Images at Librifly


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Putto clinging to the head of a demon with flying hair, framing an epitaph, Jacopo Ligozzi (Verona c. 1547 - 1626/27 Florence), drawing, pen, washed, 27.7 x 16.3 cm, l.l. Duke Albert of Saxe-Teschen
Male figure with lances and human and animal skulls, framing an epitaph, Jacopo Ligozzi (Verona around 1547 - 1626/27 Florence), drawing, pen, brown and blue wash, 26.4 x 16.6 cm, l.l. Duke Albert of Saxe-Teschen
Half figure of a demon in profile to the left with a laurel wreathed skull, framing an epitaph, Jacopo Ligozzi (Verona around 1547 - 1626/27 Florence), drawing, pen, ink, washed, 26.4 x 15.0 cm, l.l. Duke Albert of Saxe-Teschen
The Holy Family in front of a brick wall, anonymous, drawing, ink, pen, 28.5 x 22.5 cm, l.l. Duke Albert of Saxe-Teschen, erased pen inscription 'L. Cam
Scene at a fountain and social scene, Lucas Stipperger, Vienna 1755 - 1806 Vienna, drawing, lead pencil, pen in brown, sheet: 21.5 × 35 cm
Society scene, Lucas Stipperger, Vienna 1755 - 1806 Vienna, drawing, pencil, pen, brown ink, washed, sheet: 19.3 × 14 cm
Four people, one of them a prisoner, in conversation, Lucas Stipperger, Vienna 1755 - 1806 Vienna, drawing, pencil, sheet: 19 × 12.8 cm
Oriental scene, Lucas Stipperger, Vienna 1755 - 1806 Vienna, drawing, pencil, pen, brown ink, washed, sheet: 17.1 × 21.8 cm
Theater scene with orientals and knights, Lucas Stipperger, Vienna 1755 - 1806 Vienna, drawing, pencil, sheet: 22.8 × 36.6 cm
Various studies of an annunciation and a woman with teacher and child, Lucas Stipperger, Vienna 1755 - 1806 Vienna, drawing, pencil, sheet: 36.3 × 22.5 cm
Theater rehearsal, Lucas Stipperger, Vienna 1755 - 1806 Vienna, drawing, pen and ink in brown, sheet: 22.3 × 34.8 cm
Marcus Curtius, Lucas Stipperger, Vienna 1755 - 1806 Vienna, drawing, lead pencil, pen in brown, sheet: 35 × 25.7 cm
The shot of Apollo, Lucas Stipperger, Vienna 1755 - 1806 Vienna, drawing, pencil, brush, brown ink, washed, 22.5 x 34.5 cm
Forest clearing with dolphin fountain and boy, Paul Troger (Welsberg 1698 - 1762 Vienna), drawing, pen in brown, lead pencil, 27.9 x 21.3 cm
Bust of a youth in profile to the left, head turned back on his shoulder., anonymous, drawing, pen; washed; white heightened, 12.1 x 12 cm, l.l. Genevosio (L. 545); r.b. Duke Albert of Saxe-Teschen, lower right old pen and ink 'Parm
Adoration of St. John Nepomuk (II), Franz Xaver Wagenschön Littisch Bohemia 1726 - 1790 Vienna), drawing, lead pencil, chalk, passe-partout section: 34.7 × 22.3 cm
Group of Bacchantes, Franz Xaver Wagenschön Littisch Bohemia 1726 - 1790 Vienna), drawing, chalk, passe-partout section: 21.4 × 26.5 cm
Saint Joseph as intercessor of poor souls, drawing, brown pen, gray wash, 18.8 x 11.1 cm
Saint Augustine, Martino Altomonte (Naples 1657 - 1745 Heiligenkreuzerhof, Vienna), drawing, lead pencil, pen and brush in brown, washed, 33.8 x 21 cm
The Last Supper, Denys Calvaert (Antwerp c. 1540 - Bologna 1619), 1611, drawing, chalk; Feather; washed; heightened with white; brownish primed paper, 32.2 x 25.4 cm, l.l. Duke Albert of Saxe-Teschen, lower right in simultaneous pen hand
Sketch: Figures in a landscape, Lucas Stipperger, Vienna 1755 - 1806 Vienna, drawing, lead pencil, chalk wiped, white chalk, 22.5 x 34.5 cm
The farewell of Louis XVI. by his family, Lucas Stipperger, Vienna 1755 - 1806 Vienna, drawing, pencil, brush, ink, heightened with white, sheet: 21.8 × 14.5 cm
Franz Anton Graf Harrach; Prince-Bishop of Salzburg 1709-1727, Frans van Stampart (Antwerp 1675 - 1750 Vienna), drawing, chalk, brush, ink, washed, 15.5 x 13.2 cm, cahier note: stamp on the back
Quartering, Carl Schindler (Vienna 1821 - 1842 Laab im Walde), 1841, drawing, pencil, watercolour, 20.5 x 26.5 cm
Many thanks, Ernst Juch (Gotha 1838 - 1909 Vienna), drawing, ink in black, according to Cahier: 8.4 x 13.9 cm, l.o. 'A happy (upside down); M. 'Thank you'; l.b. '27475
Wire larvae - aspirants, Ernst Juch (Gotha 1838 - 1909 Vienna), drawing, pen and black ink, according to Cahier: 8.2 x 13.9 cm, l.o. '27490.' (across); mo 'WIRE LARVAE, Aspirants'; and inscription illegible
Complete designs for a Watteau fan: 2nd variant, Marie Lippert-Hoerner (Vienna 1860 - 1932 Vienna), drawing, pencil, watercolour, 39.8 x 66.2 cm (15 11/16 x 26 1/16 in
Continuous Ornamental Vine, Marie Lippert-Hoerner (Vienna 1860–1932 Vienna), Drawing, pencil, tracing, tissue paper, 23 x 75.8 cm (9 1/16 x 29 13/16 in
Joseph in prison, Lucas Stipperger, Vienna 1755 - 1806 Vienna, drawing, pencil, passe-partout section: 22 × 17.3 cm
Three prophets, Lucas Stipperger, Vienna 1755 - 1806 Vienna, drawing, lead pencil, passe-partout section: 20 × 15.4 cm
Ceiling design, Lucas Stipperger, Vienna 1755 - 1806 Vienna, drawing, pencil, sheet: 35.4 × 21.8 cm
Groups of prisoners in the temple, Lucas Stipperger, Vienna 1755 - 1806 Vienna, drawing, chalk, sheet: 23 × 36.3 cm
Seven sketches of allegorical female figures in ovals, Lucas Stipperger, Vienna 1755 - 1806 Vienna, drawing, pencil, brown ink, brush, washed, passe-partout cutout: 23.2 × 36.2 cm
Eight sketches of allegorical female figures in ovals, Lucas Stipperger, Vienna 1755 - 1806 Vienna, drawing, pencil, brown ink, brush, washed, passe-partout cutout: 22.9 × 35.8 cm
Harbor scene, Lucas Stipperger, Vienna 1755 - 1806 Vienna, drawing, pencil, brush, brown ink, washed, sheet: 22.9 × 15.6 cm
The Baptist before Herod, Lucas Stipperger, Vienna 1755 - 1806 Vienna, drawing, lead pencil, passe-partout section: 18.4 × 24.9 cm
Resurrection of Christ, Lucas Stipperger, Vienna 1755 - 1806 Vienna, drawing, lead pencil, passe-partout section: 24.6 × 18 cm
Inda and Thamar, Lucas Stipperger, Vienna 1755 - 1806 Vienna, drawing, lead pencil, pen in brown, sheet: 32.2 × 20.9 cm
Scene in a hall, Lucas Stipperger, Vienna 1755 - 1806 Vienna, drawing, pencil, sheet: 20.6 × 31.9 cm
Caritas, Lucas Stipperger, Vienna 1755 - 1806 Vienna, drawing, pencil, passe-partout section: 26.5 × 17.2 cm
Donor figures, Lucas Stipperger, Vienna 1755 - 1806 Vienna, drawing, lead pencil, passe-partout cut-out: 26.1 × 16.8 cm
Sinners plagued by snakes, anonymous, drawing, pen; the corners beveled, 29.0 x 20.5 cm, r.l. unidentified (L.2908); l.b. Duke Albert of Saxe-Teschen
Christ is shown to the people, Lucas Stipperger, Vienna 1755 - 1806 Vienna, drawing, lead pencil, passe-partout cutout: 22.2 × 16.1 cm
Hovering putti and high priest, Lucas Stipperger, Vienna 1755 - 1806 Vienna, drawing, lead pencil, passe-partout section: 21.9 × 16.3 cm
The farewell of Louis XVI. by his family, Lucas Stipperger, Vienna 1755 - 1806 Vienna, drawing, pencil, brush, brown ink, heightened with white, sheet: 20.8 × 13 cm
Chronos, Lucas Stipperger, Vienna 1755 - 1806 Vienna, drawing, pencil, sheet: 25.2 × 14.7 cm
Apotheosis of Joseph II, Lucas Stipperger, Vienna 1755 - 1806 Vienna, drawing, pencil, sheet: 26.4 × 20 cm
Noli me tangere, Lucas Stipperger, Vienna 1755 - 1806 Vienna, drawing, chalk, brush, brown ink, heightened with white, sheet: 22.2 × 28.6 cm
Judgment of Midas, Lucas Stipperger, Vienna 1755 - 1806 Vienna, drawing, pencil, passe-partout section: 31.1 × 16.8 cm
Jäger, Lucas Stipperger, Vienna 1755 - 1806 Vienna, drawing, lead pencil, passe-partout section: 15.8 × 30 cm
The Arch of Titus in Rome, Franz Edmund Weirotter (Innsbruck 1730 - 1771 Vienna), 1764, drawing, pen, brown ink, watercolour, 19.9 x 24.6 cm
Landscape with herd of cattle and a sleeping shepherd, Franz Edmund Weirotter (Innsbruck 1730 - 1771 Vienna), drawing, stone chalk, 20.5 x 26 cm
Angel with the symbols of the litany of Laurence (draft for a ceiling painting), Melchior Michael Steidl (Innsbruck 1657 - 1727 Munich), drawing, pen, brown ink, watercolour, 25.3 x 35.9 cm
Christ mourned by angels, Christian Winck (Eichstätt 1738 - 1797 Munich), drawing, pencil, pen, ink, washed, 35.3 x 24.0 cm
Holy Family, Christian Winck (Eichstätt 1738 - 1797 Munich), drawing, pencil, pen, ink, 26.0 x 20.1 cm
The wonderful feeding, Christian Winck (Eichstätt 1738 - 1797 Munich), drawing, pencil, pen, ink, 28.5 x 22.8 cm
Holy Kinship, Anonymous, drawing, pen, pencil, ink, 33.1 x 28.2 cm
Chronos and the sleeping Fortuna, Januarius Zick (Munich 1730/35 - 1797/1812 Ehrenbreitstein), drawing, pen, ink, brush, washed, heightened with white, blue uncoated paper, 17.7 x 22.4 cm, bottom left 'Perpetuus Nulli Datur usus
Vulkan's smithy, Januarius Zick (Munich 1730/35 - 1797/1812 Ehrenbreitstein), drawing, brush, ink, wash, lead pencil, uncoated blue paper, 22.4 x 27.3 cm
Ascension of Christ (design for a mural?), Januarius Zick (Munich 1730/35 - 1797/1812 Ehrenbreitstein), drawing, brush and ink, washed, heightened with white, 28.5 x 21.1 cm
The angel appears to St. John, Anonymous, Venetian, Drawing, chalk, pen and black ink, gray wash, 26.5 x 20.3 cm, No Artaria Sz (L.34a) visible
The holy family with the boy John, drawing, chalk; washed; heightened with white; brownish paper, 20.5 x 27.2 cm, l.l. Duke Albert of Saxe-Teschen of Saxe-Teschen
Marriage of Saint Catherine, Anonymous, Drawing, red chalk; Feather; washed, 26.7 x 21.0 cm, r.r. Richardson Jr.; r.b. Duke Albert of Saxe-Teschen
St. James major with a model of the city and angels in a niche, Giovanni Balducci (Florence around 1550/60 - after 1631 (Naples?)), drawing, chalk, pen, washed, heightened with white, squared, on blue paper, 33.8 x 26, 1 cm, below Duke
Saint Sebastian with his hands tied to a tree above his head, anonymous, Emilia (region), 17th century, drawing, red chalk, 30.8 x 22.4 cm, l.l. Duke Albert of Saxe-Teschen
A lion tearing apart a leopard, Bernardino Campi (Cremona c. 1522 - 1591 Reggio Emilia), drawing, pen; washed; heightened with white; oxidized, 15.7 x 10.2 cm, l.l. Duke Albert of Saxe-Teschen, 'Campi
A hind looks into the jaws of a lion, Bernardino Campi (Cremona around 1522 - 1591 Reggio Emilia), drawing, pen; washed; white heightened, 15.8 x 10.0 cm, l.l. Duke Albert of Saxe-Teschen
Sleeping elephant leaning against two trees, Bernardino Campi (Cremona around 1522 - 1591 Reggio Emilia), drawing, pen, ink, washed, 15.7 x 10.1 cm, l.l. Duke Albert of Saxe-Teschen, 'Campi
A shepherd stabs a wolf who is looking up at him, Bernardino Campi (Cremona c. 1522 - 1591 Reggio Emilia), drawing, pen; washed; heightened with white; oxidized, 15.7 x 9.9 cm, r.r. Duke Albert of Saxe-Teschen
The Baptism of Christ, Domenico Carnevale (Italian, 1524 - 1579), Drawing, chalk; heightened with opaque white; blue paper, 30.7 x 24.6 cm, l.l. Duke Albert of Saxe-Teschen
Descent from the cross. (Composition with 19 figures and two ladders), anonymous, drawing, brown and white oil paint; brown paper; badly damaged, 52.5 x 37.3 cm, l.l. Duke Albert of Saxe-Teschen
Marriage Mariae, Aurelio Luini (Milan 1530 - 1593 Milan), drawing, chalk, pen, washed, 34.9 x 47.2 cm, bottom left Argentville; r.b. Duke Albert of Saxe-Teschen, lower center 'Dominique Vicentino' in an old hand; to the right the (truncated)
Saint Veronica presents the veil, Biagio Pupini, called delle Lame (Italy, around 1490 - 1575), drawing, brown brush, heightened with white, on yellow-brown primed paper, 28.5 x 38.2 cm, l.l. lanier; l.b. Duke Albert of Saxe-Teschen, pencil
Saint Benedict in the Subiaco Cave (design for a ceiling painting?), Johann Evangelist Holzer (Burgeis 1709 - 1740 Schloss Clemenswerth), drawing, pen, brown ink, ink, washed, heightened with white, red chalk border and chalk grid, 27.5 x 13
Studies for a depiction of the Passion, seated cloaked figure (knee piece); Heads, Arms, Hands, Anonymous, Italian, 18th century, Drawing, sanguine, on gray laid paper, 25.1 x 17.3 cm
Saint Magdalene, anonymous, Italian, 18th century, drawing, pen and black ink, 25.1 x 17.3 cm, l.l. unidentified ligature stamp 'OHI' with baronial crown in purple
God the Father between angels on clouds; everyone is looking down, the two angels below are wearing a crown and a martyr's palm, Luca Cambiaso (Moneglia 1527 - 1585 San Lorenzo de El Escorial), drawing, pen, ink, wash, 26.9 x 25.0 cm, No
Geburt Christi, Luca Cambiaso (Moneglia 1527 - 1585 San Lorenzo de El Escorial), Zeichnung, Feder, laviert, 35.6 x 25.0 cm, u.r. Herzog Albert von Sachsen-Teschen, in der Mitte unten in alter Federschrift 'The Madonna, the two shepherds
Flight into Egypt, Anonymous, Drawing, chalk; Feather; washed, 28.3 x 21.7 cm, l.l. Duke Albert of Saxe-Teschen, lower right old red chalk 'L. Cam
Steep alley with steps in an Italian town (according to Cah. Olevano), Karl Hagemeister (Werder 1848 - 1933 Werder), 19th century, drawing, pen and black, over pencil, on brown paper, 526 x 400 mm, re. and: 'KH.', pen in black
The Holy Family with the Child John, Giovanni Battista Paggi (Italian, 1554 - 1627), Drawing, chalk; Feather; washed, 27.1 x 24.5 cm, l.l. Duke Albert of Saxe-Teschen
Courtyard of the Abbazia San Gregorio in Venice, Karl Hagemeister (Werder 1848 - 1933 Werder), 19th century, drawing, pen and black, over pencil, on brownish paper, 544 x 391 mm
Aulandschaft, Karl Hagemeister (Werder 1848 - 1933 Werder), 19th century, drawing, brush in brown, washed, over pencil, 313 x 493 mm
Maria with the child seated to the right, drawing, pen; gray wash, 31.0 x 22.0 cm, l.l. Duke Albert of Saxe-Teschen, lower left in chalk 'Cambiaso' by a later hand
Holy Family with the boy John, anonymous, drawing, pen, ink, washed, 23.5 x 35.0 cm, below bottom unidentified (L.1555c Suppl.); l.b. Duke Albert of Saxe-Teschen
Landhaus, Peter Fendi (Vienna 1796 - 1842 Vienna), around 1839, drawing, pencil, watercolour, 15.6 x 21.1 cm, r.r. Collector's stamp, l.u. '27471
Female head bent down to the left, Francesco di Cristofano called FRANCIABIGIO (Florence 1482/83/84 - 1525 Florence), c. 1521/1522, drawing, chalk; heightened with white; reddish-yellow primed paper; Backs: feather, 18.3 x 17.8 cm, l.l. Campe
Three Studies for a Male Torso, Anonymous, Drawing, chalk; heightened with white; reddish-yellow primed paper; Rev.: pen, 18.3 x 17.8 cm, lower left in pen (19th century) "NB: Verso, Tete p:r une Madonna /pr Raphael d'Urbino'; above that in pen
Congratulations, Ernst Juch (Gotha 1838 - 1909 Vienna), drawing, ink in black, according to Cahier: 8.2 x 13.7 cm, M. 'Glück-Wünsche'; r.b. '27473
Happy New Year, Ernst Juch (Gotha 1838 - 1909 Vienna), drawing, ink in black, according to Cahier: 8.4 x 13.7 cm, r.r. '27474
Erlauer like Burgundy, Ernst Juch (Gotha 1838 - 1909 Vienna), drawing, pen and black, washed, according to Cahier: 8.2 x 13.7 cm, r.r. 'Marienbad 28, M.o. lettering illegible; M. 'Erlauer wie Burgundy' (transverse); l.b. '27476
Self-portrait, Ernst Juch (Gotha 1838 - 1909 Vienna), drawing, black pen, gray wash, according to Cahier. 13.8 x 8.3 cm, r.o. lettering illegible; l.b. '27477
I thank you in the name of Christianity, Ernst Juch (Gotha 1838 - 1909 Vienna), drawing, pen and black, washed, according to Cahier: 8.3 x 13.9 cm, l.o. lettering illegible; r.b. '27478
Albrecht Dürer Association, Ernst Juch (Gotha 1838 - 1909 Vienna), drawing, pen, ink, according to Cahier: 8.2 x 13.9 cm, r. 'Albrecht Dürer, Club, Thursday December 9th, social evening, with ladies, mushroom, restaurant, Rahlgasse,
Holy Family resting with the boy John in front of a wall; the boy John is sleeping, anonymous, drawing, pen, ink, washed, 23.0 x 33.5 cm, l.l. Duke Albert of Saxe-Teschen
Rear view with gnomes, Ernst Juch (Gotha 1838 - 1909 Vienna), drawing, pen, ink, according to Cahier. 8.2 x 13.9 cm, M.r. 'Carlsbad, l.l. '27480.' right 'Albrecht Dürer, Club, Thursday December 9th, social evening, with ladies, mushroom,
I sway beautifully, Ernst Juch (Gotha 1838 - 1909 Vienna), drawing, black pen, watercolour, according to Cahier: 8.2 x 13.9 cm, M.o. 'I shake beautifully!'; mr lettering illegible; r.b. '27481
No nosebleeds, Ernst Juch (Gotha 1838 - 1909 Vienna), drawing, black pen, watercolour, according to Cahier: 8.2 x 13.9 cm, M.l. lettering illegible; r.o. lettering illegible; l.b. '27482.'; r.b. Lettering illegible
The artist in bed, Ernst Juch (Gotha 1838 - 1909 Vienna), drawing, black pen, watercolour, according to Cahier: 8.2 x 13.9 cm, l.l. '27483
Happy New Year, Ernst Juch (Gotha 1838 - 1909 Vienna), drawing, ink in black, according to Cahier: 8.2 x 13.9 cm, M.o. 'lettering illegible'; l.b. '27484

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82.295 / 2.589.715 Entries   < previous page Page 512 / 823 next page >