duke Albert of Saxe-Teschen

Sketch sheet for figures from biblical scenes, divided into three horizontal stripes, Jacopo Palma, called Palma il Giovane (Venice 1544 - 1628 Venice), drawing, pen; washed; yellow heightened; red spots and splashes; Backs: Two red spots center

Above a supper; below two individual figures and a group of three figures, in two parts, Jacopo Palma, called Palma il Giovane (Venice 1544 - 1628 Venice), drawing, pen, two red spots center left;, 18.8 x 22.4 cm, no collector's stamp Duke

Entombment with four figures and a donor, Jacopo Palma, called Palma il Giovane (Venice 1544 - 1628 Venice), drawing, pen; washed; yellow heightened; brown paper; the corners trimmed, 14.7 x 11.7 cm, below bottom Duke Albert of Saxe-Teschen

sketch sheet. Specially Framed Study for an Ascension; above a leg study, Jacopo Palma, called Palma il Giovane (Venice 1544 - 1628 Venice), drawing, pen; washed; white heightened, 25.8 x 17 cm, l.l. Duke Albert of Saxe-Teschen

Framed is a draft for a Mannalese; below two more figures on the same subject, Jacopo Palma, called Palma il Giovane (Venice 1544 - 1628 Venice), drawing, pen, 25.8 x 17 cm

sketch sheet. Framed a Resurrection of Christ; an indicated study of a figure running to the front right below, Jacopo Palma, called Palma il Giovane (Venice 1544 - 1628 Venice), drawing, pen; washed; yellow heightened; brownish primed paper,

Lukrezia, Jacopo Palma, called Palma il Giovane (Venice 1544 - 1628 Venice), drawing, preliminary chalk drawing; Pen, 16.1 x 12.8 cm

The angel appears to the maid Hagar, Jacopo Palma, called Palma il Giovane (Venice 1544 - 1628 Venice), drawing, traces of chalk; Feather; washed; yellow-brown heightened; rounded off at the top, 12.9 x 6.4 cm, r.r. Duke Albert of Saxe-Teschen

Saint Lawrence with a Saint and a Bishop, Jacopo Palma, called Palma il Giovane (Venice 1544 - 1628 Venice), Drawing, pen; washed; yellow heightened; rounded at the top, 13.2 x 8.3 cm, l.l. Duke Albert of Saxe-Teschen

The Virgin and Child appear on clouds to three holy monks, Jacopo Palma, called Palma il Giovane (Venice 1544 - 1628 Venice), drawing, chalk; Feather; washed; on yellowish primed paper; a circular border faintly indicated at the top, 18.2 x 10.1

Sacra Conversation. (The Madonna and Child between John the Baptist, Saint Helena and other saints, in half-length figures; above indistinct figure sketch; leg), Jacopo Palma, called Palma il Giovane (Venice 1544 - 1628 Venice), drawing, pen;

Two Sketches for an Adoration of the Shepherds, Jacopo Palma, called Palma il Giovane (Venice 1544 - 1628 Venice), Drawing, Pen; washed, 16.6 x 16.3 cm

sketch sheet. Madonna and Child; Saint Sebastian, on the right Rochus (Jakobus after alten Cahier); four designs for pendentive figures, Jacopo Palma, called Palma il Giovane (Venice 1544 - 1628 Venice), drawing, pen; washed; heightened in

Hephaestus binds Mars and Venus; left in the background the smithy, Jacopo Palma, called Palma il Giovane (Venice 1544 - 1628 Venice), drawing, pen; gray wash; heightened with white; left a stain in the ink of the drawing, 24 x 21.2 cm, l.l.

Capture of Christ, Jacopo Palma, called Palma il Giovane (Venice 1544 - 1628 Venice), drawing, traces of chalk; Feather; washed; yellow heightened; brown primed paper, 19.1 x 25.2 cm, l.l. Duke Albert of Saxe-Teschen

Study of an elderly man seated to the right, gesticulating, accompanied by a young man from the back with a cap and carafe, Francesco Giambattista da Ponte called Bassano (Bassano del Grappa 1559 - 1592 Venice), c. 1586, drawing, chalk, pen,

The Man of Sorrows, Leandro Bassano (Italian, 1557 - 1622), Drawing, Pencil; brush in grey; Feather; opaque white; red primed paper, 24.6 x 17.3 cm, l.l. Duke Albert of Saxe-Teschen

A Rear View of a Man and a Woman Bending to the Right, Leandro Bassano (Italian, 1557–1622), Drawing, chalk; heightened with white; red primed paper, 24.6 x 18 cm, l.l. Duke Albert of Saxe-Teschen

Preaching John the Baptist, Crispin van den Broeck (Mechelen 1524 - 1591 Antwerp), around 1566, drawing, pen and ink in brown, washed gray, heightened with white, 34.7 x 26.5 cm, no collector's stamp Duke Albert of Saxe-Teschen, '9' in

Doge Sebastian Zani presents Pope Alexander III. Prince Otto, Andrea Michieli called Vicentino (Vicenza around 1539 - 1614 Venice), drawing, chalk; gray paper, 34.3 x 28.8 cm, l.l. Duke Albert of Saxe-Teschen

Torch bearer in lansquenet uniform standing to the right, Leonardo Corona (Italy, 1561 - 1605), around 1580/82, drawing, pen, ink, washed, 35.2 x 15.8 cm, l.l. Duke Albert of Saxe-Teschen, bottom right in old pen and ink 'Leonardo Corona

Head of a beardless old man in profile to the right, Camillo Ballini (Italy, 1535/40 - 1592), drawing, red chalk, 11 x 8.3 cm, l.l. Duke Albert of Saxe-Teschen

The Deluge, Anonymous, Jacopo Robusti called Tintoretto (Venice 1519 - 1594 Venice), 2nd half of the 16th century, drawing, chalk; rubella; Feather; washed; heightened with white; composed of several irregular pieces, 28 x 41 cm, l.l. Duke

Two seated women with a child, Taddeo Zuccaro (Sant' Angelo in Vado 1529 - 1566 Rome), drawing, red chalk; Feather; washed; some contours traced with chalk by the artist; the puncture marks have nothing to do with the drawing, 30.4 x 23.3 cm, no

La Giostra (Feast). A man masked as Pulcinella rises into the air with a Montgolfiere at night from a circus full of people, Bartolomeo Pinelli (Rome 1781 - 1835 Rome), 1808, drawing, pen; Sepia; Watercolor; Gouache, 58.4 x 75.4 cm, below

The Last Supper, Anonymous, Drawing, Chalk; rubella; Paint brush; heightened with white; yellow paper; assembled from four parts, 48.8 x 75.3 cm, l.l. Duke Albert of Saxe-Teschen

Roman soldiers enter the Temple of Juno at Veii (Livius, Ab urbe condita, V, Kap. 21, 10), Franz Caucig (Görz 1755 - 1828 Vienna), around 1801, drawing, pen and brown ink, brush in brown and grey, over preliminary pen drawing, 63.2 ×

Prometheus, Josef Abel (Aschach, Upper Austria 1764–1818 Vienna), 1803, drawing, chalk

Apology of Socrates, Josef Abel (Aschach, Upper Austria 1764 - 1818 Vienna), 1803, drawing, black chalk over grey-brown brush, white body paint, 65.4 x 86.3 cm

The Gauls in Rome, Johann Nepomuk Ender (Vienna 1793 - 1854 Vienna), 1817, drawing, pen and brush in black, preliminary black chalk drawing, 68.8 × 97.3 cm

View of Arkona with the moon rising, Caspar David Friedrich (Greifswald 1774 - 1840 Dresden), around 1805/06, drawing, pencil, brush in brown; black-brown framing line above and below, 60.9 x 100 cm, l.l. Duke Albert of Saxe-Teschen

Descent from the Cross, anonymous, 2nd half of the 16th century, drawing, pen, ink, washed, 28.8 x 19.4 cm, l.l. Duke Albert of Saxe-Teschen, in the middle on the lower edge in an old hand 'Il Bresciano allievo di Guido

Section from the Great Garden in Dresden, Christian Gottlob Hammer (Dresden 1779 - 1864 Dresden), 1813, drawing, watercolour, partially opaque colour, over pencil marks; traces of a pencil edging line; black framing line, 60.4 x 86.4 cm, l.l.

The Lochmühle im Liebethaler Grund by Moonlight, Christian Gottlob Hammer (Dresden 1779–1864 Dresden), 1813, drawing, brush and brown over pencil marks, 63.7 x 82.6 cm (25 1/16 x 32 1/2 in ), l.b. Duke Albert of Saxe-Teschen

The Elbe between Wehlen and the Lilienstein, Christian Gottlob Hammer (Dresden 1779–1864 Dresden), 1808, Drawing, brush and brown over pencil, 58.9 x 81.8 cm (23 3/16 x 32 3/16 in ), l.b. Duke Albert of Saxe-Teschen

View of Innsbruck, Martin von Molitor (Vienna 1759 - 1812 Vienna), 1802, drawing, watercolour, 37.6 x 100.6 cm

Allegory of Francis I, Vincenz Georg Kininger (Regensburg 1767 - 1851 Vienna), 1814, drawing, brown brush, opaque white, over preliminary pen drawing, 72.6 × 58 cm

Diana and Apollo kill Niobe's children, Friedrich Rehberg (Hanover 1758 - 1835 Munich), 1810-20, drawing, black chalk, red chalk, brush in gray and brown, opaque white, 69.8 × 96.6 cm, l.l. Duke Albert of Saxe-Teschen

Attack on the village of Teschwitz in the Battle of Znaim in 1809, Johann Lorenz Rugendas (Augsburg 1775 - 1826 Augsburg), 1811, drawing, pen and brush in brown, washed, over pencil; Black border line, 62.3 x 92.2 cm, no collector's stamp

Copy after Luca Giordano: Ariadne surprised by Bacchus, Crescentius Josephus Johannes Seydelmann (Dresden before 1750 - 1829 Dresden), 1802, drawing, brush in brown, washed, 61.3 x 89.8 cm, l.l. Duke Albert of Saxe-Teschen

The surroundings of Locri in Calabria, Ludwig Philipp Strack (Haina 1761 - 1836 Oldenburg), 1805, Drawing, black pen, brown brush, over traces of pencil; re. bottom and top traces of a black border line, sheet: 58.8 × 92.6 cm, l.l. Duke

search results: Drawing clear search