Images at Librifly

search results: Drawing clear search

'O. Laske Puchberg 1950, Summer vacation in peace', sketchbook Laske Oskar; 'Life and Deeds of the Painter Oskar Laske'; 10th volume (of 14 volumes); 284 paginated pages, Oskar Laske (Czernowitz 1874 - 1951 Vienna), 1950, drawing, sheet pasted

'The chairlift in Puchberg', sketchbook Laske Oskar; 'Life and Deeds of the Painter Oskar Laske'; 10th volume (of 14 volumes); 284 paginated pages, Oskar Laske (Czernowitz 1874 - 1951 Vienna), 1950, drawing, pencil; Pen in blue, sheet: 24 x 20

'The gardener forces the poor snowdrop into the flowerpot', sketchbook Laske Oskar; 'Life and Deeds of the Painter Oskar Laske'; 10th volume (of 14 volumes); 284 paginated pages, Oskar Laske (Czernowitz 1874 - 1951 Vienna), 1950, drawing,

Flower still life, sketchbook Laske Oskar; 'Life and Deeds of the Painter Oskar Laske'; 10th volume (of 14 volumes); 284 paginated pages, Oskar Laske (Czernowitz 1874 - 1951 Vienna), 1950, drawing, gouache, sheet: 24 x 20 cm

St. George, sketchbook Laske Oskar; 'Life and Deeds of the Painter Oskar Laske'; 10th volume (of 14 volumes); 284 paginated pages, Oskar Laske (Czernowitz 1874 - 1951 Vienna), 1950, drawing, pen and ink in blue, sheet: 24 x 20 cm

'Hohenberg von Hölzendorf builds the(!) Gloriette, 1747', Laske Oskar sketchbook; 'Life and Deeds of the Painter Oskar Laske'; 10th volume (of 14 volumes); 284 paginated pages, Oskar Laske (Czernowitz 1874 - 1951 Vienna), 1950, drawing,

Lonely hamlet, Isaak Major (Frankfurt am Main 1588 - after 1642 Vienna), 1st half of the 17th century, drawing, pen in dark and lighter brown, 15.3 x 23.6 cm

Fantastic ruined city, Isaak Major (Frankfurt am Main 1588 - after 1642 Vienna), 1st half of the 17th century, drawing, pen in darker and lighter brown, 14.6 x 23.4 cm

Castle ruins, Isaak Major (Frankfurt am Main 1588 - after 1642 Vienna), 1st half of the 17th century, drawing, pen in darker and lighter brown, 14.6 x 23.4 cm

Esche am Weg, Isaak Major (Frankfurt am Main 1588 - after 1642 Vienna), 1st half of the 17th century, drawing, pen in darker and lighter brown, 14.9 x 23.3 cm

Mountain road, Isaak Major (Frankfurt am Main 1588 - after 1642 Vienna), 1st half of the 17th century, drawing, pen in darker and lighter brown, 14.6 x 23.3 cm

Dorfstrasse, Isaak Major (Frankfurt am Main 1588 - after 1642 Vienna), 1st half of the 17th century, drawing, pen in darker and lighter brown, 14.8 x 23.4 cm

Wild duck still life, monogram mist 'LB 56' (Germany), 1856, drawing, watercolour, opaque colors in places, lights scratched out; Glossy heightening, 179 x 262 mm, right. above: 'LB. 56.' (brush in red

Der Neue Bruch, Isaak Major (Frankfurt am Main 1588 - after 1642 Vienna), 1st half of the 17th century, drawing, pen in darker and lighter brown, 15.3 x 23.4 cm, M.o. 'The New Break

Praterau, Isaak Major (Frankfurt am Main 1588 - after 1642 Vienna), 1st half of the 17th century, drawing, pen in darker and lighter brown, 15.9 x 23.5 cm

Melchizedek and Abraham, anonymous, drawing, pen; washed; heightened with opaque white; blue paper, 15.4 x 13.6 cm, l.l. Duke Albert of Saxe-Teschen

Fort in Aulandschaft, Isaak Major (Frankfurt am Main 1588 - after 1642 Vienna), 1st half of the 17th century, drawing, pen in darker and lighter brown, 14.6 x 23.3 cm

Entry of Emperor Maximilian into Ghent, Karl Svoboda (Bohemia, 1824 - 1870), 1854, drawing, pencil, 34.6 x 43.8 cm

Heldenplatz with Leopoldstrakt, Vincenz Havlicek (Vienna 1864 - 1915 Vienna), 1901, drawing, watercolour, 22.7 x 30.7 cm

City on the Bank of a Stream, Isaak Major (Frankfurt am Main 1588 - after 1642 Vienna), 1st half of the 17th century, drawing, pen and ink in darker and lighter brown, 15.8 x 23.4 cm

View of Neuchâtel, in the foreground farmers harvesting grapes, Friedrich Wilhelm Moritz (Swiss, 1783 - 1855), before 1831 ?, drawing, watercolour, over pencil; partially increased gloss; painted black frame around the image, 472 x 722 mm,

Ludwigstrasse in Munich towards the Siegestor, Friedrich Eibner (Hilpoltstein 1825 - 1877 Munich), 1855, drawing, black-grey pen, watercolour, traces of opaque white, over pencil; in the staffage figures right. front gloss highlights, 399 x

Rocky landscape with waterfall and stigmatization of St. Franziskus, Isaak Mayer, drawing, graphite pencil, brush in brown, brown and blue-green wash, 29.9 x 41.3 cm

Job mocked by his wife, Rudolf Meyer (Zurich 1605 - 1638 Zurich), 1st half of the 17th century, drawing, pen in black-brown on a lead pencil preliminary drawing, washed and washed with brown ink; Slight worm damage lower left, 16.4 x 22 cm, no

Apostle to the right, Joachim von Sandrart d. Ä. (Frankfurt am Main 1606 - 1688 Nuremberg), drawing, oil grisaille, 25.9 x 15.4 cm, l. r. Albert of Saxe-Teschen

Saint Jerome in the desert, Joachim von Sandrart d. Ä. (Frankfurt am Main 1606 - 1688 Nuremberg), 1644, drawing, sanguine, 28.3 x 23.5 cm, l. and Duke Albert of Saxe-Teschen

Minerva and Saturn protect art and science, Joachim von Sandrart d. Ä. (Frankfurt am Main 1606 - 1688 Nuremberg), 1644, drawing, stone and fat chalk, pen in brown with gray washes, 40.3 x 52 cm, l. and Duke Albert of Saxe-Teschen, r. and

The miraculous salvation of Eutychus by Paulus, Joachim von Sandrart d. Ä. (Frankfurt am Main 1606 - 1688 Nuremberg), 1684, drawing, charcoal and chalk with brown washes and white highlights on light brown paper, 42.7 x 31.3 cm, l. and Duke

The night (Nox), Joachim von Sandrart d. Ä. (Frankfurt am Main 1606 - 1688 Nuremberg), 1643, drawing, stone chalk, brush in brown, washed, with traces of tracing on grey-blue paper, 30.6 x 25.6 cm, l. and Duke Albert of Saxe-Teschen

The Finding of Moses, anonymous, drawing, pen; washed; heightened with opaque white; blue paper, 15.1 x 13.2 cm, l.l. Duke Albert of Saxe-Teschen

February, Joachim von Sandrart d. Ä. (Frankfurt am Main 1606 - 1688 Nuremberg), 1644, drawing, stone chalk with gray washes, 30.1 x 24 cm, l. and Duke Albert of Saxe-Teschen

Kallirrhoe, the daughter of the potter Diputades, draws the shadow of her departing lover, whom she saw through the light of a lantern, on the wall, Joachim von Sandrart d. Ä. (Frankfurt am Main 1606 - 1688 Nuremberg), 1683, drawing,

Rome, Janus qaudrifons (Arco di Giano), Joachim von Sandrart the Elder Ä. (Frankfurt am Main 1606 - 1688 Nuremberg), drawing, pen and grey-brown on grey-yellow paper, 26.4 x 41.1 cm

Lorenziberg, Hradschin and the Vltava Bridge from Prague, seen from Vischehrad, Wenzel Hollar (Prague 1607 - 1677 London), drawing, pencil, 17.4 x 29.1 cm, r.l. Duke Albert of Saxe-Teschen, M.o. 'praga

Putti carrying beams in a church building, around 1646, drawing, stone chalk, brush in grey, washed, 14.5 x 22 cm, r.r. Duke Albert of Saxe-Teschen, r.o. on the tape 'ERIT HOC FVLCIMINE FIRMVM

The cathedral in Speyer, drawing, lead pencil, pen in brown, washed and lightly watercoloured, 18 x 19.2 cm, r.l. Duke Albert of Saxe-Teschen, M. r. above a chapel: 'Di Jesuchi, ter Kirch

Gothic church (St. Lorenzin, Cologne), drawing, pen and ink in brown, watercolour, 18.2 x 26.9 cm, l.l. Duke Albert of Saxe-Teschen

The old castle with St. Vitus Cathedral in Prague, drawing, stone chalk, pen in light brown, washed and lightly watercoloured, 14.7 x 22.5 cm, r.r. Duke Albert of Saxe-Teschen

Lion, anonymous, around 1600, drawing, chalk, watercolour, (just before 1800) silhouetted and pasted on paper, slightly reworked along the contours, 32.2 x 42.1 cm, l. and Duke Albert of Saxe-Teschen; on the middle toe of the left front foot

Jacob leads his flock to Canaan, Johann Heinrich Schönfeld (Biberbach an der Riss 1609 - 1682/83 Augsburg), around or before 1670, drawing, pen in gray, gray wash, squared in lead pencil, 20.1 x 33.4 cm, l. and Duke Albert of Saxe-Teschen

The passage through the Red Sea, anonymous, drawing, pen; washed; heightened with opaque white; blue paper, 15.3 x 16 cm, l.l. Duke Albert of Saxe-Teschen

Crucifixion, Tobias Pock (Constance around 1609 - after 1681 Vienna), drawing, pen and ink in grey-brown, with gray and ultramarine washes and white highlights, 30.7 x 20 cm, r.r. 'Tobias Pock F

Stigmatization of St. Francis (draft for an altarpiece), Tobias Pock (Constance around 1609 - after 1681 Vienna), drawing, black-brown pen, washed with white highlights on blue-grey paper, 29.9 x 19.5 cm

Madonna and Child, Tobias Pock (Constance around 1609 - after 1681 Vienna), third quarter of the 17th century, drawing, pen and gray, washed with white highlights on grey-green paper, 16.7 x 13.6 cm

Allegory of geography and astronomy, Johann Christoph Storer (Constance around 1620 - 1671 Constance), around 1650, drawing, charcoal, pen and brush in dark brown, washed, traces of red chalk on the upper edge of the picture, 22.9 x 18.8 cm,

Self-Portrait of the Artist, Hendrik E. Oldellandt (Netherlands, 1615 - 1656), 1643, drawing, brush in gray on white-primed cardboard, with varnish coating that has turned yellow, 13.5 x 10.8 cm, l. and on the cardboard: Albert von

The Miraculous Multiplication of the Loaves, Marcantonio Bassetti (Italian, 1586 - 1630), Drawing, Brown and white oilbrush; brownish paper, 18.7 x 28.7 cm, l.l. Duke Albert of Saxe-Teschen

The passage of the Jews through the Red Sea and the destruction of their pursuers at Moses' behest, Conrad Meyer (Swiss, 1618 - 1689), 1670 - 1675, drawing, lead pencil, pen in dark brown with green-grey and gray washes, 24.8 x 39, 1 cm,

Portrait of a Man with Long White Hair and a Black Cap, Peter Lely (Soest (Utrecht) 1618–1680 London), 17th century, Drawing, Black chalk, wiped, heightened with white chalk, on brownish paper. Traces of a horizontal fold below the centre,

The Granting of the Law, Anonymous, Drawing, Pen; washed; heightened with opaque white; blue paper, 15.1 x 13.3 cm, l.l. Duke Albert of Saxe-Teschen

The Jews before Jericho, anonymous, drawing, pen; washed; heightened with opaque white; blue paper, 15.4 x 14.3 cm, l.l. Duke Albert of Saxe-Teschen

Joshua and Eleazar count the people, Anonymous, Drawing, pen; washed; heightened with opaque white; blue paper, 15.5 x 13 cm, l.l. Duke Albert of Saxe-Teschen

The Triumph of David, anonymous, drawing, pen; washed; heightened with opaque white; blue paper, 15.7 x 7 cm, l.l. Duke Albert of Saxe-Teschen

The Building of the Temple, anonymous, drawing, pen; washed; heightened with opaque white; blue paper, 15.1 x 13 cm, l.l. Duke Albert of Saxe-Teschen

The Adoration of the Magi, anonymous, drawing, pen; washed; heightened with opaque white; blue paper, 15.5 x 14 cm, l.l. Duke Albert of Saxe-Teschen

Seated Madonna, head slightly bent forward to the left; on her right knee the child sits cross-legged; left part of the drapery of a truncated figure, Giovanni Antonio Sogliani (Italian, 1492 - 1544), drawing, pen; gray wash; heightened with

The Baptism of Christ, Anonymous, Drawing, Pen; washed; heightened with opaque white; blue paper, 16.7 x 14.9 cm, l.l. Duke Albert of Saxe-Teschen

Madonna with Child, Polidoro Caldara da Caravaggio (Caravaggio around 1499 - 1543 Messina), after 1527, drawing, red, 11.4 x 10.3 cm, l.u. Marietta; l.u. Duke Albert of Saxe-Teschen

Study for a 'Madonna delle grazie', Polidoro Caldara da Caravaggio (Caravaggio around 1499 - 1543 Messina), around 1525, drawing, red chalk, 18.5 x 10.4 cm, l.l. Mariette; l.b. Duke Albert of Saxe-Teschen

study sheet. Barefoot figure, gathering up her robe, Polidoro Caldara da Caravaggio (Caravaggio around 1499 - 1543 Messina), drawing, red chalk on gray paper, 16 x 10 cm, l.l. Mariette (cut off); l.b. Duke Albert of Saxe-Teschen

Mary with one of the holy women under the cross, Polidoro Caldara da Caravaggio (Caravaggio around 1499 - 1543 Messina), drawing, red chalk, 9.2 x 12.6 cm, l.l. Mariette; l.b. Duke Albert of Saxe-Teschen

Male nude in half-length to the left, head raised and arms outstretched, Polidoro Caldara da Caravaggio (Caravaggio around 1499 - 1543 Messina), drawing, red chalk, 13.4 x 10.5 cm, l.l. Mariette; l.b. Duke Albert of Saxe-Teschen

Study for a man’s shoulder, chest and right arm, Polidoro Caldara da Caravaggio (Caravaggio around 1499 - 1543 Messina), 1533/34, drawing, red chalk, 15.9 x 9.2 cm, l.l. Mariette; l.b. Duke Albert of Saxe-Teschen

Study of a left leg presented in a flexed position, Polidoro Caldara da Caravaggio (Caravaggio around 1499 - 1543 Messina), drawing, red chalk, 16 x 9.4 cm, r.l. Mariette; l.b. Duke Albert of Saxe-Teschen

Maria with the standing child (standing oval), anonymous, drawing, pen; purple wash; heightened with white; a strip attached at the bottom, 23.3 x 17.7 cm, bottom left Duke Albert of Saxe-Teschen

Child's head, Andrea Solario (Milan c. 1465/73 - c. 1524 Milan), drawing, red chalk; blue uncoated paper, 14.2 x 9.5 cm, l.l. Duke Albert of Saxe-Teschen

Four dead brambles, Maria Sibylla Merian (Frankfurt am Main 1647 - 1717 Amsterdam), 1695, drawing, body colour, on parchment, 17.6 x 23.5 cm, l.l. Duke Albert of Saxe-Teschen

Fruit bowl, Maria Sibylla Merian (Frankfurt am Main 1647 - 1717 Amsterdam), 1695, drawing, watercolour, tempera, on parchment, 29.9 x 38 cm, l. and Duke Albert of Saxe-Teschen

Fruit hangers with erotes, Tommaso di Andrea Vincidor (first mentioned 1517 - 1536 (Breda?)), 1521, drawing, brown pen, brown wash, heightened with white, on brown paper, 21.2 x 30.2 cm, l.l. Duke Albert of Saxe-Teschen

Strawberries, currants and gooseberries, Maria Sibylla Merian (Frankfurt am Main 1647 - 1717 Amsterdam), drawing, miniature painting in watercolor and tempera on parchment, 35.2 x 27.7 cm, l. and Duke Albert of Saxe-Teschen

Different colored poppies, Maria Sibylla Merian (Frankfurt am Main 1647 - 1717 Amsterdam), 1695, drawing, miniature painting in watercolor and tempera on parchment, 38 x 30.6 cm, l.l. Duke Albert of Saxe-Teschen

Fig species with goldfinch, caterpillar and butterfly (owl), Maria Sibylla Merian (Frankfurt am Main 1647 - 1717 Amsterdam), drawing, miniature painting in watercolor and tempera on parchment, 37.3 x 30.5 cm, l. and Duke Albert of Saxe-Teschen

The little fox (Vanessa urticae L.) with caterpillar, pupa and two species of flies on its food plant: nettle (urtica urens L.), Maria Sibylla Merian (Frankfurt am Main 1647 - 1717 Amsterdam), drawing, miniature painting in tempera on parchment,

Coronation of Johann Sobjeski as King of Poland in Kraków Cathedral, Jonas Drentwett (Augsburg (around) 1650 - (around) 1720 Vienna), around 1676, drawing, pen in dark gray with watercolors in light brown, brown, gray and blue-grey, 23 .8 x

Siege of the city and castle of Bar by King Johann Sobjeski, Jonas Drentwett (Augsburg (around) 1650 - (around) 1720 Vienna), drawing, pen and ink in dark gray with watercolor washes in light brown, brown, blue and blue-grey, 24.1 x 24.2 cm,

Self-portrait of the artist (head), Godfrey Kneller (Lübeck 1646 - 1723 London), drawing, transfer of a red chalk drawing, 16.9 x 12.3 cm, l. and Duke Albert of Saxe-Teschen, l.o. Old order drawing '21

Half-length portrait of a lady, drawing, brush in grey, washed with white highlights on yellow-brown paper, 16.9 x 12.3 cm, l. and Duke Albert of Saxe-Teschen, and by another hand 'Anna Princess of Denmark

Half-length portrait of a cavalier, drawing, pen and ink in brown, washed with white highlights on grey-brown paper, 10.4 x 8.1 cm, l. and Duke Albert of Saxe-Teschen, and by another hand 'King Charles II of England

The Jews borrowed golden vessels from the Egyptians, which they piled up on stretchers in the background by the tents to take with them when they left instead of returning them (Ex 3:22), Maturino da Firenze (Florence 1490 - 1528 Rome), drawing,

Madonna of the Rosary, Johann Andreas Graff (Nuremberg 1637 - 1701 Nuremberg), drawing, pen and ink in black-grey with magnifying net, 21.3 x 35 cm, l.l. Duke Albert of Saxe-Teschen

Dutch landscape I, Johann Caspar Züger (Schaffhausen 1742 - 1805 Schaffhausen), 1775, drawing, brush in grey, washed, 9.9 x 14.3 cm

Dutch Landscape II, Johann Caspar Schwachhausen (Schaffhausen 1742 - 1805 Schaffhausen), 1775, drawing, brush in grey, washed, 10 x 14.1 cm

Equipment of the Arche Nöes, Franz Ertinger (Weil am Rhein 1640 - around 1710 Paris), drawing, lead pencil, pen in dark brown, 23.1 x 36.2 cm, l. and Duke Albert of Saxe-Teschen

The Adoration of the Magi, Marten de Vos (Antwerp c. 1531 - 1603 Antwerp), 1570-1600, drawing, pen and ink in brown, washed, heightened with white, on brownish paper, grid lines, 25.3 x 22.3 cm

Conversion of St. Paul, Tobias Pock (Constance around 1609 - after 1681 Vienna), drawing, chalk and lead pencil, pen and brush in brown, washed, 27.8 x 21.2 cm, bottom left: Albert von Sachsen-Teschen (Luke 174

Last Judgment, Marten de Vos (Antwerp around 1531 - 1603 Antwerp), 1570-1600, drawing, brown pen, washed, on brownish paper, 18.4 x 34.3 cm, l. and Duke Albert of Saxe-Teschen

Oval bust portrait of an elderly member of the House of Wittelsbach in armour, Carl Gustav Amling (Nuremberg 1650 - 1703 Munich), 1679, drawing, brush and gray on yellowed parchment, 36.6 x 27.7 cm

Oval bust portrait of Elector Max Emanuel of Bavaria, Carl Gustav Amling (Nuremberg 1650 - 1703 Munich), drawing, brush in gray on parchment, 31.3 x 24.8 cm, with Duke Albert of Saxe-Teschen

Oval bust portrait of Electress Maria Antonia of Bavaria, née Archduchess of Austria, Carl Gustav Amling (Nuremberg 1650 - 1703 Munich), drawing, brush and gray on parchment, 31.5 x 24.9 cm

Oval bust portrait of a cavalier, Carl Gustav Amling (Nuremberg 1650 - 1703 Munich), around 1700, drawing, brush in gray with gold tincture of the border on parchment, 19.3 x 13.6 cm, l. and Duke Albert of Saxe-Teschen

Oval half-length portrait of a middle-class woman, Carl Gustav Amling (Nuremberg 1650 - 1703 Munich), drawing, brush in gray with gold tincture of the jewelery on parchment, 18.0 x 13.4 cm, l. and Duke Albert of Saxe-Teschen

Portrait of Cardinal Harrach, Archbishop of Prague, flanked by St. Wenceslaus and Archbishop Henricus I of Prague, Abraham van Diepenbeeck (s'Hertogenbosch 1596 - 1675 Antwerp), drawing, black chalk, brush in brown and gray, heightened with

Oval bust portrait of a cavalier, Carl Gustav Amling (Nuremberg 1650 - 1703 Munich), drawing, lead pencil, brush in gray on parchment, 14.8 x 11.6 cm, l. and Duke Albert of Saxe-Teschen

Mercury with the Head of Argus, Johann Andreas Wolff (Munich 1652 - 1716 Munich), 1674, drawing, pen and ink in light brown and gray with brown and ultramarine washes, 15.5 x 10.4 cm, r. and Duke Albert of Saxe-Teschen

Italian mountain and river landscape, Felix Meyer (Winterthur 1653/56 - 1713 Wyden (Ossingen)), drawing, red chalk, 28.8 x 42.7 cm, l. and Duke Albert of Saxe-Teschen

Italian mountain landscape, Felix Meyer (Winterthur 1653/56 - 1713 Wyden (Ossingen)), drawing, red chalk, 29.1 x 42.8 cm, l. and Duke Albert of Saxe-Teschen

Scree on a mountain slope in front of a waterfall, Felix Meyer (Winterthur 1653/56 - 1713 Wyden (Ossingen)), drawing, charcoal, 30.5 x 19.4 cm, l. and Duke Albert of Saxe-Teschen, l.u. 'F Meyer' (later inscription

Panorama of Bern, Wilhelm Stettler (Bern 1643 - 1708 Bern), 1683, drawing, pen and gray ink, watercolour, with sparse use of tempera, 22.6 x 68.6 cm

Cadmus kills the dragon while searching for his sister Europa, Johann Andreas Thelott (Augsburg 1655 - 1734 Augsburg), drawing, sanguine, pen and brush in grey, washed with white heightening on brown paper and traces of pause, 27.2 x 29.8 cm,

The Visitation, Jacopo Carrucci called Pontormo (Italian, 1494 - 1557), Drawing, pen; gray wash; brownish paper, 27.2 x 20.2 cm, l.l. Mariette; Lagoy; l.b. frieze; l.b. Duke Albert of Saxe-Teschen

search results: Drawing clear search