Images at Librifly

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Study for Spork, Ludwig Koch (Austria, 1866 - 1934), drawing, pencil, 373 x 257 mm, l.l. 'Ludwig Koch'; mu 'Study on 'Spork''; r.b. 'IV

Study for the reclining Julia in the painting 'Die Scheitote Julia Capulet', Hans Makart (Salzburg 1840 - 1884 Vienna), around 1869, drawing, pencil, paper, 27 x 39.7 cm

Portrait of my wife, Maximilian Liebenwein (Vienna 1869 - 1926 Munich), 1913, drawing, black chalk on blue-grey paper, passe-partout: 45.8 x 35.1 cm, l.o. 'Portrait of my wife., Burghausen, June 1913

Composition study for the 'Alters', Johann Hans Reinhard von Marées (Elberfeld 1837 - 1887 Rome), around 1873-74, drawing, red chalk, 23.8 x 30.5 cm

Two figures, Johann Hans Reinhard von Marées (Elberfeld 1837 - 1887 Rome), around 1873-74, drawing, red chalk, 23.8 x 30.5 cm

Preliminary study for the 'Alters', Johann Hans Reinhard von Marées (Elberfeld 1837 - 1887 Rome), around 1873/74, drawing, pencil, pencil border line, 28.8 x 20 cm, l.l. 'B. 57

Bacchus drinking with putto, Francesco Mazzola, called il Parmigianino (Parma 1503 - 1540 Casalmaggiore), after 1535, drawing, pencil, red chalk, 9.8 x 7 cm, l.l. Duke Albert of Saxe-Teschen, lower left in old pen writing '1538.'; lower

The warm bath (1), Wilhelm Busch (Wiedensahl/Hanover 1832 - 1908 Mechtshausen/Harz), 1865, drawing, pen and brush in brown, on light brown primed paper, 11.1 x 13 cm

The warm bath (3), Wilhelm Busch (Wiedensahl/Hanover 1832 - 1908 Mechtshausen/Harz), 1865, drawing, pen and brush in brown, on light brown primed paper, 11.1 x 13 cm

The warm bath (4), Wilhelm Busch (Wiedensahl/Hanover 1832 - 1908 Mechtshausen/Harz), 1865, drawing, pen and brush in brown, on light brown primed paper, 11.1 x 13 cm

The warm bath (5), Wilhelm Busch (Wiedensahl/Hannover 1832 - 1908 Mechtshausen/Harz), 1865, drawing, pen and brush in brown, over pencil marks, on light brown primed paper, 11.1 x 12.8 cm, passe-partout: F.1642c3c, D.2065d3e

The warm bath (6), Wilhelm Busch (Wiedensahl/Hannover 1832 - 1908 Mechtshausen/Harz), 1865, drawing, pen and brush in brown, over pencil marks, on light brown primed paper, 11.1 x 13.5 cm, passe-partout: F.1642c3c, D.d3f

The warm bath (7), Wilhelm Busch (Wiedensahl/Hannover 1832 - 1908 Mechtshausen/Harz), 1865, drawing, pen and brush in brown, over pencil marks, on light brown primed paper, 11.1 x 12.2 cm, Mi. o. above the taps: 'K' and 'W' (pen in brown)

The warm bath (8), Wilhelm Busch (Wiedensahl/Hannover 1832 - 1908 Mechtshausen/Harz), 1865, drawing, pen and brush in brown, over pencil marks, on light brown primed paper, 11.1 x 12.8 cm, passe-partout: F.1642c3d, D.2065d3t

The warm bath (9), Wilhelm Busch (Wiedensahl/Hannover 1832 - 1908 Mechtshausen/Harz), 1865, drawing, pen and brush in brown, over pencil marks, on light brown primed paper, 11.1 x 13.1 cm, passe-partout: F.1642c3e, D.2965d3i

The warm bath (10), Wilhelm Busch (Wiedensahl/Hanover 1832 - 1908 Mechtshausen/Harz), 1865, drawing, pen and brush in brown, over pencil marks, on light brown primed paper, 11.1 x 13.1 cm, passe-partout: F.1642c3e, D.2065d3k

Apollo standing in profile to the right, playing the violin, Anonymous, Drawing, Pen; washed; blue paper; cut out more or less along the drawing and mounted on a rectangular backing paper, 16.2 x 9.7 cm, bottom left. Duke Albert of

The warm bath 11, Wilhelm Busch (Wiedensahl/Hannover 1832 - 1908 Mechtshausen/Harz), 1865, drawing, pen and brush in brown, over pencil marks, on light brown primed paper, 11.1 x 12.9 cm, passe-partout: F. 1642c3g, D.2065d3l

The warm bath (12), Wilhelm Busch (Wiedensahl/Hannover 1832 - 1908 Mechtshausen/Harz), 1865, drawing, pen and brush in brown, over pencil marks, on light brown primed paper, 11.2 x 12.7 cm, passe-partout: F.1642c3g, D.2065d3m

The warm bath (13), Wilhelm Busch (Wiedensahl/Hanover 1832 - 1908 Mechtshausen/Harz), 1865, drawing, pen and brush in brown, over pencil marks, on light brown primed paper, 11 x 14.1 cm, passe-partout: F. 1642c3h, D.d3n

The warm bath (14), Wilhelm Busch (Wiedensahl/Hanover 1832 - 1908 Mechtshausen/Harz), 1865, drawing, pen and brush in brown, over pencil marks, on light brown primed paper, 11 x 12.5 cm, passe-partout: F. 1642c3h, D.2065d3r

The warm bath, Wilhelm Busch (Wiedensahl/Hanover 1832 - 1908 Mechtshausen/Harz), 1865, drawing, pen and brush in brown, over pencil marks, on light brown primed paper, 11.1 x 12 cm, passe-partout: F.1642c3t, D .2065d3s

The warm bath (16), Wilhelm Busch (Wiedensahl/Hanover 1832 - 1908 Mechtshausen/Harz), 1865, drawing, pen and brush in brown, over pencil marks, on light brown primed paper, 11 x 12.4 cm, passe-partout: F. 1642c3t, D.2065d3t

The warm bath (17), Wilhelm Busch (Wiedensahl/Hannover 1832 - 1908 Mechtshausen/Harz), 1865, drawing, pen and brush in brown, over pencil marks, on light brown primed paper, 11.1 x 12.3 cm, l.l. 'w Bu 5 IV 1865' (brush in brown) Mat:

Composition draft, Leopold Gottlieb (Drohobycz 1879 - 1934 Paris), 1925, drawing, colored chalk, brush, passe-partout: 348 x 258 mm

Seated, half-dressed woman with a water jug, Leopold Gottlieb (Drohobycz 1879 - 1934 Paris), drawing, black chalk, passe-partout: 459 x 306 mm

Kneeling woman pouring water into a trough, Leopold Gottlieb (Drohobycz 1879 - 1934 Paris), drawing, black chalk, passe-partout: 336 x 320 mm

sketch sheet. wall decoration; lower right mystical marriage of Saint Catherine in two versions, drawing, pen; Chalk traces, 26.1 x 40.8 cm

Three independent landscape studies, two with staffage; Pine cones in the Belvedere of the Vatican, Paolo Caliari, called Veronese (Verona 1528 - 1588 Venice), drawing, pen, ink, washed, 29.8 x 21.7 cm, above the upper figure sketch

Reclining nude with spread legs, Egon Schiele (Tulln 1890 - 1918 Vienna), 1914, drawing, pencil, brush, opaque paint, on Japanese paper, 31.2 x 48 cm

Field landscape (Kreuzberg near Krumau), Egon Schiele (Tulln 1890 - 1918 Vienna), 1910, drawing, black chalk, watercolour, opaque colors on brown wrapping paper, 30.7 × 44.5 cm

Lovers, Egon Schiele (Tulln 1890 - 1918 Vienna), 1913, drawing, pencil, watercolour, body colour, on Japan paper, 31.8 × 48.2 cm

Standing girl, Egon Schiele (Tulln 1890 - 1918 Vienna), 1910, drawing, black chalk, watercolour, body colour, on wrapping paper, 44.7 × 31.1 cm

Franz Hauer, Egon Schiele (Tulln 1890 - 1918 Vienna), 1914, drawing, pencil on Japanese paper, 48.2 x 32 cm, M.l. 'FRANZ HAUER

From the life of Saint Stephen, Leopold Kupelwieser (Markt Piesting 1796 - 1862 Vienna), drawing, brown ink, pen, according to Cahier: Passepartout: 42.2 x 30.9 cm

The marriage of Alexander and Roxane (Plutarch XXXIII, 47; Qu. Curtius Ruf. VIII, 4, 23-29), drawing, pen and brush in brown, heightened with white, on yellow-primed paper, 27.7 x 20.7 cm, l.b. Duke Albert of Saxe-Teschen, lower right in

Lovers in an oval, drawing, pencil, 17.1 x 23.4 cm

Krumau Castle, Eduard Brechler (Budapest 1857 - 1912 Vienna), 1883, drawing, pencil, passe-partout section: 35.6 × 27.4 cm, r.r. 'Krumlov Castle

Alexander and the Amazon queen Thalestris with their entourage, Francesco Primaticcio (Bologna 1504 - 1570 Paris), around 1541-1544, drawing, chalk, 27.1 x 22.4 cm, l.l. Duke Albert of Saxe-Teschen

Tree in the Princely Park of Krumau, Eduard Brechler (Budapest 1857 - 1912 Vienna), 1887, drawing, pencil, passe-partout cutout: 29 × 23.1 cm, below bottom detail caption

Alpine landscape, Lucas van Valckenborch the Elder (Löwen or Mechelen c. 1535 - 1597 Frankfurt am Main), drawing, pen and ink in brown, washed, 15.4 x 19.5 cm

Studies on 'The History of Beautiful Lau', Moritz von Schwind (Vienna 1804 - 1871 Niederpöcking/Munich), 1868, drawing, ink, pen, according to Cahier: Passepartout: 19.2 x 28.1 cm, l.l. 'Studies on the Beautiful Woman

Augustus and the Tiburtine Sibyl. In front of a piece of urban architecture, she points Emperor Augustus to the Madonna appearing on clouds, accompanied by angels, anonymous, drawing, pen; brush in brown; heightened with white; green paper, 34

The artist's mother, Georg Decker (Budapest 1818/19 - 1894 Vienna), 1887, drawing, gouache, heightened with white, 21.7 x 15.6 cm, r.r. '26703

Salon of Princess Henriette Odescalchi in Hirtenberg Palace, Rudolf von Alt (Vienna 1812 - 1905 Vienna), 1853, drawing, watercolour, 30.2 x 41.2 cm, l.l. '26706

Prince Felix Schwarzenberg, Josef Kriehuber (Vienna 1800 - 1876 Vienna), 1852, drawing, watercolour, pencil, 36.6 x 27.1 cm, l.l. Stamp, l.u. '26707

A man and a woman in a drapery from which they seem to want to free themselves, anonymous, drawing, pen; washed; brownish paper; the edges badly damaged, 22 x 17.5 cm, r.r. Genevosio (L. 545); l.b. Duke Albert of Saxe-Teschen

Passion Scenes (Ecce homo, flagellation, Pilate's washing of hands), Michael Ribestein (active 1547-1565 in Berlin), after 1537, drawing, pen and ink on gray-tinted paper, 28.5 x 20.1 cm (11 1/4 x 7 15 /16 in.), no collector's stamp Duke

The Story of the Prophet Daniel, c. 1530/35, drawing, pen wash, composed of two sheets (right: 26.8 x 12.6 cm), 27 x 37.5 cm (10 5/8 x 14 3 /4 in.), no collector's stamp Duke Albert of Saxe-Teschen

Study for a soldier, Sigmund L'Allemand (Vienna 1840 - 1910 Vienna), drawing, pencil, passe-partout cut-out: 38.3 x 25.3 cm, r.l. 'ESTATE, SIG. ALLEMAND', detail caption

Diogenes, Biagio Pupini, called delle Lame (Italy, c. 1490 - 1575), drawing, pen; gray wash; heightened with white; yellow primed paper, 22 x 17 cm, l.l. Duke Albert of Saxe-Teschen, lower right in old pen script 'Parmesianino

Self-portrait, Josef Zasche (Gablonz 1821 - 1881 Vienna), 1857, drawing, pencil, colored pencil, heightened with white, passe-partout cut-out: 22.6 x 17.5 cm

Chess player, Theodor Zasche (Vienna 1862 - 1922 Vienna), drawing, pencil, according to Cahier: 12.8 x 19.4 cm, illegible without inscription; l.b. '26721

Proserpina, standing left, transforming Ascalaphus into an eagle-owl (Ovid, Met. V, 534-550), Anonymous, Drawing, Brush in brown; heightened with white; brown paper; the upper corners are missing, 41.6 x 28 cm, l.l. Duke Albert of

Boat harbor at the lake, Rudolf Wacker (Bregenz 1893 - 1939 Bregenz), drawing, black chalk on paper, 38.9 × 27.7 cm

Sophonisba drinking the poisoned cup, Ambroise Dubois (Antwerp 1542/43 - 1614 Fontainebleau (Seine-et-Marne)), drawing, red chalk, heightened with white, 21.7 x 15.9 cm, l.l. Duke Albert of Saxe-Teschen, on the top left corner in chalk 'A 67

Spring allegory with cupids, Rudolf Rössler (Gablonz an der Neisse 1864 - 1934 Vienna), around 1890, drawing, pen, passe-partout section: 26.5 × 35.1 cm

Mother's happiness, Rudolf Rössler (Gablonz an der Neisse 1864 - 1934 Vienna), around 1900, drawing, chalk, passe-partout section: 44.1 × 30.4 cm

Lying maenad (study for “Altar of Dionysus”, Vienna Burgtheater), Burgtheater, Gustav Klimt (Vienna 1862 - 1918 Vienna), 1886-1887, drawing, black chalk, heightened with white, on paper, 28.7 × 42.5 cm, l.b. Confirmation of estate

View from the artist's studio window in Notsch, Franz Wiegele (Nötsch 1887 - 1944 Nötsch), before 1935, drawing, pencil, 29 x 38.2 cm

Standing female figure with outstretched arms, Francesco Mazzola, called il Parmigianino (Parma 1503 - 1540 Casalmaggiore), drawing, chalk, background with bluish wash afterwards, 14.1 x 7.9 cm, l.l. Duke Albert of Saxe-Teschen

Two studies for Eva der Steccata, Francesco Mazzola, called il Parmigianino (Parma 1503 - 1540 Casalmaggiore), drawing, red chalk, background with subsequent bluish wash, 12.7 x 11.7 cm, l.l. Duke Albert of Saxe-Teschen

The Golden Horn, Voyage to Constantinople and Greece - April/May 1911, Oskar Laske (Czernowitz 1874–1951 Vienna), 1911, Drawing, Watercolor, 34.1 x 51 cm (13 7/16 x 20 1/16 in.), l.b. 'The Golden, Horn

Untitled, Oskar Laske (Czernowitz 1874 - 1951 Vienna), drawing, watercolour, 34.1 x 51 cm (13 7/16 x 20 1/16 in.), l.l. Albertina, M.l. 'SRSE

Two nymphs with satyr, Francesco Mazzola, called il Parmigianino (Parma 1503 - 1540 Casalmaggiore), drawing, charcoal, pen, on brown paper, 13.6 x 8.7 cm, r.r. Duke Albert of Saxe-Teschen

Two Female Nudes with Drapery, One Frontal, the Other in Profile, Francesco Mazzola, called il Parmigianino (Parma 1503–1540 Casalmaggiore), 1527–1529, Drawing, pen; washed; the background later with a bluish wash without fully

Algerian girl, Franz Wiegele (Nötsch 1887 - 1944 Nötsch), drawing, pencil, passe-partout section: 23.6 x 14.6 cm

Fragment: portrait of a retired captain Bade, Franz Wiegele (Nötsch 1887 - 1944 Nötsch), drawing, chalk, 17.1 x 16.5 cm

Portrait of a woman from Hamburg, Franz Wiegele (Nötsch 1887 - 1944 Nötsch), drawing, pencil, passe-partout section: 37.8 x 27 cm

On the edge of the big city, Maximilian Reinitz (Vienna 1872 - 1935 Vienna), 1931, drawing, charcoal, passe-partout: 233 x 342 mm

Hercules kills Geryones, in the background the herd of oxen, Francesco Mazzola, called il Parmigianino (Parma 1503 - 1540 Casalmaggiore), drawing, chalk, partly tinted bluish, 16.4 x 10.8 cm, l.l. frieze; r.b. Duke Albert of Saxe-Teschen, on

Young woman to the left, carrying a pillow, Francesco Mazzola, called il Parmigianino (Parma 1503 - 1540 Casalmaggiore), around 1537/38-1540, drawing, chalk, heightened with white, 16.8 x 9.4 cm, r.r. Mariette; l.b. Duke Albert of

One of the wise virgins, standing left, an amphora on her head, Anonymous, Drawing, chalk; heightened with white; oxidized; brownish paper, 27.5 x 11.8 cm, l.l. Duke Albert of Saxe-Teschen

Wise Virgin in profile to the left, carrying an amphora on her head, Francesco Mazzola, called il Parmigianino (Parma 1503 - 1540 Casalmaggiore), c. 1535/1536-1538, drawing, chalk, red chalk, heightened with white, charcoal squaring, 26.8 x

Clever virgin in front view with outstretched arms, a lamp in the right hand, around 1535/36-1538, drawing, stylus, red chalk, heightened with white, red chalk squaring, almost completely passed over by a later hand with a red brush, 27.6 x

Clever virgin in front view, an amphora on her head, Francesco Mazzola, called il Parmigianino (Parma 1503 - 1540 Casalmaggiore), drawing, red chalk, 16.4 x 7.4 cm, l.l. Mariette; r.b. Duke Albert of Saxe-Teschen

Apostles, anonymous, drawing, pen; gray wash; heightened with white; violet primed paper, 14.6 x 7.1 cm, l.l. Duke Albert of Saxe-Teschen, lower right in old pen writing 'F. Parmesano

Poor Lazarus in front of the rich man's door, Francesco Mazzola, called il Parmigianino (Parma 1503 - 1540 Casalmaggiore), drawing, pen, on faded blue paper, rubbed, 16.3 x 12.7 cm, l.l. Duke Albert of Saxe-Teschen, 'Parmigino', Pencil

Standing male nude, wearing a cloak over his left arm, anonymous, drawing, pen; brown paper, 24 x 10 cm, l.l. Duke Albert of Saxe-Teschen, 'Parmigianino

Male nude from the back, Girolamo Romanino (?, Brescia c. 1485 - c. 1559/66 Brescia), drawing, red chalk; heavily cropped, 21 x 12.9 cm, r.r. Duke Albert of Saxe-Teschen

Woman with two children to the left, Biagio Pupini, called delle Lame (Italy, around 1490 - 1575), drawing, pen and chalk, gray wash, heightened with white, on gray paper, 21.2 x 12.2 cm, l.l. Duke Albert of Saxe-Teschen

The three ages of man. (Three male nude studies; the middle one in front view, the left one in back view in profile to the right, the bearded old man in side view in profile to the left), anonymous, drawing, pen; blue wash; heightened with

study sheet. Variations of a seated female figure with a child, Jacopo Zanguidi Bertoja (Parma 1544 - before 1573/74 Parma, Caorarola), around 1572-1574, drawing, red chalk, charcoal, pen; washed, on brownish paper, 39.6 x 27.1 cm, r.r.

study sheet. Female figure seated left; Architectural detail, anonymous, drawing, pen, ink, washed, 16 x 10.5 cm, l.l. Duke Albert of Saxe-Teschen, upper right pen number '4'; verso: same pen number 'n 4' lower left

Caryatid, anonymous, drawing, pen, ink, washed, 16 x 10.5 cm, lower left the same pen number 'n 4' as on the obverse

study sheet. Above a column base next to arched architecture are two nude figures with their hands tied behind their backs, behind a third, Francesco Mazzola, called il Parmigianino (Parma 1503 - 1540 Casalmaggiore), 1519-1524, drawing, pen;

Figure studies, Francesco Mazzola, called il Parmigianino (Parma 1503 - 1540 Casalmaggiore), drawing, brown and gray pen, 14.2 x 10.8 cm, l.l. Duke Albert of Saxe-Teschen

Girl seated to the right, reading or sewing by the light of a lamp, Francesco Mazzola, called il Parmigianino (Parma 1503 - 1540 Casalmaggiore), drawing, preliminary chalk drawing; Feather; gray wash; heightened with white; reddish tinted paper,

Head studies in two rows one above the other, top seven, bottom eight heads and busts variously grouped together; Head of a Dead Mouse, anonymous, drawing, pen; washed; composed of two irregularly trimmed parts in the middle, 16.6 x 24.2 cm,

Two figures on a stone bench - a warrior lying in front of them, Franz Sigrist (Altbreisach 1727 - 1803 Vienna), drawing, ink, pen, 19.6 x 28.6 cm, verso: collection stamp of the Johanneum Graz &1923

St. Joseph with a staff of lilies, Paul Troger (Welsberg 1698 - 1762 Vienna), drawing, pen in brown, lead pencil, 18.1 x 12.2 cm

Reading prophet or apostle, anonymous, drawing, brown pen, lead pencil, heightened with white, on gray paper, 13.6 x 15.8 cm

Reading Apostle (Paul?), drawing, pen in brown, lead pencil, heightened with white, on gray paper, 15.8 x 16.1 cm

Female figure between ancient ruins, drawing, pen, lead pencil, 21 x 20.1 cm

Two philosophers in conversation, Paul Troger (Welsberg 1698 - 1762 Vienna), drawing, pen, lead pencil, 27.9 x 17.2 cm

Putti with coat of arms and the attributes of the three fine arts, Paul Troger (Welsberg 1698 - 1762 Vienna), before 1726, drawing, brown pen, 18.5 x 23.2 cm

Putto sitting in front of a tree stump, Paul Troger (Welsberg 1698 - 1762 Vienna), drawing, red chalk, 10.6 x 12.5 cm

Standing putto, Paul Troger (Welsberg 1698 - 1762 Vienna), drawing, red chalk, 10.6 x 12.5 cm, r.r. across 'Dr. Artaria

Three putti with flower garland, drawing, ink, pen, 31.9 x 22.8 cm

Head studies, Francesco Mazzola, called il Parmigianino (Parma 1503 - 1540 Casalmaggiore), drawing, pen and ink on brownish paper, 14.1 x 13.8 cm, l.l. Duke Albert of Saxe-Teschen

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