Images at Librifly

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The good Samaritan, Adam Friedrich Oeser (Pressburg 1717 - 1799 Leipzig), drawing, black chalk, brush in brown and opaque white, 22.2 x 15.5 cm, l.l. Duke Albert of Saxe-Teschen

Christ and the Samaritan woman at the well, Adam Friedrich Oeser (Pressburg 1717 - 1799 Leipzig), drawing, brush in grey-brown, lead pencil preliminary drawing, 33.5 x 24.7 cm, l.l. Duke Albert of Saxe-Teschen

Figure sketch: Herbst, Jakob Gauermann (Oeffingen near Stuttgart 1773 - 1843 Vienna), drawing, brown ink, pen, washed, 8.9 x 6 cm, l.l. 'Autumn

The dead Savior, mourned by angels, Adam Friedrich Oeser (Pressburg 1717 - 1799 Leipzig), drawing, black chalk, watercolour, 17.4 x 13.3 cm, r.r. Duke Albert of Saxe-Teschen

Mary hands Catherine of Siena and St. Dominic the rules of the order, anonymous, drawing, chalk, heightened with white, 39.7 x 25.1 cm

Saint Augustine writes the rule of the order (two versions), anonymous, drawing, chalk, heightened with white, 25.1 x 39.7 cm

The sermon of John the Baptist, Paul Troger (Welsberg 1698 - 1762 Vienna), drawing, black chalk, 31.2 x 22.4 cm, verso: l. and 'R, S H' in the triangle

Saint Teresa, Martino Altomonte (Naples 1657–1745 Heiligenkreuzerhof, Vienna), Drawing, Gray ink, pen, gray wash, 30.1 x 17.9 cm

Immakulata, Caspar Franz Sambach (Breslau 1715 - 1795 Vienna), drawing, gray ink, pen, gray wash, 21.9 x 13.4 cm

Religious before the Holy Father in St. Peter in Rome, Hans Adam Weissenkircher (Laufen before 1646 - before 1695 Graz), drawing, brown ink, pen, 32.9 x 22.2 cm

Encounter at the Golden Gate, Johann Wenzel Spitzer (Prague 1711 - 1774 Prague), drawing, brush in gray, gray wash, 22.2 x 18 cm

Ceiling mirror with putti, Johann Wenzel Spitzer (Prague 1711 - 1774 Prague), drawing, brush in grey, colored watercolour, 32.3 x 21.5 cm

King Ferdinand and Maria Caroline of Naples, 1795, drawing, brown ink, pen, pencil, 23.4 x 35.3 cm

The resurrection of Christ, Adam Friedrich Oeser (Pressburg 1717 - 1799 Leipzig), drawing, watercolor on preliminary drawing in black canvas, 44.2 x 29.4 cm, l.l. Duke Albert of Saxe-Teschen

Old woman in front of a hut, Franz Edmund Weirotter (Innsbruck 1730 - 1771 Vienna), drawing, pen and brush in brown, brown wash, heightened with white, 12.2 x 9.8 cm

Medea theme, Peter Strudel (Cles 1660 - 1714 Vienna), drawing, pen and brown ink on gray-blue paper, 20.8 x 26.8 cm, bottom left 'Pellia ... dalle proprie figlie per consiglio di Medea, in Panando te di voler

Dance Scene, Giuseppe Ribera, called l'Espagnolet (Játiva near Valencia 1591–1652 Naples), Drawing, Pen and brown ink, brown wash, 17.9 x 26.6 cm (7 1/16 x 10 1/2 in

Bacchus crowns a follower, Adam Friedrich Oeser (Pressburg 1717 - 1799 Leipzig), drawing, lead pencil, watercolour, 18.2 x 25.2 cm, l.l. Duke Albert of Saxe-Teschen

Allegory of the Renaissance of the Arts under the rule of Frederick of Saxony, Adam Friedrich Oeser (Pressburg 1717 - 1799 Leipzig), 1764-1765, drawing, brush in dark and lighter brown on pencil drawing, 38.8 x 31.3 cm, l.l. Duke Albert of

Pan and the shepherds, Adam Friedrich Oeser (Pressburg 1717 - 1799 Leipzig), drawing, brush in gray and brown on preliminary drawing in pencil and red chalk, 22.8 x 18.5 cm, r.r. Duke Albert of Saxe-Teschen

Bacchus festival in the courtyard of an ancient palace, Adam Friedrich Oeser (Pressburg 1717 - 1799 Leipzig), drawing, brush in gray-brown on yellowish-tinted paper, heightened with white, preliminary drawing in black chalk, 21.2 x 34.2 cm,

Study sheet with standing figures, drawing, red chalk, 18 x 20 cm, m.o. illegible writing

Two children playing, drawing, sanguine, 18 x 20 cm, l. and unknown collector's stamp

Tarquinius and Lucretia, Josaias Rozeau (active in Vienna around 1600), around 1600, drawing, black pen, gray wash, white heightened, 18.3 x 14.6 cm, no collector's stamp

Cartouche for the copper engraved portrait of Rudolf August Schubart von Bause, Adam Friedrich Oeser (Pressburg 1717 - 1799 Leipzig), drawing, brown-grey brush, lead pencil preliminary drawing, 34 x 22.4 cm, l.l. Duke Albert of Saxe-Teschen

Female head in profile to the left, next to it the head of a small child en face, Adam Friedrich Oeser (Pressburg 1717 - 1799 Leipzig), drawing, red chalk, 20.2 x 19.8 cm, l.l. Duke Albert of Saxe-Teschen

Study for a Susanna, Adam Friedrich Oeser (Pressburg 1717 - 1799 Leipzig), drawing, lead pencil, some red chalk, 19.8 x 14.5 cm, l.l. Duke Albert of Saxe-Teschen, r.r. 'Oes' (later

Female allegorical figure, sitting on an overgrown rock, holding a book in the left hand and a candle in the right, Adam Friedrich Oeser (Pressburg 1717 - 1799 Leipzig), drawing, brush in grey-brown on lead pencil preliminary drawing, 6.3 x 6.3

Genii busy with the work of sculpture and pottery, Adam Friedrich Oeser (Pressburg 1717 - 1799 Leipzig), drawing, brush in brown on lead pencil preliminary drawing, 8.2 x 10 cm, l.l. Duke Albert of Saxe-Teschen

Kitchen maid cleaning fish, seated in front of the fireplace, Johann Kaspar Heilmann (Mulhouse (Switzerland) 1718 - 1760 Paris), 1759, drawing, black and white chalk, 39.4 x 32.2 cm, l. and Duke Albert of Saxe-Teschen

Quarry?, Johann Kaspar Heilmann (Mulhouse (Switzerland) 1718–1760 Paris), 1758, drawing, black chalk on paper toned in pale blue, 20.5 x 33.8 cm

Series of Saxon Views: Dresden, Catholic Court Church and Castle, Johann Emanuel Goebel (Berlin 1720 - 1759 Warsaw), drawing, lead pencil, brush in grey, washed, 13.3 x 21.8 cm, r.r. Duke Albert of Saxe-Teschen, r.o. '1

Series of Saxon Views: Dresden, Catholic Hofkirche, on the left the dome of the Frauenkirche, Johann Emanuel Goebel (Berlin 1720 - 1759 Warsaw), drawing, lead pencil, brush in grey, washed, 13.2 x 22.1 cm, r.r. Duke Albert of Saxe-Teschen,

A series of views of Saxony: Dresden, Neuer Markt with Frauenkirche, Johann Emanuel Goebel (Berlin 1720 - 1759 Warsaw), drawing, lead pencil, brush in grey, washed, 13.1 x 19.3 cm, l.l. Duke Albert of Saxe-Teschen

Series of Saxon views: Dresden, Frauenkirche, Johann Emanuel Goebel (Berlin 1720 - 1759 Warsaw), drawing, pencil, brush in gray, washed, watercoloured, 12.5 x 21.5 cm, l.l. Duke Albert of Saxe-Teschen, r.o. '4

Travel sketchbook: title page: sketchbook oddities, anonymous, late 18th century, drawing, ink, pen, 19.3 x 12.5 cm, 'sketchbook MERCKWÜRDIGKEITEN auf Reisen V year 1631.1638 Philip Uffenbach from Franckfurt an Mayn shows 91 sheets

mercy seat. (God the Father sits, the dead Savior in his lap; left and right adoring male and female saints; below angels hold an empty cartouche; in the background a mountainous landscape with groups of buildings), Romano Luzio ( ?, Italy,

Series of Saxon Views: Dresden, Altmarkt with the Kreuzkirche before its destruction in 1760, Johann Emanuel Goebel (Berlin 1720 - 1759 Warsaw), drawing, black chalk, 12.2 x 21.7 cm, l.l. Duke Albert of Saxe-Teschen, r.o. '5

Pfeifer (from the 'Triumphal Procession' of Emperor Maximilian I.), 17-part cycle: Triumphal Procession of Maximilian (copy), anonymous, drawing, pen, black, slightly watercolored hint of color on yellowish-white paper, 31 x 46.8 cm, r.o. '2

Hunter with deer (from the 'Triumphal Procession' of Emperor Maximilian I.), 17-part cycle: Triumphal Procession of Maximilian (copy), anonymous, drawing, pen, black, slightly water-colored hint of color on yellowish-white paper, 30 x 75 cm,

Hunters and wild boars (from the 'Triumphal Procession' of Emperor Maximilian I.), 17-part cycle: Triumphal Procession of Maximilian (copy), anonymous, drawing, pen, black, slightly watercolored hint of color on yellowish-white paper, 30.8 x

Hunters and Bears (from the 'Triumphal Procession' of Emperor Maximilian I.), 17-part cycle: Triumphal Procession of Maximilian (copy), anonymous, drawing, pen, black, slightly watercolored hint of color on yellowish-white paper, 31.2 x 65.8

Five Court Offices (from the 'Triumphal Procession' of Emperor Maximilian I), 17-part cycle: Triumphal Procession of Maximilian (copy), anonymous, drawing, pen, black, slightly water-colored hint of color on yellowish-white paper, 30.7 x 44.4

Lute player (from the 'Triumphal Procession' of Emperor Maximilian I.), 17-part cycle: Triumphal Procession of Maximilian (copy), anonymous, drawing, pen, black, slightly watercolored hint of color on yellowish-white paper, 31 x 40.3 cm, l.

Shawm player (from the 'Triumphal Procession' of Emperor Maximilian I.), 17-part cycle: Triumphal Procession of Maximilian (copy), anonymous, drawing, pen, black, slightly watercolored hint of color on yellowish-white paper, 30.8 x 37.5 cm,

Musician sueß Melodey (from the 'Triumphzug' Kaiser Maximilians I.), 17-part cycle: Triumphzug Maximilians (copy), anonymous, drawing, pen, black, slightly watercolored hint of color on yellowish-white paper, 31.5 x 44.5 cm, r.o. inscription

Running and stabbing (from the 'Triumphal Procession' of Emperor Maximilian I.), 17-part cycle: Triumphal Procession of Maximilian (copy), anonymous, drawing, pen, black, slightly watercolored hint of color on yellowish-white paper, 31.5 x

Knights from the Races (from the 'Triumphal Procession' of Emperor Maximilian I), 17-part cycle: Triumphal Procession of Maximilian (copy), anonymous, drawing, pen, black, slightly water-colored hint of color on yellowish-white paper, 32 x 46

Three standard-bearers (from the 'Triumphal Procession' of Emperor Maximilian I), 17-part cycle: Triumphal Procession of Maximilian (copy), anonymous, drawing, pen, black, slightly watercolored hint of color on yellowish-white paper, 32.8 x 39

Rider with panel: Maximilian's wedding (from the 'triumphal procession' of Emperor Maximilian I.), 17-part cycle: Maximilian's triumphal procession (copy), anonymous, drawing, pen, black, slightly watercolored hint of color on yellowish-white

Triumphal chariot with views of the city and castle (from the 'Triumphal Procession' of Emperor Maximilian I.), 17-part cycle: Triumphal Procession of Maximilian (copy), anonymous, drawing, pen, black, slightly watercolored hint of color on

War in Artois and Hainaut (from the 'Triumphal Procession' of Emperor Maximilian I.), 17-part cycle: Triumphal Procession of Maximilian (copy), anonymous, drawing, pen, black, slightly watercolored hint of color on yellowish-white paper, 33.4

Banner bearer and jewel bearer (from the 'Triumphal Procession' of Emperor Maximilian I.), 17-part cycle: Triumphal Procession of Maximilian (copy), anonymous, drawing, pen, black, slightly watercolored hint of color on yellowish-white paper,

Series of Saxon views: The old town hall in Dresden-Neustadt, Johann Emanuel Goebel (Berlin 1720 - 1759 Warsaw), drawing, black chalk, 12.4 x 21.5 cm, l.l. Duke Albert of Saxe-Teschen

Murder Scene (Samson and the Philistines), 1618-1666, Drawing, pen and brown wash, 16.5 × 22 cm (6 1/2 × 8 11/16 in

Street Scene with Lantern Bearer and Beggar Family, Drawing, Pen and brown wash, 29 × 19.5 cm (11 7/16 × 7 11/16 in.), l. below 'L. 2'; Lower carton: l.u. 'foot

Series of Saxon Views: Dresden, Sophienkirche, Johann Emanuel Goebel (Berlin 1720 - 1759 Warsaw), drawing, lead pencil, black chalk, brush in grey, washed, 13.7 x 22.2 cm, l.l. Duke Albert of Saxe-Teschen, l.o. 'L'Eglise des la Cour,

Triumphal chariot, anonymous, around 1800, drawing, pen and ink in grey, washed, basic grid, squared, 315 x 265 mm

Hercules at the crossroads, 1800-1850, drawing, pen, washed, 60 x 85 mm, l.l. Stamp with a leaf

Architecture, around 1750, drawing, pen, washed, 150 x 200 mm

Adoration (Two Different Groups), 1600-1700, drawing, pen and wash, 22 x 30 cm

Adoration (Two Groups), 1600-1700, drawing, pen and wash, 220 x 300 mm

Hagar and the angel, anonymous, 1700-1750, drawing, lead pencil/graphite, black chalk or charcoal, gray wash, on browned paper, 170 x 200 mm, verso l.u. Albertina stamp (L.5e), r.o. '79', verso: M.u. 'Jean Michele' 'Meireau'; on the base

Holy Family and others, around 1700, drawing, pen and wash, 250 x 185 mm

Raising the Daughters of Jairus, Anonymous, 19th century, drawing, charcoal, red colored pencil, 226 x 164 mm

Two Donkeys, Anonymous, 1600 - 1700, Drawing, pen and wash, 8.6 × 12.5 cm (3 3/8 × 4 15/16 in

Holy Family with St. John, 1600-1700, drawing, pen and brown wash, red chalk, 230 x 415 mm

Christ falls under the cross, anonymous, 1611, drawing, brown ink, washed, on paper, 245 x 198 mm, verso l.u. Albertina stamp (L.5e), mu 'Luc Cambiasi'; on supporting cardboard: l.u. '21', M.u., bottom right 'Genoa

Mythological scene, Domenico Fetti (Rome c. 1589 - 1624 Venice), drawing, pen and brown ink, washed, 255 x 395 mm

Study of a Man with a Turban, Drawing, chalk, 9.7 × 6.9 cm (3 13/16 × 2 11/16 in

Bearded Man with Turban, Drawing, chalk, 9.4 × 6.9 cm (3 11/16 × 2 11/16 in

Series of Saxon Views: Partial view of Pirna with the Marienkirche, Johann Emanuel Goebel (Berlin 1720 - 1759 Warsaw), drawing, black chalk, 12.8 x 21.5 cm, r.r. Duke Albert of Saxe-Teschen

Study after an Old Man, drawing, crayon, 8.2 × 7 cm (3 1/4 × 2 3/4 in

Half-Length Study of a Painter with Palette in Front of an Easel, Drawing, Chalk, 8.4 × 7.2 cm (3 5/16 × 2 13/16 in

half-length study of a child with a cap, drawing, chalk, 7.3 × 6.1 cm (2 7/8 × 2 3/8 in

Half-length study of a hooded girl in profile to the left, Drawing, Chalk, 9.7 × 6.9 cm (3 13/16 × 2 11/16 in

Landscape with Bacchus and Attendants, 1600-1800, drawing, chalk, 205 x 320 mm

Mythological scene, Pietro Liberi (Padua 1614 - 1687 Venice), drawing, charcoal, 220 x 280 mm

Three Seated People, Jacopo Brustolon (Italy, 1638 - 1709), drawing, pen and wash, 195 x 170 mm

Women receive warriors, before 1717, drawing, black-brown ink, on paper, 150 x 223 mm, bottom right 'Jean Jouvenet'; on the base carton: l.u. '39', 'Jean Jouvenet

Seated to the right, anonymous, 18th century, drawing, black chalk or charcoal, on stained paper, 235 x 175 mm, 'watteau'; on the base carton: l.u. '40', 'Watteau

Religious scene, drawing, sanguine, traces of white heightening, 380 x 278 mm

A series of Saxon views: Pirna with Sonnenstein Castle, the Elbe in the foreground, Johann Emanuel Goebel (Berlin 1720 - 1759 Warsaw), drawing, lead pencil, brush in grey, washed, 12.8 x 16.5 cm, r.r. Duke Albert of Saxe-Teschen

A series of Saxon views: Pirna, the Elbe in the foreground, Johann Emanuel Goebel (Berlin 1720 - 1759 Warsaw), drawing, lead pencil, gray wash, 13.2 x 22 cm, l.l. Duke Albert of Saxe-Teschen

A series of Saxon views: Pirna with Sonnenstein Castle, the Elbe in the foreground, Johann Emanuel Goebel (Berlin 1720 - 1759 Warsaw), drawing, lead pencil, brush in grey, washed, watercoloured, 13.8 x 22.3 cm, r.l. Duke Albert of

Seated Madonna between a Bishop and a Martyr; (in the cartouches above God the Father, below Christ with the crown of thorns, left and right the Annunciation; in the corners and below the frame half-figures of saints), anonymous, drawing, pen,

A series of views of Saxony: Priesnitz on the Elbe, Johann Emanuel Goebel (Berlin 1720 - 1759 Warsaw), drawing, lead pencil, black chalk, 12.9 x 22.3 cm, l.l. Duke Albert of Saxe-Teschen, r.o. '9

A series of Saxon views: Priesnitz, the Elbe in the foreground, Johann Emanuel Goebel (Berlin 1720 - 1759 Warsaw), drawing, pencil, black chalk, 12.9 x 22 cm, l.l. Duke Albert of Saxe-Teschen

Series of Saxon Views: View of Kesseldorf, Johann Emanuel Goebel (Berlin 1720 - 1759 Warsaw), drawing, black chalk, 12.7 x 21.5 cm, l.l. Duke Albert of Saxe-Teschen

Series of Saxon Views: View of Dohna, Johann Emanuel Goebel (Berlin 1720 - 1759 Warsaw), drawing, black chalk, gray wash, 12.7 x 21.6 cm, l.l. Duke Albert of Saxe-Teschen

Series of Saxon Views: Church with a group of houses in a wooded area (Dippoldswalde?), Johann Emanuel Goebel (Berlin 1720 - 1759 Warsaw), drawing, black chalk, 12.7 x 22 cm, l.l. Duke Albert of Saxe-Teschen, r.o. '25

Series of Saxon Views: Church and Castle of Herzogswalde, Johann Emanuel Goebel (Berlin 1720 - 1759 Warsaw), drawing, lead pencil, gray wash, 13.7 x 22.2 cm, l.l. Duke Albert of Saxe-Teschen, l.o. '32'; r.o. '22

Series of Saxon Views: Unexecuted view of Dresen with the scaffolded tower of the Frauenkirche (Hofkirche), Johann Emanuel Goebel (Berlin 1720 - 1759 Warsaw), drawing, lead pencil, black chalk with gray washes, 12.2 x 22 cm

Series of Saxon Views: Church of Kötzschenbroda, Johann Emanuel Goebel (Berlin 1720 - 1759 Warsaw), drawing, lead pencil, black chalk with gray washes, 12.7 x 21.2 cm, l.l. Duke Albert of Saxe-Teschen, r.o. '16

Series of Saxon Views: View of Meissen with the Albrechtsburg and the Elbe Bridge in the foreground, Johann Emanuel Goebel (Berlin 1720 - 1759 Warsaw), drawing, lead pencil, brush in gray, washed, lightly watercoloured, 10.9 x 16.6 cm, l.b.

Sacra Conversazione, Piero Buonaccorsi called Perino del Vaga (Florence 1501 - 1547 Rome), drawing, pen; washed; heightened with white; blue-grey paper; holey; partially supplemented, 19.2 x 14.6 cm, l.l. Duke Albert of Saxe-Teschen, in the

Series of Saxon Views: Wurzen Cathedral, seen from the north, Johann Emanuel Goebel (Berlin 1720 - 1759 Warsaw), drawing, lead pencil, brush in grey, washed, 10.8 x 16.6 cm, l.l. Duke Albert of Saxe-Teschen, l.o. 'The Wurzner Cathedral';

Series of Saxon Views: Wurzen Cathedral, seen from the east, Johann Emanuel Goebel (Berlin 1720 - 1759 Warsaw), drawing, lead pencil, brush in grey, washed, 10.9 x 16.6 cm, l.l. Duke Albert of Saxe-Teschen, r.o. '38

Series of Saxon Views: New Castle - Augustusburg from Weißenfels an der Saale, Johann Emanuel Goebel (Berlin 1720 - 1759 Warsaw), drawing, lead pencil, brush in gray, 10.8 x 16.6 cm, l.l. Duke Albert of Saxe-Teschen, r.o. '33

Series of Saxon views: Merseburg Castle, Johann Emanuel Goebel (Berlin 1720 - 1759 Warsaw), drawing, lead pencil, brush in gray, 12.7 x 21.9 cm, l.l. Duke Albert of Saxe-Teschen, r.o. '18

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