Images at Librifly

search results: Drawing clear search

Death of Lucrezia, Clemente Bocciardo (Italian, (c. 1600 - 1658), Drawing, Pen; washed; heightened with white; brown paper, 29.0 x 22.7 cm, l.l. Duke Albert of Saxe-Teschen

Seated lady, Franz Rumpler (Tachau 1848 - 1922 Klosterneuburg), drawing, pencil, according to Cahier: 12.7 x 8.1 cm, l.l. '28709

Preaching of the Baptist, Giovanni Francesco Grimaldi (Bologna 1606 - 1680 Rome), drawing, pen; gray wash, 19.6 x 30.0 cm, l.l. Duke Albert of Saxe-Teschen, lower right chalk number '16

Scene from Roman antiquity (Scipio Africanus and the pirates?), anonymous, drawing, pen; gray wash, 30.2 x 45.0 cm, l.l. Duke Albert of Saxe-Teschen, pen and ink erased lower right '....la

Society in the Prater, Heinrich Krenes (Vienna 1874 - 1923 Vienna), 1908, drawing, body paint, brush, passe-partout: 43.1 x 30.8 cm, l.l. 'H. KRENES. 08

Moth, Heinrich Krenes (Vienna 1874 - 1923 Vienna), 1908, drawing, body paint, spray technique, ink, brush, pencil, passe-partout: 32.4 x 24.8 cm, r.r. 'H. KRENES, PARIS 08

Self-Portrait with Bible, Johann Evangelist Scheffer von Leonhartshoff (Vienna 1795 - 1822 Vienna), Drawing, pen and ink in brown, 22.5 x 18.1 cm (8 7/8 x 7 1/8 in.), l.l. '28725

Italian landscape, Johann Evangelist Scheffer von Leonhartshoff (Vienna 1795 - 1822 Vienna), drawing, pencil, brush, ink, washed, according to Cahier: 18.5 x 22.9 cm, bottom left '29th'; r.b. '28726

The dying Cecilia, Johann Evangelist Scheffer von Leonhartshoff (Vienna 1795 - 1822 Vienna), around 1820/1821, drawing, pencil, 41 x 26.3 cm

The dying Cecilia, Johann Evangelist Scheffer von Leonhartshoff (Vienna 1795 - 1822 Vienna), around 1820/21, drawing, pencil, according to Cahier: 41 x 26.3 cm, r.r. '28727

Self-portrait drawing in the forest, Johann Evangelist Scheffer von Leonhartshoff (Vienna 1795 - 1822 Vienna), drawing, red chalk, heightened with white, according to Cahier: 20 x 16.2 cm, l.l. '28728

Angel wreaths a painting boy, Johann Evangelist Scheffer von Leonhartshoff (Vienna 1795 - 1822 Vienna), drawing, pencil on light blue paper, according to Cahier: 19 x 23.4 cm, l.l. '28729

Moses Defending the Daughters of the Priest of Midia, Drawing, chalk; Feather; gray wash; white heightened, 27.3 x 36.9 cm, l.l. Duke Albert of Saxe-Teschen, lower left 'Bachichia' in an old hand

Portrait of the seated Cardinal Salm, Johann Evangelist Scheffer von Leonhartshoff (Vienna 1795 - 1822 Vienna), 1818, drawing, pencil, pen in brown, according to Cahier: 32.8 x 20.8 cm, l.l. '28730.'; r.b. '9th M. June 1818, after the life of

Portrait of Cardinal Salm, Johann Evangelist Scheffer von Leonhartshoff (Vienna 1795–1822 Vienna), 1819, drawing, pencil, oval, 22.8 x 18.6 cm (9 x 7 5/16 in.), Drawn from life in the month of December 1819 in Vienna

Lady and gentleman in the coffee house, Rudolf Schick (Berlin 1840 - 1887 Berlin), 19th century, drawing, pencil, traces of brown pigments, 167 x 105 mm

Young ash tree in a thunderstorm, Rudolf Schick (Berlin 1840 - 1887 Berlin), 19th century, drawing, pencil, traces of brown pigments, 167 x 105 mm, Mi.: '<...> Young ash tree in a thunderstorm. K. medium green Only upper right inverted leaves

Landscape, Anton Peschka (Vienna 1885 - 1940 Vienna), 1933, drawing, watercolour, passe-partout cut-out: 33 x 47.7 cm (13 x 18 3/4 in.), r.l. 'A Peschka 1933

The Massacre of the Innocents in Bethlehem in front of a circular architecture, Giovanni Battista Gaulli called Bacciccio (Genoa 1639 - 1709 Rome), drawing, chalk; Feather; washed; white heightened, 26.1 x 33.1 cm, r.r. Argentville; r.b. Duke

Caricature of a draftsman in uniform trousers and house cap, around 1820, drawing, pen, watercolour, pencil, passe-partout cut-out: 12.9 × 17.9 cm

Flight into Egypt, Giovanni Battista Gaulli called Bacciccio (Genoa 1639 - 1709 Rome), drawing, chalk; Feather; washed; heightened with white; brown paper, 23.9 x 19.5 cm, r.r. Genevosio (damaged; (L. 545)); l.b. Duke Albert of Saxe-Teschen

The Holy Family with angels in the workshop, Pier Francesco Cittadini gen. il Milanese (Italy, 1616 - 1681), drawing, chalk, 43 x 33.3 cm, l.l. Duke Albert of Saxe-Teschen, lower left old chalk writing 'Pier. Francesco Cittadini, detto il

Repudiation of the Hagar. Composition with Nine Figures, Giovanni Benedetto Castiglione (Genoa 1609–1664 Mantua), drawing, brush in red and brown; corners and edges damaged, 34.3 x 49.2 cm, l.l. Duke Albert of Sachsen-Teschen, lower right '5

Christ dies on the cross, Friedrich Overbeck (Lübeck 1789 - 1869 Rome), 1861, drawing, black chalk, brown-grey wash, on yellowish paper, the background painted with blue-violet topcoat, the frame painted illusionistically in gray with a

Four sketches, Josef Danhauser (Vienna 1805 - 1845 Vienna), drawing, pencil, heightened with white on bluish uncoated paper, according to Cahier: 21.8 x 36.8 cm, r.r. '47/77

Design for a window in the Altlerchenfeld church: Coronation of the Virgin Mary, Memento Petri, Josef von Führich (Kratzau 1800 - 1876 Vienna), drawing, pencil, pen in black, watercolour, according to Cahier: 54.2 x 26.5 cm, M.u. MEMENTO

Return of the shepherds to the right; A mother with a child is sitting on a horse, Giovanni Francesco Castiglione (Genoa 1642 - 1710 Genoa), drawing, rubber tempera; brown paper; the edges badly damaged, 27.8 x 40.9 cm, l.l. Duke Albert of

Standing female nude in front view with outstretched arms, head turned to the right, Hans Makart (Salzburg 1840 - 1884 Vienna), drawing, pencil, pen, brush, brown ink, paper, 30.0 x 16.0 cm, r.r. Lobmayer, MAKARTS BEACHES

Three women at the coffee table, Michael Neder (Vienna 1807 - 1882 Vienna), 1856, drawing, pencil, 32.6 x 27.9 cm

Bare tree trunks and undergrowth, Karl Hagemeister (Werder 1848 - 1933 Werder), 19th century, drawing, charcoal, 709 x 545 mm, right. u.: 'Hagemeister /60' (coal

torture of a bishop who flees to the right into a house; one of his companions is pushed to the ground on the left (lunette), Alessandro Turchi called l'Orbetto (Verona 1578 - Rome 1649), drawing, pen; washed; heightened with white; squared, the

ABC House No. 936 in Rauhensteingasse, Moritz Leybold (Vienna 1806 - 1857 Vienna), 1841-1851, drawing, watercolour, 16.8 x 12.6 cm

A blind man's buff in a landscape of ruins, Tomaso Clerici (Italy, (c.)1637 - 1657), drawing, pen; gray and brown lav.; the upper right quarter and below a large irregular piece supplemented and continued in a different pen and wash, 44.8 x 32.6

Maria with the child and Justitia; lower left St. Benedict of Nursia right saint (Jesuit?) with chasuble with maniple, Pietro Antonio de Pietri (Italy, 1663 - 1716), drawing, chalk; pen in black; brown wash, 39.2 x 25.5 cm, l.l. Duke Albert of

A holy pilgrim looking to the top left, Pietro Antonio de Pietri (Italy, 1663 - 1716), drawing, red chalk, 27.0 x 19.8 cm, erased chalk writing lower right

Forest area near Seebenstein, Joseph Höger (Vienna 1801 - 1877 Vienna), 1876, drawing, watercolour, 29.9 x 42 cm, M.l. 'FUED, 1857, KYSLLAK

Reclining and standing cow and two reclining sheep, Johann Wilhelm Melchior (Nymphenburg 1817 - 1860 Munich), 19th century, drawing, pencil, 194 x 234 mm

Studies of a lying and a standing cow; rotated 90° to the right: two cows with a calf and two sheep, Johann Wilhelm Melchior (Nymphenburg 1817 - 1860 Munich), 19th century, drawing, pencil, the smaller study of traces of red chalk; pencil grid;

Studies on a Young Bull; rotated 90° to the right: Two young bulls near a tree stump, Johann Wilhelm Melchior (Nymphenburg 1817 - 1860 Munich), 1838, drawing, pencil, 245 x 189 mm

Journal sheet with allegory and coat of arms, around 1864 based on the original from 1515, drawing, pencil, pen in dark red, 16.2 x 12.1 cm

Flight into Egypt, Francisco Bayeu y Subias (Spain, 1734 - 1795), drawing, chalk, lead pencil, 24 x 17.8 cm

Portrait of Anna Bahr-Mildenburg, Carl Anton Reichel (Wels 1874 - 1944 Vienna), 1939, drawing, gold pen on gray primed paper, passe-partout: 293 x 218 mm, l.l. 'ANNA BAHR-MILDENBURG

Girl's head in profile to the left, Carl Anton Reichel (Wels 1874 - 1944 Vienna), 1939, drawing, gold pen on purple-primed paper, passe-partout: 328 x 186 mm

Girl's head in lost profile to the right, Carl Anton Reichel (Wels 1874 - 1944 Vienna), drawing, gold pen on pink-primed paper, passe-partout: 327 x 203 mm

Half-length portrait of a girl from the front, Carl Anton Reichel (Wels 1874 - 1944 Vienna), 1939, drawing, gold pen on blue-primed paper, passe-partout: 336 x 233 mm

The Death of Mary, Anonymous, Drawing, Pen; gray wash; cut out round at the top, 37.3 x 21.0 cm, l.l. Duke Albert of Saxe-Teschen

Half-nude of a girl, Carl Anton Reichel (Wels 1874 - 1944 Vienna), 1939, drawing, gold pen on gray-primed paper, passe-partout: 316 x 250 mm

Portrait of Crown Prince Rupprecht of Bavaria, Carl Anton Reichel (Wels 1874 - 1944 Vienna), 1939, drawing, gold pen, heightened in white on gray primed paper, passe-partout: 286 x 226 mm

Pines, Karl Hagemeister (Werder 1848 - 1933 Werder), 1920, drawing, charcoal, 706 x 504 mm, right. u.: 'K H. 20' (charcoal

Lake shore with reeds, Karl Hagemeister (Werder 1848 - 1933 Werder), 19th century, drawing, charcoal, 542 x 707 mm, l.l. 'K Hagemeister.' (Money

Willow study, Karl Hagemeister (Werder 1848 - 1933 Werder), 19th century, drawing, black chalk and pencil, 719 x 544 mm, l.l. 'K Hagemeister.', Black Chalk

Rocky coast with surf, Karl Hagemeister (Werder 1848 - 1933 Werder), 19th century, drawing, charcoal, 515 x 568 mm, right. u.: 'K Hagemeister.' (Money

Coastal landscape, Karl Hagemeister (Werder 1848 - 1933 Werder), 1910, drawing, charcoal, 545 x 710 mm, right. u.: 'K Hagemeister. 1910 50' (charcoal

Group of bare tree trunks on the shore, Karl Hagemeister (Werder 1848 - 1933 Werder), 19th century, drawing, charcoal, 613 x 459 mm, re. u.: 'K Hagemeister.' (Money

The vision of St. Ignatius of Loyola at La Storta, anonymous, drawing, pen; gray wash; trimmed at top, 40.6 x 22.7 cm, l.l. Duke Albert of Saxe-Teschen

Flirting couple of children in rococo costumes at a table, Ludwig Knaus (Wiesbaden 1829 - 1910 Berlin), around 1869, drawing, black chalk, 292 x 206 mm, center right: 'L. Knaus', Black Chalk

Stormy sea with a galley in front of cliffs, Matthieu van Plattenberg, called Platte Montagne (Antwerp c. 1608 - 1660 Paris), drawing, pen and ink in brown; Inscription: graphite pencil, 19 x 26.1 cm, r.b. 'Borzone

Mythological scene, anonymous, drawing, pen and brown ink, washed, 27 x 19.7 cm

Old man with a cane, anonymous, drawing, pen and ink in brown, washed, 27 x 19.7 cm

Triumph of Faith, Giovanni Battista Gaulli called Bacciccio (Genoa 1639 - 1709 Rome), before 1675, drawing, chalk, pen, washed, heightened with white, on brown paper, 32.4 x 18.2 cm, l.l. Duke Albert of Saxe-Teschen, in the center in the

Standing woman with a purse, two heads lower right, Felician von Myrbach-Rheinfeld (Zaleszczyki (Galicia) 1853 - 1940 Klagenfurt), 1890-1900, drawing, chalk, passe-partout cutout: 46.4 × 28 cm

Landscape with two peasant women, Ernst Juch (Gotha 1838 - 1909 Vienna), drawing, pencil, watercolour, according to Cahier: 13.5 x 8.6 cm, r.r. '28782

Still life on a chair, Anton Schrödl (Schwechat 1823 - 1906 Vienna), 1878, drawing, pencil, according to Cahier: 14.4 x 7.7 cm, r.r. '28783

Allegory of Divine Wisdom. In the center on a globe sits the Divina Sapienza, on the left Fama proclaims glory, on the right the winged Kronos; below the arts and sciences, Giuseppe Passeri (Rome 1654 - 1714 Rome), drawing, chalk; Feather; gray

Countess Eleonore Postatzky-Liechtenstein, née Countess Clary, in a white dress with a blue belt, a miniature on the dress and roses in her hair, Johann Christian Schoeller (Rappoltsweiler 1782 - 1851 Vienna), 1836, drawing, watercolor on

Two men, one with a coat and a high, wide-brimmed beret turned to the right, looking at the other, who, from the back and bareheaded, is looking into the background, anonymous, drawing, chalk; Red chalk, 12.3 x 6.4 cm, l.l. Duke Albert of

Saint Marinus of San Marino as a deacon with various tools, Camillo Zocchi, drawing, traces of chalk; Feather; washed, 23.9 x 15.4 cm, r.r. Duke Albert of Saxe-Teschen

Lamentation, Paolo Gerolamo Piola (Italian, 1666 - 1724), Drawing, chalk; Feather; washed; heightened with white; blue-grey paper; the right and left edges irregularly supplemented with blue backing paper, 41.4 x 30.0 cm, l.l. frieze; r.b. Duke

Jupiter and Semele (Reclining Oval), Anonymous, 16th century, Drawing, chalk; Feather; washed; brown paper; the oval cut out, 20.3 x 31.5 cm, l.l. Duke Albert of Saxe-Teschen, in the middle above illegible old pen writing (ink of the drawing?)

Mountain idyll, Josef Mathias von Trenkwald (Prague 1824 - 1897 Perchtoldsdorf), drawing, gouache, body paint, according to Cahier: 26.8 x 23.3 cm, l.l. '28830

Italian coastal landscape near Posillipo, Claude-Joseph Vernet (Avignon 1714 - 1789 Paris), c. 1750, drawing, black pen, brush, black and brown wash, black chalk, 32.4 x 49 cm, r.l. with pen in brown '(..) Dellevon, with pencil 'Vernet

Composition Draft for the arsenal, Carl Rahl (the younger) (Vienna 1812 - 1865 Vienna), drawing, pen, pencil, washed, according to Cahier: diameter: 91.5 cm

Composition draft for the arsenal, Carl Rahl (the younger) (Vienna 1812 - 1865 Vienna), drawing, pencil, brush, brown ink, according to Cahier: diameter: 62 cm, l.l. '28835

Duke Leopold storms Ptolemais, Carl Rahl (the younger) (Vienna 1812 - 1865 Vienna), drawing, pencil, body color, according to Cahier: diameter: 62 cm, l.l. '28836

The Moses boy in a rush basket (tondo), Bartolomeo Biscaino (Genoa 1629 - 1657 Genoa), drawing, red chalk; Money; heightened with white; oxidized and partially chipped; red primed paper; cut out in a circle, 23.2 x 23.2 cm, bottom left Duke

Moving Sea, Josef Selleny (Vienna 1824 - 1875 Inzersdorf), 1844, drawing, watercolour, body color on gray paper, according to Cahier: 17.9 x 48.6 cm

Man in armor, Michael Stohl (Vienna 1813 - 1881 Vienna), drawing, pencil, watercolour, body paint, according to Cahier: 47.2 x 33.1 cm, l.l. '28848

Bazaar in Sarajevo, Alois Schönn (Vienna 1826 - 1897 Krumpendorf am Wörthersee), drawing, pencil, watercolour, according to Cahier: 43.8 x 59.7 cm

Judith kills Holofernes, drawing, red chalk; Feather; washed, 27.5 x 25.3 cm, l.l. Duke Albert of Saxe-Teschen, lower left 'Biscaino' in old chalk writing

Adoration of the Magi, Anonymous, Genoese, 18th century, Drawing, pen; blue wash; squared; curved at the top, 27.5 x 15.8 cm, l.l. Duke Albert of Saxe-Teschen

Presentation in the Temple, Bartolomeo Biscaino (Genoa 1629 - 1657 Genoa), drawing, red chalk; heightened with white; oxidized; brown paper, 38.8 x 25.0 cm, r.r. Mariette; l.b. Duke Albert of Saxe-Teschen

The Engelshaus in Rossau. 1830, F. Wolf (active around 1840), 1830, drawing, watercolour, 20.6 x 31.8 cm, r. u.: 'd'apres nature par F. Wolf

Stephansdom. Canons and Füxlhof, Joseph Gerstmaier (Austrian, 1801 - 1870), 1842, drawing, watercolour, 29.4 x 24.5 cm

Mary with the child seated at the foot of a column, and two angels, drawing, red chalk; heightened with white; brown paper, 40.5 x 28.0 cm, Duke Albert of Saxe-Teschen

Große Schullerstrasse, Moritz Leybold (Vienna 1806 - 1857 Vienna), 1846, drawing, watercolour, 16 x 15.2 cm

Kleiner Federlhof, Moritz Leybold (Vienna 1806 - 1857 Vienna), drawing, watercolour, 32.2 x 26.3 cm

The Old Meat Market, Moritz Leybold (Vienna 1806 - 1857 Vienna), 1846, drawing, watercolour, 17.4 x 18 cm

Marriage of Saint Catherine, Bartolomeo Biscaino (Genoa 1629 - 1657 Genoa), drawing, red chalk; heightened with opaque white; blue-grey paper, 26.9 x 21.8 cm, Duke Albert of Saxe-Teschen

Dominikaner Platz, Moritz Leybold (Vienna 1806 - 1857 Vienna), 1844, drawing, watercolour, 18 x 19.3 cm

Dominikanerplatz, Moritz Leybold (Vienna 1806 - 1857 Vienna), 1847, drawing, watercolour, 17.6 x 18.9 cm

Im Auwinkel, Poststall, Moritz Leybold (Vienna 1806 - 1857 Vienna), drawing, watercolour, 17.6 x 20.7 cm

k.k. Horse mail, Holy Barbara Church, Moritz Leybold (Vienna 1806 - 1857 Vienna), drawing, watercolour, 16 x 17.8 cm

A servant with a broom to the left, anonymous, drawing, chalk, sanguine, 12.3 x 6.9 cm, l.l. Duke Albert of Saxe-Teschen

Angels embed the body of Saint Catherine of Alexandria in a tomb on Mount Sinai, anonymous, Genoa, 17th century, drawing, red chalk; heightened with white; Wide stripes added at the top and bottom and continued in the original, 19.0 x 17.0 cm,

Latona transforms the Lycian peasants into frogs (Tondo), Bartolomeo Biscaino (Genoa 1629 - 1657 Genoa), drawing, red chalk; heightened with white; partially heavily oxidized; brown paper, 21.4 x 21.4 cm, Duke Albert of Saxe-Teschen

Medea deceives the daughters of Pelias, who want to rejuvenate their father. They kill and dismember the old man in vain (Ovid, Met. VII, 298-350), anonymous, Bruyères de Fontainebleau (), drawing, red chalk; heightened with white; blue-grey

The prophet Isaiah promises healing to King Ezekiel, drawing, red chalk; Feather; washed, 29.9 x 25.6 cm, l.l. Duke Albert of Saxe-Teschen

Dream of Saint Joseph; the floating angel points to the visionary group of kneeling Mary, onto which the Holy Spirit hovers as a dove, Federico Panza (Italy, around 1633/43 - 1703), drawing, red chalk, 17.8 x 19.7 cm, l.l. Duke Albert of

Vision of St. John on Patmos, to whom Mary appears floating on the dragon, Federico Panza (Italy, c. 1633/43 - 1703), drawing, red chalk; red wash; defect top right, 19.6 x 14.8 cm, l.l. Duke Albert of Saxe-Teschen, 'di Friderico Panza

Venus tries to restrain Adonis. Below, a putto leans on Adonis' hunting dog (Telesko), Federico Panza (Italy, around 1633/43 - 1703), drawing, red chalk, 27.2 x 20.7 cm, l.l. Duke Albert of Saxe-Teschen, 'Fed. Panza

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