Images at Librifly

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St. Christopher, Michele di Taddeo Bono, called Giambono (Italy, c. 1390 - after 1462 ), drawing, pen, 19.9 x 13.4 cm

Allegory of Luxuria, Antonio Pisano, called Pisanello (Pisa 1395 - 1455 Rome), around 1426, drawing, brown pen on reddish primed paper, 12.9 x 15.2cm, r.r. Luigi Grassi, newer pencil writing 'Pisanello

Saint Christopher, Anonymous, 15th century, Drawing, chalk; Feather; washed; heightened with white; the lower right corner is missing, 33 x 23.8 cm, r.o. Grassi

Farm next to a body of water with staffage figures in front of a mountain backdrop, drawing, ink, pen, 22.4 x 33.2 cm, l.l. unidentified E.D. in the horizontal oval in blue-green (L.841 Suppl.)., 'Carrache' in pencil lower left

Half-length figure of a man bent to the left in profile, Anonymous, Venetian, Drawing, charcoal; white chalk; on blue-grey paper, 26.9 x 21.8 cm, r.r. Artaria (L.2347 Suppl

sacrificial scene, drawing, chalk; pen, 15.4 x 20.6 cm, l.r. Grassi

A kneeling female figure seen from behind, holding a chalice in her outstretched left hand; a man with a spear; seated satyr in front view, Alessandro Maganza (Italian, 1556 - 1630/40 ), drawing, chalk; Feather, 15.4 x 20.6 cm

Martyr scene in the street in front of a palazzo. (People are being massacred by captors on horseback and on foot; in the building on the right spectators, one sitting, others on the balcony, in the window and door), Alessandro Maganza (Italy,

Studies on the martyr scene in the street in front of a palazzo. (People are being killed by captors on horseback and on foot; in the building on the right spectators, one sitting, others on the balcony, in the window and door), Alessandro

study sheet. Beheading of a Saint on a Scaffold; Sketch of a Flagellation of a Man Bound to a Pole, Alessandro Maganza (Italian, 1556 - 1630/40 ), Drawing, chalk; Feather, 23.8 x 16.8 cm, l.l. Grassi

Female nude study from below, Domenico Tintoretto (Venice 1560 - 1635 Venice), drawing, chalk; heightened with white; squared; blue paper, 24.4 x 20.9 cm, l.l. Grassi

Court Scene, Luigi Benfatto gen. del Friso (Verona 1544 ? - 1609 Venice), drawing, pen, washed, 16.7 x 20.2 cm, lower right in a 19th century hand 'Alvise ben fato deto dal friso nipote di, Paolo Veronese

The Madonna in front view with the sleeping child in her lap, anonymous, drawing, ink, pen, 39 x 27.8 cm, r.o. Lichnowsky., lower right in pen 'No 19

The dance, Paul Cézanne (Aix-en-Provence 1839 - 1906 Aix-en-Provence), 1869-1871, drawing, pencil, traces of blue paint on the upper edge, 13 x 23 cm

Half figure of a man with a plumed hat, Giovanni Antonio de Lodesanis Pordenone, called il Pordenone (Pordenone 1484 - 1539 Ferrara), 1520-1521, drawing, red chalk, 15.6 x 11.8 cm, l.l. Duke Albert of Saxe-Teschen

Forest, Paul Cézanne (Aix-en-Provence 1839 - 1906 Aix-en-Provence), c. 1874, drawing, pencil, on heavily browned paper; Fox stains, 23.5 x 17.5 cm

Letter to a Lady, Paul Cézanne (Aix-en-Provence 1839 - 1906 Aix-en-Provence), 1885, drawing, pen, ink, 23.5 x 17.5 cm

The Château Noir and the Montagne Sainte-Victoire, Paul Cézanne (Aix-en-Provence 1839 - 1906 Aix-en-Provence), around 1890-1895, drawing, watercolor over preliminary pencil drawing, 31 x 48.3 cm

Sketch sheet with a study after the late antique group of figures 'Amor and Centaur', two apples and a bather, Paul Cézanne (Aix-en-Provence 1839 - 1906 Aix-en-Provence), 1879-1882, drawing, pencil, 37.9 x 31 .3 cm, below bottom '4' (with

Saint George after Donatello, Paul Cézanne (Aix-en-Provence 1839 - 1906 Aix-en-Provence), c. 1890, drawing, black chalk, brush, watercolour; Adhesive pushes through to the right, 32 x 24.5 cm

Couple Outdoors, Paul Cézanne (Aix-en-Provence 1839–1906 Aix-en-Provence), c. 1872, drawing, pencil, 18.1 x 10.9 cm

Head study of Paul Cézanne junior, cut off figure of a bather lower left, detail of an object that can no longer be identified lower right, Paul Cézanne (Aix-en-Provence 1839 - 1906 Aix-en-Provence), around 1879/80, drawing, pencil, 18 .1 x

Sketch sheet with two portrait studies of Paul Cézanne junior, a half-length study of a woman, a bather and a glass, Paul Cézanne (Aix-en-Provence 1839 - 1906 Aix-en-Provence), around 1878, drawing, pencil; two ink stains, 24.8 x 30.8 cm,

Sketch sheet with a half portrait of Paul Cézanne junior, two male head studies, three head studies of Madame Cézanne, a casserole and the handle of a pair of scissors, Paul Cézanne (Aix-en-Provence 1839 - 1906 Aix-en-Provence), c. 1878-1879,

Study of a standing and a seated man, Eugène Delacroix (Charenton 1798 - 1863 Paris), c. 1852, drawing, brown brush, 23 x 35.6 cm, r.l. Estate stamp Eugène Delacroix

Two studies of a reclining and a squatting figure, draft for 'The Good Samaritan', Eugène Delacroix (Charenton 1798 - 1863 Paris), c. 1852, drawing, brush in gray, 23 x 35.6 cm

Lion and tiger fighting, Eugène Delacroix (Charenton 1798 - 1863 Paris), around 1854, drawing, pencil, on slightly foxed paper, 30.7 x 22 cm, r.r. Estate stamp Eugène Delacroix, r.o. in pencil, as far as still legible: 'Lion

Infernal scene with Dante between the procurer and the seducer from the 18th canto of the 'Divina Commedia', Eugène Delacroix (Charenton 1798 - 1863 Paris), 1819-1822, drawing, brown and black brush, green and red watercolour, over pencil, 12

The Sea at Dieppe, Eugène Delacroix (Charenton 1798 - 1863 Paris), 1854, drawing, watercolor over delicate pencil sketch, 22.8 x 35.2 cm, r.u. Estate stamp Eugène Delacroix, handwritten lower right in pencil: 'sur la pointe des vagues

Sketch sheet with Virgil and Dante, female nude studies, a devil and two heads, Eugène Delacroix (Charenton 1798 - 1863 Paris), 1819-1822, drawing, black pen, 28.2 x 35.6 cm, r.r. Estate stamp Eugène Delacroix

Seated woman with dog, Pierre-Auguste Renoir (Limoges 1841 - 1919 Cagnes near Nice), around 1894, drawing, red chalk, 31.3 x 22.4 cm, r.r. '6' (with pencil

Female nude from the back, a hand study on the left, a sketch of the head and back on the right, Pierre-Auguste Renoir (Limoges 1841 - 1919 Cagnes near Nice), around 1890/91, drawing, pencil, hair strengthened in places with pen and ink, 31 x

Sailing boat, Pierre-Auguste Renoir (Limoges 1841 - 1919 Cagnes near Nice), late 1880s, drawing, watercolour, 9.7 x 12.6 cm

House with a boat in front and staffage (Martigues harbour?), Pierre-Auguste Renoir (Limoges 1841 - 1919 Cagnes near Nice), late 1880s, drawing, watercolour, 20.3 x 24.8 cm, r.r. '165' (with pencil

River landscape, Pierre-Auguste Renoir (Limoges 1841 - 1919 Cagnes near Nice), 1890, drawing, watercolour, 25.4 x 33.8 cm

Studies for the painting 'The Badminton Game', Pierre-Auguste Renoir (Limoges 1841 - 1919 Cagnes near Nice), c. 1886-1887, drawing, pencil; on the right margin: pen and ink in black, red chalk, 32.8 x 50.4 cm, in an unknown hand with pencil

Study of the seated female nude for 'The Great Bathers', Pierre-Auguste Renoir (Limoges 1841 - 1919 Cagnes near Nice), around 1883-1885, drawing, pencil, 23.2 x 36.4 cm, r.l. '40, x 34, 66 [in circle], 1' (in pencil

Girl in half length to the right, her right arm resting on her waist, Pierre-Auguste Renoir (Limoges 1841 - 1919 Cagnes near Nice), 1886, drawing, pencil, 32.8 x 19.6 cm

Studies of a woman seated to the left, a woman standing to the right and her head and shoulders, Pierre-Auguste Renoir (Limoges 1841 - 1919 Cagnes near Nice), 1886, drawing, pencil, traces of red chalk and black paint on the right edge, 33, 3

Standing woman with a hat from behind, her right arm wrapped around a seated woman (only sketchily indicated), Pierre-Auguste Renoir (Limoges 1841 - 1919 Cagnes near Nice), 1880s, drawing, red chalk, on beige paper, 37.2 x 26.4 cm, r.o. 'a 7'

Rear view of a woman sitting on an armchair, Pierre-Auguste Renoir (Limoges 1841 - 1919 Cagnes near Nice), drawing, charcoal, 43.6 x 31.2 cm

Jockey on a horse seen from behind, Edgar Degas (Paris 1834 - 1917 Paris), 1885-1900, drawing, charcoal, wiped over grid, 30.2 x 21.4 cm, l.l. Estate stamp Edgar Degas in red, M.u. an unidentifiable number, maybe '1900' ? (in charcoal

Two jockeys, Edgar Degas (Paris 1834 - 1917 Paris), around 1887-1889, drawing, black chalk, 23.4 x 29.3 cm, l.l. Estate stamp Edgar Degas in black

Hovering angel after Luca Signorelli, Edgar Degas (Paris 1834 - 1917 Paris), 1858, drawing, black chalk, pencil, pen in brown, brush, washed, traces of sanguine, 31.6 x 23 cm, r.r. Estate stamp Edgar Degas in red, l.u. in black chalk

Seascape with a sandy beach at low tide, Edgar Degas (Paris 1834 - 1917 Paris), around 1869, drawing, pastel on brownish paper, 15.6 x 30.5 cm, l.l. Edgar Degas estate stamp in red

Dancer from the back, adjusting her shoulder straps, Edgar Degas (Paris 1834 - 1917 Paris), mid 1880s, drawing, black and white chalk, on gray paper, 30.9 x 23.2 cm, l.l. Edgar Degas estate stamp in red

A woman fights against the wind (Une femme désespérée; Le coup de vent - La fugitive), Honoré Daumier (Marseille 1808 - 1879 Valmondois), 1852-1855, drawing, charcoal, heightened with white, traces of pen strokes on the right, 39.4 x

Study of a Wrestler, Honoré Daumier (Marseille 1808 - 1879 Valmondois), c. 1852, drawing, black chalk, on tinted paper, 35.8 x 25.9 cm

The Athlete, Honoré Daumier (Marseille 1808 - 1879 Valmondois), c. 1865, drawing, black chalk, 24.4 x 18.6 cm

Fairground Scene, Honoré Daumier (Marseille 1808 - 1879 Valmondois), c. 1865, drawing, black chalk, 24.4 x 18.6 cm

Woman with child, drawing, black chalk, 12.9 x 9.6 cm, r.r. Jean-François Millet's estate stamp forged by Charles Millet and Paul Cazot (Herbert 1973, p. 64, 1894 F

Shepherd with herd in an autumn landscape (preliminary study for the pastel 'La chute des feuilles'), Jean-François Millet (Gruchy near Gréville 1814 - 1875 Barbizon), around 1866-1867, drawing, pen and ink in brown, 17.4 x 19, 9 cm, r.b.

Mill in the Vichy area, Jean-François Millet (Gruchy near Gréville 1814 - 1875 Barbizon), around 1866-1867, drawing, brown pen, over preliminary pencil drawing, 13.3 x 20.8 cm, l.l. Estate stamp Jean-François Millet, In the right tree:

Emélie Millet, the artist's sister, with a cat, Jean-François Millet (Gruchy near Gréville 1814–1875 Barbizon), 1854, drawing, black chalk, 24.1 x 18.4 cm

The Temptation of Saint Anthony, Jean-François Millet (Gruchy near Gréville 1814 - 1875 Barbizon), 1864-1865, drawing, black and white chalk, on pink-brown primed canvas, 36.7 x 52.4 cm, r.l. Estate stamp of the widow Jean-François Millets

Gleaner with sheaves on her right shoulder, anonymous (forger, called 'Pseudo-Jacque'), c.1885, drawing, black chalk, on ocher laid paper, 45.2 x 31.8 cm

Rocky coast near Gruchy (also: Rocky coast near Gréville), Jean-François Millet (Gruchy near Gréville 1814 - 1875 Barbizon), 1854, drawing, black chalk on greenish paper, 24.5 x 30.6 cm, l.l. Estate stamp Jean-François Millet, r.o. 'rocher

Landscape near Pontoise, Camille Pissarro (Charlotte-Amalie, Saint-Thomas (Lesser Antilles) 1830 - 1903 Paris), 1872, drawing, watercolour, black chalk, 17.7 x 25.2 cm, r.r. Gustav Engelbrecht

Peasants Tending Hay, Camille Pissarro (Charlotte-Amalie, Saint-Thomas (Lesser Antilles) 1830–1903 Paris), late 1880s-early 1890s, drawing, watercolour, black chalk, 18 x 22.8 cm

Study for 'Marie Botkin in Astrakhan Coat', Odilon Redon (Bordeaux 1840 - 1916 Paris), 1900, Drawing, Black chalk, 45 x 29.5 cm

Phaeton driving the sun chariot, Odilon Redon (Bordeaux 1840–1916 Paris), 1905-1908, drawing, pencil, black pen, 17.5 x 22.4 cm

Half-length figure of a seated woman (Madame Lucie Hessel?), Edouard Vuillard (Cuiseaux (Saône-et-Loire) 1868 - 1940 La Baule), c. 1911, drawing, black chalk, red chalk, scratch marks, 15 x 10 cm

Joseph Prudhomme, Henry Bonaventure Monnier (Paris 1805 - 1877 Pris), c. 1860, drawing, pencil, on brown-tinted paper, 34.6 x 19.7 cm

Festive Entry into a Medieval City, Louis Gabriel Eugène Isabey (Paris 1803–1886 Lagny near Paris), c. 1818–1820, drawing, pen and black ink, watercolour, over pencil, pencil grid, 18 x 23.5 cm

Standing Arab from Laghouat, Eugène Fromentin (La Rochelle 1820 - 1876 Saint-Maurice), 1853, drawing, black chalk, vertical grid lines with brown pen, 20 x 14.6 cm, l.l. Estate stamp Eugène Fromentin, l.l. '156' (with pen in black

Sketch sheet with two cows, three sheep, a farmer and a Breton farmer's wife with a basket, Paul Gauguin (Paris 1848 - 1903 Atuona auf Hivaoa), 1889, drawing, black chalk, brush, watercolour, 27.1 x 17.7 cm, bottom right Paul Gauguin, in

Forest path, Alfred Sisley (Paris 1839 - 1899 Moret-sur-Loing), c. 1897, drawing, pastel, on foxed paper, 16.9 x 21 cm

Peasant Woman with a Basket, Seen from the Back, Alfred Sisley (Paris 1839 - 1899 Moret-sur-Loing), c. 1894, drawing, pencil, pastels on foxed paper, 9.6 x 6.4 cm

Woman reading, Alfred Sisley (Paris 1839 - 1899 Moret-sur-Loing), c. 1894, drawing, pencil, on foxed paper, 9.6 x 6.4 cm

Peasant Woman with a Bundle on Her Back, Alfred Sisley (Paris 1839 - 1899 Moret-sur-Loing), c. 1894, drawing, pencil, pastels, on foxed paper, 10.4 x 7.3 cm

'Gauleur de prunes' (plum pickers), farmer with a basket on his back and a rake in his right hand, seen from behind, Alfred Sisley (Paris 1839 - 1899 Moret-sur-Loing), c. 1894, drawing, pencil, pastel, on foxed paper, 12 x 7.5 cm, r. along

Two country people from behind, Alfred Sisley (Paris 1839 - 1899 Moret-sur-Loing), c. 1894, drawing, pencil, pastels, on foxed paper, 10.1 x 12.4 cm

Lady standing, gathering her skirt, Constantin Guys (Vlissingen 1805–1892 Paris), drawing, watercolour, brush, pen and brown pen, 30.8 x 21.7 cm

The theater loge, Constantin Guys (Vlissingen 1805 - 1892 Paris), drawing, brush, pen, in black, washed, watercoloured, 18.4 x 24.8 cm

Three women in half-length, behind them two men, Constantin Guys (Vlissingen 1805 - 1892 Paris), drawing, pen, brush, in black, washed, pink watercolor (on the arm), 17.1 x 25.2 cm

River landscape with rider, Charles François Daubigny (Paris 1817 - 1878 Paris), drawing, black chalk on light blue paper, 29.5 x 45.3 cm, r.r. Estate stamp Charles François Daubigny

Southern landscape with a large tree and three staffage figures, Jean-Baptiste Camille Corot (Paris 1796 - 1875 Paris), 1871, drawing, charcoal on heavily browned paper, outlined with pencil lines, 30 x 45.7 cm

Standing woman with cigarette, facing left, Madame Palmyre? ('Femme à la cigarette'), Henri de Toulouse-Lautrec (Albi 1864 - 1901 Malromé Castle), around 1897, drawing, pencil on slightly browned paper, 26.2 x 19.8 cm, l.l. Monogram stamp

Fish seller, anonymous, drawing, red chalk, 52.7 x 37.8 cm

Four atlases (design sketch for the façade of the Hôtel de Ville in Valenciennes), Jean-Baptiste Carpeaux (Valenciennes 1827 - 1875 Courbevoie), c. 1868, drawing, black pen, pencil, on foxed tracing paper; 1/2 cm wide paper strip attached all

Naked Children Playing with a Donkey, Jean-Baptiste Carpeaux (Valenciennes 1827–1875 Courbevoie), 1860?, Drawing, pen and black ink, on browned, foxed paper; Beveled corners at top, 6 x 9.9 cm, r.l. Estate stamp Jean-Baptiste Carpeaux

Naked children playing with a donkey, Jean-Baptiste Carpeaux (Valenciennes 1827 - 1875 Courbevoie), 1860, drawing, black pen, on browned, foxed tracing paper, 5.9 x 12.7 cm, r.r. Estate stamp Jean-Baptiste Carpeaux

Two ballerinas in the wings, Jean-Louis Forain (Reims 1852–1931 Paris), drawing, watercolour, opaque white, and black chalk, over pencil, 45.8 x 32 cm

Figure scene near a group of trees with a view of a city, in the middle below a coat of arms (early overall design for 'Inter Artes et Naturam'), Pierre Puvis de Chavannes (Lyon 1824 - 1898 Paris), around 1888, drawing, black chalk, traces of

Head and hands study for the painting 'Der Verlorene Sohn', Pierre Puvis de Chavannes (Lyon 1824 - 1898 Paris), around 1879, drawing, black chalk, traces of opaque white, on browned transparent paper, 28 x 20.1 cm, r.r. Estate stamp Puvis de

Three studies of a nude female figure with a jug leaning against a rock, Pierre Puvis de Chavannes (Lyon 1824 - 1898 Paris), c. 1883, drawing, black chalk, 20 x 28.2 cm, l.r. Estate stamp Puvis de Chavannes

Design for the left group of figures for 'Inter Artes et Naturam', Pierre Puvis de Chavannes (Lyon 1824 - 1898 Paris), 1889/90, drawing, black chalk on transparent paper, 31.6 x 24.1 cm

Heath Landscape with Peasant Hut, Oxcart and Flock of Sheep, Charles Emile Jacque (Paris 1813–1894 Paris), Drawing, Black and white chalk on ocher laid paper, outlined with black chalk, 30.5 x 42.4 cm

Landscape with Two Cows, Johan Barthold Jongkind (Netherlands, 1819 - 1891), 1882, drawing, 16.1 x 29 cm

On the Beach, Eugène Boudin (Honfleur 1824–1898 Deauville), 1866, drawing, watercolour, black chalk, over pencil, 14.4 x 26.5 cm

Bretons in festive costume in Plougastel (wedding in Plougastel?), Eugène Boudin (Honfleur 1824 - 1898 Deauville), 1870-1876, drawing, watercolour, heightened with white, over pencil, 14.9 x 30.2 cm, r.r. 'Plougastel.' (with black chalk);

Forest clearing with a path, Narcisse Virgilio Diaz de la Peña (Bordeaux 1807 - 1876 Menton), drawing, pencil; outlined with the same pen, 15 x 22.5 cm

The Thames Estuary at Erith, Charles François Daubigny (Paris 1817 - 1878 Paris), 1866, drawing, charcoal, 23.8 x 42.6 cm

Forest Path, Jean-Baptiste Camille Corot (Paris 1796 - 1875 Paris), Drawing, Black chalk, Contre-épreuve (backprint), 26 x 16.6 cm

Forest path with a view of a chapel-like building, Jean-Baptiste Camille Corot (Paris 1796 - 1875 Paris), c. 1870-1875, drawing, charcoal on browned, foxed paper; Rubdowns, 31.7 x 25 cm

Modefigurine, Dagobert Peche (Sankt Michael im Lungau 1887 - 1923 Mödling), 1915, drawing, watercolored opaque paints, pencil, squared paper, passe-partout: 28.5 x 19.2 cm, M.r. 'Dagobert, Peche, Vienna, 15, Z

Modefigurine, Dagobert Peche (Sankt Michael im Lungau 1887 - 1923 Mödling), 1914, drawing, opaque paint, pencil, brush, passe-partout: 28.5 x 18.5 cm, M.r. 'D.Peche, 14, Z

Equestrian study from behind, Jean-Baptiste Carpeaux (Valenciennes 1827 - 1875 Courbevoie), drawing, black chalk, on blue paper, 13.6 x 9.8 cm, verso: Adolf Glüenstein

Meadow with trees near Rödelheim, Hans Thoma (Bernau 1839 - 1924 Karlsruhe), 1887, drawing, black-brown, black and cyan-blue chalk, heightened in white with a brush, on gray paper, 379 x 468 mm, recto: l.l. 'Hans Thoma', re. u.:

Scene from the 'Leather Stocking', Max Slevogt (Landshut 1868 - 1932 Neukastel/Palatinate), around 1908-10, drawing, pen in dark brown, brush in grey, washed, 12 x 18.6 cm, l.l. 'Slevogt

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