Images at Librifly

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'Singana du Levant', between 1650 and 1664, drawing, pen and brown ink, gray wash; glued to sheet with engraved decorative strip (flower thread), 9.3 x 3.5 cm, M.o. 'Singana du Levant' (pen in brown

Egyptian Woman, between 1650 and 1664, Drawing, pen and brown ink, gray wash; glued to a sheet with engraved decorative strip (flower thread), 9.1 x 3.9 cm, M.o. in cartridge 'Femme egiptiene' (pen in brown

Oriental Woman, between 1650 and 1664, drawing, pen and brown ink, brush, gray and red wash; Glued to sheet with engraved decorative strip (flower thread), 9.5 x 5.7 cm, M.o. 'Indienne du Levant' (pen in brown

African Woman, between 1650 and 1664, Drawing, pen and brown ink, gray wash; Glued to sheet with engraved decorative border (flower thread), 9.4 x 5.7 cm, M.o. 'Africaine' (feather in brown

Noblewoman from Karamania (Persia), between 1650 and 1664, Drawing, pen and brown ink, gray wash; glued to a sheet with engraved decorative strip (flower thread), 9.6 x 6.2 cm, M.o. 'Dame de Carmanie' (pen in brown

Egyptian Woman, between 1650 and 1664, Drawing, pen and brown ink, gray wash; glued to sheet with engraved decorative strip (flower thread), 9.5 x 6 cm, M.o. in cartridge 'Femme Egiptienne' (nib in brown

The Sacrifice of Melchizedek, Domenico Beccafumi called Mecarino (Cortine in Valdibiana Montaperti near Siena 1484 - 1551 Siena), drawing, pen; washed; brownish paper, 32.4 x 18 cm, l.l. Duke Albert of Saxe-Teschen, lower left in old pen and

Girl's head to the right, Anonymous, Siena, Drawing, chalk; heightened with white; yellowish paper; stylus marks, 27.5 x 20.1 cm, r.r. Genevosio (L. 545); l.b. Duke Albert of Saxe-Teschen

Armenian Woman, between 1650 and 1664, Drawing, pen and brown ink, gray wash; glued to a sheet with an engraved decorative strip (flower thread), 8.8 x 4 cm, M.o. in cartridge 'Dame Dethiopie' (nib in brown

Islander, Sébastien Le Clerc (Metz 1637 - 1714 Paris), between 1650 and 1664, drawing, brown pen, brush, brown and red wash; Glued to sheet with engraved decorative strip (flower thread), 9.8 x 5.4 cm, M.o. 'fille noble de Secota' (nib in

Abyssinian Woman, between 1650 and 1664, Drawing, pen and brown, gray wash; Glued to sheet with engraved decorative strip (flower thread), 9.4 x 3.5 cm, M.o. in cartridge 'Dame de Abissina' (nib in brown

Indian Woman from Africa, between 1650 and 1664, Drawing, pen and brown ink, gray wash; glued to sheet with engraved decorative strip (flower thread), 9 x 4.4 cm, M.o. in cartouche 'Femme d Afrique ' (pen in brown

Peruvian Woman, between 1650 and 1664, Drawing, pen and brown ink, gray wash; glued to sheet with engraved decorative strip (flower thread), 9 x 5.7 cm, M.o. in cartouche 'Femme de perrua' (nib in brown

Admission of a candidate at the Art Academy, Ferdinand Delamonce (Munich 1678 - 1753 Lyon), from 1730, drawing, pen in gray, gray wash, 13.5 x 8.1 cm, no collector's mark visible

Preliminary sketch for a frontispiece, Sébastien Le Clerc (Metz 1637 - 1714 Paris), c. 1711, drawing, brown pen, black chalk, gray wash, black framing line, 19 x 12.2 cm

Design for a title page, Sébastien Le Clerc (Metz 1637 - 1714 Paris), c. 1701, drawing, pen and ink in gray and brown, with gray wash; Laid down on blue backing paper, 12.5 x 7 cm

Design for a title page, Sébastien Le Clerc (Metz 1637 - 1714 Paris), c. 1702, drawing, pen and gray ink, gray wash; Laid down on blue backing paper, 11.5 x 7 cm

Nike, the goddess of victory, on a galley (Naval Battle near Palermo), Twelve drafts for medal images, Sébastien Le Clerc (Metz 1637 - 1714 Paris), around 1702?, drawing, red chalk, circular framing line and horizontal base lines in brown

Rest on the run, Ippolito Scarsella called lo Scarsellino (Italy, 1551 - 1620), drawing, red chalk, 12.7 x 14.3 cm, l.l. Duke Albert of Saxe-Teschen, chalk writing 'Scarsel....' rubbed off lower right

Goddess of Victory with River God, Twelve Designs for Medals, Sébastien Le Clerc (Metz 1637 - 1714 Paris), c. 1702?, drawing, red chalk over black chalk preliminary drawing, circular framing line and horizontal base lines in brown pen; mounted

Cannons under a canopy, twelve designs for medal images, Sébastien Le Clerc (Metz 1637 - 1714 Paris), around 1702?, drawing, red chalk, circular framing line and horizontal base lines in black pen, depiction of cannon glued on, marked part

'Les Magasins', twelve drafts for medal images, Sébastien Le Clerc (Metz 1637 - 1714 Paris), around 1702?, drawing, red chalk, circular framing line and horizontal base lines in black pen, marked part brownish stained; laid down on blue

Flying goddess of victory, twelve designs for medal images, Sébastien Le Clerc (Metz 1637 - 1714 Paris), around 1702?, drawing, red chalk, circular framing line and horizontal base lines in black pen, both goddess of victory and cannon glued

Goddess of Victory between the pillars of Hercules, twelve designs for medal images, Sébastien Le Clerc (Metz 1637 - 1714 Paris), around 1702?, drawing, red chalk, circular framing line and horizontal base lines in black pen, laid down on

Homage to Louis XIV (appointment of a knight of the Order of Saint-Esprit), Twelve designs for medal images, Sébastien Le Clerc (Metz 1637 - 1714 Paris), c. 1702?, drawing, black chalk, circular border line and horizontal base lines in black

Allegorical figure crowns Louis XIV (medal for the destruction of heresy), Twelve designs for medal images, Sébastien Le Clerc (Metz 1637 - 1714 Paris), c. 1702?, drawing, red chalk, circular border line and horizontal base lines in black pen;

Birth of the king, twelve drafts for medal images, Sébastien Le Clerc (Metz 1637 - 1714 Paris), around 1702?, drawing, red chalk, circular cut at the bottom; laminated to backing paper, 6.1 cm (diameter sheet

View of a Fortress (The Capture of Montmélian), Twelve drafts for medal images, Sébastien Le Clerc (Metz 1637 - 1714 Paris), c. 1702?, drawing, black chalk, circular framing line and horizontal base lines in black pen; laid down on blue

Preaching of John the Baptist, Ippolito Scarsella gen. lo Scarsellino (Italian, 1551 - 1620), Drawing, Pen; gray wash; heightened with white; blue paper, 33.4 x 25.3 cm, l.l. Duke Albert of Saxe-Teschen, lower center in old pencil writing

Equestrian statue of the Duc de Bourgogne (The Capture of Brisac), twelve drafts for medal images, Sébastien Le Clerc (Metz 1637 - 1714 Paris), around 1702?, drawing, red chalk, circular framing line and horizontal border line in red chalk or

Narses, who won the victory over Totila, Guido Reni (Calvenzano 1575 - 1642 Bologna), drawing, sanguine, pen, washed, 24.0 x 16.6 cm, l.l. Duke Albert of Saxe-Teschen

Presentation in the Temple, Pier Francesco Mazzucchelli, called il Morazzone (Morazzone 1571 - 1626 Piacenza), drawing, chalk, pen, wash, heightened with white, on blue-grey paper, 35.5 x 40.7 cm, r.r. Duke Albert of Saxe-Teschen, lower

Twelve-year-old Jesus in the temple, Pier Francesco Mazzucchelli, called il Morazzone (Morazzone 1571 - 1626 Piacenza), drawing, chalk, pen, wash, heightened with white, on blue-grey paper, 38.0 x 38.0 cm, bottom left Duke Albert of

Saint Francis in half length to the left in front of the crucifix, anonymous, drawing, brush; Watercolor and gouache, 20.6 x 15.6 cm, l.l. Duke Albert of Saxe-Teschen, upper right old pen and ink 'Pietro Morazzone

Moses receiving the Tablets of the Law. He kneels to the right, from where God the Father speaks to him in angelic glory; left in the background two tents, drawing, sanguine; Feather; brownish paper, 10.0 x 20.0 cm, r.r. Duke Albert of

Happy New Year 1862, Hans Hueber (Waizenkirchen/Upper Austria. 1813 - 1889 Waizenkirchen/Upper Austria.), drawing, pencil, pen in brown, according to Cahier: 9.7 x 7.7 cm, M.o. 'Happiness and Health, 1862'; mr 'all evils'; mu 'Peace to man on

Forest clearing, Hans Hueber (Waizenkirchen/Upper Austria. 1813 - 1889 Waizenkirchen/Upper Austria.), drawing, pencil, watercolour, according to Cahier: 13.7 x 22 cm, l.l. '27984

Salzburg landscape with the Watzmann, Hans Hueber (Waizenkirchen/Upper Austria. 1813 - 1889 Waizenkirchen/Upper Austria.), drawing, pencil, watercolour, according to Cahier: 13.2 x 23.1 cm

Gmunden and Traunstein, Hans Hueber (Waizenkirchen/Upper Austria. 1813 - 1889 Waizenkirchen/Upper Austria.), drawing, pencil, according to Cahier: 17.2 x 35.2 cm

Moving sea, Hans Hueber (Waizenkirchen/Upper Austria. 1813 - 1889 Waizenkirchen/Upper Austria.), drawing, oil paint on cardboard, according to Cahier: 11 x 15.1 cm

Baron Riesenfels at Seisenegg Castle, Hans Hueber (Waizenkirchen/Upper Austria. 1813 - 1889 Waizenkirchen/Upper Austria.), drawing, pencil, according to Cahier: 19 x 15.4 cm, l.l. '27.988

Two studies of women, Hans Hueber (Waizenkirchen/Upper Austria. 1813 - 1889 Waizenkirchen/Upper Austria.), drawing, pencil, watercolour, according to Cahier: 23.5 x 17 cm, l.l. '27989.'; r.b. Lettering illegible

Group of trees, Hans Hueber (Waizenkirchen/Upper Austria. 1813 - 1889 Waizenkirchen/Upper Austria.), drawing, pencil, according to Cahier: 23.5 x 17 cm

Keys handed over to Peter, anonymous, drawing, chalk; Money; heightened with white; gray primed paper, 32.1 x 21.8 cm, l.l. Duke Albert of Saxe-Teschen

Mountain landscape, Hans Hueber (Waizenkirchen/Upper Austria. 1813 - 1889 Waizenkirchen/Upper Austria.), drawing, watercolour, according to Cahier: 11.5 x 17.1 cm

The Riesenfels family, Hans Hueber (Waizenkirchen/Upper Austria. 1813 - 1889 Waizenkirchen/Upper Austria.), drawing, pencil, according to Cahier: 11.6 x 19 cm

Sketch sheet with portrait studies, Hans Hueber (Waizenkirchen/Upper Austria. 1813 - 1889 Waizenkirchen/Upper Austria.), drawing, pencil, according to Cahier: 33.5 x 19.7 cm, r.r. Lettering illegible

Hohensalzburg, Hans Hueber (Waizenkirchen/Upper Austria. 1813 - 1889 Waizenkirchen/Upper Austria.), drawing, pencil, according to Cahier: 5.3 x 15.6 cm

Flat landscape, Hans Hueber (Waizenkirchen/Upper Austria. 1813 - 1889 Waizenkirchen/Upper Austria.), drawing, pencil, according to Cahier: 6.6 x 15.6 cm

Groups of trees, Hans Hueber (Waizenkirchen/Upper Austria. 1813 - 1889 Waizenkirchen/Upper Austria.), drawing, pencil, according to Cahier: 8.4 x 15.5 cm

Four foot studies, Hans Hueber (Waizenkirchen/Upper Austria. 1813 - 1889 Waizenkirchen/Upper Austria.), drawing, pencil, according to Cahier: 9.5 x 8.7 cm

Woman from Grenada, between 1650 and 1664, drawing, pen and brown ink, gray wash; glued to sheet with engraved decorative strip (flower thread), 9.4 x 5.6 cm, M.o. in cartridge 'Femme de Grenade' (nib in brown

Girl from Swabia, between 1650 and 1664, Drawing, Pen and brown wash, brown, red, and gray; glued to a sheet with engraved decorative strip (flower thread), 9.6 x 6.2 cm, M.o. in cartridge 'Fille de Schwabe' (nib in brown

Woman from Macedonia, between 1650 and 1664, Drawing, pen and brown ink, gray wash; Glued to sheet with engraved decorative strip (flower thread), 9.2 x 4.9 cm, M.o. in cartridge 'Femme de Macedonie' (pen in brown

Girl from Arabia, between 1650 and 1664, drawing, pen and brown ink, gray wash; Glued to sheet with engraved decorative strip (flower thread), 9.5 x 5.6 cm, r.o. 'fille Arabe' (feather in brown

Cairo Woman, between 1650 and 1664, Drawing, pen and brown ink, brush, gray and red wash; Glued to sheet with engraved decorative border (flower thread), 9.6 x 5.8 cm, M.o. in cartridge 'Femme du grand Caire' (nib in brown

Female figure with Nike and plan of a fortification, Twelve designs for medal images, Sébastien Le Clerc (Metz 1637 - 1714 Paris), around 1702?, drawing, red chalk, circular framing line and horizontal base lines in black pen; laminated to

Nun with two children, Hans Hueber (Waizenkirchen/Upper Austria. 1813 - 1889 Waizenkirchen/Upper Austria.), drawing, pencil, according to Cahier: 14.1 x 11 cm

Cemetery, Hans Hueber (Waizenkirchen/Upper Austria. 1813 - 1889 Waizenkirchen/Upper Austria.), drawing, pencil, according to Cahier: 12.8 x 19.4 cm

Matthew the Evangelist, seated left, leaning his left elbow on a book, anonymous, drawing, pen; gray wash, 14.3 x 11 cm, r.r. Duke Albert of Saxe-Teschen (twice on the right, once standing upside down). Old pen writing cut off at the bottom

Assumption of St. Ignatius of Loyola into Heaven, anonymous, drawing, red chalk; white heightened, 41 x 28 cm, l.l. Duke Albert of Saxe-Teschen, pen and ink erased lower left 'L

The host appears to St. Pascal Baylon, Andrea Sacchi (Nettuno 1599 - 1661 Rome), c. 1640/50, drawing, red chalk, washed, 24.7 x 26.4 cm, r.r. Genevosio (L. 545); l.b. Duke Albert of Saxe-Teschen

Uninvited guests, Ludwig Richter (Dresden 1803 - 1884 Loschwitz), 1854, drawing, pen and ink in brown, washed and watercoloured, over pencil, 15.5 x 10.6 cm, center top: 'Uninvited guests' (pen and ink in red, via lead

Two genii with vases and bowls, Joseph Heintz d. Ä. (Basel 1564 - 1609 Prague), around 1585/1587, drawing, chalk, sanguine, pencil, 19.1 x 19.1 cm, l.l. Duke Albert of Saxe-Teschen, r.r. 'from the Ghisian Halls

At the outpost (vedette) (dragoons and hunters watch the approach of French hussars. Scene from the wars of liberation), Carl Schindler (Vienna 1821 - 1842 Laab im Walde), 1841, drawing, pencil, watercolour, 18 x 24.5 cm

Piazza d'Erbe in Verona, Rudolf von Alt (Vienna 1812 - 1905 Vienna), 1865, drawing, pencil, watercolour, 45.8 x 33.8 cm

Pre-alpine landscape, Hans Hueber (Waizenkirchen/Upper Austria. 1813 - 1889 Waizenkirchen/Upper Austria.), drawing, body colour, according to Cahier: 11.8 x 31.1 cm

Study sheet (knight on horseback with inserted spear, four studies of falcon heads), anonymous, second and third quarter of the 15th century, drawing, pen, brush, sanguine, on sanitized paper, 23.6 x 17.8 cm, r.r. Mariette; l.b. frieze;

Animal Studies (Two monkeys; a leopard pouncing on a deer; a lynx choking a lamb), Anonymous, second or third quarter 15th century, drawing, pen, brush, red chalk, on rubbed paper, 23.6 x 17, 8 cm, in old hand 'Leopardo'; above 'Lunza

Hooded portrait of Frate Andrea of S. Maria dei Servi in profile to the right, mouth slightly open, Anonymous, early 15th century, Drawing, pen; washed; brownish paper tinted with red chalk, 11.1 x 8.8 cm, Mariette (where?); l.b. frieze; l.b.

ancient battle. (In the foreground on the left on a rocky height a youth with a jagged crown; he raises his left hand excitedly and grasps his sword with his right hand; a battle is raging on the right; on the far left supply boys and horses),

The Redeemer seated on clouds with outstretched arms; below him float three angels and four cherub heads, Anonymous, Drawing, red chalk; red-brown washed; heightened with white; gray paper, 26.6 x 35 cm, l.l. Duke Albert of Saxe-Teschen

View of a plane, Hans Hueber (Waizenkirchen/Upper Austria. 1813 - 1889 Waizenkirchen/Upper Austria.), drawing, pencil, according to Cahier: 11.1 x 19 cm

Entrance gate, Hans Hueber (Waizenkirchen/Upper Austria. 1813 - 1889 Waizenkirchen/Upper Austria.), drawing, pencil, watercolour, according to Cahier: 13.8 x 10 cm

View of the building, Hans Hueber (Waizenkirchen/Upper Austria. 1813 - 1889 Waizenkirchen/Upper Austria.), drawing, pencil, according to Cahier: 12.1 x 19.1 cm

Park section, Hans Hueber (Waizenkirchen/Upper Austria. 1813 - 1889 Waizenkirchen/Upper Austria.), drawing, pencil, according to Cahier: 13.4 x 21.1 cm

Rubble study, Hans Hueber (Waizenkirchen/Upper Austria. 1813 - 1889 Waizenkirchen/Upper Austria.), 1837, drawing, pencil, according to Cahier: 24.2 x 16.8 cm

The Arrival of the Madonna in Paradise, Giovanni Lanfranco (Parma 1582 - 1647 Rome), before 1643, Drawing, metal pen; rubella; squared; brownish paper, 24.5 x 26.5 cm, l.l. Duke Albert of Saxe-Teschen

The Apostles gathered around the empty tomb of the Madonna (lunette), anonymous, drawing, chalk; brown wash; not cut out !!!, 24.2 x 39 cm, l.l. Duke Albert of Saxe-Teschen

The Apostles gathered around the empty tomb of the Madonna (lunette), anonymous, drawing, pen; washed; heightened with white; brown paper; cut out round at the top, 15.4 x 26.5 cm, r.r. Duke Albert of Saxe-Teschen

Peter heals the lame man at the golden gate (Acts 3, 1-8), Giuseppe Badaracco (Italy, (circa) 1600 - 1657), drawing, chalk; rubella; Feather; washed; heightened with white; brownish primed paper; defect lower right, 41.9 x 27.8 cm, r.r. Albert

John Evangelista, anonymous, drawing, sanguine; Background washed blue, 25 x 19.5 cm, l.l. Duke Albert of Saxe-Teschen, lower right in old pen writing 'J. Lanfranc

The ruins of Waldenburg ('Wallenburg') above the town of Waldenburg in the Swiss canton of Basel-Landschaft, Joseph Fischer (Vienna 1769 - 1822 Vienna), after 1798, drawing, pen in brown, brush in grey, washed, according to Cahier: 20, 5 x

Genius leads a laurel-wreathed guide to the personification of the arts, Heinrich Friedrich Füger (Heilbronn 1751–1818 Vienna), 1796, drawing, sepia, pen, 30.9 x 45.2 cm

Palladio's 'Basilica' in Vicenza, Jakob Alt (Frankfurt am Main 1789 - 1872 Vienna), 1834, drawing, brush in black, watercolour, 19.3 x 25.1 cm, l.l. '28068

The Apostles Matthias, John, Simon and Andrew, Anonymous, Lombard, 17th century, Drawing, red chalk; yellowish paper, 26.8 x 20.9 cm, l.l. Duke Albert of Saxe-Teschen

Head of a man with curls to the left, Josef Danhauser (Vienna 1805 - 1845 Vienna), 1832, drawing, pencil, heightened with white on yellow paper, passe-partout cut-out: 12.5 x 11.9 cm

The apostles Philip, James d. J., Matthew and Thaddeus, Anonymous, Lombard, 17th century, Drawing, red chalk; yellowish paper, 25.5 x 19.3 cm, l.l. Duke Albert of Saxe-Teschen, upper left in pencil '45

Study sheet with nine figures, partly caricatured, Carl Spitzweg (Munich 1808 - 1885 Munich), around 1845-1850, drawing, pencil, 202 x 323 mm, l.l. Estate Carl Spitzweg (L. 2307, 2307 Suppl.), l.o. above the bracket above the two figures:

The Milkmaid (after a fable by La Fontaine), Peter Fendi (Vienna 1796 - 1842 Vienna), c. 1828, drawing, pencil, squared, 10.5 x 12.7 cm

The Toy Basket, Peter Fendi (Vienna 1796–1842 Vienna), 1837, drawing, watercolour, pencil, 21 x 25.4 cm

Saints Margaret, Catherine, Cecilia and Agnes, Anonymous, Lombard, 17th century, Drawing, red chalk; yellowish paper, 24.5 x 19 cm, l.l. Duke Albert of Saxe-Teschen

Seated couple, Peter Fendi (Vienna 1796 - 1842 Vienna), 1836, drawing, watercolour, 8.5 x 12.3cm

Gentleman in Blue Coat, Joseph Kaltner (German, c. 1758-after 1824), 1802, drawing, watercolor on ivory, 6.4 x 5.1 cm

Profile of a gentleman in a gray coat with a red-striped waistcoat, Josef Kreutzinger (Vienna 1751/57 - 1829 Vienna), 1795, drawing, watercolor on white-primed cardboard, 6 x 4.9 cm

Leda with Jupiter in the form of a swan II, Joseph Heintz d. Ä. (Basel 1564 - 1609 Prague), 1595-1600, drawing, red chalk, 15.8 x 15.3 cm, l.l. Duke Albert of Saxe-Teschen

Saint Augustine attempts to penetrate the mystery of the Holy Trinity, anonymous, drawing, red chalk; washed, 35.2 x 29.5 cm, l.l. Duke Albert of Saxe-Teschen

dr Anton Werle (1809-1893), city physician in Graz, brother-in-law of Archduke Johann, in a dark coat with a black necktie, Josef Teltscher (Brno 1801 - 1837 Piraeus near Athens), 1832, drawing, watercolour, opaque white on cardboard. In the

Christ Appears to Saint Vincent Ferrerius; at his feet those sick with the plague; a donor kneels on the left, anonymous, drawing, chalk; heightened with white; gray paper, 34.3 x 23.1 cm

Two saints on clouds, accompanied by four angels, anonymous, drawing, red chalk, 26.6 x 37 cm, l.l. Duke Albert of Saxe-Teschen, pen inscription 'Lanfr..' cut off lower right

search results: Drawing clear search