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North Italian Mountain Town, Jan Jost van Cossiau (Netherlands, (c.) 1664 - (after) 1729), drawing, brown pen, chalk, 23.5 x 35.1 cm, r.o. '10

Saint Christopher, Albrecht Altdorfer (Germany, 1480 - 1538), around 1509/10, drawing, black pen, heightened with white, on green prepared paper, 18 x 14.6 cm, l.l. Duke Albert of Saxe-Teschen

The mother, Emil Pirchan (the Elder) (St. Katharein 1844 - 1928 Vienna), drawing, pen and ink in grey, washed, according to Cahier: passe-partout cutout: diameter: 15.2 cm

Standing gentleman in full figure with top hat, Anton Zampis (Vienna 1820 - 1883 Vienna), drawing, pencil, watercolor on brownish paper, passe-partout cutout: 25.1 x 18.9 cm

Sacrifice of Priapus, Monogrammist BHS, 1547, drawing, pen and black ink, gray wash, 19.9 x 29.4 cm

Two donkey riders, Carl Goebel (Vienna 1824 - 1899 Vienna), drawing, pencil, brownish paper, according to Cahier: passepartout cutout: 23.8 x 41.9 cm, r.r. 'Estate C. GOEBEL', Mr.r. Detailed labeling (color information

Alhambra, Carl Goebel (Vienna 1824 - 1899 Vienna), drawing, pencil, according to Cahier: passe-partout section: 15.5 x 25.4 cm, l.l. 'Estate C. GOEBEL', l.u. 'Alhambra

Two donkey riders in a cactus landscape, Carl Goebel (Vienna 1824 - 1899 Vienna), drawing, pencil, brown wash, according to Cahier: 30.1 x 46.4 cm, l.l. 'Estate C. GOEBEL', l.u. '10646

Tures ruins, Carl Goebel (Vienna 1824 - 1899 Vienna), drawing, pencil, according to Cahier: 34.2 x 54.8 cm, l.l. 'Estate C. GOEBEL', l.u. '29697.'; mu '204, 11 sheets'; r.b. 'potato' ?; r.b. Caption cut off

Cemetery with chapel in Pusterthal, Carl Goebel (Vienna 1824 - 1899 Vienna), drawing, pencil, according to Cahier: 32.8 x 48.4 cm, r.r. 'Estate C. GOEBEL', l.u. 'Sand nacher, Pusterthal' (inscription trimmed from passe-partout); mu '204 2'

Arco di Patavia, Carl Goebel (Vienna 1824 - 1899 Vienna), drawing, pencil, according to Cahier: 32.6 x 42.3 cm, r.r. 'Estate C. GOEBEL', l.u. '10739, 29699.'; mu '204, 11 Bl'; r.b. 'Areo di Patavia

Seated nude of a youth on clouds, Anonymous, Drawing, Pen; Ink; brownish paper, 41.2 x 26.9 cm, l.l. Duke Albert of Saxe-Teschen, lower left '5'; lower right in other hand '142'; 'Bacco Bandinelli' in an old hand lower right on the flyleaf

Papal Audience. (A distinguished man kneels in front of the pope, who is surrounded by cardinals, seated on a throne in a church architecture and speaking to the right with the kneeling one), Mauro Tesi (Modena 1730 - 1766 Bologna), drawing,

Group after Murillo, Carl Goebel (Vienna 1824 - 1899 Vienna), drawing, pencil, according to Cahier: 40.7 x 60.5 cm, l.l. 'Estate C. GOEBEL', l.u. '20536, After Murillo, 29703.'; mu '208, 25 sheets

Vestibule above a courtyard, into which a flight of steps leads down; the courtyard is bordered on the opposite side by a transept with Corinthian columns and a balustrade on which two statues stand, Mauro Tesi (Modena 1730 - 1766 Bologna),

Vestibule of a palace with a niche figure and a view of a garden, Mauro Tesi (Modena 1730 - 1766 Bologna), drawing, chalk; Feather; watercolour, 23.0 x 15.6 cm, l.l. Duke Albert of Saxe-Teschen

self-portrait of the artist; on the top sheet of the drawing pad he is holding in his left hand, a rural figure with a pitchfork to the right, Francesco Londonio (Milan 1723 - 1783 Milan), drawing, chalk; wiped heightened with white; blue-grey

A peasant family resting, Francesco Londonio (Milan 1723 - 1783 Milan), drawing, chalk; Paint brush; washed; white heightened, 28.4 x 38.9 cm, l.l. Duke Albert of Saxe-Teschen, chalk number '5' above the bushes on the top left

rotated 90° to the right: sketches: figure scene; Throne with Baldachin, Anonymous, 19th century, Drawing, Pencil, the figure scene with sketchy pencil border line, 120 x 191 mm

Draft for a landscape painting: on the left an alpine hut, in the background mountains, in the front a group around a horse-drawn carriage, Franz Reinhold (Vienna 1816 - 1893 Vienna), drawing, pen in brown, gray wash, pencil, transfer grid,

Mountain landscape with lake and hut, Franz Reinhold (Vienna 1816 - 1893 Vienna), drawing, pencil, according to Cahier: 29.5 x 42 cm, r.r. detail caption

Savoyard family in a landscape on the way to the left; in front of them sits a monkey on the back of a dog, Francesco Londonio (Milan 1723 - 1783 Milan), drawing, chalk; Paint brush; washed; heightened with white; brown paper, 28.5 x 39.0 cm,

Four Sheep Lying Down, Francesco Londonio (Milan 1723–1783 Milan), Drawing, chalk; heightened with white; brown paper, 25.0 x 32.0 cm, l.l. Duke Albert of Saxe-Teschen

Elephant Studies, Stefano della Bella (Florence 1610 - 1664 Florence), c. 1655, drawing, pen, gray wash, 11.6 x 16.1 cm, Gasc (L.544), cf. notes

Study sheet with eight rams' heads, Francesco Londonio (Milan 1723 - 1783 Milan), drawing, chalk; Pencil; heightened with white; brown paper, 39.7 x 25.7 cm, r.r. Duke Albert of Saxe-Teschen

Preliminary drawing for the etching 'Überfahrt des Charon', Wilhelm August Theodor Steinhausen (Sorau, Niederlausitz (today: Poland) 1846 - 1924 Frankfurt am Main), 19th century, drawing, pencil, on tracing paper, laid down on yellowish

Landscape at Lake Starnberg, Eduard Schleich d. Ä. (Haarbach near Landshut 1812 - 1874 Munich), 19th century, drawing, pencil, 368 x 604 mm

Portrait of a girl sitting at a table, Etienne Théolon (Aiguesmortes 1739 - 1780 Paris), drawing, black chalk; wiped, 42.5 x 33.5 cm, l.l. Duke Albert of Saxe-Teschen

On Antiochus' deathbed, Erasistratos recognizes his passion for his stepmother Stratonike, wife of his father, King Seleucus (Plutarch XLIII, Demetrios, 38), Andrea Appiani (Milan 1754 - 1817 Milan), drawing, chalk; brown wash; heightened

Two male nudes, one standing in front, the other sitting from behind, Baccio Bandinelli (Florence 1493 - 1560 Florence), c. 1530?, drawing, ink, pen, 37.7 x 25.6 cm, l.l. Duke Albert of Saxe-Teschen, lower right in an old hand 'Baccio

Apotheosis of Napoleon, Andrea Appiani (Milan 1754 - 1817 Milan), drawing, pen, wash, heightened with white, 31.6 x 35.7 cm, l. and Duke Albert of Saxe-Teschen

Southern landscape, Ernst Christian Frederik Petzholdt (Copenhagen 1805 - 1838 Patras), 19th century, drawing, pencil, 132 x 193 mm

View of a town in the shadow of a monumental mountain fortress, in the foreground a watermill and farmers, Carl Wagner (Roßdorf (Thuringia) 1796 - 1867 Meiningen), 1840, drawing, pencil, washed in reddish brown with brush, 171 x 266 mm, l.l.

Forest landscape, drawing, brush, gray wash, 21.4 x 30.4 cm, r.l. 'Claudio'; l.b. '29814' faintly visible below 'Swanevelt

Entombment, Giovanni Battista Bellandi (Italy, mentioned 1608 - 1626), Drawing, Pen; washed; Rev.: chalk; washed; white heightened, 14.3 x 17.1 cm, l.l. Duke Albert of Saxe-Teschen

Acanthus Climbing, Giovanni Battista Bellandi (Italy, mentioned 1608 - 1626), drawing, pen; washed; Rev.: chalk; washed; heightened with white, 14.3 x 17.1 cm, above in chalk 'J. B. Bellandi', the word 'Bellandi' traced in pencil; to the right

Children play at a fountain in a landscape; a young man kneels to hold a goat suckling a child; two other children are eating fruit from the tree, Benigno Bossi (Italy, 1727 - 1792), drawing, pen and ink; washed; heightened with white; blue

rotated 90° to the right: Figure studies of a family of fishermen, woman with child, pilots observing the coast, Ernst Christian Johann Friedrich Preller the Elder (Eisenach 1804 - 1878 Weimar), 1848, drawing, pencil, 155 x 204 mm, right .

Figural composition: cavalier being brought a horse, Joseph Lange (Würzburg 1751 - 1831 Vienna), drawing, chalk, brown pen, white chalk, blue paper, passe-partout cutout: 30.5 x 22 cm

Allegorical studio scene: a lady draws, instructed by two allegorical female figures, a reclining female nude around which two putti play, Andreas Ludwig Krüger (Potsdam 1743 - around 1805 Potsdam), 2nd half of the 18th century, drawing, black

Roman fountain. In the cartouche of the fountain 'PAULUS V PONT. MAX, AQVAN MVNIFICENTIA SVA, IN SUMUM IANICVLVM PERDV, CITRATIBERIM TOTIVS VRBIS, VS VIDE DVCENDAM CVRAVIT, ANNO DOMINI MDCXIII, PONT OCTAVO, anonymous, Roman, 18th century,

Draft for a Crucifixion of Saint Peter, Giuseppe Ribera, called l'Espagnolet (Játiva near Valencia 1591 - 1652 Naples), drawing, pen, brush in black, washed, red chalk, 26.5 x 36.8 cm (10 7/16 x 14 1/2in

Half figure of a naked man, Giuseppe Ribera, called l'Espagnolet (Játiva near Valencia 1591 - 1652 Naples), drawing, red chalk, passe-partout cutout: 35.3 x 25 cm, l.o. various numbers

Wide River Landscape Seen from a Hill with a Large Tree and Figures, Hans Heider (German, 1861 - 1947), 19th century, drawing, charcoal, on blue paper; partially fixed, 233 x 356 mm, right. and: 'H. Heider.' (Money

Looking through an overgrown ruin to a second ruin, Carl Maria Nicolaus Hummel (Weimar 1821 - 1907 Weimar), 1843, drawing, pencil, heightened in white with a brush, on brownish paper, 248 x 179 mm

Humorous scene: priest with two young housemaids, Ferdinand Marohn (Germany, mentioned 1839 - 1859), 1847, drawing, brush in brown, washed and watercoloured, over pencil, 257 x 233 mm, M.o. 'Un curé a generallement une servante à 50 ans,

Sketch sheet with female semi-nude and reclining soldier, Peter Johann Krafft (Hanau 1780 - 1856 Vienna), drawing, pencil, according to Cahier: passepartout: 27.7 x 21.1 cm, l.o. 'ABM' (not at Lugt

Frontispiece to an engraving. (Ancient structure with a vase and a medallion head (mimesis); in the base a relief scene with the drinking Silenus; on the left in the foreground sitting female figure with a skull in her lap and a dog at her feet),

Child's Head to the Left, Anonymous, Bolognese, 17th century, Drawing, Charcoal; heightened with white; traces of red chalk; blue paper; Rev.: rubbed; cut out round at the top, 20.1 x 20.3 cm, on the reverse in pencil 'Barbieri; 44864' and

Oriental Steam-Propelled Sailing Ship in Distress, Niels Simonsen (Copenhagen 1807 - 1885 Copenhagen), 19th Century, Drawing, Black chalk, watercolor, heightened with brush in white, over pencil on light gray paper, Passe-partout cutout: 30.3

Children's Bacchanal in a Landscape; the right group at the back is playing with masks, Benigno Bossi (Italy, 1727 - 1792), drawing, chalk, 22.0 x 30.5 cm, l.l. Duke Albert of Saxe-Teschen, lower right in the chalk of the drawing 'B f. 1780

Design for a Trophy Dedicated to a Sacrifice to Jupiter, Benigno Bossi (Italian, 1727 - 1792), Drawing, pen; gray and brown wash; the background primed blue, 42.1 x 25.5 cm, l.l. Duke Albert of Saxe-Teschen, in the cartouche 'IOV.O/MAX

Study head of an old woman with a headscarf in profile to the right, Benigno Bossi (Italy, 1727 - 1792), drawing, red chalk, 11.8 x 9.1 cm, l.l. Duke Albert of Saxe-Teschen

Study head of a young girl with plaited hair in profile to the right, Benigno Bossi (Italy, 1727 - 1792), drawing, red chalk, 11.8 x 9.1 cm, l.l. Duke Albert of Saxe-Teschen, on the headband in red chalk of the drawing Greek letters

Study head of an old clergyman with a long beard in profile to the right, Benigno Bossi (Italy, 1727 - 1792), drawing, red chalk, 11.8 x 9.1 cm, l.l. Duke Albert of Saxe-Teschen

Two standing male nudes, the left in frontal view, the turned body of the right in a walking position to the left; both eyes are directed to the right, Baccio Bandinelli (Florence 1493 - 1560 Florence), drawing, chalk; Feather; the lower corners

Study head of a middle-aged monk in profile to the left, Benigno Bossi (Italy, 1727 - 1792), drawing, red chalk, 11.8 x 9.1 cm, l.l. Duke Albert of Saxe-Teschen, upper right in the red chalk of drawing '21

Torbole am Gardasee, Carl Conjola (Mannheim 1773 - 1831 Munich), 1808, drawing, pen and brush in grey, washed, over pencil; black framing line, 32.2 x 47.1 cm, l.l. Duke Albert of Saxe-Teschen, M.o. 'Torbole

Courtyard of a magnificent Roman building at the foot of a staircase leading to an upper palazzo with sarcophagi in niches all around, Pietro di Gottardo Gonzaga (Italy, 1751 - 1831), drawing, pen; gray wash, 20.1 x 27.5 cm, l.l. Duke Albert of

Place in front of a Romanesque chapel on a river bank, on the left a statue and staffage figures, behind them a sailing boat; on the opposite bank on a hilltop a fortress, Pietro di Gottardo Gonzaga (Italy, 1751 - 1831), drawing, pen; gray

Saint Ignatius Loyola in half length preparing to write in a book (standing oval), Francesco del Pedro (Udine 1740 - 1806 Venice), drawing, pen; in line stitch manner; cut out oval, 14.0 x 10.4 cm, l.l. Duke Albert of Saxe-Teschen, the book

Portrait of Cardinal Pozzobonelli, Archbishop of Milan, left, anonymous, drawing, chalk; Red chalk, 27.3 x 20.0 cm, b.r. Duke Albert of Saxe-Teschen

Bathsheba bathing, Antwerp mannerist, around 1520, drawing, pen and ink in brown and white, brush in white, on blue-green tinted paper, 29.7 x 22.7 cm, l.l. Duke Albert of Saxe-Teschen, r.r. 'L laiiden'; mu 'photo' (on box); l. & r. '29' (on

Maria with the child, Frans Crabbe ( (van Espleghem), Mechelen around 1480 - 1553 Mechelen), drawing, pen and gray and white, on gray-primed paper, 24.3 x 17.7 cm, l.l. Duke Albert of Saxe-Teschen

Lamentation of Christ, Anonymous, c. 1480, Drawing, pen (brush?) with black-grey ink, brush with brown and yellow body paint, opaque white and gold, on blue-green primed paper, 17.8 x 17.8 cm (7 x 7 in.), l.b. Duke Albert of Saxe-Teschen

St. Sebastian, anonymous, drawing, black chalk, dark gray pen, heightened with white, on bluish-tinted paper, 46.6 x 24.5 cm, l.l. Duke Albert of Saxe-Teschen

Right Half of a Gothic Archway; above it a mighty window with a gable, Antonio Pisano, called Pisanello (Pisa 1395 - 1455 Rome), drawing, pen and ink on parchment, 29.7 x 18.4 cm, r.r. Marquis de LAGOY, l.b. COMTE Moriz von FRIES, mu Duke

Portrait of the prior of S. Michele Berteldi in Florence in profile to the right, with a trace of beard on the upper lip and chin, anonymous, 1401-1450, drawing, pen, washed, on brownish paper tinted with red chalk, 13.5 x 10 cm, l.l.

Two male nudes in front view to the right, Tiburzio Passarotti (Bologna around 1555 - 1612 Bologna), drawing, ink, pen, 42 x 28.4 cm, l.l. Duke Albert of Saxe-Teschen

Mountain landscape, Carl Müller (Vienna 1862 - 1938 Vienna), 1879, drawing, pencil, according to Cahier: passe-partout section: 11.4 x 36.4 cm

Italian landscape, Johann Varrone (Milan 1832 - 1910 Mödling), 1853, drawing, pencil, according to Cahier: 30.1 x 44.5 cm, l.l. 'Ariccia. 10/1853

Lying cow, Friedrich Gauermann (Miesenbach 1807 - 1862 Vienna), drawing, pencil, pen in brown, gray wash, 6 x 9 cm, r.r. '30006

17th-century rider has his horse watered by a girl at the well; left o. field left blank for writing, bordered by pencil, Paul Neuenborn (Stolberg near Aachen 1866 - 1913 Munich), 1882, drawing, pencil, washed black-grey in places, 179 x 148

Flirting cavalier, Karl Probst (Vienna 1854 - 1924 Vienna), 1882, drawing, chalk, pencil, brush in dark brown, washed, heightened with white, light brown paper, according to Cahier: passe-partout cutout: 24.7 x 33.3 cm, l.l. '30009.'; l.b.

Town square with a Gothic cathedral into which a procession is entering, anonymous, late 17th century, drawing, brush in white and dark gray on black-primed paper, 20 x 28.9 cm, l.l. Duke Albert of Saxe-Teschen

Two young ladies leave the room of an old woman at the spinning wheel, who raises her finger admonishingly, Felix Schadow (Berlin 1819 - 1861 Berlin), 19th century, drawing, pencil; Sketchy pencil framing line around the image, 198 x 287 mm,

Farm with cattle, ... von Baur, 1819, drawing, pencil, brush in grey-brown, washed, 20.5 x 24.1 cm, l.l. 'Van Baur 13 Sept 1819

Standing beggar woman, Johannes Christianus Schotel (Dordrecht 1787 - 1838 Dordrecht), drawing, pen and ink in brown, gray wash, heightened with white chalk, over graphite pencil, on brown paper., 25 x 15.5 cm

Knight and lady with the coats of arms Bürgiss (St. Gallen) and Gruenberg (Constance) (disc tear), around 1480-1490, drawing, pen and brown on yellowish paper with foxing in places, 36.8 x 37.7 cm (14 1/2 x 14 13/16 in.), no collector's stamp

Copy after Wilhelm Kaulbach: Fernando, Miranda and Prospero from Shakespeare's 'Storm', 1859, drawing, pencil, on white primed and light gray coated paper, white highlights scratched out of the lighter base layer, 253 x 196 mm, centered and

Figure studies of two fashionably dressed gentlemen, Johann Michael Voltz (Nördlingen 1784 - 1858 Nördlingen), 1850, drawing, pencil, 199 x 130 mm

Berner Standesscheibe (Disk Tear), Anonymous, c. 1500, Drawing, pen and brown-black over preliminary drawing in chalk or charcoal, on yellowish paper, 37.9 x 37.9 cm (14 15/16 x 14 15/16 in.), no Collector's stamp Duke Albert of Saxe-Teschen

Poor old woman in a long robe, shawl and headscarf to the left, Heinrich Zille (Radeburg near Dresden 1858 - 1929 Berlin), 19th century, drawing, black chalk, on light gray paper, 260 x 148 mm, re. and: 'H. Zille.', Black Chalk

Couple from behind, Heinrich Zille (Radeburg near Dresden 1858 - 1929 Berlin), 19th century, drawing, black chalk, on yellow-brown paper, 153 x 109 mm, l.l. 'H. Zille

Seated man with mustache and hat, head turned to the right, Heinrich Zille (Radeburg near Dresden 1858 - 1929 Berlin), 19th century, drawing, black chalk, 204 x 111 mm, l.l. 'H. Zille

Portrait of Wladimir Sokoloff, Klaus Richter (Germany, 1887 - 1948), 1930, drawing, pencil, wiped, passe-partout: 401 x 299, l.l. 'Vladimir Sokoloff

Standing male nude from behind, Johann Victor Krämer (Vienna 1861 - 1949 Vienna), drawing, chalk, passepartout: 567 x 267 mm, l.l. 'STUDY ON THE PICTURE CRUCIFIXION OF CHRIST'; 'J.V. CHANDLER

Scenes from the Legend of Ursula, Anonymous, c. 1460, drawing, pen and brown ink, the image field grid in gray ink, 27.6 x 20.5 cm (10 7/8 x 8 1/16 in.), no collector's stamp Herzog Albert of Saxe-Teschen

Kneeling Drapery Figure, Anonymous, c. 1460, drawing, pen and gray ink, the image field grid in gray ink, 27.6 x 20.5 cm (10 7/8 x 8 1/16 in.), no collector's stamp Duke Albert of Saxony- Teschen

Margrave Albrecht of Brandenburg-Ansbach (1490-1568), 1511/12, drawing, charcoal, lightly washed in places, 28 x 18.5 cm (11 x 7 5/16 in.), no collector's stamp Duke Albert of Saxe-Teschen

Frame design for a votive picture, anonymous, around 1600, drawing, pen and ink in dark grey, washed, 42.6 x 27 cm, M.o. 'Cum Deodorant and Victoribus Armis

Sleigh with Barrel and Coachman, Anonymous, after 1520, drawing, imprint after a pen drawing, ink on yellowish paper, 9.7 x 27.4 cm (3 13/16 x 10 13/16 in.), no collector's stamp Duke Albert von Saxony-Teschen

View of a street, James Ensor (Ostend 1860 - 1949 Ostend), 1885, drawing, passe-partout cutout: 21.5 x 16.1 cm

Sketch sheet with team of horses, small figure studies and landscape, James Ensor (Ostend 1860 - 1949 Ostend), drawing, passe-partout section: 20.3 x 26.1 cm

Pine group, Karl Mediz (Vienna 1868 - 1945 Dresden), drawing, chalk; Inscription: ink, passepartout: 484 x 648 mm, l.l. 'UH

Rear view of a peasant girl with a bundle under her arm, Ludwig Heinrich Wittich (Berlin 1816 - 1887 Berlin), 19th century, drawing, pencil, 209 x 126 mm, right. and: 'H. Wittich

Four Bishops, Anonymous, early 16th century, Drawing, pen and brown ink, heightened with white, on gray paper, washed in places, 13.1 x 18.2 cm (5 3/16 x 7 3/16 in.), no Collector's stamp Duke Albert of Saxe-Teschen

Maria und Johannes, Anonymous, early 16th century, drawing, pen and gray brown ink, 18.6 x 13 cm (7 5/16 x 5 1/8 in.), no collector's stamp Duke Albert of Saxe-Teschen

Johannes auf Patmos, Monogrammist HP (Hans Pruckendorfer?) (Southern Germany, Passau died 1518), c. 1515, drawing, black-brown pen, heightened with white, on brown-primed paper, 18.7 x 14.1 cm (7 3/8 x 5 9/16 in.), l.b. Duke Albert of

Head study of a woman with a cloth, Ludwig Heinrich Wittich (Berlin 1816 - 1887 Berlin), 19th century, drawing, pencil, 165 x 144 mm

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