Images at Librifly

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The Hermits Antonius Abbot and Paulus, Giovanni Battista della Marca called Lombardelli (Italy, 1540 - 1592), Drawing, red chalk; Feather; washed, 17.9 x 18.3 cm, lower center in old pen and ink 'G. B. della Marca

Christ on the Cross with Mary, Mary Magdalene, John and Joseph of Arimathea, Cesare Pollini (Italy, c. 1560 - c. 1630), Drawing, red chalk; Feather; gray wash; larger stain above, 17.7 x 13.2 cm, lower left in old pen and ink 'FERRO FENSONE';

Saint Anthony as a hermit drives away the devils who oppress him with the cross, Luca Cambiaso (Moneglia 1527 - 1585 San Lorenzo de El Escorial), c. 1566, drawing, chalk; Pen, 32.7 x 27 cm

Tomatoes, Franz Wacik (Vienna 1883 - 1938 Vienna), drawing, gouache; Inscription: pencil, passepartout: 418 x 282 mm, M.r. 'FRANZ WACIK

Reclining Nude in Stockings and Shoes, Franz Wacik (Vienna 1883–1938 Vienna), Drawing, Black chalk, heightened with white on gray-green paper, Passepartout cutout: 28.3 x 45.2 cm (11 1/8 x 17 13/16 in

Wanderer, Franz Wacik (Vienna 1883 - 1938 Vienna), drawing, chalk, passe-partout: 411 x 247 mm, M.r. 'FRANZ WACIK

Landscape, Franz Wacik (Vienna 1883 - 1938 Vienna), drawing, chalk; Inscription: pencil, 311 x 446 mm, l.b. 'FRANZ WACIK

The brave little tailor, fairy tale illustration, Franz Wacik (Vienna 1883 - 1938 Vienna), drawing, ink, opaque paint, opaque white; Inscription: pencil, passepartout cutout: 29.2 x 21.4 cm (11 1/2 x 8 7/16 in.), l.o. '10cm width

The blind worker, Francisco José de Goya y Lucientes (Fuendetodos, Aragón 1746 - 1828 Bordeaux), 1803-1812 or 1816-1820, drawing, brush, Chinese ink, washed, black framing line, 23.8 x 17.2 cm, l.l. Alfred Beurdeley, lower center with

Hersilia calms the fight between Romans and Sabines, Jan van der Straet (Bruges 1523 - 1605 Florence), drawing, pen and ink in brown, washed, heightened with white, passe-partout cutout: 20.4 x 28.5 cm

The King of Persia and the Peasant Woman, Jan van der Straet (Bruges 1523 - 1605 Florence), drawing, pen and ink in brown and gray, washed, heightened with white, passe-partout cutout: 17.8 x 26.1 cm

The Trial of the Vestal Virgin, Jan van der Straet (Bruges 1523 - 1605 Florence), drawing, pen and ink in brown, heightened with white, passe-partout cutout: 20.3 x 27.9 cm

The flight of Cloelia, Jan van der Straet (Bruges 1523 - 1605 Florence), drawing, traces of chalk, pen in brown, heightened with white, grid lines, passe-partout cutout: 19.4 x 27.9 cm

Claudia at her father's triumphal procession, Jan van der Straet (Bruges 1523 - 1605 Florence), drawing, pen and ink in brown, heightened with white, passe-partout cut-out: 20 x 27.8 cm

Giovanni Medici before Francis I, Jan van der Straet (Bruges 1523 - 1605 Florence), drawing, pen and brush in brown, brown and gray wash, heightened with white, on brownish paper, passe-partout section: 20 x 29.7 cm

Petition of the Volsker women from the besieged city, Jan van der Straet (Bruges 1523 - 1605 Florence), drawing, pen in brown, heightened with white, passe-partout cutout: 19.6 x 28.7 cm

Ornamental model sheet, Monogrammist BH (Austria?, mentioned 1586), around 1580/90, drawing, pen and black on delicate reddish primed paper, washed and heightened with white, black-washed ground, 20.2 x 14.8 cm, no Herzog collector’s stamp

Standing female nude in front of a landscape background, Johann Hans Reinhard von Marées (Elberfeld 1837–1887 Rome), 1879, drawing, pencil, sketchy pencil border line around the depiction, 28 x 13.4 cm

Framed composition: two children on a terrace in front of a landscape background and other children's studies, Johann Hans Reinhard von Marées (Elberfeld 1837 - 1887 Rome), 1882 - 1887, drawing, pencil on paper, 49 x 33 cm, r. under the frame

Three-quarter figure of a porter in front of a landscape background, Johann Hans Reinhard von Marées (Elberfeld 1837 - 1887 Rome), 1882 - 1887, drawing, pencil on paper, sketchy pencil framing line around the depiction, 49 x 33 cm

Portrait of the dancer, Sascha L, Leopold Gottlieb (Drohobycz 1879 - 1934 Paris), drawing, pastel; Inscription: pencil, 47.8 x 23.2 cm (18 13/16 x 9 1/8 in

Coimbra, Othon Friesz (Le Havre 1879–1949 Paris), 1912, drawing, pencil, charcoal, 32.7 x 45.2 cm

Mary with child, venerated by Saints Francis, Antonius Abbas, Joseph and Charles Borromeo, anonymous, drawing, pen, ink, washed, 27.2 x 19 cm, l.l. Duke Albert of Saxe-Teschen

Portrait of a lady, Robert Kohl (Vienna 1891–1944 (deportation to the Blechhammer concentration camp)), 1924, drawing, chalk, passe-partout cut-out: 43.1 x 31.6 cm (16 15/16 x 12 7/16 in.), r.l. 'RK 1924

District with a bridge, Robert Kohl (Vienna 1891 - 1944 (deportation to the Blechhammer concentration camp)), 1923, drawing, watercolour, 35.1 x 44 cm (13 13/16 x 17 5/16 in.), l.l. 'RK 1923

Hauser, Robert Kohl (Vienna 1891 - 1944 (deportation to the Blechhammer concentration camp)), 1924, drawing, chalk, 29.2 x 44.7 cm (11 1/2 x 17 5/8 in.), r.l. 'RK 1924

Untitled composition, Wassily Kandinsky (Moscow 1866 - 1944 Neuilly-sur-Seine), 1915, drawing, watercolor on light brown paper, 22.7 x 33.8 cm, l.l. with black ink 'K/15

Raster, Wassily Kandinsky (Moscow 1866 - 1944 Neuilly-sur-Seine), 1923, drawing, watercolour, 47 x 42.2 cm

Composition (predominantly red, yellow, black), Wassily Kandinsky (Moscow 1866 - 1944 Neuilly-sur-Seine), 1923, drawing, watercolour, 47 x 42.2 cm, r.r. in an unknown hand in pencil: 'W. Kandinsky

Study for an angel in the 'Rest on the Flight into Egypt': nude boy with flute, kneeling, from the right behind, Bonaventura Genelli (Berlin 1798 - 1868 Weimar), around 1851-1853, drawing, pencil, wiped, 260 x 191 mm

Flower still life, Ernst Ludwig Kirchner (Aschaffenburg 1880 - 1938 Frauenkirch near Davos), around 1917, drawing, ink, reed pen and watercolor, cardboard, 49.5 x 37 cm

Crouching, Egon Schiele (Tulln 1890 - 1918 Vienna), 1918, drawing, black chalk, 45 x 29.5 cm

The Artist's Mother, Maria Schiele, Egon Schiele (Tulln 1890 - 1918 Vienna), 1918, drawing, black chalk on Japanese paper, 45.8 x 28.9 cm

Two female nude studies, to the right, embracing each other, Auguste Rodin (Paris 1840 - 1917 Meudon), around 1900, drawing, pencil, brush, watercolour, 31.3 x 20.5 cm, verso: r.r. 'Lesbiennes' and after some distance the letters 'nac [?]'

Ali Baba, Max Slevogt (Landshut 1868 - 1932 Neukastel/Pfalz), 1900-03, drawing, brush in brown, washed, heightened with brush in white, sketchy framing line with brush in brown, 20.4 x 25.1 cm, l.l. 'Slevogt 99' Passepartout: verso; l.b. 'B

Study sheet for the 'Magic Flute', Max Slevogt (Landshut 1868 - 1932 Neukastel/Palatinate), around 1918, drawing, black chalk, 27.1 x 16.9 cm, passe-partout: l. under the passep.panel: '67

Draft illustration for 'Ali Baba and the Forty Thieves' (1903): The poor and the rich brother, Max Slevogt (Landshut 1868 - 1932 Neukastel/Pfalz), 1900-03, drawing, pen and black ink, 12.8 x 17.6 cm, l.b. 'Slevogt', '20' (lead.); r.b. '36

Draft illustration for 'Ali Baba and the Forty Thieves': Greeting Orientale, Max Slevogt (Landshut 1868 - 1932 Neukastel/Pfalz), 1900-03, drawing, black pen, gray brush, 10.5 x 15.4 cm, r.r. 'Slevogt

A grim old man with a beard climbing over a wall, Max Slevogt (Landshut 1868 - 1932 Neukastel/Pfalz), drawing, pen and brush in grey, 8.5 x 13.3 cm, r. Bottom: 'Slevogt

Kurpark in Bad Nauheim, Max Slevogt (Landshut 1868 - 1932 Neukastel/Pfalz), 1917, drawing, black chalk, wiped in places, 11.4 x 19.5 cm, l.l. 'Slevogt 17' Passepartout: verso; l.b. 'B.Aust 6

Study for 'Magic Flute': A man sits on a branch and looks down at a second man, Max Slevogt (Landshut 1868 - 1932 Neukastel/Pfalz), around 1918, drawing, black chalk, 10.4 x 18.3 cm, l.l. 'Slevogt

Study for the 'Magic Flute': two studies of a figure kneeling with a wide lunge to the front left, Max Slevogt (Landshut 1868 - 1932 Neukastel/Pfalz), around 1918, drawing, black chalk, washed, 26.3 x 19.8 cm, r.b. 'Slevogt

Study for 'Magic Flute': seated figure in drapery with arm and head supported, Max Slevogt (Landshut 1868 - 1932 Neukastel/Pfalz), around 1918, drawing, black chalk, washed, 26.6 x 19.6 cm, r.r. 'Slevogt

A young lady with a barn hat, Wilhelm Alexander Wolfgang von Kobell (Mannheim 1766 - 1855 Munich), around 1803, drawing, watercolour, over pencil, 35 x 23.3 cm

Seated male nude to the left, Antonio Allegri da Correggio called Correggio (Correggio around 1489 - 1534 Correggio), 1520-1522, drawing, red chalk, squared, 13.8 x 16.2 cm, l.l. Duke Albert of Saxe-Teschen, M.u. 'R Vrb.' (in pen

Ideal landscape with travelers and mules at sunset, Maximilian Johann Georg von Dillis (Grüngiebing 1759 - 1841 Munich), after 1808, drawing, pen in black and brown, brush in gray, washed, heightened with brush in white, over pencil, 20.4 x

Figure Studies for a Religious Composition, Maximilian Johann Georg von Dillis (Grüngiebing 1759 - 1841 Munich), after 1808, drawing, brown pen, 20.4 x 31.1 cm, r.r. '8

The Viennese Volksgarten in Autumn, Vienna and Vicinity - 1918-1930, Oskar Laske (Czernowitz 1874–1951 Vienna), 1923, Drawing, Watercolor, Body colors, 42 x 48.5 cm (16 9/16 x 19 1/8 in ), l.b. 'People's Garden

Himmelhof, Vienna and Vicinity - 1918-1930, Oskar Laske (Czernowitz 1874–1951 Vienna), 1923, drawing, pencil, watercolor, body paint, 36.9 x 48.7 cm (14 1/2 x 19 3/16 in ), l.b. 'from, sky court

Head of a Woman, Georges Kars (Kralupy nad Vltavou 1880–1945 Geneva), 1923, drawing, red chalk, mat cutout: 56.8 x 45.5 cm (22 3/8 x 17 15/16 in

Four Nude Women in a Landscape (Bathers?), Paul Elie Gernez (Onnaing 1888–1948 Paris), 1919, drawing, pencil, black chalk; six small holes on the left, 49 x 64 cm

Reclining female nude, Paul Elie Gernez (Onnaing 1888 - 1948 Paris), 1919, drawing, black chalk, 49 x 64 cm

Illustration to Messiade, Josef von Führich (Kratzau 1800 - 1876 Vienna), 1818, drawing, black pen, white heightened, gray wash on brown paper, pencil, grid, according to Cahier: 48 x 49 cm, l.o. 'The wanderer said (detailed caption); l.b.

Key handover to Petrus, Josef von Führich (Kratzau 1800 - 1876 Vienna), drawing, pencil, watercolour, passe-partout section: 23.4 x 17.8cm

Saint John of Nepomuk, Josef von Führich (Kratzau 1800 - 1876 Vienna), drawing, pencil on light blue paper, according to Cahier: Passepartout: 36.7 x 17 cm

Alley in Riva, August Xaver Karl von Pettenkofen (Vienna 1822 - 1889 Vienna), 1886, drawing, charcoal, sanguine, 37.4 x 30.3 cm, r.l. '15

Zechariah and the Angel; Zechariah leaves the temple; The Neighbors at Elisabeth's, Anonymous, 1st half 12th century, Drawing, Pen and light brown on parchment, 27.1 x 18.6 cm (10 11/16 x 7 5/16 in.), No collector's stamp Duke Albert of Saxony

Mythological Group of Women, Giovanni Contarini (Italy, c. 1549 - 1604), drawing, pen and brown ink, washed, 27.4 x 43 cm

The Diseased Tree, Anton Peschka (Vienna 1885–1940 Vienna), 1923, drawing, watercolor, pencil, 60.1 x 46.8 cm (23 11/16 x 18 7/16 in.), l.l. 'Anton Peschka'; mu 'A.Peschka 1923, The sick tree

Houses and Rooftop Study, Anton Peschka (Vienna 1885–1940 Vienna), 1923, drawing, pencil, watercolor, mat cutout: 45.9 x 58.5 cm (18 1/16 x 23 1/16 in

The triumph of death (torn pane?), drawing, pen in black, gray wash, 27.9 x 19 cm, no collector's stamp Duke Albert of Saxe-Teschen

A lady with a crinoline dress and a ribbon cap seen from the back, Constantin Guys (Vlissingen 1805 - 1892 Paris), drawing, pen, brush in black and brown, washed, 25.1 x 18.9 cm, r.r. Alfred Beurdeley

Venus, Pierre-Auguste Renoir (Limoges 1841 - 1919 Cagnes near Nice), c. 1888, drawing, pencil, watercolour, 26.1 x 13.9 cm

Bach study: Origin of the Pießling, Emil Jakob Schindler (Vienna 1842 - 1892 Westerland (Sylt)), drawing, pencil, according to Cahier: 25.4 x 17.2 cm, r.r. 'ESTATE, SCHINDLER', r.b. 'Piessling - origin b. Sp

View from Wels, Emil Jakob Schindler (Vienna 1842 - 1892 Westerland (Sylt)), drawing, pencil, according to Cahier: 25.8 x 16.9 cm, l.l. 'ESTATE, SCHINDLER', l.u. 'Catfish

Surrender of Belgrade to Prince Eugene by the Turks in 1717, Francesco Paolo Parisi (Tarent 1857 - died after 1932 Rome/Bonassola), drawing, stone chalk, pen in grey-brown, 20.2 x 13.6 cm

Duke of Reichstadt as an infant, Jean-Baptiste Isabey (Nancy 1767 - 1855 Paris), 1811, drawing, pencil, watercolour, 15.8 x 21.3 cm

Illustration Study, Franz Hofer (Graz 1885–1915 Gorlice), drawing, ink wash, brush, passe-partout cut-out: 19.9 x 18.3 cm (7 13/16 x 7 3/16 in

Tower from Lindau on Lake Constance, Rudolf Wacker (Bregenz 1893 - 1939 Bregenz), 1923, drawing, charcoal on paper, 34.2 × 25.7 cm

Monthly picture 'April - May - June', c. 1550, drawing, pen and black ink, partially heightened in white, heightened in gold in the chariot of Venus, on brown-primed paper, 25.9 x 37.6 cm (10 3/16 x 14 13/16 in .), no collector's stamp Duke

Coat of arms of the city of Grüningen (torn window), Hans Funk d. Ä. (probably Zurich circa 1470–circa 1540 Zurich), circa 1530–1540, Drawing, Pen and black wash, gray and yellow wash, 31.4 x 21.1 cm (12 3/8 x 8 5/16 in.), no Collector's

Bank piece and trees on a pasture, Ludwig Willroider (Villach 1845 - 1910 Bernried am Starnberger See), drawing, black chalk (pencil ?), wiped, 21 x 30 cm (8 1/4 x 11 13/16 in.), l.l. 'L.W.' (Lead

Standing Female Nude, Amedeo Modigliani (Livorno 1884–1920 Paris), 1904–1920, Drawing, Black chalk, 40.4 x 24.6 cm (15 7/8 x 9 11/16 in

Design for an armchair with a round back, Dagobert Peche (Sankt Michael im Lungau 1887–1923 Mödling), 1924, drawing, pencil, crayon, passe-partout cutout: 25.7 x 13.6 cm (10 1/8 x 5 3/8 in

Four Muses, Study for the Main Façade Relief of the Théâtre des Champs-Elysées, Paris, Emile Bourdelle (Montauban 1861 - 1929 Vésinet), 1911, Drawing, brown brush, over preliminary pencil drawing, 32.9 x 46.1 cm

Landscape, Robert Kohl (Vienna 1891–1944 (deportation to the Blechhammer concentration camp)), 1923, drawing, watercolour, pencil, 36.2 x 46.7 cm (14 1/4 x 18 3/8 in.), r.l. 'RK 1923

Study for the 'Magic Flute': nude figure of Papageno with the glockenspiel, Max Slevogt (Landshut 1868 - 1932 Neukastel/Pfalz), around 1918, drawing, black chalk, 17.9 x 9.8 cm, l.l. 'Slevogt' Passepartout: verso; l.b. 'Hall VII, Vitr.1

Girl, Anton Faistauer (St. Martin bei Lofer 1887–1930 Vienna), 1920, drawing, chalk, 47.7 x 28.9 cm (18 3/4 x 11 3/8 in

deer hunting. A hunter is about to hurl a spear at a leaping stag; in front huntsmen holding dogs; behind hunting scenes, anonymous, drawing, chalk; Feather; washed; heightened with white; brownish primed paper, 27.2 x 41.3 cm, l.l. Vallardi

Roebuck, Antonio Pisano, called Pisanello (Pisa 1395 - 1455 Rome), drawing, pen and ink in brown, heightened with white, 12.9 x 15.2 cm, inscribed 'XV 8 A' on the lower edge

The Arc valley with viaduct and pine tree, Paul Cézanne (Aix-en-Provence 1839 - 1906 Aix-en-Provence), around 1883-1885, drawing, watercolor over preliminary pencil drawing, 31.4 x 48.5 cm

View of a coast with houses and a church from the sea, Pierre-Auguste Renoir (Limoges 1841 - 1919 Cagnes near Nice), late 1880s, drawing, watercolour, 12.9 x 13.5 cm

Flower piece with iris, laburnum and geranium, Edouard Manet (Paris 1832 - 1883 Paris), 1880, drawing, watercolour, 35.7 × 25.4 cm, l.l. Estate stamp Edouart Manet

Horse study, figure and dog sketch, Paul Gauguin (Paris 1848 - 1903 Atuona auf Hivaoa), 1889, drawing, black chalk, 27.1 x 17.7 cm, r.r. Paul Gauguin, in Purple

Mulatto women in a nightclub, Jean-Louis Forain (Reims 1852–1931 Paris), drawing, charcoal, blue and black chalk, 29.4 x 22.9 cm

Two sailing boats in front of a rocky coast, Jean-Baptiste Carpeaux (Valenciennes 1827 - 1875 Courbevoie), drawing, black chalk, on blue paper, 13.6 x 9.8 cm, r.r. Adolf Glüenstein, right below '315

Two Nudes Outdoors, Otto Mueller (Liebau/Riesengebirge 1874–1930 Obernigk near Breslau), 1923-1924, drawing, body color and charcoal on yellow paper, 70.2 x 50.3 cm

Dalmatian landscape, Otto Mueller (Liebau/Riesengebirge 1874 - 1930 Obernigk near Breslau), 1924, drawing, charcoal, blue pencil, watercolour, 51.1 x 66.8 cm

Two Nudes Outdoors, Otto Mueller (Liebau/Riesengebirge 1874–1930 Obernigk near Breslau), 1918–1923, drawing, body color and charcoal on yellow paper, 70.2 x 50.3 cm

Self-Portrait, Wilhelm Morgner (Soest 1891–1917 Langemark in West Flanders), 1913, drawing, charcoal, 61.5 x 47 cm (24 3/16 x 18 1/2 in.), r.l. 'WM., 13

Women at the fountain, Stephanie Hollenstein (Lustenau 1886 - 1944 Vienna), drawing, ink, pen, 28.5 × 37.2 cm, r.r. 'Hollenstein

Coastal landscape with a ship, Jean Hippolyte Marchand (Paris 1883 - 1941 Paris), c. 1920, drawing, black pen, brush, brown wash, 31.7 x 47.8 cm

Southern Landscape, Josef Eberz (Limburg/Lahn 1880–1942 Munich), Drawing, Watercolor, 33.3 x 42.2 cm (13 1/8 x 16 5/8in

Study sheet, Franz Hofer (Graz 1885–1915 Gorlice), drawing, pen, ink wash, passe-partout cutout: 27.8 x 18.5 cm (10 15/16 x 7 5/16 in

Flagellation of Christ, anonymous, Verona, mid-15th century, drawing, pen, 28.4 x 20.3 cm, l.l. Grassi., according to Stix on the reverse 'since you di Stefano

Prophet studies with banners, Stefano di Giovanni da Verona (Zevio c. 1374/75 - c. 1438 Verona?, c. 1424/25, drawing, pen, 30.4 x 18 cm, l.l. Grassi

Nativity of Mary, anonymous, drawing, pen; the edges badly damaged, 17.6 x 24.3 cm, r.r. Grassi

Angel of Annunciation, Stefano di Giovanni da Verona (Zevio c. 1374/75 - c. 1438 (Verona?)), drawing, pen, 23.4 x 17.2 cm, L.Suppl. 2990a; l.b. Grassi., in a writing from the 15th century 'F C (in a circle, above a cross) Questo desegno fo de

Battle scene with horseman and decapitated, Stefano di Giovanni da Verona (Zevio c. 1374/75 - c. 1438 (Verona?)), drawing, pen, pen, 23.4 x 17.2 cm

study sheet. Archangel Michael drives away the devil, next to him stands a Dominican saint, Michele di Taddeo Bono, called Giambono (Italy, around 1390 - after 1462 ), drawing, pen, 19.9 x 13.4 cm, l.l. Grassi

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