Images at Librifly

search results: Drawing clear search

Ganymede, pendentive figure for the Grand Hotel in Vienna (from a series of 20 figures), Eduard Bitterlich (Stupnicka (Galicia, today: Ukraine) 1833 - 1872 Pfalzau near Preßbaum, Lower Austria), around 1870, drawing, charcoal, sheet: 108

Psyche, spandrel figure for the Grand Hotel in Vienna (from a series of 20 figures), Eduard Bitterlich (Stupnicka (Galicia, today: Ukraine) 1833 - 1872 Pfalzau near Preßbaum, Lower Austria), around 1870, drawing, charcoal, sheet: 106

Diligence, gusset figure for the Grand Hotel in Vienna (from a series of 20 figures), Eduard Bitterlich (Stupnicka (Galicia, today: Ukraine) 1833 - 1872 Pfalzau near Preßbaum, Lower Austria), around 1870, drawing, charcoal, sheet: 103 .4 ×

Mother with child, pendentive figure for the Grand Hotel in Vienna (from a series of 20 figures), Eduard Bitterlich (Stupnicka (Galicia, today: Ukraine) 1833 - 1872 Pfalzau near Preßbaum, Lower Austria), around 1870, drawing, charcoal, sheet

Woman with garland, pendentive figure for the Grand Hotel in Vienna (from a series of 20 figures), Eduard Bitterlich (Stupnicka (Galicia, today: Ukraine) 1833 - 1872 Pfalzau near Preßbaum, Lower Austria), around 1870, drawing, charcoal,

Reading man, spandrel figure for the Grand Hotel in Vienna (from a series of 20 figures), Eduard Bitterlich (Stupnicka (Galicia, today: Ukraine) 1833 - 1872 Pfalzau near Preßbaum, Lower Austria), around 1870, drawing, charcoal, sheet:

Bacchante, pendentive figure for the Grand Hotel in Vienna (from a series of 20 figures), Eduard Bitterlich (Stupnicka (Galicia, today: Ukraine) 1833 - 1872 Pfalzau near Preßbaum, Lower Austria), around 1870, drawing, charcoal, sheet: 106 .8

Beauty, pendentive figure for the Grand Hotel in Vienna (from a series of 20 figures), Eduard Bitterlich (Stupnicka (Galicia, today: Ukraine) 1833 - 1872 Pfalzau near Preßbaum, Lower Austria), around 1870, drawing, charcoal, sheet: 103 .7 ×

Hunting, pendentive figure for the Grand Hotel in Vienna (from a series of 20 figures), Eduard Bitterlich (Stupnicka (Galicia, today: Ukraine) 1833 - 1872 Pfalzau near Preßbaum, Lower Austria), around 1870, drawing, charcoal, sheet: 106

Farming, spandrel figure for the Grand Hotel in Vienna (from a series of 20 figures), Eduard Bitterlich (Stupnicka (Galicia, today: Ukraine) 1833 - 1872 Pfalzau near Preßbaum, Lower Austria), around 1870, drawing, charcoal, sheet: 107 .4 ×

Girl with garland, gusset figure for the Grand Hotel in Vienna (from a series of 20 figures), Eduard Bitterlich (Stupnicka (Galicia, today: Ukraine) 1833 - 1872 Pfalzau near Preßbaum, Lower Austria), around 1870, drawing, charcoal, sheet :

Girl with garland, gusset figure for the Grand Hotel in Vienna (from a series of 20 figures), Eduard Bitterlich (Stupnicka (Galicia, today: Ukraine) 1833 - 1872 Pfalzau near Preßbaum, Lower Austria), around 1870, drawing, charcoal, sheet :

Music, spandrel figure for the Grand Hotel in Vienna (from a series of 20 figures), Eduard Bitterlich (Stupnicka (Galicia, today: Ukraine) 1833 - 1872 Pfalzau near Preßbaum, Lower Austria), around 1870, drawing, charcoal, sheet: 103

Hebe, gusset figure for the Grand Hotel in Vienna (from a series of 20 figures), Eduard Bitterlich (Stupnicka (Galicia, today: Ukraine) 1833 - 1872 Pfalzau near Preßbaum, Lower Austria), around 1870, drawing, charcoal, chalk, sheet : 106.1

Cupid, pendentive figure for the Grand Hotel in Vienna (from a series of 20 figures), Eduard Bitterlich (Stupnicka (Galicia, today: Ukraine) 1833 - 1872 Pfalzau near Preßbaum, Lower Austria), around 1870, drawing, charcoal, sheet: 106

Philosophy, pendentive figure for the Grand Hotel in Vienna (from a series of 20 figures), Eduard Bitterlich (Stupnicka (Galicia, today: Ukraine) 1833 - 1872 Pfalzau near Preßbaum, Lower Austria), around 1870, drawing, charcoal, sheet: 105

Beauty, pendent figure for the Grand Hotel in Vienna (from a series of 20 figures), Eduard Bitterlich (Stupnicka (Galicia, today: Ukraine) 1833 - 1872 Pfalzau near Preßbaum, Lower Austria), around 1870, drawing, charcoal, sheet: 104

Dance, gusset figure for the Grand Hotel in Vienna (from a series of 20 figures), Eduard Bitterlich (Stupnicka (Galicia, today: Ukraine) 1833 - 1872 Pfalzau near Preßbaum, Lower Austria), around 1870, drawing, charcoal, sheet: 106 .3 × 67.1

Bad, gusset figure for the Grand Hotel in Vienna (from a series of 20 figures), Eduard Bitterlich (Stupnicka (Galicia, today: Ukraine) 1833 - 1872 Pfalzau near Preßbaum, Lower Austria), around 1870, drawing, charcoal, sheet: 104 × 66cm

Schiller memorial, Eduard Bitterlich (Stupnicka (Galicia, today: Ukraine) 1833 - 1872 Pfalzau near Preßbaum, Lower Austria), around 1870, drawing, pencil, charcoal, sheet: 103.2 × 70.2 cm

Triumphal procession of Bacchus, anonymous, drawing, pen and brush in brown, 43.5 x 84.5 cm, l.l. Duke Albert of Saxe-Teschen

Ideal park landscape with ancient fragments, Pierre Louis de La Rive (Geneva 1753 - 1817 Geneva), 1803, drawing, brown brush, washed, over pencil, 54.6 x 75.4 cm, l.l. Duke Albert of Saxe-Teschen

Peleus and Thetis, anonymous, drawing, brush; Gouache; heightened with opaque white, 44.5 x 91.5 cm, l.l. Duke Albert of Saxe-Teschen

View of Saint Petersburg from the Naryshkin Bastion, Ivan Alexeyevich Ivanov (Moscow 1779 - 1848 Saint Petersburg), 1817, drawing, pen, brush, 36.3 × 98 cm

Flying archery Cupid, Jost Amman (Zurich 1539 - 1591 Nuremberg), drawing, pen and ink in black, 5.6 x max. 8.3 cm, no collector's stamp Duke Albert of Saxe-Teschen

John the Evangelist standing to the right with folded hands, wrapped in a cloak, anonymous, drawing, red chalk; Horizontal crease, 41.0 x 19.0 cm

Male portrait, 1818, drawing, watercolour, 22.7 x 17.6 cm

Male figure, Hanuš Johann Peter Paul Schwaiger (Jindřichův Hradec (Neuhaus, South Bohemia) 1854 - 1912 Prague), 1881, drawing, pencil, according to Cahier: 17.7 x 21.5 cm

Old woman with child, Hanuš Johann Peter Paul Schwaiger (Jindřichův Hradec (Neuhaus, South Bohemia) 1854 - 1912 Prague), drawing, pencil, according to Cahier: 17.7 x 21.5 cm, r.o. 'a a' (vertical

Landscape, anonymous, c. 1535, drawing, pen and black, grid lines, 13.4 x 19.8 cm, l. and Duke Albert of Saxe-Teschen

St. Barbara, undetermined, 1520/22, drawing, black chalk, 31.9 x 19.4 cm, l.l. Duke Albert of Saxe-Teschen

Duchess Jakobäa von Baden (1507-1580), wife of Duke Wilhelm IV of Bavaria, Barthel Beham (Nuremberg 1502 - 1540 Bologna), around 1534, drawing, chalk, colored pencil, black ground, on thin lining paper, 43.2 x 31, 3 cm (17 x 12 5/16 in.),

Duke Wilhelm IV of Bavaria (1495-1550), Barthel Beham (Nuremberg 1502 - 1540 Bologna), c. 1534, drawing, chalk, colored pencil, black ground, 43.1 x 31.1 cm (16 15/16 x 12 1 /4 in.), l.b. Duke Albert of Saxony Teschen

Female Mask on a Modeling Pad, Anonymous, Lombard, mid-16th century, Drawing, chalk; later white heightening and contouring; attached at the top in the semicircle and the lower left corner, 23.5 x 15.1 cm, l.l. Duke Albert of Saxe-Teschen

A prostitute, Daniel Hopfer (Kaufbeuren 1471 - 1536 Augsburg), around 1530, drawing, black pen, brush, gray wash, applied with ink and heightened with white, a narrow paper wedge attached from the right approx. 8 mm high and retouched, 43 .3

Siege of a Fortress, Girolamo Sellari called da Carpi (Ferrara 1501 - 1556 Ferrara), drawing, pen; washed; heightened with white; brownish paper, 26 x 36.5 cm, l.l. Duke Albert of Saxe-Teschen

The Madonna and Child on clouds, surrounded by angels playing music, appearing to Saint Sebastian, two female and three male saints, anonymous, drawing, pen; washed; white heightened, 39.1 x 25.4 cm, l.l. Duke Albert of Saxe-Teschen, lower

Head of a bearded elderly man looking up to the left, Anonymous, Drawing, chalk; Ocher; rubella; brown pastel pencil; heightened with white; blue-grey paper, 32.1 x 22.8 cm, l.l. Duke Albert of Saxe-Teschen

Christ on the Cross, Jacopo Palma, called Palma il Giovane (Venice 1544 - 1628 Venice), drawing, brush and brown; heightened in white, 51.0 x 26.3 cm, below bottom Duke Albert of Saxe-Teschen, lower right in later pencil writing 'Jacopo Palma,

Diana on the dragon chariot, Francesco Primaticcio (Bologna 1504 - 1570 Paris), before 1552/56, drawing, red chalk, heightened with white, on brownish paper, 19.4 x 28.4 cm, r.r. Mariette; l.b. Duke Albert of Saxe-Teschen, illegible writing

A boy in full length, standing in frontal view, his head in profile to the right; the right arm is on the hip; the left hand is holding a bow, anonymous, Florentine, late 16th century, drawing, chalk, 26.9 x 14.1 cm, l.l. Duke Albert of

Study for a canephore for the vault decoration of S. Maria della Steccata, Francesco Mazzola, called il Parmigianino (Parma 1503 - 1540 Casalmaggiore), c. 1533-1535, drawing, red chalk, pen drawing, white heightening; attached in the upper

Madonna with child and kneeling St. John, Denys Calvaert (Antwerp around 1540 - Bologna 1619), drawing, chalk, heightened with white, on brownish paper, 35.3 x 27.3 cm, l.l. Duke Albert of Saxe-Teschen

study sheet. Mary seated in frontal view, holding the child in her right arm; the child repeated in the same position, anonymous, drawing, sanguine, 19.5 x 14.8 cm, l.l. Duke Albert of Saxe-Teschen

The Creation of Adam, Baccio Bandinelli (Florence 1493 - 1560 Florence), c. 1547/48, drawing, brown pen, 40.7 x 28.9 cm, l.l. Duke Albert of Saxe-Teschen

Bust portrait of Duke Albert of Saxe-Teschen, Jean-Baptiste Isabey (Nancy 1767 - 1855 Paris), 1814, drawing, watercolour, 14 x 10 cm

3. Draft banknote for a hundred gulden note: Three figures representing mining, agriculture and animal husbandry, 5-part series: Draft banknotes, Josef von Führich (Kratzau 1800 - 1876 Vienna), drawing, pencil, according to Cahier: 11.2 x 13.6

4. Draft banknote for a ten gulden note: three figures representing mining, agriculture and animal husbandry, with the imperial eagle at the top, 5-part series: Draft banknotes, Josef von Führich (Kratzau 1800 - 1876 Vienna), drawing, pencil,

5. Draft banknote for a banknote: Female trade on the left, male fisherman on the right, 5-part series: Draft banknotes, Josef von Führich (Kratzau 1800 - 1876 Vienna), drawing, pencil, according to Cahier: 8.8 x 14.6 cm, M.o. Lettering

A lion approaching the viewer, Anonymous, Lombard, 2nd quarter of the 16th century, drawing, red chalk, 20.5 x 14.4 cm, The Albert von Sachsen-Teschen, false Dürer monogram 'AD' in the red chalk of the drawing at the top right

The Art Friend, Gaetano Previati (Ferrara 1852–1920 Lavagna), Drawing, Watercolor, 31.8 x 21.5 cm (12 1/2 x 8 7/16 in.), r.o. 'CPreviati

Imprisonment of a saint being pushed towards a narrow door by three henchmen in a Gothic hall; in front left a young warrior, Antonio Pisano, called Pisanello (Pisa 1395 - 1455 Rome), drawing, metal pen, pen, on parchment, 26.4 x 18.2 cm,

Two ram studies, Antonio Pisano, called Pisanello (Pisa 1395 - 1455 Rome), drawing, pen, washed, traces of red chalk, 26.4 x 18.2 cm

Landscape with a crag, Martin von Molitor (Vienna 1759 - 1812 Vienna), 1803, drawing, gouache on blue paper, 55.3 x 77.7 cm

Landscape with a Waterfall and Grazing Cows, Martin von Molitor (Vienna 1759 - 1812 Vienna), 1809, drawing, gouache on blue paper, 58.2 x 81.5cm

Three Hermits and a Waterfall, Martin von Molitor (Vienna 1759 - 1812 Vienna), 1809, drawing, gouache, opaque white, blue paper, 58 x 81.8 cm

Landscape with Stone Bridge, Martin von Molitor (Vienna 1759 - 1812 Vienna), 1811, drawing, gouache, blue paper, 59 x 84.5cm

Mountain lake with pack animals, Martin von Molitor (Vienna 1759 - 1812 Vienna), 1806, drawing, watercolors, opaque white, on blue paper, 63.5 x 88 cm

Landscape with Castle, Martin von Molitor (Vienna 1759 - 1812 Vienna), 1809, drawing, gouache, opaque white, tinted paper, 63.5 x 88 cm

Forest clearing with shepherds, Martin von Molitor (Vienna 1759 - 1812 Vienna), 1811, drawing, gouache, opaque white, blue paper, 57.9 x 82.9 cm

Waldbach mit Steg, Martin von Molitor (Vienna 1759 - 1812 Vienna), 1804, drawing, gouache, blue paper, 55 x 67.7 cm, inscription in black ink verso upper left 'F.Gauvet 1807

Landscape with Ruins, Martin von Molitor (Vienna 1759–1812 Vienna), 1809, drawing, gouache, opaque white, blue paper, 57.9 x 79.5 cm

Landscape with a mountain lake, Martin von Molitor (Vienna 1759 - 1812 Vienna), 1811, drawing, gouache, opaque white, blue paper, 58.2 x 83.7 cm

Landscape with a drinking trough, Martin von Molitor (Vienna 1759 - 1812 Vienna), 1809, drawing, gouache, opaque white, blue paper, 57.2 x 77.4 cm

Landscape with Oaks, Martin von Molitor (Vienna 1759 - 1812 Vienna), 1811, drawing, gouache, opaque white, blue paper, 58 x 77.8 cm

Landscape with a river valley and ancient ruins, Martin von Molitor (Vienna 1759 - 1812 Vienna), 1804, drawing, gouache, opaque white, blue paper, 55 x 68.7 cm

Mountain Landscape, Martin von Molitor (Vienna 1759 - 1812 Vienna), 1808, drawing, gouache, blue paper, 58.2 x 78.7 cm

Landscape with Children Playing, Martin von Molitor (Vienna 1759–1812 Vienna), 1808, drawing, gouache, opaque white, gray paper, 46.8 x 58.4 cm

Water Mill in the Mountains, Martin von Molitor (Vienna 1759 - 1812 Vienna), 1805, drawing, gouache, opaque white, blue paper, 55.7 x 68.8 cm

Study for 'The Triumph of Ariadne', draft for the curtain of the Komische Oper in the Ringtheater in Vienna ?, Hans Makart (Salzburg 1840 - 1884 Vienna), 1874 or earlier, drawing, pencil; Paper, 44.0 x 26.6cm

Lamentation of Christ, Giulio Romano (Rome 1499 - 1546 Mantua), drawing, pen, 14.4 x 14.4 cm, l.u. Duke Albert of Saxe-Teschen

Nativity of Mary, Leonardo Corona (Italian, 1561 - 1605), Drawing, Metal pencil; Chalk; Feather; washed; the curved corners not cut out, 25.0 x 22.8 cm

Self-portrait of the painter Josef Beyer, Hafengesellschaft, 1898, drawing, pen, brush, 27 x 20.9 cm, lower left: 'Porträt des ---. Beyer Josef

Portrait of Richard Tautenhayn, Hagengesellschaft, Josef Johann Beyer (Vienna 1861 - 1933 Vienna), 1893, drawing, pencil, 15.4 x 12.6 cm

Dedication, Hagengesellschaft, Rudolf Bacher (Vienna 1862 - 1945 Vienna), November 29, 1888, drawing, pencil, 38.4 x 24.1 cm, in the middle: poem entitled 'Widmung', below right: 'E. St

Coach types, Hagengesellschaft, Rudolf Bacher (Vienna 1862 - 1945 Vienna), 1888, drawing, pencil, 22.2 x 34.7 cm, center bottom: 'I like this picture - O yes, indeed

Wobbises traveling, Hagen Society, Rudolf Bacher (Vienna 1862 - 1945 Vienna), 1888, drawing, pencil, 19.5 x 24.4 cm, re. u.: 'Wobbises traveling

Cabin driver, Hagengesellschaft, Rudolf Bacher (Vienna 1862 - 1945 Vienna), 1888, drawing, pencil, 14.2 x 16.5 cm

Civil servant sitting at his desk and leafing through one act, Hagengesellschaft, Rudolf Bacher (Vienna 1862 - 1945 Vienna), 1885, drawing, pencil, 9.4 x 7.6 cm

Gentleman in profile lighting a cigar, Hagengesellschaft, Rudolf Bacher (Vienna 1862 - 1945 Vienna), 1889, drawing, pencil, 24.6 x 19.3 cm

Study sheet with scenes from the legend of Saint Ursula and the death of a Franciscan monk, anonymous, after 1352, drawing, pen; on parchment, 22.5 x 17.3 cm, l.l. frieze; r.b. Lagoy; l.b. Duke Albert of Saxe-Teschen;, the so-called

Painter Novak in the crib, around him as the three kings Kasparides, Lenz and Reisinger, Hagengesellschaft, Adolf Böhm (Vienna 1861 - 1927 Klosterneuburg), 1893, drawing, pencil, 23.3 x 4 cm

Novak as Congolese, Hagengesellschaft, Adolf Böhm (Vienna 1861 - 1927 Klosterneuburg), 1889, drawing, pencil, 20.8 x 16.6 cm, middle bottom: 'So to Congo negroes, that's it, good

Kasparides bandaged head sitting in his devastated apartment, Hagengesellschaft, Adolf Böhm (Vienna 1861 - 1927 Klosterneuburg), 1896, drawing, pen, watercolour, 26.8 x 18.9 cm

Kasparides in a blue hut and with a halo painting an image of a saint, Hagengesellschaft, Adolf Böhm (Vienna 1861 - 1927 Klosterneuburg), 1897, drawing, watercolour, 12.8 x 18.2 cm

Circular shape with vine tendrils, Hagengesellschaft, Adolf Böhm (Vienna 1861 - 1927 Klosterneuburg), December 31, 1896, drawing, watercolour, body paint, gold paint, black chalk, 27.3 x 21.9 cm

Geometric composition, Hagengesellschaft, Adolf Böhm (Vienna 1861 - 1927 Klosterneuburg), December 1896, drawing, watercolour, opaque paint, gold paint, 25.6 x 19.3 cm

Margin with yellow flowers, Hagengesellschaft, Adolf Böhm (Vienna 1861 - 1927 Klosterneuburg), February 18, 1897, drawing, watercolour, body colour, over traces of black chalk, 37.5 x 9.2 cm

Rocky landscape, Hagengesellschaft, Adolf Böhm (Vienna 1861 - 1927 Klosterneuburg), February 17, 1897, drawing, watercolor and body colour, on gray paper, 19.8 x 11.7 cm

Looped gold band with dandelion blossoms, Hagengesellschaft, Adolf Böhm (Vienna 1861 - 1927 Klosterneuburg), 1897, drawing, white body paint, gold paint, ink, watercolour, on greenish-grey paper, 33 x 6.7 cm, in the guild band: 'XC..

Trees on a flowering meadow slope, Hagengesellschaft, Adolf Böhm (Vienna 1861 - 1927 Klosterneuburg), 1897, drawing, watercolour, body paint, pen, 32.9 x 6.8 cm

Tree silhouette with repeated contours in front of a multicolored background, Hagengesellschaft, Adolf Böhm (Vienna 1861 - 1927 Klosterneuburg), January 1897, drawing, watercolour, body paint, gold paint, 27.5 x 15.5 cm

Landscape with trees by the water, Hagengesellschaft, Adolf Böhm (Vienna 1861 - 1927 Klosterneuburg), 1897, drawing, black pen, white body color over traces of black chalk, on yellowish-blue mottled paper, 19.5 x 31 cm

Landscape with trees and the sun breaking through clouds, Hagengesellschaft, Adolf Böhm (Vienna 1861 - 1927 Klosterneuburg), 1897, drawing, black chalk, white body colour, on yellowish-blue mottled paper, 19.9 x 31.6 cm

Landscape with a meadow slope and a steep rock face, Hagengesellschaft, Adolf Böhm (Vienna 1861 - 1927 Klosterneuburg), 1897, drawing, black pen, white body color over traces of black chalk, on yellowish-blue mottled paper, 15.2 x 27 cm

Wald, Hagengesellschaft, Carl Müller (Vienna 1862 - 1938 Vienna), drawing, pen, washed on hunter green paper, 14.6 x 26 cm

Wide plain with trees in a stormy wind, Hagengesellschaft, Adolf Böhm (Vienna 1861 - 1927 Klosterneuburg), 1897, drawing, black pen, watercolour, white body colour, on yellowish-blue mottled paper, 16.4 x 28.2 cm

Treetop and leafy scenery in front of a wide landscape, Hagengesellschaft, Adolf Böhm (Vienna 1861 - 1927 Klosterneuburg), 1897, drawing, black pen, white body color over traces of black chalk, on yellowish-blue mottled paper, 15.9 x 27.8

Mountain landscape, Hagengesellschaft, Adolf Böhm (Vienna 1861 - 1927 Klosterneuburg), around 1897, drawing, blue body paint, gold paint, on light green paper, 12.3 x 33 cm

Angel standing on a column surrounded by blue flames, Hagengesellschaft, Adolf Böhm (Vienna 1861 - 1927 Klosterneuburg), c. 1897, drawing, watercolour, body paint, white body paint, on light gray paper, 21.7 x 14.8 cm

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