Images at Librifly

search results: Drawing clear search

Decorative design: surface pattern with strawberries, Franz von Stuck (Tettenweis 1863 - 1928 Munich), drawing, watercolor in black-blue and ocher yellow, heightened in white with a brush, over pencil, 12.7 x 7.4 cm

The jewelry bowl, Hede von Trapp (Pula 1877 - 1947 Korneuburg), 1910, drawing, body color, according to Cahier: 25.1 x 16.7 cm, box: recto: r. under the sheet: '11.12.1913, 150 M

Majesty homage sheet, Julius Victor Berger (Neutitschein (Czech Republic) 1850 - 1902 Vienna), drawing, pencil, watercolour, sheet: 27.4 x 19.2 cm, M.o. 'Your k.u.k. Majesties

Vignette with rosehip branch, Julius Victor Berger (Neutitschein (Czech Republic) 1850 - 1902 Vienna), drawing, pencil, watercolour, sheet: 10.8 x 7.3 cm, r.r. 'Estate, Prof. Jul. Berger

Invitation, Julius Victor Berger (Neutitschein (Czech Republic) 1850 - 1902 Vienna), drawing, pencil, pen in black, watercoloured, sheet: 17.9 x 11.8 cm, bottom left 'INVITE

Monthly vignette: October, Julius Victor Berger (Neutitschein (Czech Republic) 1850 - 1902 Vienna), drawing, pencil, watercolour, pen, sheet: 29 x 20.3 cm, r.r. 'Bequest, Prof. Jul. Berger', M.u. 'October

Chevalier Joseph Solignac-Peschiera in blue uniform with red sash and medals, standing next to a table, Carl Caspar (Wurzbach/Schwaben 1747 - 1809 Vienna), 1774, drawing, watercolor on ivory, 7.7 x 6.4 cm, on the Reverse marked: 'Chevalier

The artist's father in a gray striped skirt and red waistcoat, Marie-Adélaïde Landragin (Paris 1761 - 1799 Paris), drawing, watercolor on ivory, 5.9 cm (diameter), Old inscription on the reverse: 'S'il fut le meilleur, des pères, il en fut,

cavalry battle. In the center in front and left a dead horse and its dead rider; on the far right and on the left behind the leader a standard bearer on horseback, Francesco Simonini (Parma 1686 - 1753 Venice), drawing, pen, ink, washed, 21.6 x

Bruneck against the Tauferertal, Thomas Ender (Vienna 1793 - 1875 Vienna), drawing, pencil, watercolour, 28.2 x 40.8 cm, r.r. Stamp, l.u. '35

Landscape with a road to two farms, Karl Hagemeister (Werder 1848 - 1933 Werder), 1870, drawing, black pen, gray brush, washed, 348 x 497 mm, right. u.: 'C. H Ferch. 7. 6. 70.', pen in black

Water mill at the edge of the forest over a stony stream bed, Karl Hagemeister (Werder 1848 - 1933 Werder), 1873, drawing, pencil, 495 x 345 mm, right. u.: 'Taubensee KH. d 25. 9. 73', Color indications in the depiction: 'gr', 'viol. gr',

battle between riders and infantry; a leader gallops from right to left; A dead horse and two dead riders lie on the ground in front of him, drawing, pen, ink, washed, 18.2 x 31.0 cm, l.l. Duke Albert of Saxe-Teschen, lower right in pen 'JBike

Copy after Raphael: Lo Spasimo di Sicilia, Peter von Hess (Düsseldorf 1792 - 1871 Munich), 1814, drawing, pencil; screened with sanguine; sketchy framing line at the upper edge, 480 x 349 mm, verso according to Cah.: violet stamp 'B.F.' in

cavalry battle. To the left above the standard bearer, the sky is darkening due to rising smoke, Francesco Simonini (Parma 1686 - 1753 Venice), drawing, pen, ink, washed, 17.4 x 30.0 cm, l.l. Duke Albert of Saxe-Teschen

Hercules as a child strangles the snakes that try to bite him, Baccio Bandinelli (Florence 1493 - 1560 Florence), drawing, pen; brownish paper, 43.2 x 27.5 cm, r.r. damery; l.b. Duke Albert of Saxe-Teschen, lower left 'Bandinelli' in an old

cavalry battle. On the right three defense towers of a fort; Two dead horses lie in front with their riders, Francesco Simonini (Parma 1686 - 1753 Venice), drawing, pen, ink, washed, 17.2 x 30.0 cm, l.l. Duke Albert of Saxe-Teschen

Rear view of cavalry moving through a landscape of trees; on the right a fortified rampart with corner walls, Francesco Simonini (Parma 1686 - 1753 Venice), drawing, chalk; Feather; Paint brush; gray and brown wash, 36.1 x 28.4 cm, l.l. Duke

cavalry battle; on the left a tree, on the opposite side a ruined fortress, Francesco Simonini (Parma 1686 - 1753 Venice), drawing, chalk; Paint brush; gray wash, 35.9 x 28.1 cm, l.l. Duke Albert of Saxe-Teschen, upper right in pencil

Copy after Carl Philipp Fohr: Schriesheim am Neckar with the Strahlenburg, Christian Haldenwang (Durlach 1770 - 1831 Rippoldsau), around 1815, drawing, pencil; Sketchy pencil border line, 11.4 x 15.9 cm

Rear houses on the water in Gavardo, Adolf Gustav Thamm (Dresden 1859 - 1925 Dresden), 1902, drawing, pencil, colored chalk, 451 x 303 mm, Adolf Glüenstein (L. 123, verso, l.u.), l.u. '241' (lead.); 'Gavardo 22 Sep 02. A. Thamm

Martyrdom of the ten thousand Christians under King Sapor in Persia, Piero Buonaccorsi called Perino del Vaga (Florence 1501 - 1547 Rome), 1522-1523, drawing, brown pen, brown wash, heightened in white, squared in black chalk, on brown paper;

Austrian hussar on horseback, Peter von Hess (Düsseldorf 1792 - 1871 Munich), 1821, drawing, black chalk, on gray paper, 394 x 296 mm, l.l. '821/7

Architectural sketches and three heads of Papageno with the lock in front of his mouth from the Magic Flute cycle of the Vienna Opera, Moritz von Schwind (Vienna 1804 - 1871 Niederpöcking/Munich), 1864-1867, drawing, pen in brown, pencil,

The Holy Family with the Christ Child Enthroned; the youthful Johannes kneels adoringly on the steps, Giovanni Paolo Pannini (Piacenza 1691 - 1765 Rome), before 1750/60, drawing, chalk, pen, gray wash, 18.6 x 13.5 cm, l.l. Duke Albert of

Portrait of Rudolf von Alt, Rudolf Bacher (Vienna 1862 - 1945 Vienna), 1900, drawing, black chalk, 28.6 x 22.8 cm

The Holy Family with the Child John, Giovanni Paolo Pannini (Piacenza 1691–1765 Rome), 1750–1760, drawing, chalk; Feather; gray wash, 17.3 x 12.0 cm, l.l. Duke Albert of Saxe-Teschen

View of the Cappella Corsini in S. Giovanni in Laterano with the tomb of Clemens XII., Giovanni Paolo Pannini (Piacenza 1691 - 1765 Rome), after 1740, drawing, pen, brown and gray wash, 43.0 x 30.0 cm, r.b. Duke Albert of Saxe-Teschen, in the

Study of two sheave binders and arm study, Johann Christian Klengel (Kesselsdorf near Dresden 1751 - 1824 Dresden), around 1809, drawing, black chalk, brush in gray, heightened with white chalk, on blue paper, passe-partout cutout: 22 x 28.2

The statue of Marc Aurel with staffage figures and an antique-style rotunda in the background, Giovanni Paolo Pannini (Piacenza 1691 - 1765 Rome), 1723, drawing, yellow-brown pen, gray wash, 27.4 x 19.5 cm, l.l. Duke Albert of Saxe-Teschen,

Salò am Gardasee, Carl Wagner (Roßdorf (Thüringen) 1796 - 1867 Meiningen), 1822-1825, drawing, black-grey pen, partially touched up with brown pen, over pencil, 188 x 392 mm, right. Above: 'Challon[crossed out with pencil] on Lake Garda.'

Ruins of a Roman triumphal arch with a dolphin fountain, two soldiers are sitting on the edge of the pool, Giovanni Paolo Pannini (Piacenza 1691 - 1765 Rome), 1723, drawing, pen and grey-brown, gray wash, 27.7 x 19.5 cm, l.l. Duke Albert of

Waiter with a drunk guest, Jean-Louis Forain (Reims 1852 - 1931 Paris), around 1875-1880, drawing, brown pen, brush, watercolour, over black chalk drawing, 31 x 23.8 cm, l.o. '- Ou [sic] sont les femmes

Standing little dancer, Jean-Louis Forain (Reims 1852 - 1931 Paris), c. 1900, drawing, pen and ink in black, 36 x 24.9 cm

Small sketch of a girl's head with a hat, Jean-Louis Forain (Reims 1852 - 1931 Paris), c. 1900, drawing, pen and ink in black, 36 x 24.9 cm

Ancient ruins with the 'Borghesian fencer', Giovanni Paolo Pannini (Piacenza 1691 - 1765 Rome), drawing, pen in gray, watercolour, 36.1 x 25.0 cm, r.r. Duke Albert of Saxe-Teschen, monogrammed 'J. P.P

Allegorical depiction with nine agitated figures under a tree; on the right a youth pierces an inscribed shield and hits the man kneeling beneath it; below, Cupid sleeps on his quiver next to his bow, anonymous ( 17th century), 17th century,

Ancient ruined hall with statue of Hercules, Giovanni Paolo Pannini (Piacenza 1691 - 1765 Rome), 1740-1745, drawing, pen and ink in grey, brown, green, blue, yellow and red watercolours, partially visible construction lines with black pen,

Praying in front of a wayside shrine, Jakob Gauermann (Oeffingen near Stuttgart 1773 - 1843 Vienna), 1816, drawing, pen and ink in brown, brown wash, 28.3 × 20.5 cm, illegible without inscription; l.b. '29405.'; and 'The executed drawing is

Colonnaded courtyard of a palace with the statue of a seated Apollo, Giovanni Paolo Pannini (Piacenza 1691 - 1765 Rome), drawing, pen and watercolour, 35.2 x 23.8 cm, l.l. Duke Albert of Saxe-Teschen, lower right in pen 'Panini

Antique hall with Doric columns and cracked ceiling, Giovanni Paolo Pannini (Piacenza 1691 - 1765 Rome), drawing, pen, watercolour, 35.5 x 23.8 cm, l.l. Duke Albert of Saxe-Teschen, left in the base of the Hercules 'G..' (two illegible

temple ruins; in the middle a relief amphora, to the right a fountain basin with a lion spouting water; in the background the remains of an aqueduct; Staffage figures, Giovanni Paolo Pannini (Piacenza 1691 - 1765 Rome), drawing, pen,

Architectural backdrop with Corinthian columns and staffage figures, in the background the Pantheon, Trajan's Column and the Colosseum, Giovanni Paolo Pannini (Piacenza 1691 - 1765 Rome), 1762, drawing, pen and watercolour, 24.9 x 35.2 cm,

Hall with Ionic columns and three lion statues, antique set pieces and staffage figures, Giovanni Paolo Pannini (Piacenza 1691 - 1765 Rome), 1762, drawing, pen and watercolour, 24.4 x 35.5 cm, r.l. Duke Albert of Saxe-Teschen, 'J. P. Panini,

Roman veduta with a temple with Ionic columns, the colonnades of the Forum di Nerva, an obelisk, the Pantheon and the statue of the Tiber as well as staffage figures, Giovanni Paolo Pannini (Piacenza 1691 - 1765 Rome), 1762, drawing, pen,

Diogenes observes a youth in a landscape of ruins drawing water, Giovanni Paolo Pannini (Piacenza 1691 - 1765 Rome), 1762, drawing, pen, grey, brown and blue wash, 24.5 x 35.3 cm, No Mariette Sz; r.b. Duke Albert of Saxe-Teschen, monogrammed

The Leap of Death of Marcus Curtius, Giovanni Paolo Pannini (Piacenza 1691 - 1765 Rome), drawing, chalk, pen in gray, brown wash, 24.8 x 36.1 cm, l.l. Duke Albert of Saxe-Teschen, signed 'I. P.P. Rome

Horned male nude seated in profile to the right, with a horned headgear and a cloak over his left shoulder, Anonymous, c. 1600, Drawing, chalk; feather, 37.7 x 32 cm, l.l. Duke Albert of Saxe-Teschen

Amphitheater of Titus. (On the left the statue of the Tiber; on the right an actor reciting in front of an audience dressed in antique costumes; in the background the statue of Marc Aurel and the Colosseum), Giovanni Paolo Pannini (Piacenza 1691 -

Roman ruins with staffage figures, Francesco Pannini (Rome 1745 - 1812 Rome), drawing, pen and watercolour, heightened with opaque white, 26.7 x 40.8 cm, r.r. Duke Albert of Saxe-Teschen

Roman landscape of ruins, Francesco Pannini (Rome 1745 - 1812 Rome), drawing, pen, watercolour, 27.0 x 41.7 cm, l.l. Duke Albert of Saxe-Teschen

Ancient remains of ruins with staffage figures, Francesco Pannini (Rome 1745 - 1812 Rome), drawing, pen, watercolour, 39.7 x 25.0 cm, r.r. Duke Albert of Saxe-Teschen, bottom left in pen '...Pannini

View of the Palazzo Albani from the garden side of the Palazzo Barberini, anonymous, Roman, 18th century, drawing, chalk, brush in gray and brown, heightened with white, on brownish paper, 27.7 x 42.9 cm, r.l. Duke Albert of Saxe-Teschen

Remains of a palace architecture with Corinthian columns, Giovanni Paolo Pannini (Piacenza 1691 - 1765 Rome), drawing, chalk on gray paper, 19.9 x 15.1 cm, l.l. Genevosio (L. 545); r.b. Duke Albert of Saxe-Teschen, top center in the chalk

Composition sketch of two figures between clouds (apparition), sketchbook Danhauser Josef; 9 paginated pages, Josef Danhauser (Vienna 1805 - 1845 Vienna), around 1844, drawing, pencil, sheet: 18.4 cm x 24 cm

Caricature, sketchbook Danhauser Josef; 9 paginated pages, Josef Danhauser (Vienna 1805 - 1845 Vienna), around 1844, drawing, pencil, sheet: 10 cm x 13.2 cm

Caricature, sketchbook Danhauser Josef; 9 paginated pages, Josef Danhauser (Vienna 1805 - 1845 Vienna), around 1844, drawing, pencil, sheet: 10 cm x 13.2 cm

Figure sketches (partly excerpts), sketchbook Danhauser Josef; 9 paginated pages, Josef Danhauser (Vienna 1805 - 1845 Vienna), around 1844, drawing, pencil, sheet: 13.3 cm x 17.4 cm

Various head studies and indistinct sketches, Danhauser Josef sketchbook; 9 paginated pages, Josef Danhauser (Vienna 1805 - 1845 Vienna), around 1844, drawing, pencil, sheet: 23.3 cm x 16.4 cm

Wire drawing workshop, Daniel Nikolaus Chodowiecki (Danzig 1726 - 1801 Berlin), drawing, brush, ink, washed, 8.7 x 11.3 cm

Singing boys on their way to school, Franz Gerasch (Vienna 1826 - 1906 Vienna), drawing, pencil, 14.4 x 11 cm, passepartout: verso: l.l. 'Ranftl Matthias'; l.b. '29555

Italian mountain landscape, Ferdinand Olivier (Dessau 1785 - 1841 Munich), 1840, drawing, pencil, wiped, pencil framing line on the right and lower edge, laid down on backing paper, 15.8 x 20.9 cm, verso (according to Cahier): Prince Johann

The penitent Magdalene in the desert, Gaetano Manini (Italy, mentioned c. 1728 - died c. 1790), drawing, chalk; traces of white heightening; light gray paper, 47.7 x 35.8 cm, l.l. Duke Albert of Saxe-Teschen

Friedrich Karl Joseph, Freiherr von Erthal, Elector and Archbishop of Mainz (1719-1802), in black regalia, with the cross of the Teutonic Knights and a diamond-studded cross, Heinrich Friedrich Füger (Heilbronn 1751 - 1818 Vienna), 1789,

A mermaid splashes water on an ancient sea god on the shore; a fish in each of the spandrels, Adolf Oberländer (Regensburg 1845 - 1923 Munich), 19th century, drawing, pencil, on yellowish transparent paper; Pencil border line, 250 x 338 mm,

Ferdinand Georg Waldmüller (1793-1865), self-portrait of the artist, in a dark coat, with a black necktie, Ferdinand Georg Waldmüller (Vienna 1793 - 1865 Hinterbrühl near Mödling), around 1840, drawing, oil on canvas, mounted on wood. In

Maria is taught by her parents Anna and Joachim, Ubaldo Gandolfi (San Matteo della Decima 1728 - 1781 Ravenna), drawing, red chalk; Traces of white heightening, 37.0 x 25.0 cm, l.l. Duke Albert of Saxe-Teschen

Baptism of Christ, Bartolommeo Gagliardi, called Spagnoletto (Italian, 1555 - 1620), Drawing, chalk; Feather; washed, 40.0 x 29.0 cm, l.l. Duke Albert of Saxe-Teschen

Gentleman in a brown coat and red and yellow striped waistcoat, with an earring, Thomas Spitzer, 1827, drawing, watercolor on ivory, 6.3 x 4.7 cm, Old writing on the reverse: 'Thomas Spitzer, born March 7, 1779 Pa, schenau im Salzburg,

Mary Magdalene anoints the feet of the Lord in the house of Levi, Gaetano Gandolfi (San Matteo della Decima (San Giovanni in Persiceto/Bologna) 1734 - 1802 Bologna), drawing, pen; gray wash, 20.4 x 29.3 cm, l.l. Duke Albert of Saxe-Teschen

Male nude, standing on the right leg, crossing the left, Baccio Bandinelli (Florence 1493 - 1560 Florence), drawing, chalk; Feather; brownish paper; the corners bevelled, 40.4 x 20 cm, Mariette; l.b. Duke Albert of Saxe-Teschen

Holy Bishop (Augustine ?), Anonymous, Drawing, Pen; washed; squared, 21.7 x 6.9 cm, l.l. Duke Albert of Saxe-Teschen

Study sheet with eleven heads, Mauro Gandolfi (Bologna 1764 - 1834 Bologna), drawing, pen, 24.4 x 19.1 cm, l.l. Duke Albert of Saxe-Teschen, bottom right in old pen and ink 'Gaitan Gandolffi Bolognese feci

The Holy Family., Ubaldo Gandolfi (San Matteo della Decima 1728 - 1781 Ravenna), drawing, pen, ink, washed, 11.9 x 9.1 cm, l.l. unidentified stamped B (L.321 ?); l.b. Duke Albert of Saxe-Teschen

Olindo and Sophronia at the stake, Ferdinand Anton Krüger (Dresden-Loschwitz 1795 - 1857 Dresden-Loschwitz), around 1845, drawing, pencil, 290 x 707 mm

Lamentation for Christ at the foot of the cross. Four soldiers have taken Christ from the cross and laid him in a cloth; Mary and the women mourn the corpse; on the right the ladder is leaning against the cross of one of the thieves, Ubaldo Gandolfi

Hercules and Omphale, Luigi Sabatelli (Florence 1772 - 1850 Milan), drawing, pen, ink, wash, 38.1 x 39.1 cm

Vision of a saint, Ubaldo Gandolfi (San Matteo della Decima 1728 - 1781 Ravenna), drawing, pen; brown and gray wash, 27.3 x 19.6 cm, l.l. Duke Albert of Saxe-Teschen

Saint Pellegrinus Laziosus, Mauro Gandolfi (Bologna 1764 - 1834 Bologna), drawing, pen, ink, washed, 28.2 x 18.5 cm, l.l. Duke Albert of Saxe-Teschen

Battle between Hercules and Antaeus, Ubaldo Gandolfi (San Matteo della Decima 1728–1781 Ravenna), drawing, chalk; Feather; washed, 19.9 x 16.7 cm, l.l. Duke Albert of Saxe-Teschen, lower right chalk number '16

Preaching of John the Baptist, in an illusionistic Gothic frame, Ferdinand Olivier (Dessau 1785 - 1841 Munich), 1829, drawing, brown and gray pen, watercolor and gold paint, over traces of pencil, black framing line, 34.7 x 39 cm, r.r.

Study of a dog, Jacques Charles Oudry (Paris 1720 - 1778 Lausanne), 1760, drawing, black chalk, framing line in black chalk, 220 x 331 mm

Farmer's cart with two horses and three foals running along, Eugen Adam (Munich 1817 - 1880 Munich), 19th century, drawing, pencil, 165 x 260 mm

View of Wolfstein, Jakob Alt (Frankfurt am Main 1789 - 1872 Vienna), 1830, drawing, pen and gray ink, brown wash; Inscription: pencil, passe-partout cutout: 24 x 29.8 cm, l.l. '29678.'r.u. '8 Wolfstein 16 Sept 1830

Spinning girl, Jakob Philipp Hackert (Prenzlau 1737 - 1807 San Piero di Careggio/Florence), drawing, pen, brown ink, passe-partout: 17.8 x 22.1 cm

The Rape of Deianira, Ubaldo Gandolfi (San Matteo della Decima 1728 - 1781 Ravenna), drawing, chalk; Feather; Ink; washed, 20.9 x 22.3 cm, l.l. Duke Albert of Saxe-Teschen, lower right '107'; below, crossed out 'No. 19

Two studies of a seated peasant girl, hand, eyes, Carl Goebel (Vienna 1824 - 1899 Vienna), drawing, pencil, according to Cahier: passepartout cutout: 38.1 x 28 cm

View of Zell am Ziller, 2 parts, Carl Goebel (Vienna 1824 - 1899 Vienna), drawing, pencil, according to Cahier: passe-partout section: 45.5 x 28.2 cm, l.l. 'Estate C. GOEBEL, Estate C. GOEBEL', l.u. '10542, Zell am Ziller'; mu '204, 11

Jagdhaus, Carl Goebel (Vienna 1824 - 1899 Vienna), drawing, pencil, according to Cahier: 39.6 x 52.8 cm, r.r. 'Estate C. GOEBEL', r.r. '10491, 29688.'; and detailed labeling (location and color information

Two landscapes, Carl Goebel (Vienna 1824 - 1899 Vienna), drawing, pencil, according to Cahier: 39.5 x 50 cm, l.l. '10326'; r.b. '204, 1/sheet

Girl kneeling by the fireplace, Ignaz Rungaldier (Graz 1799 - 1876 Graz), drawing, gouache, 19.6 x 14.6 cm

Allegory of December: a tipsy elderly gentleman in a fur coat and top hat got lost in the snow, Léo Schnug (Strasbourg 1878 - 1933 Brumath), drawing, black pen, watercolour, over pencil marks; black border line, 148 x 95 m

cavalry battle; in the foreground a fallen man with a sword, on the right a hit horse, Francesco Simonini (Parma 1686 - 1753 Venice), drawing, pen, ink, washed, 21.7 x 36.0 cm, l.l. Duke Albert of Saxe-Teschen

Seated female nude to the left, Franz von Stuck (Tettenweis 1863 - 1928 Munich), c. 1912, drawing, black chalk (charcoal?), wiped, heightened in white with brush, on greenish-grey paper, pencil framing line; foxing; middle right defect in the

Arched hall with a collapsed ceiling and a group of staffage figures; an antique relief panel leaning on the right in front; Column fragments lie in the water, Giovanni Paolo Pannini (Piacenza 1691 - 1765 Rome), drawing, pen and grey-brown,

Caricatured character sketches, sketchbook Danhauser Josef; 9 paginated pages, Josef Danhauser (Vienna 1805 - 1845 Vienna), around 1844, drawing, pencil, sheet: 17.4 cm x 13.3 cm

The holy family with the boy John and Elisabeth, Ubaldo Gandolfi (San Matteo della Decima 1728 - 1781 Ravenna), drawing, pen; gray wash, 17.7 x 13.7 cm, r.r. Duke Albert of Saxe-Teschen

Angels playing music on clouds from below; identifiable are theorbo, cister (citola), a woodwind instrument, glockenspiel, violin, organ, straw fiddle, Ubaldo Gandolfi (San Matteo della Decima 1728 - 1781 Ravenna), drawing, chalk; Feather;

Nude study of a man leaning forward, Hans Canon (Vienna 1829 - 1885 Vienna), drawing, charcoal wiped, according to Cahier: passe-partout cutout: 45.7 x 31.6 cm, l.l. '29748

Water mill in a mountainous forest landscape, Ernst Christian Johann Friedrich Preller the Elder (Eisenach 1804 - 1878 Weimar), 1848, drawing, pencil, wiped, black-grey wash, on green-blue ground, 155 x 204 mm

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