Images at Librifly

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The penitent Magdalena, Francesco Stringa (Modena 1635 - 1709 Modena), drawing, pen, ink, washed, 17.2 x 15.3 cm, l.l. Mariette; l.b. frieze; mu Duke Albert of Saxe-Teschen

The Glorification of Saint Dominic. (Mary wears the cloth depicting the saint; on the left sits Saint Catherine of Alexandria, on the right Saint Mary Magdalene), Orazio de' Ferrari (Italy, 1605 - 1657), drawing, chalk; Feather; washed; the

Portrait of a monk with a large tonsure in profile to the left, Anonymous, early 15th century, Drawing, pen; washed; attached below; on it a note for the execution trimmed on the left margin so that part of the writing was lost, 11.1 x 8.8 cm,

The Sacrifice of Isaac, Baccio Bandinelli (Florence 1493 - 1560 Florence), drawing, brown pen on brown paper, 42.5 x 28 cm, l.l. Duke Albert of Saxe-Teschen

Female rider on a galloping steed stepping on a flag and a sword, Cesare Agostino Bonacina (Italy, (circa) 1620 - (after) 1656), Drawing, pen; yellow-brown washed; the background laid out in yellow; squared, 23.0 x 21.2 cm, l.l. Duke Albert of

Angel Kneeling on Clouds, Giovanni Ambrogio Besozzi (Italian, 1648 - 1706), Drawing, chalk; gray wash, 38.5 x 25.5 cm, l.l. Duke Albert of Saxe-Teschen, old chalk writing 'Besozzi' rubbed off lower right

Transfiguration of a Holy Bishop (January of Benevento ?), Andrea Lanzani (Italy, c. 1645/50 - 1712), drawing, pen; washed; white heightened, 37.0 x 25.0 cm, l.l. Duke Albert of Saxe-Teschen, lower left 'Lanzani' in old pen script

Equestrian battle, Francesco Monti gen. il Brescianino delle Battaglie (Brescia 1646 - 1712 Parma), drawing, Rötel; spring; brush; gray washed; white height, 19.8 x 28.0 cm, r.u. Genevosio (L. 545); l.u. Duke Albert von Saxe-Teschen

Marriage of Saint Catherine, Paolo Gerolamo Piola (Italian, 1666 - 1724), Drawing, brush and brown; heightened with white; blue paper, 20.2 x 17.9 cm, l.l. Duke Albert of Saxe-Teschen, lower right in the pen of the drawing 'P: Geronimo Piola

Plague victims lying on the street, Pier Francesco Mola (Coldrerio (Corno) 1612 - Rome 1666), drawing, chalk; Feather; washed, 21.0 x 28.6 cm, l.l. Duke Albert of Saxe-Teschen

study sheet. Two men bending down in search; a third on the right climbs up, Alessandro Magnasco (Italian, about 1677 - 1749), drawing, brush and brown; white heightened, 19.0 x 25.1 cm, l.l. Duke Albert of Saxe-Teschen, bottom right in old

Mountainous Landscape with a Dominant Tree and a Rest on the Run, Lodovico Mattioli (Crevalcore 1662–1747 Bologna), Drawing, Pen; in line stitch manner, 28.9 x 22.4 cm, l.l. Duke Albert of Saxe-Teschen

Tree landscape in which a saint is kneeling, the miter next to him, Lodovico Mattioli (Crevalcore 1662 - 1747 Bologna), drawing, pen; in line stitch manner, 28.9 x 22.4 cm, l.l. Duke Albert of Saxe-Teschen

Flight into Egypt, Anonymous, Drawing, pen; washed; heightened with white; composed of two parts in the middle old, 26.1 x 18.0 cm, l.l. Duke Albert of Saxe-Teschen, upper right in chalk 'Pietro da Pietri

The Christ Child in front view sitting on a stone, anonymous, 17th century, drawing, pen; the lower right margin lined, 31.8 x 16 cm, l.l. Duke Albert of Saxe-Teschen, on the underlying cardboard 'Baccio Bandinelli del.' in pencil

Sacra Conversation. The child Jesus in Mary's arms blessing Saint Jerome and Saint Nicholas of Myra, Pietro Antonio de Pietri (Italy, 1663 - 1716), drawing, pen; washed; heightened with white; blue-grey paper, 41.8 x 27.6 cm, l.l. Duke Albert

Color sketch for the lunette of geology, Hans Canon (Vienna 1829 - 1885 Vienna), drawing, oil on canvas, according to Cahier: 27.2 x 54.2 cm

Portrait of a lady, Albert Decker (Colmar 1817 - 1871 Vienna), 1844, drawing, watercolour, opaque white, over preliminary pencil drawing, 25.4 x 19.2 cm

The ladder fall near Heiligenblut, Thomas Ender (Vienna 1793 - 1875 Vienna), around 1845, drawing, watercolour, pencil, 39 x 27.6 cm, l.l. '29115

The Miracle of Cordoba during the plague of 1602, anonymous, drawing, sanguine; heightened with white; reddish paper, 30.2 x 21.0 cm, l.l. Duke Albert of Saxe-Teschen, upper left in pencil '8

On the hunt, Josef Fux (Vienna 1842 - 1904 Vienna), drawing, watercolour; Inscription: brush in red, according to Cahier: 50 x 35.4 cm

Am Königssee, Joseph Höger (Vienna 1801 - 1877 Vienna), drawing, watercolour, passe-partout section: 32.3 x 44.9 cm

Cloister in Berchtesgaden, Joseph Höger (Vienna 1801 - 1877 Vienna), drawing, watercolour, pencil, 26.6 x 37 cm, Berchtesgaden

Sketch of the vault of the cloister in Berchtesgaden, Joseph Höger (Vienna 1801 - 1877 Vienna), drawing, pencil, 26.6 x 37 cm

In Berchtesgaden, Joseph Höger (Vienna 1801 - 1877 Vienna), 1834, drawing, watercolour, pencil, passe-partout section: 27 x 23.5 cm, l.l. '29131. 1834'; mu 'In Berchtesgaden

Ilz near Passau, Karl Franz Emanuel Haunold (Vienna 1832 - 1911 Vienna), drawing, oil, according to Cahier: 25 x 32.7 cm, l.l. 'H

Beech trunk, Remigius Adrianus van Haanen (Oosterhout 1812 - 1894 Aussee), drawing, pencil, watercolour, passe-partout cutout: 34.9 x 22.9 cm

Tree studies, Remigius Adrianus van Haanen (Oosterhout 1812 - 1894 Aussee), drawing, pencil, watercolour, 38.2 x 23.7 cm, l.l. '29135

Church interior, Remigius Adrianus van Haanen (Oosterhout 1812 - 1894 Aussee), drawing, oil, 37.1 x 30.2 cm, l.l. '29136.'; verso: and detailed inscription

Village landscape with dark clouds, Remigius Adrianus van Haanen (Oosterhout 1812 - 1894 Aussee), drawing, oil, paper, passe-partout section: 25.7 x 40.7 cm, l.l. 'RvH. Aug 22, 42

Dutch village landscape, Remigius Adrianus van Haanen (Oosterhout 1812 - 1894 Aussee), 1893, drawing, chalk, oil, paper, passe-partout section: 29.6 x 39.1 cm, l.l. '29138.'; r.b. 'RvH. 93

A holy pilgrim striding towards the viewer, gazing to the upper right where Saint Peter and a second saint are pointing the way, Pietro Antonio de Pietri (Italy, 1663 - 1716), drawing, red chalk, 27.0 x 19, 8 cm, r.b. Round stamp with

Mary dictating the commentary on the Magnificat to Saint Bernard of Clairvaux, Pietro Antonio de Pietri (Italy, 1663 - 1716), drawing, red chalk, 30.0 x 17.9 cm, l.l. frieze; r.b. Duke Albert of Sachsen-Teschen, lower left old pen and ink

Beech and oak trees, Remigius Adrianus van Haanen (Oosterhout 1812 - 1894 Aussee), drawing, oil, according to Cahier: 43.5 x 52.5 cm

Birch trunk, Remigius Adrianus van Haanen (Oosterhout 1812 - 1894 Aussee), drawing, watercolour, pencil, passe-partout cutout: 34.5 x 24 cm

Weiden am Bach, Ludwig Halauska (Waidhofen/Ybbs 1827 - 1882 Vienna), 1858, drawing, oil on paper, 24.5 x 31.2 cm

Marwinkel am Mondsee, Ludwig Halauska (Waidhofen/Ybbs 1827 - 1882 Vienna), 1870, drawing, oil, canvas, according to Cahier: 35.5 x 55.6 cm

Farm in Purkersdorf, Ludwig Halauska (Waidhofen/Ybbs 1827 - 1882 Vienna), 1868, drawing, watercolour, body colour, over pencil, on gray-blue paper, 28.9 x 42.3 cm

Lorch am Rhein, Ludwig Halauska (Waidhofen/Ybbs 1827 - 1882 Vienna), 1863, drawing, pencil, watercolour, heightened with white, passe-partout cut-out: 37.8 x 29 cm

Old mill near Amstetten, Anton Paul Heilmann (Neumarkt 1830 - 1912 Vienna), 1906, drawing, watercolour, pencil, heightened with white, according to Cahier: 30.8 x 50.9 cm, l.l. Mill near Amstetten. A. Heilmann 1906

Preaching of Saint Paul on the Areopagus in Athens, Pietro Antonio de Pietri (Italian, 1663 - 1716), Drawing, pen; gray wash; heightened with white; blue-grey paper, 24.8 x 40.6 cm, r.l. Duke Albert of Saxe-Teschen, in the center below in the

The Leopoldskron pond, Karl Franz Emanuel Haunold (Vienna 1832 - 1911 Vienna), drawing, oil, according to Cahier: 38.6 x 52.8 cm, l.l. 'Haunold

Self-portrait, Franz Heinrich (Náchod 1802 (1803 GND) -1890 Brunn am gebirge), 1875, drawing, watercolor over pencil, heightened with white, according to Cahier: 36.3 x 28.3 cm

Audience hall of the Doge's Palace in Venice, Franz Heinrich (Náchod 1802 (1803 GND) -1890 Brunn am gebirge), around 1875, drawing, black pen, watercolour, body colour, according to Cahier: 47.6 x 61 cm

Vespers chapel in St. Peter, Rome, Franz Heinrich (Náchod 1802 (1803 GND) -1890 Brunn am gebirge), 1873, drawing, watercolour, pencil, heightened with white, according to Cahier: 44.2 x 61.5 cm

View of the Hradschin, Anton Hlavácek (Vienna 1842 - 1926 Vienna), 1881, drawing, watercolour, pen in brown, according to Cahier: 37.4 x 50.4 cm

Gmunden from the Poststraße, Joseph Höger (Vienna 1801 - 1877 Vienna), drawing, watercolour, 30.1 x 43 cm, l.l. 'Gmunden from the Poststrasse

Im Neuwald Urwald, Joseph Höger (Vienna 1801 - 1877 Vienna), 1856, drawing, watercolour, opaque white, passe-partout section: 31 x 42.7 cm

Rovereto, Joseph Höger (Vienna 1801 - 1877 Vienna), drawing, watercolour, pencil, passe-partout section: 28.5 x 36.5 cm, r.r. 'Rovereto

Clement XI. Albani inspects the work of restoring the mosaic facade of S. Maria Maggiore, Pier Leone Ghezzi (Rome 1674 - 1755 Rome), Drawing, pen; brown and blue wash, 30.8 x 22.6 cm, l.l. Duke Albert of Saxe-Teschen, pencil number '3' top

Capitol, Wilhelm Kandler (Kratzau 1816 - 1896 Prague), drawing, oil, according to Cahier: 37.2 x 53.8 cm

Albanersee, Wilhelm Kandler (Kratzau 1816 - 1896 Prague), drawing, oil, passe-partout section: 26.3 x 41.7 cm

Neron water pipe, Wilhelm Kandler (Kratzau 1816 - 1896 Prague), drawing, oil, passe-partout section: 35.2 x 52.4 cm

Arch of Constantine, Wilhelm Kandler (Kratzau 1816 - 1896 Prague), drawing, oil, according to Cahier: 28 x 53.5 cm

Forum des Nerva, Wilhelm Kandler (Kratzau 1816 - 1896 Prague), drawing, oil on paper laid down on cardboard, 37.4 x 54.0 cm

Cola Rienzi House, Wilhelm Kandler (Kratzau 1816 - 1896 Prague), drawing, oil, passe-partout section: 35.7 x 52 cm

Studies of hands, Lovis Corinth (Tapiau 1858 - 1925 Zandvoort), 19th century, drawing, pencil, on yellow-brown paper, 274 x 353 mm, re. u.: 'Peter ... Petermannchens? hands' (pencil, erased

Caricatured musicians and singers are gathered around a table, on which is an open book and a mortar as a cimbalom; in front stands a dwarf with spear and cup, Alessandro d'Este (Rome 1787 - 1826 Rome), drawing, pen, gray wash, 22.2 x 17 cm,

Planckenberg, Hugo Darnaut (Dessau 1851 - 1937 Vienna), 1900, drawing, pencil, according to Cahier: 33.4 x 26.8 cm

The Interest Penny, Giovanni Francesco Sacchetti (Italy, mentioned 1669 - 1675), drawing, chalk; Feather; washed, 24.7 x 16.8 cm, l.l. Duke Albert of Saxe-Teschen, old pen number '43.' upper right

Saint Jerome in the desert, Pietro Giacomo Palmieri the Elder (Bologna 1737 - 1804 Turin), drawing, pen, ink, washed, 40.2 x 32.2 cm, l.l. Duke Albert of Saxe-Teschen, lower left in the pen of the drawing 'Palmerius In. et Fecit

Glass window design, Caspar Jele (Freidsberg im Oberinntal 1814 - 1893 Innsbruck), drawing, watercolour, 116 x 33.5 cm

The daughters of Cecrops prepare a bath for the Erichthonios child, anonymous, drawing, ink, pen, 26.7 x 38 cm, l.l. Duke Albert of Saxe-Teschen

equestrian scene. On the left a single leader on horseback, viewed from behind, Francesco Simonini (Parma 1686 - 1753 Venice), drawing, chalk; Paintbrush, 29.6 x 44.1 cm, l.l. Duke Albert of Saxe-Teschen

Indistinct pencil sketch, Martin Drolling (Oberbergheim 1752 - 1817 Paris), around 1810, drawing, pencil, 191 x 145 mm, M. handwritten inscription with pen in brown: 'Mlle Leguet rue neuve du, Luxembourg No 16 pres le boulevard, des

The Fairy Tale of the Adder Krönlein, Karl Fischer (Austria, 1861 - 1918), drawing, pen and ink in black and brown, watercoloured, according to Cahier: passe-partout cutout: 39.4 x 27.6 cm, below bottom 'The Fairy Tale of the Adder Crown

Traveling artists, Karl Fischer (Austria, 1861 - 1918), 1905, drawing, pen, ink, passe-partout cut-out: 18.7 × 28.8 cm, l.l. '29218

cavalry battle. In front lie fallen riders and a dead horse; on the right a flag on the castle, Francesco Simonini (Parma 1686 - 1753 Venice), drawing, chalk, pen, brush, sepia, 26.3 x 44.7 cm, l.l. Duke Albert of Saxe-Teschen, signed

'Children's astronomy', Hermann Schlittgen (Roitzsch (Saxony) 1859 - 1930 Wasserburg am Inn), 19th century, drawing, pen in black, over pencil, 120 x 106 mm, l.o. 'Children, Astronomy', pen in black; r.b. 'Herm Schlittgen Weimar', pen in

Two drunken returnees, Hermann Schlittgen (Roitzsch (Saxony) 1859 - 1930 Wasserburg am Inn), 19th century, drawing, pen and black ink, over pencil, 116 x 103 mm, right. bottom: 'H Schl' pen in black

Gentleman and lady, Karl Fischer (Austria, 1861 - 1918), 1904, drawing, pen, ink, passe-partout cut-out: 27.7 × 15.8 cm

Spectators at the airfield, Josef Wawra (Vienna 1893 - 1935 Vienna), drawing, pencil, yellowish paper, passe-partout: 78 x 80 mm

Groups of people, Josef Wawra (Vienna 1893 - 1935 Vienna), drawing, pencil, yellow paper, passe-partout: 37 x 124 mm

Group of people, Josef Wawra (Vienna 1893 - 1935 Vienna), drawing, pencil, wiped, yellowish paper, passe-partout: 85 x 73 mm

Venus and Cupid with putti in a chariot drawn through clouds by doves, Teutwart Schmitson (Frankfurt am Main 1830 - 1863 Vienna), drawing, pen and brown ink on yellow-brown paper; blind stylized; registration marks in the corners; corrections by

Young nude girl in an ocher cloth, Egon Schiele (Tulln 1890 - 1918 Vienna), 1911, drawing, pencil, watercolor on Japanese paper, primed, 48.2 x 31.5 cm

Cavalry battle in front of the walls of a city, Francesco Simonini (Parma 1686 - 1753 Venice), drawing, chalk, pen, washed, 26.6 x 40.3 cm, l.l. Duke Albert of Saxe-Teschen, faded chalk number '22' lower right

Village view with ruins in the background, Franz Barbarini (Znaim (Moravia) 1804 - 1873 Vienna), drawing, watercolour, 20.3 x 17 cm

Italian landscape, Thomas Ender (Vienna 1793 - 1875 Vienna), around 1823, drawing, watercolour, 15.7 x 22.5 cm

Sarmingstein on the Danube in the moonlight, Ernst Welker (Gotha 1788 - 1857 Vienna), after 1828, drawing, watercolour, heightened in places with a brush in white, the highlights scraped out in places, over pencil marks, gloss heightening in

Knightly lovers, Moritz von Schwind (Vienna 1804 - 1871 Niederpöcking/Munich), 1823, drawing, pencil, gray wash, according to Cahier: 23.1 x 30.3 cm

Portrait of the painter Carl Müller, Ferdinand Hodler (Bern 1853 - 1918 Geneva), around 1904, drawing, black brush, white body paint, on transparent paper, 26.3 x 22.4 cm

cavalry battle; in the middle distance a city; on the left two towers of a castle, Francesco Simonini (Parma 1686 - 1753 Venice), drawing, chalk, pen, washed, 26.6 x 40.9 cm, Duke Albert of Saxe-Teschen, in the middle below in chalk '23

Seated girl, Albert Schindler (Engelsberg 1805 - 1861 Vienna), drawing, pencil, 8.8 x 11.2 cm

Fight for a redoubt, left the remains of a cannon, Francesco Simonini (Parma 1686 - 1753 Venice), drawing, pen, brush, washed, 26 x 39.5 cm, l.l. Duke Albert of Saxe-Teschen, lower right in pencil '24

Ball vignette, Julius Victor Berger (Neutitschein (Czech Republic) 1850 - 1902 Vienna), drawing, pencil, pen in black, watercolour, passe-partout cutout: 18.5 x 12.3 cm, M. 'BALL

Vignette with poppies, Julius Victor Berger (Neutitschein (Czech Republic) 1850 - 1902 Vienna), drawing, pencil, pen in black, watercolour, passepartout cut-out: 18.5 x 12.3 cm

Engagement vignette, Julius Victor Berger (Neutitschein (Czech Republic) 1850 - 1902 Vienna), drawing, pencil, pen in black, watercolour, passe-partout cut-out: 18.5 x 12.3 cm

Vignette with three heads, Julius Victor Berger (Neutitschein (Czech Republic) 1850 - 1902 Vienna), drawing, pencil, pen in black, watercolour, passe-partout section: 18.5 x 12.3 cm, l.l

Prologue, Karl Karger (Vienna 1848 - 1913 Vienna), 1879, drawing, pencil, sheet: 30.3 x 39.1 cm, l.o. 'IN. 29253/16'; mo 'PROLOG.'; mu 'Barren Munich 79

Wedding congratulations, Maximilian Lenz (Vienna 1860 - 1948 Vienna), 1903, drawing, pencil, pen, gold bronze, watercolour, passe-partout cut-out: 34.5 x 26.1 cm, below bottom 'The most humble, congratulations

Draft for the bookplate by Richard Werth, Josef Sattler (Schrobenhausen 1867 - 1931 Munich), 19th century, drawing, pen in black, yellow watercolour, over pencil marks; black framing line around the image, 195 x 166 mm

Vignette with landscape, Julius Victor Berger (Neutitschein (Czech Republic) 1850 - 1902 Vienna), drawing, pencil, watercolour, sheet: 11.7 x 8.8 cm, l.l. 'Estate, Prof. Jul. Berger

Allegory of autumn with a landscape view of a castle, Léo Schnug (Strasbourg 1878 - 1933 Brumath), drawing, pen and black ink, watercolour, body colour, heightened with pen and gold; black framing line, 223 x 123 mm

Allegory of July: an African warrior lets a Silens herme spit on his curls as a fountain figure, Léo Schnug (Strasbourg 1878 - 1933 Brumath), drawing, black pen, watercolour; black framing line, 147 x 96 mm

Allegory of October: image of an old satyr or Silens with a goatee in a vine, Léo Schnug (Strasbourg 1878 - 1933 Brumath), drawing, black pen, watercolour, traces of pencil; black border line, 148 x 94 mm

Vignette: Inkwell with an emaciated skull as a pen holder, Léo Schnug (Strasbourg 1878 - 1933 Brumath), drawing, black pen, watercolour, over pencil, 172 x 103 mm, r.r. 'LS' (feather in black

Allegory: 'The end of splendor and glory', Léo Schnug (Strasbourg 1878–1933 Brumath), 1899, drawing, pen and black ink, watercolour, body color, heightened with pen and white tones, over traces of pencil

Decorative design: strawberry in an orange circle, Franz von Stuck (Tettenweis 1863 - 1928 Munich), drawing, pencil, watercolour, opaque white, 10.3 x 7.7 cm

Vignette with poppies, Julius Victor Berger (Neutitschein (Czech Republic) 1850 - 1902 Vienna), drawing, pencil, black pen, watercoloured, sheet: 18.1 x 11.6 cm

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