Images at Librifly

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Bearded man with cap, Hagengesellschaft, Leopold Stolba (Gaudenzdorf/Vienna 1863 - 1929 Vienna), drawing, pencil, 16 x 11.2 cm, lower left: 'a

Grass devil with red tongue, port company, Leopold Stolba (Gaudenzdorf/Vienna 1863 - 1929 Vienna), drawing, pencil, washed, 21.2 x 14.8 cm

Japanese woman, Hagengesellschaft, Leopold Stolba (Gaudenzdorf/Vienna 1863 - 1929 Vienna), drawing, watercolour, 16.1 x 12.3 cm

Landscape: canal, Hagengesellschaft, Leopold Stolba (Gaudenzdorf/Vienna 1863 - 1929 Vienna), drawing, watercolour, 15.6 x 12.8 cm

Landscape: lake, Hagengesellschaft, Leopold Stolba (Gaudenzdorf/Vienna 1863 - 1929 Vienna), drawing, watercolour, 14.3 x 22 cm

The sun, symbolized by Apollo in the sign of the lion, Francesco Primaticcio (Bologna 1504 - 1570 Paris), c. 1547, drawing, pen, washed, heightened with white, squared, 21.7 x 25 cm, r.r. Pierre Jean Mariette; l.b. Duke Albert of

Föhre, Hagengesellschaft, Leopold Stolba (Gaudenzdorf/Vienna 1863 - 1929 Vienna), drawing, pencil, watercolour, 31.5 x 5.8 cm

Fisch, Hagengesellschaft, Maximilian Lenz (Vienna 1860 - 1948 Vienna), drawing, pencil, watercolour, 5.8 x 19.2 cm

Profile head of Sigmundt as an old man, Hagengesellschaft, Leopold Stolba (Gaudenzdorf/Vienna 1863 - 1929 Vienna), drawing, pencil, 14.4 x 13.3 cm, bottom left: '24. Nov, 1936

Knight Kasparides, Hagengesellschaft, Leopold Stolba (Gaudenzdorf/Vienna 1863 - 1929 Vienna), around 1893, drawing, pencil, 16.6 x 10.3 cm, l.l. 'Knight Casparides', l.o. 'b

Gentleman with a Spanish collar, Hagengesellschaft, Leopold Stolba (Gaudenzdorf/Vienna 1863 - 1929 Vienna), drawing, brush, body paint, 15 x 12.3 cm

Girl's Head and Lilies, Hagengesellschaft, Joseph Straka (Austria, 1864 - 1946), drawing, watercolour, gray paper, 13.5 x 17.3 cm

Girl's head in ornamental presentation and flowers, Hagengesellschaft, Joseph Straka (Austria, 1864 - 1946), drawing, watercolour, 13 x 17.8 cm

City street at dusk, Hagengesellschaft, Joseph Straka (Austria, 1864 - 1946), drawing, watercolour, 21.3 x 11.3 cm

Hunters walking down a street at dusk, Hagengesellschaft, Joseph Straka (Austria, 1864 - 1946), drawing, watercolour, 14.4 x 27.3 cm

View of a Town on a Southern Sea, Hagengesellschaft, Joseph Straka (Austrian, 1864 - 1946), drawing, watercolour, pink paper, 10.7 x 19.4 cm

Parnassus, anonymous, drawing, pencil, pen, ink, washed with brown ink and heightened with opaque white, hatched with stone chalk, on brownish paper, 27.2 x 27.2 cm, r.l. Feather initials P.M. l.b. Duke Albert of Saxe-Teschen, lower right

Bach and Busch, Evening Mood, Harbor Company, Josef Straka (Austria, 1864 - 1946), drawing, watercolour, yellow paper, 11.3 x 18.4 cm

Stream, bridge and village, evening mood, harbor company, Josef Straka (Austria, 1864 - 1946), drawing, watercolour, yellow paper, 16.5 x 24.4 cm

Expansive landscape at dusk, Hagengesellschaft, Joseph Straka (Austria, 1864 - 1946), drawing, watercolour, 5.5 x 12.3 cm

Wooded bank of a pond at dusk, Hagengesellschaft, Joseph Straka (Austria, 1864 - 1946), drawing, watercolour, 8.1 x 15.4 cm

Mountain fortress, Hagengesellschaft, Heinrich Tomec (Prague 1863 - 1928 Vienna), drawing, brush, watercolour, 23 x 13 cm

Landscape with rain clouds, Hagen Society, Heinrich Tomec (Prague 1863 - 1928 Vienna), drawing, pen, yellowish paper, 29 x 22.1 cm

Juno asleep to delay the departure of Odysseus, Anonymous, Drawing, pen; Watercolor; heightened with opaque white, 25.1 x 35.5 cm, l.l. Duke Albert of Saxe-Teschen

The quarrel at the wedding feast of Peleus and Thetis (spandrel), anonymous, drawing, pen, ink, washed, 26.8 x 40.6 cm, l.l. Duke Albert of Saxe-Teschen, below left next to the Albert Sz barely legible chalk writing 'La Primatice'; Old ink

Proserpina with Cupid and Cerberus, Francesco Primaticcio (Bologna 1504 - 1570 Paris), before 1552/56, drawing, red chalk, heightened with white, 12.9 x 27 cm, r.l. unidentified feather ligature LD, des Neux/de La Noue; l.b. Duke Albert of

Old man with a lantern in a snow flurry, Hagengesellschaft, Franz Thiele (Friedland 1868 - 1945 Prague), drawing, pencil, 24.2 x 18.4 cm

Waldstraße, Hagengesellschaft, Hans Wilt (Vienna 1867 - 1917 Vienna), drawing, pencil, heightened with white, washed, yellowish paper, 14.3 x 11.2 cm

It doesn't get any higher (Holub finding his picture in the exhibition), Hagengesellschaft, Josef Johann Beyer (Vienna 1861 - 1933 Vienna), 1893, drawing, pencil, 22.7 x 15.6 cm, re. above: 'II. Price., 3/22/93'; left u.: 'Hang.'; re. and:

Venus and Cupid asleep; in the neck of Venus a Cupid (recumbent oval), Francesco Primaticcio (Bologna 1504 - 1570 Paris), drawing, preliminary charcoal drawing; rubella; heightened with white; the oval cut out and inserted in the rubbed corners,

Head of a monkey, Hagengesellschaft, Maximilian Lenz (Vienna 1860 - 1948 Vienna), drawing, watercolour, 14.6 x 9.7 cm

Nowak as a frog, Hagengesellschaft, Carl Müller (Vienna 1862 - 1938 Vienna), drawing, pencil, 9.6 x 7 cm

Aussi möcht i, Hagengesellschaft, Carl Müller (Vienna 1862 - 1938 Vienna), drawing, pencil, 21 x 16.6 cm, top left: 'II'; center top: 'Währing'; re. o.: 'Motto: None at all'; Center below: 'I also want to

Gone is he (a man thrown out of an inn looking at his hat, Hagengesellschaft, Carl Müller (Vienna 1862 - 1938 Vienna), drawing, pen, 21 x 17 cm, top center: 'V.'; top right: 'Motto: Creep di'; middle bottom: 'He's gone

Aussi möcht i (mouse in the trap), Hagengesellschaft, Karl Pippich (Vienna 1862 - 1932 Vienna), drawing, pencil, 16.8 x 21 cm, r. o. 'I would also like to

Gone is he (dead dog), port company, Carl Pippich (Vienna 1862 - 1932 Vienna), drawing, pencil, 16.5 x 20.5 cm, l. o. 'Motto: (Caesa's death!) He's gone

Aussi möcht i (insight into an unpleasantly overcrowded railway compartment), Hagengesellschaft, Ernst Stöhr (St. Pölten 1860 - 1917 St. Pölten), drawing, pencil, 16.9 x 20.9 cm, upper left: 'X.', re. b: 'III. Price'; 'Center below: 'I

Nowak as a grass devil, Hagengesellschaft, Ludwig Sigmundt (Graz 1860 - 1936 Graz), drawing, pencil, 11.8 x 7.6 cm

I would also like to (two boys prevent a third one from leaving the toilet), Hagengesellschaft, Ludwig Sigmundt (Graz 1860 - 1936 Graz), drawing, pencil, 20.8 x 12.7 cm

Head of a bearded man, port company, drawing, pencil on orange yellow paper, 7.4 x 6 cm

Nowak key, Hagengesellschaft, Adolf Böhm (Vienna 1861 - 1927 Klosterneuburg), around 1894, drawing, pencil, 18.3 x 11.8 cm, l.l. 'd', on the passepartout: 'Nowakkey

Aussi mecht i, Hagengesellschaft, Adolf Böhm (Vienna 1861 - 1927 Klosterneuburg), around 1890, drawing, pencil, 21 x 17.2 cm, r.o. 'Annual exhibition in the Künstlerhaus Austria', M.u. 'Outside mech', motto: 'Oba g'wind', r.u. 'I Price

Rzibek as a grass devil, Hagengesellschaft, Eugen Rzibek (Zagreb 1863 - mentioned 1897), drawing, watercolour, 18.4 x 11.8 cm

Flora, Hermes and Pandora reclining on clouds; on the right two putti bring an amphora. (The iconography according to W. Telesko: Eros, the son of Hermes and Aphrodite in class' (Cicero, De natura deorum 3, 23, 60; Pigler 1956, II, p. 12f),

Odysseus and his companions at the Lotophages, Anonymous, Drawing, Brush in grey; heightened with white; brown paper; the lower left edge irregularly damaged and added to a rectangle, 27.0 x 34.6 cm, l.l. Duke Albert of Saxe-Teschen

Odysseus sacrifices black billy goats to Pluton and prevents the shadows of death from drinking the blood of the sacrificial animals, anonymous, drawing, sanguine; heightened with white; oxidized; reddish primed paper; blurred and passed over;

The Minyades (Mainads, Minyer), Alcytoe and her sisters Alkathoel, Arsinoe and Leucippe, daughters of Minyas, king of Orchomenus, refuse to take part in the feast of Bacchus and stick to their woolen work, anonymous, drawing, metal pen;

Odysseus escapes from Polyphemus' cave, anonymous, drawing, pen, ink, washed, 14.0 x 19.5 cm, l.l. Duke Albert of Saxe-Teschen, top left '35

Odysseus embraces Circe, anonymous, drawing, red chalk, heightened with white, blurred and passed over, on brownish-red paper, 27.2 x 16.2 cm, l.l. Duke Albert of Saxe-Teschen, lower right old pen and ink in red 'Bologne Inuen:'; 'Le

Mars and Venus with Cupid, Francesco Primaticcio (Bologna 1504 - 1570 Paris), drawing, red chalk, heightened with white, blurred and passed over, 24.3 x 16.2 cm, r.l. bourgugue; l.b. Duke Albert of Saxe-Teschen, lower center in chalk 'le

Odysseus and Telemachus have the dead bodies of the suitors removed, Francesco Primaticcio (Bologna 1504 - 1570 Paris), drawing, red chalk, heightened with white, blurred and passed over, 23.2 x 34.7 cm, l.l. Duke Albert of Saxe-Teschen

Concert with cymbals and lute for women and children playing board games, Francesco Primaticcio (Bologna 1504 - 1570 Paris), drawing, red chalk, opaque white brush, on yellowish paper, 27.2 x 23.8 cm, l.l. Duke Albert of Saxe-Teschen, r.r. in

Allegory. (A female figure sits on a pedestal to the right; she is crowned by two genii with laurels; a female figure holds out a steaming bowl to her; people on horseback and with oxen pay homage to her), anonymous, drawing, metal pin; brush in

A woman with two children, anonymous, drawing, pen; brownish paper, 14.3 x 21.2 cm, r.r. Duke Albert of Saxe-Teschen

A Woman with Two Children, Anonymous, Drawing, Metal pen; Feather; washed; heightened with white; brownish paper, 23.5 x 14.5 cm, l.l. Duke Albert of Saxe-Teschen, lower right in old pen and ink 'Fr:c° Primaticio' (if Dubois photo from 1978 is

Half-length portrait of a monk in a cloak and hood in profile to the left with his head slightly lowered, anonymous, Florentine, second quarter of the 15th century, drawing, chalk, pen, traces of red chalk, 29.9 x 19.5 cm, l.l. Duke Albert

Mocking of Christ (Christ sits in a Renaissance round arch under a canopy, surrounded by numerous figures in a semicircle), anonymous, c. 1450, drawing, pen; brownish paper; in some places short pieces of line traced by a later hand, 25 x 22.1

The Rest on the Flight into Egypt, Antoine Caron (Beauvais 1521 - 1599 Paris), drawing, stone chalk, charcoal, brush, brown wash; heightened with white; brownish paper, 35 x 28.5 cm, l.l. Duke Albert of Saxe-Teschen

Seated male nude reaching for the fruit of a tree top left and a boy next to him, Nicolò dell’ Abate (Modena 1509/12 - 1571/72 (Fontainebleau?)), drawing, chalk; heightened with white; brownish paper; stained, 19.7 x 15.4 cm, l.l. Duke Albert

Two boys leaning back to back on a pedestal, carrying a load that is only hinted at, Nicolò dell’ Abate (Modena 1509/12 - 1571/72 (Fontainebleau?)), drawing, red chalk; white heightened, 18.1 x 10.9 cm, l.l. Duke Albert of Saxe-Teschen

Marriage of Saint Catherine, Giovanni Battista Ramenghi (the younger) (Bagnacavallo near Bologna 1521 - Bologna 1601), drawing, red chalk; Feather; washed, 30.7 x 27.3 cm, l.l. Mariette; r.b. Albert von Sachsen-Teschen, upper right in a

Christ on the Cross with Mary and John; in the background the idealized Jerusalem, anonymous, drawing, pen, ink, washed, 39.5 x 26.5 cm, l.l. Duke Albert of Saxe-Teschen, lower right in chalk 'Salviati

Scene from the Jo saga. (In the background on the left the union of Jupiter with Jo; on the right Juno in her peacock chariot; in the foreground the euthanasia of Argus by Hermes; on the right Juno giving Jo to Argus), Lorenzo Sabatini (Bologna

Joachim, Anna, Maria, Jakob Gauermann (Oeffingen near Stuttgart 1773 - 1843 Vienna), around 1815, drawing, pen in brown, pencil, gray wash, 15.3 x 22.2 cm, l. Inscription: 'Γνῶθι σεαυτόν, the words written above the gate, of

Landscape with chapel, Jakob Gauermann (Oeffingen near Stuttgart 1773 - 1843 Vienna), around 1815, drawing, pen and ink in brown, washed, chalk, 11.2 x 6.5 cm

Lamentation, Jakob Gauermann (Oeffingen near Stuttgart 1773 - 1843 Vienna), around 1815, drawing, pencil with wash, 9.9 x 15.3 cm

Gentleman and lady, Jakob Gauermann (Oeffingen near Stuttgart 1773 - 1843 Vienna), around 1820, drawing, ink, pen, pencil, brown paper, 8.9 x 9.7 cm

Crowning with thorns in a columned hall, Bartolomäus Spranger (Antwerp 1546 - 1611 Prague), c. 1572, drawing, pen; washed; heightened with white; blue paper, 28.8 x 44.4 cm, l.l. Duke Albert of Saxe-Teschen

Saint Peter seated on clouds, in his left hand the open book, Piero Buonaccorsi called Perino del Vaga (Florence 1501 - 1547 Rome), drawing, pen; blue wash; blue paper; on the left the right leg is cut out along the contour and the entire left

Youth with a water vessel to the right, Pellegrino Tibaldi (Italian, 1527 - 1596), drawing, red chalk; Feather; washed, 27.0 x 16.5 cm, l.l. Duke Albert of Saxe-Teschen

Three Bacchantes in Dancing Movement; the front one plays on two flutes; on the left a fourth figure looking around at the others, slightly indicated in red chalk, Pellegrino Tibaldi (Italian, 1527 - 1596), drawing, red chalk; Feather; washed,

Figure scenes in front of a raised columned hall. (On the right the birth of a child, on the left the three fates; in the background children playing and learning), Giorgio Vasari (Arezzo 1511 - 1574 Florence), before 1561/64 or 1567, drawing,

Neptune with sea monsters, Girolamo Sellari called da Carpi (Ferrara 1501 - 1556 Ferrara), drawing, pen, 20.6 x 32 cm, r.r. Lely; r.b. Mariette; frieze; mu Duke Albert of Saxe-Teschen, half left on the lower edge in old pen and ink 'Jeroome da

The Holy Family with an Angel, Aurelio Luini (Milan 1530 - 1593 Milan), Drawing, red chalk; Feather; washed, 23.5 x 18.0 cm, l.l. Duke Albert of Saxe-Teschen, lower right in pen 'passarotti

Large Descent from the Cross, Giulio Campi (Cremona after 1507 - Cremona 1572), before 1569, drawing, pen and black ink, 35.2 x 25.3 cm, l.l. Duke Albert of Saxe-Teschen

John the Baptist, facing right, standing. (The belly of an amphora is visible to the left of his knees), anonymous, drawing, ink, pen, 36.5 x 14.2 cm, l.l. Duke Albert of Saxe-Teschen

study sheet. (Standing male nude to the left, a trident in his left arm; two sleeping nude figures sitting on the ground; half-length figure of a leaning man in a coat top right; behind a head), Baccio Bandinelli (Florence 1493 - 1560 Florence),

Two putti heads, Tiburzio Passarotti (Bologna c. 1555 - 1612 Bologna), drawing, pen; brown paper; right margin attached except for two thirds from above; lower right and left corner added; hatching lower left, 22.7 x 14.4 cm, l.l. Duke Albert of

Four male hands in natural size, Bartolomeo Passarotti (Bologna 1529 - 1592 Bologna), approx. 1570-1575, drawing, pen and ink on brownish paper, 38.8 x 27 cm, l.l. Duke Albert of Saxe-Teschen, in the middle above 'Il Passarotto' in an old

Marriage of Saint Catherine, Giovanni Battista Ramenghi (the younger) (Bagnacavallo near Bologna 1521 - Bologna 1601), drawing, pen; washed; heightened with white; squared; brownish paper, 20.5 x 17.0 cm, l.l. Duke Albert of Saxe-Teschen

Assumption of Mary, Orazio Samacchini (Bologna 1532 - 1577 Bologna), drawing, pen; washed; heightened with white; punched through for tracing, 43.5 x 29.8 cm, r.l. Duke Albert of Saxe-Teschen, in the middle below, arranged in a semicircle, in

Allegory of the Virtues. (Psalm 84, 11) (Hermes announces both war and peace with the Kerykeion. In front Caritas nutrix and truth (with sun disk), in the back left justice and right peace (with Kerykeion as Hermes attribute)), Orazio Samacchini

Warrior with spear and helmet, Livio Agresti (Forli around 1510 - 1579 Rome), drawing, chalk, sheet: 47.7 × 17.3 cm, l.l. Duke Albert of Saxe-Teschen, lower right in tiny old pen script 'ora da Samachini da Rich...' (direction

Two studies of a female nude, Girolamo Mirola (Bologna 1530/35 - 1570), drawing, pen and ink in brown, brown wash, over traces of a preliminary drawing in black pen on grey-brown paper, 27.9 x 19.8 cm, l.l. Mariette; r.b. Duke Albert of

Mariae Himmelfahrt, Camillo Procaccini (Bologna around 1551 - 1629 Milan), drawing, brush in brown, heightened with white, 43.7 x 27.8 cm, l.l. Duke Albert of Saxe-Teschen, lower center in pen 'Milano 1621 30 Mag', in later hand in pen

The Assassination of Saint Charles Borromeo (Bora), anonymous, drawing, pen; blue wash; Chalk squaring, 21.6 x 20.6 cm, l.l. Caylus; l.b. Duke Albert of Saxe-Teschen, to the right of the Caylus Sz in the same pen as this '38

Cupid burns Cupid's arrows, Agostino Carracci (Bologna 1557 - 1602 Parma), drawing, pen; Ink; washed; heightened with white; yellowish paper, 20.0 x 25.3 cm, Duke Albert of Saxe-Teschen, lower left in old pen and ink 'C. Procacino

The Fall of Man, Andrea Boscoli (Florence 1560 - 1608 Rome), Drawing, Pen; washed; heightened with white; blue-grey paper, 12.5 x 9.5 cm, bottom left Duke Albert of Saxe-Teschen

Two heads of satyrs to the right, Anonymous, Drawing, red chalk; Cracks:, 26.5 x 39.0 cm, l.l. Duke Albert of Saxe-Teschen

River landscape with rising sun (two crossed trees on the left), anonymous, drawing, pen in brown, traces of black chalk; brownish soiling in places, esp. on the edges; irregularly trimmed edges., 19.0 x 28.6 cm

Mountainous landscape (bottom center a house with a tower), anonymous, drawing, pen and brown ink, traces of black chalk; brownish soiling in places, esp. on the edges; irregularly trimmed edges., 20.3 x 31.3 cm

Landscape with mountains and farmhouses by a river (a large tree on the left), anonymous, drawing, pen and brown ink, traces of black chalk; Water damage in the left half (bleached, washed out and soiled brownish); brownish spots with opaque

Adoration of the Shepherds, Sigismondo Scarsella GEN. IL MONDINO (Italian, 1530 - 1614), drawing, pen; blue wash; heightened with white; brownish paper; blotchy; the contours are stippled; numerous creases, 43.1 x 25.4 cm, l.l. Argentville;

Hilly landscape with castle rocks and country road, anonymous, drawing, pen and brown ink, traces of black chalk; water damage in left quarter (lightened yellowish); two brown spots at the upper edge; irregularly trimmed edges., 18.4 x 28.9 cm

Hilly landscape with an attack on a traveling carriage, anonymous, drawing, pen and brown ink, traces of black chalk; irregularly trimmed edges., 20.3 x 32.1 cm

Tree-lined hilly landscape with the temptations of Christ, anonymous, drawing, pen and brown ink, traces of black chalk; brownish dirt on the edges and in three corners; irregularly trimmed edges., 18.9 x 29.5 cm

Mountainous river landscape with house and castle, anonymous, drawing, pen and brown ink, over black chalk; Water damage on the right third (brightened yellowish); brownish dirt on the edges and in the corners; irregularly trimmed edges., 20.1 x

The sacrifice of Isaac. (The angel grasps Abraham's arm, who is about to execute the sword stroke; shepherds on the left, a ram on the right; in the background a town at the foot of a mountain), Denys Calvaert (Antwerp around 1540 - Bologna 1619),

Maria with child, anonymous, Bolognese, late 16th century, drawing, pen, ink, washed, 18.6 x 15.2 cm, l.l. Duke Albert of Saxe-Teschen

The Holy Trinity on clouds surrounded by angels with instruments of torment; lower left half figure of an adoring pilgrim to the right; below the clouds a town on the lower right, drawing, pen; gray wash, 25.5 x 20.5 cm, r.r. Duke Albert of

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