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The ring and fencing book, ring and fencing book (fencing manual), Albrecht Dürer (Nuremberg 1471 - 1528 Nuremberg), 1512, drawing, pen, lightly watercoloured, 31 x 22 cm

The ring and fencing book, ring and fencing book (fencing manual), Albrecht Dürer (Nuremberg 1471 - 1528 Nuremberg), 1512, drawing, pen, lightly watercoloured, 31 x 22 cm

The ring and fencing book, ring and fencing book (fencing manual), Albrecht Dürer (Nuremberg 1471 - 1528 Nuremberg), 1512, drawing, pen, lightly watercoloured, 31 x 22 cm

The ring and fencing book, ring and fencing book (fencing manual), Albrecht Dürer (Nuremberg 1471 - 1528 Nuremberg), 1512, drawing, pen, lightly watercoloured, 31 x 22 cm

The ring and fencing book, ring and fencing book (fencing manual), Albrecht Dürer (Nuremberg 1471 - 1528 Nuremberg), 1512, drawing, pen, lightly watercoloured, 31 x 22 cm

The ring and fencing book, ring and fencing book (fencing manual), Albrecht Dürer (Nuremberg 1471 - 1528 Nuremberg), 1512, drawing, pen, lightly watercoloured, 31 x 22 cm

The ring and fencing book, ring and fencing book (fencing manual), Albrecht Dürer (Nuremberg 1471 - 1528 Nuremberg), 1512, drawing, pen, lightly watercoloured, 31 x 22 cm

The ring and fencing book, ring and fencing book (fencing manual), Albrecht Dürer (Nuremberg 1471 - 1528 Nuremberg), 1512, drawing, pen, lightly watercoloured, 31 x 22 cm

The ring and fencing book, ring and fencing book (fencing manual), Albrecht Dürer (Nuremberg 1471 - 1528 Nuremberg), 1512, drawing, pen, lightly watercoloured, 31 x 22 cm

The ring and fencing book (fol. 85r: sword fights), ring and fencing book (fencing manual), anonymous, 1512, drawing, pen in black, watercoloured, 31 x 22 cm

The ring and fencing book, ring and fencing book (fencing manual), Albrecht Dürer (Nuremberg 1471 - 1528 Nuremberg), 1512, drawing, pen, lightly watercoloured, 31 x 22 cm

The ring and fencing book, ring and fencing book (fencing manual), Albrecht Dürer (Nuremberg 1471 - 1528 Nuremberg), 1512, drawing, pen, lightly watercoloured, 31 x 22 cm

The ring and fencing book, ring and fencing book (fencing manual), Albrecht Dürer (Nuremberg 1471 - 1528 Nuremberg), 1512, drawing, pen, lightly watercoloured, 31 x 22 cm

The ring and fencing book, ring and fencing book (fencing manual), Albrecht Dürer (Nuremberg 1471 - 1528 Nuremberg), 1512, drawing, pen, lightly watercoloured, 31 x 22 cm

The ring and fencing book, ring and fencing book (fencing manual), Albrecht Dürer (Nuremberg 1471 - 1528 Nuremberg), 1512, drawing, pen, lightly watercoloured, 31 x 22 cm

The ring and fencing book, ring and fencing book (fencing manual), Albrecht Dürer (Nuremberg 1471 - 1528 Nuremberg), 1512, drawing, pen, lightly watercoloured, 31 x 22 cm

The ring and fencing book, ring and fencing book (fencing manual), Albrecht Dürer (Nuremberg 1471 - 1528 Nuremberg), 1512, drawing, pen, lightly watercoloured, 31 x 22 cm

Hand study, Anthonis van Dyck (Antwerp 1599 - 1641 London-Blackfriars), Drawing, Black chalk, heightened with white chalk, on blue paper (irregularly cropped). Small brown spots in the middle; Traces of creases in the upper area and on the lower

Loth's escape. Loth, his wife and the two daughters, guided by angels, are moving over a hill, while two angels are pouring out fire over the sinking city of Sodom, anonymous, drawing, charcoal; Feather; washed; heightened with white; brownish

Prater landscape with Holzklaubern, anonymous, Friedrich August Brand (Vienna 1735 - 1806 Vienna), drawing, stone chalk, sanguine, pen in dark gray, 62 x 46.9 cm, r.r. old serial number 'N 37

Head of a Woman with a Hood, Anonymous, 1640 - 1650, drawing, watercolour, 12.0 x 9.3 cm

The Visitation, anonymous, drawing, pen, ink, washed, 25 x 18 cm, r.r. Genevosio (L. 545); l.b. Duke Albert of Saxe-Teschen

Enthroned saint surrounded by many people (death of Moses), Leander Russ (Vienna 1809 - 1864 Kaltenleutgben), 1846, drawing, watercolour, gouache, 27 × 36.3 cm

Mohammedan Tomb, Leander Russ (Vienna 1809 - 1864 Kaltenleutgben), 1849, drawing, watercolour, Round: 8 × 8 cm

Portrait of Elector Maximilian of Cologne, Johann Ernst Mansfeld (Prague 1739 - 1796 Vienna), drawing, pen, washed, 27.9 x 21.4 cm

Adoration of the Shepherds, Anonymous, Drawing, pen; washed, 15.6 x 23.5 cm, l.l. Duke Albert of Saxe-Teschen, lower center old pen number '144', on the reverse lower right, crosswise, truncated pen number '62

Three cursory sketches of figures, anonymous, drawing, chalk, 15.6 × 23.5 cm, in the center below old pen number '144', on the reverse lower right, crosswise, truncated pen number '62

Mary with the child; on the right is a dog, Francesco Mazzola, called il Parmigianino (Parma 1503 - 1540 Casalmaggiore), drawing, red chalk, heightened with white, 11.2 x 9.4 cm, r.o. des Neux/de La Noue; r.b. Duke Albert of Saxe-Teschen, top

Italian taproom, anonymous, 19th century, drawing, ink, pen, wash, passe-partout cutout: 11 × 12.7 cm

Moses and the bronze serpent, Heinrich Friedrich Füger (Heilbronn 1751 - 1818 Vienna), 1770-1772, drawing, black chalk wiped, sanguine, gray uncoated paper, according to Cahier: 45 x 57.5 cm

Mary with the child; on the right the heads of two animals and two angels, to which Mary turns, anonymous, drawing, red chalk, 11.2 x 9.2 cm, l.o. des Neux/de La Noue; r.b. Duke Albert of Saxe-Teschen, top left next to the initials des Neux/de

Maria with the child Jesus enthroned on clouds, Francesco Mazzola, called il Parmigianino (Parma 1503 - 1540 Casalmaggiore), 1526-1527, drawing, brown pen over traces of a preliminary drawing in black chalk, brown wash, heightened with white,

A right arm holding a scroll, anonymous, Florence, 16th century, drawing, red chalk, 8.5 x 18.3 cm, l.l. Duke Albert of Saxe-Teschen, lower center 'Raphaelo' in an old hand; right '119

Madonna with the Christ Child and an Angel, Francesco Mazzola, called il Parmigianino (Parma 1503 - 1540 Casalmaggiore), c. 1528-1529, drawing, light brown pen, light brown wash over black chalk, on reddish-tinted paper, 20.1 x 16 .1 cm,

Holy Family with the boy John, anonymous, drawing, pen, ink, washed, 24.5 x 19.3 cm, l.l. Duke Albert of Saxe-Teschen, lower center in pen 'Francesco Parmegiano'; Upper left in chalk '3

Holy Family with the Boy John, Anonymous, Drawing, Pen; washed; bluish tinted paper; the upper corners beveled, 24 x 18.1 cm, l.l. Duke Albert of Saxe-Teschen

Holy Family with Saint Elizabeth. (They are lying in a vineyard, worshiped by angels; Joseph is holding a bunch of grapes for the child who is standing on the lap of the Madonna, which the child grasps with both hands), master of the Egmont

The Holy Family, Andrea Meldolla, called Schiavone (Zara (Sebenico) around 1500/15 - 1563 Venice), drawing, traces of stylus, charcoal, brown brush, heightened with white, on brown paper, 20.7 × 17.6 cm, l.b. Duke Albert of Saxe-Teschen

The Holy Family and a Putto Angel coming from the right adoring the Child, anonymous, 18th century, drawing, chalk; brownish paper; brown spots, 20 x 15.2 cm, l.l. Duke Albert of Saxe-Teschen, lower right in old pen writing 'F. Parmegiano';

Entombment of Christ, Anonymous, Drawing, Pen; washed; heightened with white; brown paper, 29.3 x 15.2 cm, l.l. Duke Albert of Saxe-Teschen, number '37' rubbed off lower right

Lamentation for Christ, Francesco Mazzola, called il Parmigianino (Parma 1503 - 1540 Casalmaggiore), around 1524-1525, drawing, red chalk over pen drawing, heightened with white; the upper corners trimmed, 19.4 x 15.2 cm, r.r. Sir Peter Lely,

Two standing naked youth figures; they are facing each other, Raffaello Sinibaldi called Da Montelupo (Italy, 1505? - 1566/67), drawing, ink, pen, 18.4 x 11.7 cm, l.l. Reynolds; l.b. Duke Albert of Saxe-Teschen, in the middle below in an old

Supplicants in front of the enthroned royal couple, surrounded by the court (lunette), Luca Cambiaso (Moneglia 1527 - 1585 San Lorenzo de El Escorial), drawing, pen, washed, red chalk, squared, on brownish paper, 21.4 x 36 cm, l.l. frieze;

The ring and fencing book, ring and fencing book (fencing manual), Albrecht Dürer (Nuremberg 1471 - 1528 Nuremberg), 1512, drawing, pen, lightly watercoloured, 31 x 22 cm

The ring and fencing book, ring and fencing book (fencing manual), Albrecht Dürer (Nuremberg 1471 - 1528 Nuremberg), 1512, drawing, pen, lightly watercoloured, 31 x 22 cm

The ring and fencing book, ring and fencing book (fencing manual), Albrecht Dürer (Nuremberg 1471 - 1528 Nuremberg), 1512, drawing, pen, lightly watercoloured, 31 x 22 cm

The ring and fencing book, ring and fencing book (fencing manual), Albrecht Dürer (Nuremberg 1471 - 1528 Nuremberg), 1512, drawing, pen, lightly watercoloured, 31 x 22 cm

Presumed self-portrait of the artist, Andreas Geyling (Austria, 1763 - 1819), 1790, drawing, charcoal, according to Cahier: passe-partout: 45.5 x 32 cm, l.l. 'Andreas, Geyling born 1763., on February 7th, 1790 his portrait, is drawn

The Anointing of the Body of Christ, Andrea Meldolla, called Schiavone (Zara (Sebenico) around 1500/15 - 1563 Venice), drawing, pen, brush in black and brown, gray wash, white heightened, 27.2 × 30.5 cm, l.b. Duke Albert of Saxe-Teschen

Christ and the twelve apostles: Bartholomew, 13-part cycle: Christ and the twelve apostles, around 1650, drawing, red chalk, 9.6 x 5.7 cm, l.l. Duke Albert of Saxe-Teschen

British lieutenant general, Karl Lanzedelly (Vienna 1815 - 1865 Vienna), around 1820, drawing, pencil on blue paper, according to Cahier: 42.3 x 28 cm, l.l. 'Lanzedelly', bottom right '26615

The warm bath (2), Wilhelm Busch (Wiedensahl/Hannover 1832 - 1908 Mechtshausen/Harz), 1865, drawing, pen and brush in brown, on light brown primed paper, 11.1 x 13 cm

Venus stretched out on the ground in a landscape, Cupid at her side, surrounded by bathing nymphs, anonymous, drawing, pen; washed; heightened with white; partially supplemented, 28.5 x 18.9 cm, l.l. Duke Albert of Saxe-Teschen, lower center

Knight in front of an inn, Eduard von Luttich von Luttichheim (Prague 1844 - 1920 Vienna), 1894, drawing, pencil, passe-partout cut-out: 42.7 × 35.1 cm

Male seated nude from behind, Alois Beran-Polly (Dolní Bolíkov (Wölking) 1884 - 1945 Langenlois), drawing, chalk, pencil, passe-partout cutout: 56.2 x 42.2 cm

Mucius Scaevola, Francesco Mazzola, called il Parmigianino (Parma 1503 - 1540 Casalmaggiore), 1523-1524, drawing, pencil preliminary drawing, chalk, on brownish paper, 16.2 x 11.3 cm, l.l. Duke Albert of Saxe-Teschen, 'Parmasan

Zeus and Danae, scenes from ancient mythology and Roman history, Étienne Delaune (Paris 1518/19 - 1583 Paris), drawing, pen, ink, brush, with brown ink wash, on parchment, 3.5 x 4.4 cm, l.l. Duke Albert of Saxe-Teschen

Marienhof IV., 4-part series: Marienbad, Xavier Laurent, 1819, drawing, gouache, 41.5 x 58.8 cm

Half-length portrait of a man with a long beard, anonymous, drawing, chalk; brownish paper; transverse kink; a narrow strip added and traced below and on the left margin; brittle, 41.0 x 25.7 cm, l.l. Duke Albert of Saxe-Teschen, lower right on

Calvary on Währinger Friedhof, Hagengesellschaft, Carl Müller (Vienna 1862 - 1938 Vienna), 1891, drawing, pencil, 20.8 x 11.2 cm

Head of a Satyr, Anonymous, Drawing, charcoal; Feather; brown paper, 37.4 x 26.0 cm, r.r. Duke Albert of Saxe-Teschen, lower right in pen 'Ann. carache'; '2' in pencil upper left

Peasant with a fur hat at the table, Franz Hofer (Graz 1885 - 1915 Gorlice), 1914, drawing, chalk, pencil, 9.3 x 7.5 cm

Perseus and Andromeda, Étienne Delaune (Paris 1518/19 - 1583 Paris), drawing, pencil, pen, ink, brush, washed with brown ink, 8.9 x 7 cm

Sacra Conversation. The Madonna and Child adored by Saint Margaret of Cortona surrounded by Saints Jerome and Augustine (Benedict? Petronius?) and an angel, anonymous, drawing, chalk; Feather; brush in grey; heightened with white; squared, 35 x

Twice the study of a foot, Lodovico Mattioli (Crevalcore 1662 - 1747 Bologna), drawing, chalk, 16.5 x 12.5 cm, l.l. Duke Albert of Saxe-Teschen, lower right in an old hand '2

Enthroned Madonna with St. Jerome and Francis, Francesco Mazzola, called il Parmigianino (Parma 1503 - 1540 Casalmaggiore), drawing, pen, brown-green and light blue wash, 19.1 x 9.9 cm, l.l. Duke Albert of Saxe-Teschen

The Virgin and Child in glory with Saints Stephen and John and a donor, anonymous, drawing, red chalk, 12.7 x 8.5 cm, l.l. Duke Albert of Saxe-Teschen

John the Baptist in the desert, Francesco Montelatici called Cecco Bravo (Italy, 1601 - 1661), drawing, preliminary charcoal drawing; rubella; Charcoal squaring, 16.1 x 12 cm, l.l. Duke Albert of Saxe-Teschen, old pen number '83' lower right

Christ and the twelve apostles: Peter, 13-part cycle: Christ and the twelve apostles, around 1650, drawing, red chalk, 9.6 x 5.7 cm, l.l. Duke Albert of Saxe-Teschen

Christ and the twelve apostles: Paul, 13-part cycle: Christ and the twelve apostles, around 1650, drawing, red chalk, 9.6 x 5.7 cm, l.l. Duke Albert of Saxe-Teschen

Christ and the twelve apostles: Christ risen from the dead, with the flag of victory, 13-part cycle: Christ and the twelve apostles, around 1650, drawing, red chalk, 9.6 x 5.7 cm, l.l. Duke Albert of Saxe-Teschen

Christ and the twelve apostles: Jacobus Minor, Judas Thaddäus or Matthew, 13-part cycle: Christ and the twelve apostles, around 1650, drawing, red chalk, 9.7 x 5.6 cm, l.l. Duke Albert of Saxe-Teschen

Christ and the twelve apostles: Jacobus Maior, 13-part cycle: Christ and the twelve apostles, around 1650, drawing, red chalk, 9.6 x 5.8 cm, l.l. Duke Albert of Saxe-Teschen

Old man sitting on the ground with his companion also sleeping next to him at a well, Ippolito Scarsella called lo Scarsellino (Italy, 1551 - 1620), drawing, red chalk, 8 x 11.5 cm, l.l. Duke Albert of Saxe-Teschen, lower right in an old hand

Christ and the twelve apostles: John the Evangelist, 13-part cycle: Christ and the twelve apostles, around 1650, drawing, red chalk, 9.6 x 5.6 cm, l.l. Duke Albert of Saxe-Teschen

Christ and the twelve apostles: Andreas, 13-part cycle: Christ and the twelve apostles, around 1650, drawing, red chalk, 9.6 x 5.7 cm, l.l. Duke Albert of Saxe-Teschen

Christ and the twelve apostles: Thomas, 13-part cycle: Christ and the twelve apostles, around 1650, drawing, red chalk, 9.6 x 5.8 cm, l.l. Duke Albert of Saxe-Teschen

Christ and the twelve apostles: Jacobus Minor or Judas Thaddäus, 13-part cycle: Christ and the twelve apostles, around 1650, drawing, red chalk, 9.7 x 5.7 cm, l.l. Duke Albert of Saxe-Teschen

Christ and the twelve apostles: Simon, 13-part cycle: Christ and the twelve apostles, around 1650, drawing, red chalk, 9.7 x 5.8 cm, l.l. Duke Albert of Saxe-Teschen

Christ and the twelve apostles: Matthew or Judas Thaddeus, 13-part cycle: Christ and the twelve apostles, around 1650, drawing, red chalk, 9.4 x 5.8 cm, l.l. Duke Albert of Saxe-Teschen

Christ and the twelve apostles: Philip, 13-part cycle: Christ and the twelve apostles, around 1650, drawing, red chalk, 9.6 x 5.7 cm, l.l. Duke Albert of Saxe-Teschen

Saint Andrew with the slanting cross on his back, Antonio Maria Zanetti (Venice 1680 - 1757 Venice), Drawing, pen; washed; Traces of transmission, 15.6 x 17.7 cm, r.l. Duke Albert of Saxe-Teschen

View of Olevano, Ernst Christian Johann Friedrich Preller the Elder (Eisenach 1804 - 1878 Weimar), 1859-1861 or later, Drawing, brown pen, washed, over pencil, on brown paper, 132 x 217 mm

Austrian artillery, Johann Adam Klein (Nuremberg 1792 - 1875 Munich), 1814, drawing, pencil, the sleeve of the soldier traced in profile in front with pen in black, 12.8 x 20.2 cm, l.l. 'Easter. Artillery JAK[ligated]. f. Vienna 1814.' (Lead

Grazing horse in front of a tent, Johann Adam Klein (Nuremberg 1792 - 1875 Munich), 1814, drawing, pencil, 12.8 x 20.2 cm

Matthew the Apostle, Antonio Maria Zanetti (Venice 1680 - 1757 Venice), Drawing, Pen; washed; Transmission traces, 15.6 x 7.5 cm, l.l. Duke Albert of Saxe-Teschen

Study of a Centaur (Nessus?); the hands stretched over the head hold a robe, Piero di Cosimo (Florence around 1462 - 1521 or 1540 Florence), drawing, ink, pen, 8.3 x 14.4 cm, l.l. Duke Albert of Saxe-Teschen

Saint Andrew leaning on his cross, Francesco Mazzola, called il Parmigianino (Parma 1503 - 1540 Casalmaggiore), around 1527-1529, drawing, pen in brown, brown and grey-brown wash, white heightening, over preliminary drawing in black pen, on

Bosnian landscape, Fritz Schwarz-Waldegg (Vienna 1889 - 1942 Minsk (Maly Trostinez extermination camp)), 1933, drawing, watercolour, chalk; Inscription: ink, pencil, mat cutout: 31.3 x 43.7 cm (12 5/16 x 17 3/16 in.), l.l. 'Bosnian,

Roman Aqueduct at Segovia, Fritz Schwarz-Waldegg (Vienna 1889–1942 Minsk (Maly Trostinez extermination camp)), 1929, drawing, watercolor, chalk, passe-partout cutout: 35 x 49.4 cm (13 3/4 x 19 7/16 in. ), l.b. 'Rom. Aqueduct, Segovia'; r.b.

Christ heals the sick, Andrea Meldolla, called Schiavone (Zara (Sebenico) around 1500/15 - 1563 Venice), drawing, pen, grey-brown wash, heightened with white, on yellowish primed paper, stippled, 22.6 × 16.1 cm, l.b. Duke Albert of

Praying women, Peter Fendi (Vienna 1796 - 1842 Vienna), drawing, pencil, watercolour, 21.2 x 16.8 cm, l.l. '26611

Hay harvest before the thunderstorm, Friedrich Gauermann (Miesenbach 1807 - 1862 Vienna), drawing, sepia, pen, brush, washed, pencil, 19.7 x 24.8 cm, l.l. 'R', r.b. '26612

Martyr kneeling to the right with palm and book, drawing, brush in grey; heightened with white; blue paper, 13.3 x 8.3 cm, r.l. Duke Albert of Saxe-Teschen

Portrait of the church painter Leopold Kupelwieser, Johann Nepomuk Passini (Vienna 1798 - 1874 Graz), drawing, pencil, 22.6 x 18.6 cm, l.l. '26621

Wedding of Count Wallis in Gutenstein, Jakob Gauermann (Oeffingen near Stuttgart 1773 - 1843 Vienna), 1820, drawing, brown ink, pen, washed, pencil, 31.5 x 41.1 cm, r.r. '26622.'; o. 'Procession to the wedding of Count Wallis with his bride

Study for the Leipzig version of the 'Steinbrecher' (1911), Robert Hermann Sterl (Großdobritz 1867 - 1932 Naundorf), 1910, drawing, black chalk (charcoal ?(Cah.)); Sketchy chalk border line, 206 x 244 mm, l.l. 'R St 1910' (black chalk

Field worker from the right, Fritz Hegenbart (Salzburg 1864 - 1943 Bayerisch Gmain), 1910, drawing, pencil, on tissue paper, 29.4 x 26 cm, r.r. 'FHbt(ligated). 10' Passepartout: verso; mu '22270' (strikethrough); 'D.pr.XIX/23' - recto; right

Venus with Cupid and Cupids, Francesco Mazzola, called il Parmigianino (Parma 1503 - 1540 Casalmaggiore), 1527-30, drawing, red chalk, heightened with white, on brownish paper, 24.3 x 15.9 cm, l.l. frieze; r.b. Duke Albert of

Seated Man, Karl Mediz (Vienna 1868–1945 Dresden), 24-5-1890, Drawing, pencil, 29.8 x 18 cm (11 3/4 x 7 1/16 in.), r.o. 'lute'; r.b. 'constant, Rubens

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