Images at Librifly

search results: Drawing clear search

Jupiter and Semele at the birth of Bacchus, anonymous, drawing, chalk; Feather; washed; heightened in white, 25 x 37.7 cm, l.l. Duke Albert of Saxe-Teschen

Three peasants lying down, Albin Egger-Lienz (Striebach near Lienz 1868 - 1926 St. Justina near Bozen), 1923, drawing, black chalk, grid in red chalk, 4 x 62.6 cm, collector's stamp: right below 'From the estate, PROF. EGGER_LIENZ

Standing nudes (studies for "Judith II [Salome]"), Judith II (Salome), Gustav Klimt (Vienna 1862 - 1918 Vienna), around 1908, drawing, pencil on paper, sheet: 56 × 37 cm, r.r. 'GUSTAV, KLIMT, ESTATE

Grain harvest in the Campagna near Caecilia Metella, Friedrich Olivier (Dessau 1791 - 1859 Dessau), 1820, drawing, pen and ink in grey-brown, washed, over pencil, painted grey-brown border in the manner of an illusionistic panel cut-out, 18.3

Portrait sketch, Paul Klee (Münchenbuchsee 1879 - 1940 Muralto), 1913, 150, drawing, pen and tempera on paper on cardboard, 20.4 x 12.3 cm, r.r. 'Portrait scizze....' (on the cardboard with border

Gentleman in Black Coat, Philippe Berger (Osipovič 1783 - 1867 Paris), 1821, drawing, gouache on ivory, 16.3 x 12.4 cm

Figure studies: Draft for a washbasin, Moritz von Schwind (Vienna 1804 - 1871 Niederpöcking/Munich), around 1865, drawing, pen and ink in brown, according to Cahier: 34.1 x 20.3 cm, M.u. 'Draft for a Washing Bowl

Sketch for Munich picture sheet no. 44: The good friends (cat and fox), Moritz von Schwind (Vienna 1804 - 1871 Niederpöcking/Munich), 1850, drawing, pen and ink in brown, according to Cahier: 20.4 x 33.7 cm, Mo ''The good friends 'Munich

Emperor Maximilian, Hubert Goltzius (Netherlands, 1526 - 1583), drawing, pen and ink in brown, washed, brush in black, heightened with white, 17.7 cm (diameter), in the border 'ROM:REX MAXIMILIANVS'; below the portrait a longer caption

Emperor Charles V, Hubert Goltzius (Netherlands, 1526 - 1583), drawing, pen and ink in brown, washed, brush in black, heightened with white, 16.9 cm (diameter), in the border 'IMP. CAES.CAROLVS.V.AVG'; under the portrait 'Hubertus Gbeltz's

Venus asks Jupiter to send Mercury to capture Psyche, Giulio Romano (Rome 1499 - 1546 Mantua), c. 1526, drawing, pen; washed; heightened with white; chalk squaring; brownish paper, 23.6 x 40.2 cm, l.l. Duke Albert of Saxe-Teschen

Red and blue labels, Franz Alt (Vienna 1821 - 1914 Vienna), 1862, drawing, watercolour, passe-partout section: 17.9 x 20.3 cm, verso: 'Nachlass Franz Alt

Horse-drawn carriage, Brussels, July 2, 1853, Sketchbook Alt Franz; 13 glued-in pages, Franz Alt (Vienna 1821 - 1914 Vienna), July 2, 1853 (sketchbook: 1847-1854), drawing, pencil, watercolour, sheet: 6.9 cm x 9 cm, Franz Alt estate

Jupiter, seated next to Juno, receives the cup from Ganymede, Giulio Romano (Rome 1499 - 1546 Mantua), c. 1527, drawing, pen; washed; brownish paper, 22.9 x 34.1 cm, l.l. Duke Albert of Saxe-Teschen

frieze composition. (Venus appears between two herms on a chariot drawn by dolphins, accompanied by Cupid and surrounded by erotes; in a cartouche a figure is tied up by order of a hunter), anonymous, drawing, pen, grey-brown wash; heightened

frieze composition. (Framed by two herms, Venus is presented with flowers between Graces and Erotes; below in the cartouche: Mercury, approaching two seated figures), anonymous, drawing, pen; grey-brown washed; Heightened in opaque white, 27.5

Cupid sits on a bench sharpening an arrow; next to him the quiver, anonymous, drawing, pen; washed; heightened with white; brown paper, 20.2 x 15.7 cm, l.l. Duke Albert of Saxe-Teschen

Cupid stands on the throne of Jupiter, the thunderbolt in his right hand, his left hand around the neck of the eagle, anonymous, drawing, pen; washed; white heightened, 21.8 x 15.6 cm, l.l. Duke Albert of Saxe-Teschen, verso lower left in old

Female figure in antique robe to the right, holding a pole in her left hand, anonymous, drawing, pen; washed; heightened with white, 21.8 x 15.6 cm, verso lower left in old pen and ink 'Julio Romano'; 'Julio Romano deli.' in pencil lower right

feast of the gods. Hebe pours the nectar into Jupiter, anonymous, drawing, pen; washed; Heightened in white, 26.6 x 40.4 cm, no collector's stamp Duke Albert of Saxe-Teschen

Coat of arms of Wolf von Landsberg (torn window), Hans Baldung called Grien (Schwäbisch Gmünd 1484/85 - 1545 Strasbourg), around 1525-1530, drawing, pen in brown, grey-black, washed, red pencil, 38.5 x 29.5 cm (15 3/16 x 11 5/8 in.), no

Coat of Arms of Werner von Landsberg (torn disc), Strasbourg Master, c. 1530-1540, drawing, brown pen, red chalk, 37 x 27.1 cm (14 9/16 x 10 11/16 in.), M.u. 'Wernher vonn Landtsperg'; l.b. next to the coat of arms: '.HGB.' (by Sebald

Hohenstein-Müllenheim coat of arms (torn window), Strasbourg Master, c. 1530, drawing, brown and gray pen, red wash, red chalk, 34.7 x 24.5 cm (13 11/16 x 9 5/8 in.), M.u. '.HGB.'; below 'Hohstein vnd Mülnheim' (by Sebald Büheler's hand

Pfeffinger Coat of Arms (torn disc), Strasbourg Master, c. 1510, drawing, pen and gray black, lighter and darker, on yellowish paper, 30 x 23 cm (11 13/16 x 9 1/16 in.), no collector's stamp Duke Albert of Saxony -Teschen, l.u. '.HBG.

Coat of arms of Jakob von Rathsamhausen (died 1535) (torn disc), Strasbourg master, around 1535-1539, drawing, pen and ink in light and dark brown, red chalk edging, red chalk heightening, delicate preliminary drawing in charcoal or chalk,

Coat of Arms Ludwig von Endingen (torn disc), Strasbourg Master, c. 1530, drawing, pen and brown-black ink, red chalk, 30.2 x 24.7 cm (11 7/8 x 9 3/4 in.), M.o. 'Kindlin in diss geüß' (by someone else's hand); mo 'Ludwig vonn Ending' (by

Apollo and the Muses, Giulio Romano (Rome 1499 - 1546 Mantua), c. 1528/29, drawing, pen, 25.3 x 40 cm, l.l. Duke Albert of Saxe-Teschen

Coat of arms Hohenburg-Rotweil (Strasbourg) (torn pane?), Strasbourg master, around 1508, drawing, pen in light and dark brown, remains of a red chalk frame, maximum height x width: 15.8 x 19.9 cm (6 1/4 x 7 13/16 in.), no collector's stamp

Coat of arms of Jacob von Seldeneck (torn disc), Strasbourg Master, c. 1525-1530, drawing, brown-black pen, red chalk, 26.2 x 20 cm (10 5/16 x 7 7/8 in.), l.l. 'Jacob von Seldeneck' (by Sebald Büheler's hand); below '.HGB.' (by Büheler's

Coat of arms of Joseph Truchsess von Rheinfelden (torn disc), Strasbourg Master, 1541, drawing, pen in brown-black, red wash, sanguine version, silhouetted and glued to the backing sheet, maximum height x width: 28.2 x 33.5 cm (11 1/8 x 13

Bitsch-Hanau coat of arms (torn disc), Strasbourg Master, c. 1510-40, drawing, light and dark brown pen, red chalk edging, diameter: 20.8 cm (8 3/16 in.), no collector's stamp Duke Albert of Saxe-Teschen, Mo 'Bütsch vnnd, Hannauw'; mu

Zorn zum Riedt coat of arms (torn disc), Strasbourg School, c. 1510-40, drawing, pen and brown-black pen, remains of red chalk edging, maximum height x width: 24.4 x 16.5 cm (9 5/8 x 6 1/2 in .), no collector's stamp Duke Albert of

Coat of arms of the butchers' guild in Strasbourg (torn disc), Strasbourg Master, around 1530, drawing, pen in dark brown, red chalk frame, silhouetted and mounted on a support sheet, maximum height x width: 7.9 x 7.8 cm (3 1/8 x 3 1 /16 in

Putting on stockings, Cecil van Haanen (Vienna 1844 - 1914 Vienna), drawing, pencil, 18.1 × 19.9 cm, below bottom 'Cecil van Haanen, Estate', Mr.r. 'Vestendo le calze

Study of the Albanian puppeteer, Cecil van Haanen (Vienna 1844 - 1914 Vienna), drawing, pencil, 39.1 × 24.2 cm

Dance of Esmeralda III., Cecil van Haanen (Vienna 1844 - 1914 Vienna), drawing, pencil, sepia wash, 17.3 × 23.2 cm, r.r. 'Cecil van Haanen, Estate

Girl and monk, Cecil van Haanen (Vienna 1844 - 1914 Vienna), drawing, pencil, ink with wash, 33.1 × 29.7 cm

Temptation of Saint Anthony, Cecil van Haanen (Vienna 1844 - 1914 Vienna), drawing, pencil, ink with wash, 36.4 × 25 cm, r.r. '817' (erased

Caricature, Cecil van Haanen (Vienna 1844 - 1914 Vienna), drawing, pencil, 47.7 × 30 cm

Coat of arms of Friedrich Brechter d. J. (Disk Tear), Strasbourg School, c. 1510-40, drawing, dark brown pen, outlined in red chalk, on slightly yellowish paper, 19.9 x 16.1 cm (7 13/16 x 6 5/16 in.), no collector's stamp Duke Albert of

Two harnessed horses, Cecil van Haanen (Vienna 1844 - 1914 Vienna), 1889, drawing, pencil, 23 × 28 cm, r.r. 'Cecil van Haanen, Estate

Mountain path with rock face, Cecil van Haanen (Vienna 1844 - 1914 Vienna), drawing, pencil, 44.6 × 31.4 cm, r.r. 'Cecil van Haanen, Estate

Impoverished family, Cecil van Haanen (Vienna 1844 - 1914 Vienna), drawing, pencil, brown ink with wash, heightened with white, 16.3 × 13.8 cm, l.l. 'Cecil van Haanen, Estate

Woman kneeling in front of a man in armour, Cecil van Haanen (Vienna 1844 - 1914 Vienna), drawing, pencil, 19.4 × 15.3 cm, r.r. 'Cecil van Haanen, Estate

Woman kneeling in front of a man in armour, Cecil van Haanen (Vienna 1844 - 1914 Vienna), drawing, pencil, brush in black, gray wash, 18.7 × 13.5 cm, r.r. 'Cecil van Haanen, Estate

Nocturnal departure from a plague town, Cecil van Haanen (Vienna 1844 - 1914 Vienna), 1867, drawing, pencil, chalk, brush, pen, sepia wash, 26 × 43.2 cm, l.l. 'Cecil van Haanen, Estate

Motif from Antwerp, Cecil van Haanen (Vienna 1844 - 1914 Vienna), drawing, pen and ink in brown, 20 × 12.9 cm

Figure studies, Cecil van Haanen (Vienna 1844 - 1914 Vienna), drawing, pen and ink in brown, 12.9 × 20 cm

Apollo on the sun chariot, drawing, chalk; Feather; washed; heightened with white; brownish paper; holey; poor condition, 23.3 x 41.5 cm, l.l. Duke Albert of Saxe-Teschen

Coat of arms of Felix Graf von Werdenberg-Heiligenberg (torn pane), anonymous, around 1526-1530, drawing, pen in gray, red chalk frame, delicate preliminary drawing in charcoal or chalk, 32.3 x 24.6 cm (12 11/16 x 9 11/ 16 in.), r.b. '.HGB.'

Field work, Cecil van Haanen (Vienna 1844 - 1914 Vienna), 1872, drawing, pencil, 33 × 27.1 cm

Girl undressing, Cecil van Haanen (Vienna 1844 - 1914 Vienna), drawing, pencil, charcoal, 28.8 × 30.8 cm, r.r. 'Cecil van Haanen, estate', r.o. '33

Sketch for the witches, Cecil van Haanen (Vienna 1844 - 1914 Vienna), drawing, pencil, 9.2 × 11.7 cm, r.r. 'Cecil van Haanen, Estate' (across

Sketch for the witches, Cecil van Haanen (Vienna 1844 - 1914 Vienna), drawing, pencil, 9.2 × 11.7 cm

Sketch for the witches, Cecil van Haanen (Vienna 1844 - 1914 Vienna), drawing, ink, blue paper, 8.5 × 10.4 cm, r.r. 'Cecil van Haanen, Estate

Interior of San Marco, Cecil van Haanen (Vienna 1844 - 1914 Vienna), drawing, sepia wash, 33.9 × 26 cm, below bottom 'Cecil van Haanen, Estate

Coat of Arms of Martin Hieblin, Pastor at Freiburg Minster (pane tear), Strasbourg Master, c. 1512-1513, drawing, pen and brown-black pen, red chalk, 20.7 x 15.3 cm (8 1/8 x 6 in.), M.r. 'Commercial Code.' (by Sebald Büheler's hand

Lützelburg Coat of Arms and Unknown Coat of Arms (disc tear), Strasbourg Master, c. 1512-1513, drawing, brown and dark brown pen, red chalk, 20.5 x 17.1 cm (8 1/16 x 6 3/4 in.), M.l. '.HGB.' (by Sebald Büheler's hand

Initial V with Christ in the Mandorla, Anonymous, c. 1330, drawing, body colors on parchment, gold leaf, 20.6 x 16.7 cm (8 1/8 x 6 9/16 in.), no collector's stamp

140 studies, mainly academic model drawings, Cecil van Haanen (Vienna 1844 - 1914 Vienna), around 1862-1863, drawing, various techniques, all stamped estate stamp 'Cecil van Haanen Nachlass' (blind

Elderly lady in a white dress with a red belt, Richard Cosway (Oakford (Devon) 1742 - 1821 London), 1798, drawing, watercolor on ivory, 7.1 x 5.7 cm, inscribed on the reverse: 'Rdus. Cosway, R.A., Primarius Pictor, Serenissimi Walliae,

The painter Max Oppenheimer, Egon Schiele (Tulln 1890 - 1918 Vienna), 1910, drawing, black chalk, ink, watercolor on brown wrapping paper, 45.1 × 29.8 cm

Two Landsknechts, Anonymous, c. 1520, drawing, black pen, heightened with white brush, on green-grey primed paper, 20.4 x 15.5 cm (8 1/16 x 6 1/8 in.), l.r. Duke Albert of Saxe-Teschen, l.u. by a later hand 'Hans Schaufele von Nerlingen

Landsknechts having a meal (torn pane), anonymous, 1522, drawing, pen, brown wash and colored watercolour, 39.6 x 30.8 cm, l.l. Duke Albert of Saxe-Teschen

Death and the Maiden, Hans Leu d. J. (Zurich around 1485/90 - 1531 Gubel), 1525, drawing, pen and ink, heightened with white, on blue-black primed paper, 19.6 x 14.7 cm (7 11/16 x 5 13/16 in.), l.l. Duke Albert of Saxe-Teschen, underset: 'H.

The execution of John the Baptist, Monogrammist NK (Nikolas Kirberger?), 1519, drawing, pen and ink in black and white on yellowish-brown primed paper, 19.9 x 14.3 cm, no collector's stamp Duke Albert of Saxe-Teschen, verso 'Kirberger us

Copy after the family portrait and the Lais Corinthiaca in Basel, anonymous, drawing, body color painting on parchment paper, 30.5 x 43.1 cm, no collector's stamp Duke Albert of Saxe-Teschen, 'Holbein' in chalk at the top right

Head study, 2nd half of the 16th century, drawing, pastel, chalk, 24.2 x 20.2 cm, r.l. Duke Albert of Saxe-Teschen

Apollo on the sun chariot, anonymous, drawing, chalk; Feather; washed; heightened with white; brownish paper, 27.9 x 46.8 cm, l.l. Duke Albert of Saxe-Teschen

A bishop with a pastoral, Ambrosius Holbein (Augsburg around 1494 - around 1519 Basel), 1515, drawing, pen, brush, gray wash, on reddish-brown primed paper, trimmed along the contour of the middle at the top left, 15.2 x 15 cm (6 x 5 7/8

view of the Karlskirche; in the foreground Wienbrücke in unobstructed glacis, Rudolf von Alt (Vienna 1812 - 1905 Vienna), drawing, pencil, 19.3 x 26.5 cm

View of the garden parterre in Schönbrunn with the Gloriette in the background; in the middle background sketch of two women, Rudolf von Alt (Vienna 1812 - 1905 Vienna), drawing, pencil, 17.3 x 58.6 cm, bottom left Lettering illegible

Portrait of a man in profile, anonymous, 1480-1490, drawing, silverpoint, brush in gray, on beige-primed paper, 9.4 x 6.8 cm, r.r. Duke Albert of Saxe-Teschen

Five studies of hands, anonymous, c. 1500-1510, drawing, silverpoint, gray pen, on gray-primed paper, 9.4 x 6.8 cm

Portrait of a young man with palm fronds, after 1517, drawing, body color on parchment (mounted), circle diameter: 7.2 cm, l.l. Duke Albert of Saxe-Teschen

Portrait of a Bearded Man, after 1517, drawing, body color on parchment (mounted), 7.1 x 7.1 cm (2 13/16 x 2 13/16 in.), l.l. Duke Albert of Saxe-Teschen

Portrait of a Beardless Young Man (en face), after 1517, drawing, body color on parchment (mounted), 7.3 x 7.3 cm (2 7/8 x 2 7/8 in.), l.l. Duke Albert of Saxe-Teschen

Landscape with the ruins of Mödling, Joseph Rebell (Vienna 1786 - 1828 Dresden), 1805-1810, drawing, ink, brush, gray wash, passe-partout section: 33.7 x 55.7 cm

Bust portrait of a man in oriental costume, anonymous, drawing, opaque paint, green background, gold rim, 7.2 x 7.2 cm, l.l. Duke Albert of Saxe-Teschen

Saints Martin and Apollonia (torn pane?), Joseph Weiß, painter from Balingen (Balingen 1488 - 1565 Balingen), Meister von Meßkirch, around 1535, drawing, pen and ink in black and brown, turquoise blue and soft red watercolour, on browned

Portrait of Karl Grünwald, Egon Schiele (Tulln 1890 - 1918 Vienna), 1917, drawing, black chalk on Japanese paper, 45.8 x 29.5 cm

A Male Nude, Anonymous, 1537, Drawing, black pen, individual curls added in brown, on yellowish paper, 13.4 x 9.1 cm (5 1/4 x 3 9/16 in.), l.l. Duke Albert of Saxe-Teschen, r.o. '1537, AD

Joseph Anton, Archduke of Austria, Palatine of Hungary (1776-1847), in the blue coat of the Hungarian Campagne general's uniform, with the Order of the Golden Fleece, Heinrich Friedrich Füger (Heilbronn 1751 - 1818 Vienna), around 1796,

Psyche takes the vessel with the water of the Styx from the claws of the eagle, anonymous, drawing, pen; washed; white heightened, 25 x 40.8 cm, l.l. Duke Albert of Saxe-Teschen, lower center 'Rafaello Urb' in an old hand

Portrait of a Grimacing Man with a Cap, Sebald Beham (Nuremberg 1500–1550 Frankfurt am Main), 1549, Drawing, Pen and brown ink, 15.1 x 10.3 cm (5 15/16 x 4 1/16 in.), no Collector's stamp Duke Albert of Saxe-Teschen

Feast of Herodias, anonymous, drawing, black pen, dark gray and brown, on slightly yellowed paper, two close vertical folds broken and repaired with an old lamination on strong paper, 33.1 x 41 cm, l.l. Duke Albert of Saxe-Teschen

Ceres Scatters Flowers and Fruit, Sebald Beham (Nuremberg 1500–1550 Frankfurt am Main), 1549, Drawing, pen and brown ink, 20.3 x 14.2 cm (8 x 5 9/16 in.), r.l. Duke Albert of Saxe-Teschen

Little dead boy with hourglass, imprint, imprint of a sanguine drawing, 14.3 x 15.6 cm, r.l. Duke Albert of Saxe-Teschen, M. o. 'MORS OMNIA AEQVAT' (mutually

Ballroom dancing outdoors, Jörg Breu d. J. (Augsburg nach 1510–1547 Augsburg), 1530–1547, Drawing, grayish brown and greenish blue pen, partly faded, on yellowish paper, 14.3 x 19.8 cm (5 5/8 x 7 13/16 in ), l.b. Duke Albert of

Riders in front of a forest tavern, Johann Nepomuk Höchle (Munich 1790 - 1835 Vienna), drawing, brown ink, pen and wash, passepartout cutout: 18.8 x 24.2cm (7 3/8 x 9 1/2in

Tree landscape (lake shore with trees), Paul Klee (Münchenbuchsee 1879 - 1940 Muralto), drawing, pencil, opaque white heightening, yellowish paper, 9.9 x 16.7 cm, r.r. (circled

Unfinished landscape sketch (flat landscape), Paul Klee (Münchenbuchsee 1879 - 1940 Muralto), drawing, pencil, yellowish paper, 9.9 x 16.7 cm

Preliminary study for Julia in the painting 'Die Scheitote Julia Capulet', Hans Makart (Salzburg 1840 - 1884 Vienna), around 1869, drawing, pencil, paper, 27.0 x 40.0 cm

The risen Savior appears to the disciples (torn disc), Lambert van Noort (Amersfoort c. 1520 - 1571 Antwerp), c. 1560, drawing, pen in gray, blue wash, 41.1 x 31 cm, l.l. Duke Albert of Saxe-Teschen

Statue of Jupiter, anonymous, drawing, black chalk, pen in brown, washed, heightened with white, 40.2 x 17.5 cm, l. and Duke Albert of Saxe-Teschen, on pedestal 'L. Lombard

Landscape with the Traunstein, anonymous, based on the original around 1514/15, drawing, pen and ink in black, 15.0 x 20.4 cm

Alpine huts, anonymous, based on the original around 1514, drawing, Federin Schwarz, brown and grey, 15 x 20.3 cm

Battle between sea gods, anonymous, drawing, pen; washed; white heightened, 20.6 x 24.5 cm, l.l. Duke Albert of Saxe-Teschen

Castle on a Hill, 1st half 16th century, Drawing, pen and black over charcoal or chalk sketch, 15.5 x 22 cm (6 1/8 x 8 11/16 in.), no collector's stamp Duke Albert of Saxony- Teschen, verso (on base): 'HANS BURGKMAIR d. Ä. (P[hilip] Halm

Apollo, Anonymous, mid-16th century, drawing, pen and black ink, 12.3 x 7.8 cm (4 13/16 x 3 1/16 in.), no collector's stamp Duke Albert of Saxe-Teschen, r.o. 'VS

search results: Drawing clear search