Images at Librifly

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Collegiate Church in Klosterneuburg, Heinrich Schwemminger (Vienna 1803 - 1884 Vienna), 1820-1830, drawing, pencil, pen in brown ?, according to Cahier: passe-partout cutout: 36.7 x 27 cm

Village square in Lower Austria, Friedrich Loos (Graz 1797 - 1890 Kiel), drawing, pencil, 18.7 x 24.3 cm

View of Perchtoldsdorf, Friedrich Loos (Graz 1797 - 1890 Kiel), drawing, pencil, passe-partout section: 18.7 x 24.3 cm

The Belvedere in Prague, Rudolf von Alt (Vienna 1812 - 1905 Vienna), 1874, drawing, watercolour, body colour, sheet: 43.6 cm x 76.4 cm

The interior of the Hofkirche in Innsbruck, Rudolf von Alt (Vienna 1812 - 1905 Vienna), 1886, drawing, watercolour, 48.2 x 35.6 cm, r.r. KK Academy Vienna

Putto seated on a candelabra, embracing it with his left arm; the right hand is raised and reaches for the plate of light, Federico Zuccari (Sant' Angelo in Vado 1540/41 - 1609 Ancona), drawing, chalk; rubella; Red chalk squaring, 19 x 10 cm,

View of a fortress on a canal that flows into the sea; a sailing boat on the canal; staffage figures, anonymous, drawing, chalk; Feather; washed; two parts joined together in the middle, 17 x 34 cm, l.l. Duke Albert of Saxe-Teschen, lower left

Staircase in the Upper Belvedere in Vienna, Rudolf von Alt (Vienna 1812 - 1905 Vienna), 1882, drawing, watercolour, body colour, 52.1 x 56.8 cm, l. and by someone else '28401

Motif from Kirchberg an der Jagst, Eduard Zetsche (Vienna 1844 - 1927 Vienna), 1907, drawing, watercolour, pencil marks, according to Cahier: 37.1 x 26.8 cm, l.l. '28405

Roma camp, August Xaver Karl von Pettenkofen (Vienna 1822 - 1889 Vienna), 1855, drawing, watercolour, 34.8 x 52.4 cm

The Dachstein, Melchior Fritsch (Vienna 1826 - 1889 Vienna), around 1861, drawing, watercolour, pencil, 45.4 x 33.2 cm

Kematen, Thomas Ender (Vienna 1793 - 1875 Vienna), drawing, watercolour, 29.6 x 46.5 cm, r.r. Stürany L. 1538 (collector's stamp), l.l. '43 28411'; mu 'Kematen Alpe shale

The Ill river near Feldkirch, Thomas Ender (Vienna 1793 - 1875 Vienna), drawing, pencil, watercolour, opaque white, 31.6 x 49.5 cm, M.o. detail label; mu 'Ill river near Feldkirch'; r.b. 'sge

Entrance to Gödöllö Castle, Thomas Ender (Vienna 1793 - 1875 Vienna), drawing, watercolour, 20.2 x 32.7 cm, l.l. '10. 28418

Two horses with a sleeping servant, Josef Kriehuber (Vienna 1800 - 1876 Vienna), 1872, drawing, watercolour, pencil, passe-partout cut-out: 21.8 x 32.5 cm

Two saddled horses with a groom, Josef Kriehuber (Vienna 1800 - 1876 Vienna), 1872, drawing, watercolour, pencil, passe-partout section: 21.4 x 32 cm, l.l. '28416

On Capri, trip to Rome–Naples – April/May 1921, Oskar Laske (Czernowitz 1874 - 1951 Vienna), 1921, drawing, pencil, watercolour, opaque paint, 37.9 x 53.8 cm (14 15/16 x 21 3 /16 in.), m.b. 'Capri

Mill near Wörschach, Joseph Höger (Vienna 1801 - 1877 Vienna), drawing, watercolour, pencil, 31.3 x 24.6 cm, r.r. 'mill near Wörschach, upper, Ennsthal

Repudiation of the Hagar. Composition with three figures, Giovanni Benedetto Castiglione (Genoa 1609 - 1664 Mantua), drawing, rubber tempera; brown paper, 38.8 x 26.4 cm, l.l. Duke Albert of Saxe-Teschen, lower right old pen and ink '64,

Dune landscape, Adolf Hirémy-Hirschl (Temesvár 1860 - 1933 Rome), 1898, drawing, watercolour, gouache, according to Cahier: 24.1 x 33.7 cm, l.l. '28420

Therese Krones House in Heiligenstadt, Hans Götzinger (Vienna 1867 - 1941 Dürnstein), drawing, 32.6 x 38.5 cm

At the pharmacist, Anton Müller (Vienna 1853 - 1897 Vienna), drawing, watercolour, pencil, according to Cahier: 16.7 x 12.5 cm, l.l. '28425

Roma making music, Luděk Marold (Prague 1865 - 1898 Prague), drawing, watercolour, pencil, according to Cahier: passe-partout section: 18.5 x 16.3 cm, l.l. '28426

Children dance in a forest. (Preliminary drawing for the right-hand painting of the 'Modern Cupids'), Hans Makart (Salzburg 1840 - 1884 Vienna), around 1868, drawing, pencil, watercolour, opaque white heightening; Paper, 16.9 x 25.0 cm, l.l.

Church flag with Mary on a crescent moon, coat of arms and saints, Hans Makart (Salzburg 1840 - 1884 Vienna), drawing, brown pen, watercolor on tracing paper, 31.2 x 27.6 cm, l.l. 'JH' (collector's stamp: Julius Herz von Hertenried); r.b.

Rocks near Sarajevo, Anna Lynker (Vienna 1834 - 1893 Opatija), 1895, drawing, watercolour, according to Cahier: 36 x 50.9 cm, l.l. '28429.'; r.b. 'ALynker. 1895.'; verso: M.u. detail caption

Houses in Sarajevo, Anna Lynker (Vienna 1834 - 1893 Opatija), 1894, drawing, watercolour, according to Cahier: 24.8 x 36.1 cm, l.l. '28430.'; r.b. 'ALynker, 1894

Coast with ships, Anna Lynker (Vienna 1834 - 1893 Opatija), drawing, watercolour, according to Cahier: 24.8 x 36.1 cm, l.o. Caption cut off (upside down

Baumstrunk, Eduard Peithner von Lichtenfels (Vienna 1833 - 1913 Berlin), 1874, drawing, watercolour, 28 x 38.7 cm, l.l. '28431

Jacob's return, Giovanni Benedetto Castiglione (Genoa 1609 - 1664 Mantua), drawing, rubber tempera, 31 x 44 cm, l.l. Duke Albert of Saxe-Teschen

Christ is sentenced to death, Friedrich Overbeck (Lübeck 1789 - 1869 Rome), 1861, drawing, black chalk, brown-grey wash, on yellowish paper, the background painted with blue-violet topcoat and pencil hatching, frame painted illusionistically

Christ takes the cross on his shoulders, Friedrich Overbeck (Lübeck 1789 - 1869 Rome), 1861, drawing, black chalk, with traces of brown-grey wash, heightened with white with a brush on yellowish paper, the background painted with blue-violet

Christ falls for the first time under the weight of the cross, Friedrich Overbeck (Lübeck 1789 - 1869 Rome), 1861, drawing, black chalk, brown-grey wash, on yellowish paper, the background painted with blue-violet topcoat, the frame painted

Christ meets his mother, Friedrich Overbeck (Lübeck 1789 - 1869 Rome), 1861, drawing, black chalk, brown-grey wash, heightened with a brush in white on yellowish paper, the background painted with blue-violet topcoat, painted

Simon of Cyrene helps Christ carry the cross, Friedrich Overbeck (Lübeck 1789 - 1869 Rome), 1861, drawing, black chalk, brown-grey wash, on yellowish paper, the background painted with blue-violet topcoat and pencil shading, painted with a

Veronika holds the towel up to the Lord, Friedrich Overbeck (Lübeck 1789 - 1869 Rome), 1861, drawing, black chalk, brown-grey wash, heightened in places with a brush in white, on yellowish paper, the background painted with blue-violet top

Christ falls for the second time under the weight of the cross, Friedrich Overbeck (Lübeck 1789 - 1869 Rome), 1861, drawing, black chalk, traces of red chalk, brown-grey wash, on yellowish paper, the background painted with blue-violet

Christ and the weeping women, Friedrich Overbeck (Lübeck 1789 - 1869 Rome), 1861, drawing, black chalk, on yellowish paper, the background painted with blue-violet topcoat, frame painted illusionistically in gray with a brush, 53.7 x 43 cm

Shepherds and flock on their way home in an imminent thunderstorm, Giovanni Benedetto Castiglione (Genoa 1609 - 1664 Mantua), drawing, rubber tempera, 30.5 x 40.8 cm, l.l. Duke Albert of Saxe-Teschen

Christ falls for the third time, Friedrich Overbeck (Lübeck 1789 - 1869 Rome), 1861, drawing, black chalk, partially heightened in white with a brush on yellowish paper, the background painted with blue-violet topcoat and pencil hatching, an

Christ is stripped of his clothes, Friedrich Overbeck (Lübeck 1789 - 1869 Rome), 1861, drawing, black chalk, with traces of brown-grey wash, on yellowish paper, the background painted with blue-violet topcoat and pencil hatching, the frame

Christ is nailed to the cross, Friedrich Overbeck (Lübeck 1789 - 1869 Rome), 1861, drawing, black chalk, brown-grey wash, on yellowish paper, the background painted with blue-violet topcoat, the frame painted illusionistically in gray with a

Lamentation for Christ, Friedrich Overbeck (Lübeck 1789 - 1869 Rome), 1861, drawing, black chalk, on yellowish paper, the background painted with blue-violet topcoat, frame painted illusionistically in gray with a brush, laid down on paper,

Entombment, Friedrich Overbeck (Lübeck 1789 - 1869 Rome), 1861, drawing, black chalk, brown-grey wash, heightened in places with a brush in white on yellowish paper, the background painted with blue-violet topcoat, frame painted

Maria with the child at the manger, anonymous, drawing, pencil; brown wash; on parchment, 26.2 x 19.3 cm, l.l. Duke Albert of Saxe-Teschen, pen and ink erased lower right 'C

Allegory: Coat of arms unveiling in Innsbruck, Leander Russ (Vienna 1809 - 1864 Kaltenleutgben), 1854, drawing, pencil, gray wash, 18.7 x 13.8 cm, r.r. '28476

Holy family with two angels in front of the base of a column in an open landscape, Giovanni Francesco Castiglione (Genoa 1642 - 1710 Genoa), drawing, pen, ink, wash, 23 x 34.7 cm, l.l. Duke Albert of Saxe-Teschen, lower left old pen and ink

Crowd in a church, after 1814, drawing, brush and black wash, sheet: 27.8 x 19.8 cm (paper dimensions irregular

Schönbrunn Palace, Rudolf von Alt (Vienna 1812 - 1905 Vienna), drawing, watercolour, 21.1 x 26.5 cm

Knee-length of a standing lady in a black taffeta dress with a pink tie, next to an armchair, Leopold Fischer (Vienna 1813 - 1872 Vienna), 1844, drawing, watercolour, opaque white on cardboard, 26.3 x 19 cm

Christ and the Samaritan woman at the well, Giovanni Benedetto Castiglione (Genoa 1609 - 1664 Mantua), drawing, rubber tempera, 28.6 x 37.8 cm, l.l. Duke Albert of Saxe-Teschen, lower left in chalk '26

Draft for the painting of the Altlerchenfeld Church in Vienna; four apostles in arc archive architecture and four apostles in medallions, Josef Mathias von Trenkwald (Prague 1824 - 1897 Perchtoldsdorf), 1873, drawing, body color, pen, according

Left oriented winged putto seated on a step, Anonymous ( 16th century), 16th century, Drawing, brush and brown ink; heightened with white; red primed paper, 9.5 x 12.6 cm, l.l. Duke Albert of Saxe-Teschen

Raising of Lazarus, Master of the Satyr Family, drawing, rubber tempera; brown paper; the edges badly damaged, 27.7 x 41.5 cm, Duke Albert of Saxe-Teschen

Study for 'Wein, Weib und singing' (the artist's wife), Josef Danhauser (Vienna 1805 - 1845 Vienna), drawing, pencil, heightened with white on grey-blue uncoated paper, according to Cahier: 36.4 x 25.8 cm, l.l. '28504 wine woman singing.' (cut

Multi-figure picture design for 'Bride's Courtship', Josef Danhauser (Vienna 1805 - 1845 Vienna), drawing, pencil, according to Cahier: 22.8 x 28 cm

Portrait study of Danhauser's brother Franz, Josef Danhauser (Vienna 1805 - 1845 Vienna), drawing, pencil, heightened with white on blue uncoated paper, according to Cahier: 31.6 x 28 cm, l.l. '24 28506.' (cut off); r.b. 'Brother Franz Danh

Magdalene anoints the Lord's feet, Giovanni Francesco Castiglione (Genoa 1642 - 1710 Genoa), drawing, rubber tempera on brown paper, 28.3 x 39.1 cm, l.l. Duke Albert of Saxe-Teschen

Study on Empress Josephine for 'Madame Legrand tells Josephine the separation from Napoleon', Josef Danhauser (Vienna 1805 - 1845 Vienna), drawing, graphite, heightened with white, ink in black, according to Cahier: 27.1 x 19.1 cm, l.b.

Three sketches, Josef Danhauser (Vienna 1805 - 1845 Vienna), drawing, pencil on gray uncoated paper, according to Cahier: 30.3 x 20.3 cm, l.l. '28518'; r.b. '47/43

Diana rests under a tree by a herm (in her right hand she holds the leash of two greyhounds next to her; on the left two shepherds, one of them seen from behind), Giovanni Benedetto Castiglione (Genoa 1609 - 1664 Mantua), drawing, rubber tempera,

male nude with drapery; next to it: detailed study, Josef Danhauser (Vienna 1805 - 1845 Vienna), drawing, pencil, heightened with white, according to Cahier: 35.7 x 23.2 cm

Study of two legs in long trousers, Josef Danhauser (Vienna 1805 - 1845 Vienna), drawing, pencil, according to Cahier: 24.6 x 33.3 cm

Woman's arm in a puffy sleeve holding a book, Josef Danhauser (Vienna 1805 - 1845 Vienna), drawing, pencil, 27.4 x 20.5 cm, l.l. '774 47/10

Study of crossed legs with drapery, Josef Danhauser (Vienna 1805 - 1845 Vienna), drawing, pencil, sanguine, according to Cahier: 18.6 x 17.1 cm

Arm study for a seated woman, Josef Danhauser (Vienna 1805 - 1845 Vienna), drawing, pencil, according to Cahier: 27.4 x 20.6 cm, l.l. '774 47/101' (sideways

Study for a portrait of Anna Streit, the artist's mother-in-law, Josef Danhauser (Vienna 1805 - 1845 Vienna), drawing, pencil, sanguine, heightened with white on brown-green paper, according to Cahier: 21 x 23.9 cm, l.l. 'Story Portrait';

Drapery studies, Josef Danhauser (Vienna 1805 - 1845 Vienna), drawing, pencil, red chalk, heightened with white on blue-green paper, according to Cahier: 22.6 x 8.8 cm, l.l. '28529

The shepherds returning home as a thunderstorm approaches, Giovanni Francesco Castiglione (Genoa 1642 - 1710 Genoa), drawing, rubber tempera, 26.7 x 39.9 cm, l.l. Duke Albert of Saxe-Teschen

Man in historical costume in a pathetic pose, Josef Danhauser (Vienna 1805 - 1845 Vienna), drawing, pencil, sanguine, heightened with white on yellowish paper, according to Cahier: 21.9 x 13.3 cm, l.l. '28530

Study of a drapery over a chair, Josef Danhauser (Vienna 1805 - 1845 Vienna), drawing, graphite, heightened with white on yellow-grey paper, according to Cahier: 21 x 13.5 cm, l.l. '28531

Saint Cecilia, Friedrich von Amerling (Vienna 1803 - 1887 Vienna), drawing, pen, brown ink, gray wash, 21.3 x 13.7 cm, l.l. '28532

Return of the shepherds before the storm; a shepherd sits on a donkey, with a cow beside him; all are moving to the left, Giovanni Francesco Castiglione (Genoa 1642 - 1710 Genoa), drawing, rubber tempera; brown paper; the top right corner added;

Satyrs sacrifice to the god Pan in front of a herm of Priapus, master of the satyr family, drawing, rubber tempera; the corners and edges damaged, 31.2 x 41.1 cm, r.l. Duke Albert of Saxe-Teschen

Landscape: the Duke's return, Ludwig Ferdinand Schnorr von Carolsfeld (Königsberg 1788/89 - 1853 Vienna), drawing, pencil, pen in brown, watercoloured, according to Cahier: 31.7 x 53.1 cm

Uhlans on horseback when Emperor Franz I enters Vienna, Johann Adam Klein (Nuremberg 1792 - 1875 Munich), 1814, drawing, watercolour, over pencil; laid down on paper, 12.9 x 19.5 cm

Study for 'L'Offrande' (The Sacrifice), Fernand Khnopff (Grembergen-lez-Termonde 1858–1921 Brussels), 1891, Drawing, pencil, heightened in white and yellow, 16.7 x 30.4 cm

Satyrs and shepherds sacrifice in front of a herm of Priapus, master of the satyr family, drawing, rubber tempera, 28.8 x 41.7 cm, l.l. Duke Albert of Saxe-Teschen

Satyrs press and drink around a large open vat, master of the satyr family, drawing, rubber tempera, 29.1 x 43.1 cm, l.l. Duke Albert of Saxe-Teschen

View of Klosterneuburg, Friedrich Loos (Graz 1797 - 1890 Kiel), drawing, pencil, passe-partout cutout: 16.1 x 23.1 cm

The Fall of the Wedding, Friedrich Loos (Graz 1797 - 1890 Kiel), 1821, drawing, pen, ink, gray wash, passe-partout cut-out: 22.1 x 32.6 cm, r.l. 'the dream

Reclining nude, Karl Borschke (Vienna 1886 - 1941 Vienna), drawing, pencil, passe-partout section: 39 x 25.7cm

Satyrs at a Hearth, Master of the Satyr Family, drawing, rubber tempera; brown paper, 30.3 x 43.7 cm, l.l. Duke Albert of Saxe-Teschen

Portrait of Mrs. Dora Rauch, Maximilian Liebenwein (Vienna 1869 - 1926 Munich), 1902, drawing, black and white chalk on blue-grey paper, passe-partout: 51.6 x 36.3 cm, l.o. 'M Liebenwein, Burghausen 1902

Portrait of the painter Carl Rahl, Heinrich Stohl (Vienna 1826 - 1889 Waidhofen an der Ybbs), 1853, drawing, pencil, watercolour, according to Cahier: 28.4 x 19.5 cm, l.l. 'H Stohl, Venice, The two dear friends Gustav and Franz, Gaul.'; mu

Burial of a satyr, master of the satyr family, drawing, rubber tempera, 29.1 x 43.9 cm, l.l. Duke Albert of Saxe-Teschen

Mermaid lying on the shore, Koloman Moser (Vienna 1868–1918 Vienna), 1896, drawing, pencil, pen and brush in black, on laid paper, 24.3 x 22.6 cm

Girl with flowers, Felician von Myrbach-Rheinfeld (Zaleszczyki (Galicia) 1853 - 1940 Klagenfurt), 1881-1897, drawing, chalk, passe-partout cut-out: 41.4 × 25.2 cm

Washerwomen in France, Felician von Myrbach-Rheinfeld (Zaleszczyki (Galicia) 1853 - 1940 Klagenfurt), 1884, drawing, charcoal, passe-partout section: 51.4 × 36.6 cm

Young man in front view in fashionable costume from the beginning of the 17th century with plumed hat and sword; leg sketch lower left; Sketches of Costumes, Anonymous, 17th century, Drawing, chalk; Red chalk, 12.2 x 7 cm, l.l. Duke Albert of

Procession of shepherds with a flock to the left; A woman with two children sits on a donkey behind two bulls, master of the satyr family, drawing, rubber tempera; brown paper, 28.4 x 42.1 cm, l.l. Duke Albert of Saxe-Teschen

homecoming of the shepherds; a boy leads some sheep through a stream; an ox is about to lie down; on the right behind him the same woman with two children, Master of the Satyr Family, drawing, gum tempera; brown paper; Edges damaged, 28.6 x 42.0

plague picture. In the foreground are the dying and the dead; in the background a crowd of men and women turning to a church entrance in prayer, anonymous, drawing, watercolour; the lower corners bevelled, 14.2 x 29.7 cm, l.l. Duke Albert of

Allegory of Spring. Four women with five children playing are resting at a fountain under trees, drawing, ink, pen, 19.0 x 24.0 cm, l.l. frieze; r.b. Duke Albert of Saxe-Teschen

animal piece. Sheep with a cow in the middle moving to the left; two shepherd boys follow, Carlo Antonio Tavella (Italy, 1668 - 1738), drawing, brush in brown, 25.7 x 19.5 cm, r.r. Genevosio (L. 545); l.b. Duke Albert of Saxe-Teschen

Two goat heads, Lambert Doomer (Amsterdam 1624 - 1700 Amsterdam), c. 1660, drawing, brown pen, brown wash, 20.3 x 29.6 cm, r.r. Duke Albert of Saxe-Teschen, lower left in pencil '240!'; Old pen and ink 'Castiglione' lower right

Two goat heads to the left, Lambert Doomer (Amsterdam 1624 - 1700 Amsterdam), c. 1660, drawing, brown pen, brown wash, 20.2 x 29.6 cm, r.l. Duke Albert of Saxe-Teschen, lower left on the backing paper old chalk writing 'Berghem', overwritten

Composition with many figures: seated man, hand on chest; standing old man behind him; a young woman leads him a child, Carlo Sacchi (Pavia c. 1616/17 - 1707 Pavia), drawing, chalk; washed; heightened with white; brown primed paper, 35.0 x 27.0

Ancient Battle of Naked Men for a Bridge, Carlo Cane (Italian, 1615–1688), Drawing, chalk; Feather; washed, 28.9 x 42.5 cm, r.r. Mariette; l.b. frieze; mu Duke Albert of Saxe-Teschen, lower right in pen '11

Young man seen from the back in fashionable costume from the beginning of the 17th century, anonymous, 17th century, drawing, chalk; Red chalk, 12.2 x 7 cm, l.l. Duke Albert of Saxe-Teschen

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