Images at Librifly

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The Jesus boy with a cross flag and a cross, Anonymous, mid-16th century, drawing, pen and black ink, 12.3 x 7.9 cm (4 13/16 x 3 1/8 in.), no collector's stamp Duke Albert of Saxe-Teschen, r.o. 'VS

Kitchen Piece, Paul de Vos (Hulst 1595 - Antwerp 1678), drawing, pen and brown ink, gray wash, traces of graphite pencil or black chalk, on brownish-tinted paper. Vertical creases at center; dirt and small tears on the edges; at the lower edge

Apostle Paul (on letterhead to Padre de Vita ), Carl Skreta (Prague 1610 - 1674 Prague), drawing, lead pencil, pen in brown, washed, 30 x 20 cm, written on front and back

Mount of Olives, 1st half of the 16th century, drawing, pen and ink in brown, 13.9 x 9.8 cm (5 1/2 x 3 7/8 in.), r.l. Duke Albert of Saxe-Teschen

Ancient cavalry battle (recumbent oval), Bernardo Castello (Genoa 1557 - 1629 Genoa), drawing, chalk, lead pencil, pen, washed, heightened with opaque white, on blue paper, 19 x 31.6 cm, at the top in later pen writing ' Idée Esquissée du

Fight between wild animals, Hans Bocksberger d. Ä. (Salzburg around 1510 - 1561 Salzburg), 1557, drawing, brush in dark brown and black-grey, heightened with white, on light brownish paper, 20 x 30 cm, l.l. Duke Albert of Saxe-Teschen, r.r.

Study sheet, Jacob de Gheyn II (Antwerp around 1565 - 1629 The Hague), drawing, pen and grey-brown, 17.1 x 20.4 cm, l.l. Albertina

Reclining female nude with raised legs, Egon Schiele (Tulln 1890 - 1918 Vienna), 1918, drawing, black chalk on Japan paper, 47.5 × 29.2 cm

Design for a silver statuette of Saint Michael, Friedrich Sustris (Venice or Amsterdam c. 1540 - 1599 Munich), c. 1600, drawing, dark gray pen, watercolour, heightened with white, squared, on partly primed paper, 35.3 x 22.7 cm, r.b. Duke

Madonna of the Rosary and Adoration of the Magi, Augustin Braun (German, c. 1570 - after 1641), 1614, Drawing, ink, pen, wash, 26.6 x 19 cm (10 1/2 x 7 1/2 in.), M.u. 'Anno 1614. AB

The Quack Doctor, Rembrandt Harmensz. van Rijn (Leiden 1606 - 1669 Amsterdam), around 1638-1640, drawing, pen and ink in brown, 17.4 x 12.7 cm, l.l. 'R' (written by someone else); Inscription on the back of the old box: 'Dear Cosway I beg the

Maria with the child on the grass bank, anonymous, 18th century, drawing, pen and brown ink, washed, 31.3 x 22.4 cm, l. and Duke Albert of Saxe-Teschen

The face, Johann Christoph Lischka (Breslau around 1650 - 1712 Leubus), drawing, chalk, 20.7 x 18.6 cm

Diana, Kaspar von Zumbusch (Herzebrock 1830 - 1915 Rimsting am Chiemsee), drawing, pencil, according to Cahier: 24.1 x 15.8 cm

Saint Augustine (torn window), Daniel Lindtmayer d. J. (Schaffhausen 1552 - around 1607 in central Switzerland (Lucerne?)), drawing, black-grey pen on a red lacquer background, heightened with white, 18.3 x 14.3 cm, l.l. Duke Albert of

View of Roiate, Franz Joseph Dobyaschofsky (Vienna 1818 - 1867 Vienna), 1835, drawing, pencil, opaque white, sanguine, passe-partout cutout: 30.1 x 45.8 cm

Saint Ambrosius (torn disc), Daniel Lindtmayer d. J. (Schaffhausen 1552 - around 1607 in central Switzerland (Lucerne?)), drawing, black-grey pen on a red lacquer background, heightened with white, 18.3 x 14.3 cm, l.l. Duke Albert of

Biblical battle (illustrative template), collection of 20 sheets depicting biblical battles, Adam Frans van der Meulen (Brussels 1632 - 1690 Paris), drawing, black chalk, gray wash; strummed., 30.3 x 44.8 cm, 'Bataille des hebreux contre les

Biblical battle (illustrative template), collection of 20 sheets depicting biblical battles, Adam Frans van der Meulen (Brussels 1632 - 1690 Paris), drawing, black chalk, gray wash, traces of white chalk; strummed., 30.2 x 44.5 cm, 'Bataille

Biblical battle (illustrative template), collection of 20 sheets depicting biblical battles, Adam Frans van der Meulen (Brussels 1632 - 1690 Paris), drawing, black chalk, gray wash; strummed., 30.9 x 44.6 cm, 'Camp de Joab. Siege d'abela, 2nd

Biblical battle (illustrative template), collection of 20 sheets depicting biblical battles, Adam Frans van der Meulen (Brussels 1632 - 1690 Paris), drawing, black chalk, gray wash; strummed., 30.5 x 44.7 cm, 'Bataille de Modin, machabée l.

Biblical battle (illustrative template), collection of 20 sheets depicting biblical battles, Adam Frans van der Meulen (Brussels 1632 - 1690 Paris), drawing, black chalk, gray wash, white heightening., 30.3 x 44.6 cm, 'Siege de Jerusalem par

Biblical battle (illustrative template), collection of 20 sheets depicting biblical battles, Adam Frans van der Meulen (Brussels 1632 - 1690 Paris), drawing, black chalk, gray wash; strummed., 31.0 x 44.0 cm, 'Bataille de Jabis, le I. des

Biblical battle (illustrative template), collection of 20 sheets depicting biblical battles, Adam Frans van der Meulen (Brussels 1632 - 1690 Paris), drawing, black chalk, gray wash; strummed., 30.9 x 44.9 cm, 'fuit de 10 000 hommes pour

Biblical battle (illustrative template), collection of 20 sheets depicting biblical battles, Adam Frans van der Meulen (Brussels 1632 - 1690 Paris), drawing, black chalk, gray wash., 30.6 x 44.7 cm, 'Bataille de Laisa ou Judas MAchabée Et

Biblical battle (illustrative template), collection of 20 sheets depicting biblical battles, Adam Frans van der Meulen (Brussels 1632 - 1690 Paris), drawing, black chalk, gray wash., 32.0 x 44.6 cm, 'Midy' - left and right of which the

Biblical battle (illustrative template), collection of 20 sheets depicting biblical battles, Adam Frans van der Meulen (Brussels 1632 - 1690 Paris), drawing, black chalk, gray wash., 30.5 x 44.7 cm, 'Jerusalem prize Et destroy Et le Temple

Biblical battle (illustrative template), collection of 20 sheets depicting biblical battles, Adam Frans van der Meulen (Brussels 1632 - 1690 Paris), drawing, black chalk, gray wash; strummed., 29.2 x 44.9 cm, 'Campement le combat de la

Biblical battle (illustrative template), collection of 20 sheets depicting biblical battles, Adam Frans van der Meulen (Brussels 1632 - 1690 Paris), drawing, black chalk, gray wash; strummed., 30.0 x 44.5 cm, 'de fuite de Cendebée par Jean

Biblical battle (illustrative template), collection of 20 sheets depicting biblical battles, Adam Frans van der Meulen (Brussels 1632 - 1690 Paris), drawing, black chalk, gray wash; strummed., 29.8 x 44.4 cm, 'Combat de Jonathas contre

Biblical battle (illustrative template), collection of 20 sheets depicting biblical battles, Adam Frans van der Meulen (Brussels 1632 - 1690 Paris), drawing, black chalk, gray wash; strummed., 31.0 x 44.9 cm, 'Bataille de Cordortahamer contre

Biblical battle (illustrative template), collection of 20 sheets depicting biblical battles, Adam Frans van der Meulen (Brussels 1632 - 1690 Paris), drawing, black chalk, gray wash, heightened with white chalk; strummed., 31.3 x 44.8 cm,

Biblical battle (illustrative template), collection of 20 sheets depicting biblical battles, Adam Frans van der Meulen (Brussels 1632 - 1690 Paris), drawing, black chalk, gray wash, traces of white chalk in the sky., 31.7 x 44.8 cm, 'midy' -

Biblical battle (illustrative template), collection of 20 sheets depicting biblical battles, Adam Frans van der Meulen (Brussels 1632 - 1690 Paris), drawing, black chalk, gray wash, traces of white chalk in the sky; strummed., 30.9 x 44.7 cm,

Biblical battle (illustrative template), collection of 20 sheets depicting biblical battles, Adam Frans van der Meulen (Brussels 1632 - 1690 Paris), drawing, black chalk, gray wash, traces of white chalk in the sky; strummed., 30.5 x 44.7 cm,

Biblical battle (illustrative template), collection of 20 sheets depicting biblical battles, Adam Frans van der Meulen (Brussels 1632 - 1690 Paris), drawing, black chalk, gray wash; strummed., 30.9 x 44.8 cm, 'Victoir de Israelitte sur les

Hochwald with knight, Moritz von Schwind (Vienna 1804 - 1871 Niederpöcking/Munich), around 1835, drawing, pencil, reworked with pen in black, watercoloured, 15.8 x 23.1 cm

Gladiatorial Combat, Anonymous, Drawing, Pen; washed; pen marks; brown paper, 29.4 x 31.4 cm, l.l. Duke Albert of Saxe-Teschen, lower right in an old hand 'GIUL. R.o

The parable of the good Samaritan - the robbery, master of the Liechtenstein cabinet, around 1550, drawing, pen and ink in dark and light brown, brush in white, brown wash, on red-violet tinted paper, passe-partout cutout: 13.8 × 24.9 cm

Esther before Ahasuerus, Master of the Liechtenstein Cabinet, c. 1550, drawing, black pen, black, gray and white brush, on green-tinted paper, 23.5 × 15.5 cm

Portrait of the portrait painter Corneille de Lyon (De La Haye), drawing, stone chalk, charcoal, wiped, brush, washed, 19.2 x 14.5 cm, and 'CORNEILLE DE. LHAIE FLAMENT qui excellent a faire des petits portraits au naturel. quon takes

The Last Supper (torn pane), Daniel Lindtmayer d. J. (Schaffhausen 1552 - around 1607 in Central Switzerland (Lucerne?)), around 1580-1590, drawing, pen and black ink, 39.8 x 29.5 cm, no collector's stamp Duke Albert of Saxe-Teschen

The Brazen Serpent and the Transfiguration of Christ (disc tear), Monogrammist BH (Austria?, mentioned 1586), 1587, drawing, pen and black ink, 39.2 x 30.9 cm, no collector's stamp Duke Albert of Saxe-Teschen

Oval cartouche with four putti, the top two holding a multi-pointed crown, Anonymous, 17th century, Drawing, pen and greyish brown; traces of red chalk; washed, 13.5 x 14.5 cm

Seated female nude, Giambattista Piazzetta (Venice 1682 - 1754 Venice), drawing, chalk, heightened with white, on brownish paper, 37.5 x 27.7 cm

study sheet. Monk kneeling left; upper right repetition of upper body; above in the middle bearded male head, Pompeo Girolamo Batoni (Lucca 1708 - 1787 Rome), drawing, chalk; heightened with white; blue primed paper, 39.6 x 26.1 cm, inscribed

Judith with the head of Holofernes, anonymous, drawing, pen; washed; irregularly trimmed edges; heavily damaged at the top, 28.3 x 15.5 cm, on the reverse 'Mantegna, Zoan, Andre' in an old hand

Torn pane, Tobias Stimmer (Schaffhausen 1539 - 1584 Schaffhausen), drawing, pen and black, washed, 34 x 23.4 cm, mark and stamp of the Zurich glass painter Hans Jakob Nüscheler the Elder J. (1583-654; Lugt 1346); l. and Duke Albert of

Torn pane, Lorenz Lingg (Germany, 1582-1630 ), first third of the 17th century, drawing, pen and gray ink, washed, 30.4 x 20.5 cm, below bottom Duke Albert of Saxe-Teschen

Marauder with a dead rooster, Jost Amman (Zurich 1539 - 1591 Nuremberg), drawing, pen and grey-brown; vertical and horizontal fold, paper loss at the crossing point, 8.8 x 8.9 cm, l.l. Duke Albert of Saxe-Teschen

Study for "The Dancer (Ria Munk II)", Ria Munk, Gustav Klimt (Vienna 1862 - 1918 Vienna), 1916-1917, drawing, pencil on paper, sheet: 49.6 × 32.4 cm

Portrait of Heinrich Benesch from behind, Egon Schiele (Tulln 1890 - 1918 Vienna), 1913, drawing, pencil on Japan paper, 47.5 x 32 cm

Reclining female nude, Egon Schiele (Tulln 1890 - 1918 Vienna), 1914, drawing, pencil on Japanese paper, 47.5 x 32 cm

Crossbowman kneeling on an entablature, Tobias Stimmer (Schaffhausen 1539 - 1584 Schaffhausen), drawing, pen and black on preliminary drawing in black chalk, 21 x 14.5 cm, no collector's stamp Duke Albert von Sachsen-Teschen, M.u. 'IA' (by

Composition with Six Figures, Oskar Schlemmer (Stuttgart 1888–1943 Baden-Baden), 1931, drawing, lead on white letterhead with transverse crease, 28 x 21.4 cm (11 x 8 7/16in

David and Bathsheba, late 16th century, drawing, pen and ink in black and white on gray olive-toned paper, inked, general: 28 x 17.9 cm, l.o. 'George Penz

Diomedes kills Pandarus, anonymous, drawing, pen; washed; white heightened, 25.2 x 52.4 cm, l.l. Duke Albert of Saxe-Teschen

Adam and Eve after Dürer, Marcus Krafter (Germany, mentioned 1571), 1571, drawing, black-grey and grey-brown pen, 45.7 x 33.7 cm

The Triumph of David, anonymous, drawing, brown pen, washed, 19.4 x 33.8 cm, l. and Duke Albert of Saxony Teschen

The Raising of Lazarus, c. 1560, drawing, pen wash, 21.5 x 28.3 cm (8 7/16 x 11 1/8in.), l.r. Manteau, l.b. 'N. 117. 17

Coat of arms of the Barons von Breuner with two warriors, Hans Mielich (Munich 1516 - 1573 Munich), drawing, pen with wash, 28.3 x 21.5 cm (11 1/8 x 8 7/16 in.), r.r. Albertina, l.b. 'N. 117. 17

The Judgment of Paris, Hans von Aachen (Cologne 1552 - 1615 Prague), around 1585, drawing, traces of red chalk, pen in brown, washed, sheet: 24 × 35.2 cm, l.l. Duke Albert of Saxony Teschen

Group from a depiction of the bronze serpent, Jan Speckaert (Brussels c. 1540 - c. 1577 Rome), drawing, pen and ink in brown, washed, on greenish-tinted paper, 24.8 x 33.8 cm, l. and Duke Albert of Saxony Teschen

Tree study, Emil Jakob Schindler (Vienna 1842 - 1892 Westerland (Sylt)), drawing, pencil, according to Cahier: 37.8 x 31.1 cm, l.l. 'Estate, Schindler', l.u. Lettering illegible

Section from Mönchsberg, Emil Jakob Schindler (Vienna 1842 - 1892 Westerland (Sylt)), drawing, pencil, yellowish paper, according to Cahier: 34.7 x 53 cm, l.l. 'Estate, Schindler', bottom right 'Monk's Mountain

Forest party with coltsfoot, Emil Jakob Schindler (Vienna 1842 - 1892 Westerland (Sylt)), drawing, pencil, according to Cahier: 41.8 x 52.2 cm

Tree section from Mönchsberg, Emil Jakob Schindler (Vienna 1842 - 1892 Westerland (Sylt)), 1861, drawing, pencil, yellowish paper, according to Cahier: 55.8 x 40.5 cm, l.l. 'Estate, Schindler

Prealpine landscape, Emil Jakob Schindler (Vienna 1842 - 1892 Westerland (Sylt)), drawing, pencil, according to Cahier: 46.3 x 61.6 cm

Christ drives the merchants out of the temple, Friedrich Sustris (Venice or Amsterdam around 1540 - 1599 Munich), drawing, pen and ink in grey, washed, grid lines, 15.3 x 28 cm, l.l. Duke Albert of Saxe-Teschen, r. or '30

The Madonna in Glory with Saints Francis and Catherine, Clare and John the Baptist, anonymous, c. 1600, drawing, pen in dark brown, gray wash; Larger tear-out center left, glued back and retouched with pen and pen, 40 x 32.8 cm, l.l. Duke

Maria with the child on a grass bench, Monogrammist NS, 1524, drawing, pen and brown ink on off-white paper, probably trimmed on all sides, a minimal corner tear added lower right, 25.4 x 21.6 cm, l. and Duke Albert of Saxe-Teschen

Portrait of a beardless, fat man, after 1517, drawing, body color on parchment (mounted), circle diameter: 7.2 cm, l.l. Duke Albert of Saxe-Teschen

Boissy d'Anglas in the National Assembly, May 20, 1795, Auguste Raffet (Paris 1804 - 1860 Genoa), c. 1830/31, drawing, black chalk, 12 x 17.2 cm, l.l. Estate stamp Auguste Raffet, son, r.r. 'convention' (with black chalk

Study sheet, Jacob de Gheyn II (Antwerp c. 1565 - 1629 The Hague), before 1629, drawing, grey-brown pen, 17.1 x 20.4 cm

Biblical battle (illustrative template), collection of 20 sheets depicting biblical battles, Adam Frans van der Meulen (Brussels 1632 - 1690 Paris), drawing, black chalk, gray wash, traces of white chalk (in the sky); strummed., 30.1 x 44.6

God the Father with the globe (torn disc), Daniel Lindtmayer d. J. (Schaffhausen 1552 - around 1607 in Central Switzerland (Lucerne?)), 1572, drawing, pen and brush in black, heightened with white, on pinkish-brown paper, 18.7 x 13.5 x 13.3

Signet of the Frankfurt publisher Sigmund Feyerabend (1528-1590), anonymous, drawing, pen and ink in brown, passe-partout: 17.4 x 13.5 cm

Horse trough, Christian Adolf Schreyer (Frankfurt am Main 1828 - 1899 Kronberg im Taunus), 19th century, drawing, pencil, wiped in places; sketchy pencil border line, 151 x 228 mm

Two standing men in oriental costume, Lazzaro Vasari (Cortona 1396 - 1468 Arezzo), 1460-1468, drawing, silverpoint, pen, washed, 27.6 x 21.4 cm, l.l. frieze; l.b. Duke Albert of Saxe-Teschen, lower center in an old hand '1408

Orchestra Trophies: Timpani, Carl Rahl (the younger) (Vienna 1812 - 1865 Vienna), drawing, charcoal, 166 x 74.5 cm

Maria with child and the boy John in the angelic glory, anonymous, around 1600, drawing, gray-brown pen and ink on brownish-tinted paper, washed and heightened with white with a brush, 29.2 x 20.8 cm, l.l. Duke Albert of Saxe-Teschen

Bezel picture for the vestibule of the Vienna Opera House: Group of children with Griffin (The Stage Machinery), Carl Joseph Geiger (Vienna 1822 - 1905 Vienna), May-October 1867, drawing, charcoal, 124.5 x 228 cm

The bogeyman, Paul Klee (Münchenbuchsee 1879 - 1940 Muralto), 1913, 24, drawing, pen and ink on paper on cardboard, 8 x 28.5 cm, l.l. 'The Bogeyman' (on the box

Bacchus with the panther (after an ancient statue), Joseph Heintz d. Ä. (Basel 1564 - 1609 Prague), around 1593, drawing, chalk, sanguine, pen, 38.6 x 26.2 cm, l.l. F. van den Zande, r.b. Duke Albert of Saxe-Teschen

The altar of grace in the Hietzing parish church in May devotional decoration, Rudolf von Alt (Vienna 1812 - 1905 Vienna), 1892, drawing, watercolour, body colour, 42.5 x 32.7 cm

The kneeling St. Charles Borromeo with Crossed Arms, Giovanni Battista Tiepolo (Venice 1696 - 1770 Madrid), 1767-1769, Drawing, red chalk, white chalk, on blue paper, 29.1 x 29 cm

Design for a German Empire memorial, Donat Hübschmann (Leipzig before 1540–1583 Vienna), Drawing, Pen and brown ink, 20 x 27.4 cm (7 7/8 x 10 13/16 in.), Detailed inscription

Christ before Caiaphas, drawing, pen; heightened with white; on gray primed paper, 45.2 x 37.0 cm, l.l. Duke Albert of Saxe-Teschen

In Florence, Leopold II awards Archdukes Franz and Ferdinand the Order of Toison d'or, Caspar Franz Sambach (Breslau 1715 - 1795 Vienna), drawing, pen, grey-brown wash, passe-partout: 53.9 x 49 cm, r.r. Duke Albert of Saxe-Teschen, counting

Antique banquet, Leonaert Bramer (Delft 1596 - 1674 Delft), drawing, gray brush, gray wash, on yellowish primed paper; rubdowns; trace of a horizontal fold (broken and glued); several restored tears at the edges., 33.8 x 28.9 cm

Mary with the Child Jesus, an angel and a female figure kissing the child, Luca Cambiaso (Moneglia 1527 - 1585 San Lorenzo de El Escorial), drawing, pen; the leaf cut off at Mary's knees; blotchy; the lower left corner added, 19.6 x 25.1 cm

Three winged heads of angels, Francesco de' Guardi (Venice 1712 - 1793 Venice), drawing, ink, pen, 17.8 x 26.9 cm

Christ before Pilate, Jacopo Ligozzi (Verona c. 1547 - 1626/27 Florence), drawing, pen; one missing spot lower right, 46.3 x 36.7 cm, r.r. Duke Albert of Saxe-Teschen

Adoration of the Magi, Anonymous, Venetian, about 1700, Drawing, chalk, pen; washed; heightened in white, 41 x 29 cm

Portrait of a young gentleman, Carl F. Frombeck (Hranice (German: Mährisch Weißkirchen) 1821 - 1851 Vienna), 1848, drawing, pencil, according to Cahier: 26 x 21 cm, verso: Wecbrodt collection (Cahier); stamp (cahier); Anchor (Cahier

Graphic representation of the armillary sphere, anonymous, early 17th century, drawing, ink, pen, 37.6 × 33.6 cm

Ecce homo, Jacob Jordaens (Antwerp 1593 - 1678 Antwerp), drawing, pen and brush in gray and brown, brown wash, over black chalk, 20.5 x 17.6 cm, r.l. Duke Albert of Saxe-Teschen

study sheet. (In the middle Peter, on the left S. Antonius Abbas, on the right the angel of the Annunciation), anonymous, early 16th century, drawing, pen; trimmed at the top up to the base of Peter's chest, 14.2 x 19.6 cm, no frieze Sz; no

Fragment of a marriage contract between Donna Giulia, figliola de Antonio di Tomaso, and Ieronimo, figliolo di Giovane, anonymous, Lombarde (early 16th century), early 16th century, drawing, pen; trimmed at the top up to the base of Peter's

Roman soldiers riding to the right; one of the horses collapses under its rider, anonymous, drawing, pen; heightened with gold; brown paper; Beveled corners, 25 x 42.4 cm, l.l. Duke Albert of Saxe-Teschen

search results: Drawing clear search