Images at Librifly search results: Drawing clear search 82.295 / 2.589.715 Entries < previous page Page 545 / 823 next page > Presentation in the Temple, 1760-1790, drawing, brush and brown wash, over pencil, Collection 'JGS' (turquoise blue stamp, Lugt...; unidentified Samson with the Donkey Bone, Anonymous, 1700 - 1800, Drawing, Pen, Verso: 'Lafage Christ and the Samaritan Woman, Anonymous, 1650-1750, Drawing, red chalk, brush and brown wash Mariae Himmelfahrt, detail, anonymous, 1650-1750, drawing, sanguine, brush and brown wash Knight with flag, sword and shield, anonymous, 1627, drawing, brown pen, blue brush, washed, lower right: '1627' (brown pen Arcadian landscape with shepherds at the well under trees, Salomon Gessner (Zurich 1730 - 1788 Zurich), 1767, drawing, pen and brush in black-grey, 19.3 x 30.8 cm, l.l. Duke Albert of Saxe-Teschen Peasant girls with clergymen. Two representations, around 1835, drawing, oil, on cardboard Saint Anthony, Anonymous, 1600-1700, drawing, red chalk, Emil von Horrak Saint Anthony (break from the front), Anonymous, 1600 - 1700, drawing, pencil, Emil von Horrak Sketch for a Sermon of the Baptist, Anonymous, 1600 - 1700, Drawing, pen Sketch for the Sermon of John the Baptist, Anonymous, 1600 - 1700, Drawing, pen Group of figures (preliminary drawing ?) for the engraving of the 'Accademia di pittura' by Nicolas Dorigny after Carlo Maratta from 1705-1710, 1704-1710 or later, drawing, red chalk, brush in gray, washed, bottom center and bottom right. Landscape: two monks lying down by a river, Carlo Antonio Tavella (Italy, 1668 - 1738), around 1700, drawing, pen and black-brown ink Transfiguration of Christ (draft for an altarpiece), Johann Anton Gumpp (Innsbruck 1654 - 1719 Munich), drawing, pen and gray brown with gray washes, 38.7 x 24.6 cm Saint Anthony (Joseph) awakened by the angel, 1712-1784, drawing, black-brown pen, gray wash Ecce homo, Anonymous, 1600-1700, Drawing, brown pen, gray brush, wash Portrait of the Italian religious (Servite) and historian Paolo Sarpi (Venice 1552 - 1623), Jakob Andreas Friedrich (Nuremberg 1683-1751 Augsburg), around 1714, drawing, sanguine, pencil Chinoiserie, Anonymous, 1750 - 1800, drawing, pen Saint Jerome, 1612-1648, drawing, pen and brown ink Holy Trinity surrounded by angels (draft for a ceiling painting in the castle chapel at Jemnitsch), Felix Anton Scheffler (Munich 1701 - 1760 Prague), 1754, drawing, pen and black, washed with white highlights and magnifying net in red chalk on Tracing after the engraving by Michel Dorigny, dated 1639, after Simon Vouet's altarpiece of Saint Margaret in the church of the 'Couvent des Minimes de la place Royale' in Paris, destroyed in 1798, Anonymous, after 1639, drawing, black and The Holy Family with St. John the Boy; verso: Putti with a cardinal's hat. Fragment, Anonymous, 1700 - 1750, Drawing, sanguine Resurrection of Christ, 1500-1700, drawing, sanguine, R.u. 'M'scritto di, ... Bandini' (pen in black-brown Saint Florian, Franz Anton Maulbertsch (Langenargen 1724 - 1796 Vienna), after 1759, drawing, pen Seated figure of a bishop with an open book, Piero Buonaccorsi called Perino del Vaga (Florence 1501 - 1547 Rome), drawing, pen, washed, on brownish paper, 25.5 x 27.7 cm, r.r. Mariette; l.b. Duke Albert of Saxe-Teschen Bust of a cavalier to the left, Johann Georg Wille (Biebertal, Gießen 1715 - 1808 Paris), 1754, drawing, pencil, 16.3 x 13.2 cm, r.r. Duke Albert of Saxe-Teschen Saint Filippo and Saint Rocco adoring the Madonna, Anonymous, 1700 - 1800, drawing, pen, traces of red chalk Ecce homo, anonymous, 19th century ?, drawing, pen The three holy women ('Madln') Katharina, Barbara and Margarethe with the heavenly hosts, Danube school, around 1600, drawing, pen, brush in grey-brown, washed Studies of a Madonna and Child and a Second Saint, anonymous, 17th century, drawing, pen, brush and grey-brown, wash, sheet: 9.5 × 15.5 cm Sketches, Anonymous, 1600 - 1700, drawing, pen Assumption of a chaplain into heaven, around 1750, drawing, oil on canvas Hercules carries the Deianera, dead Nessus in front, 1760-1790, drawing, charcoal, heightened with white, on brownish-red paper Bacchantes, Anonymous, 1500 - 1600 ? (Kutschera documentation), drawing, sanguine, on yellow-brownish paper Bust of a cavalier to the left, Johann Georg Wille (Biebertal, Gießen 1715 - 1808 Paris), 1754, drawing, pencil, 16.7 x 13.6 cm Christ and the Mother of God, Anonymous, 1600-1700, drawing, brush and gray wash, over pencil Vignette for a military book, rococo cartouche, anonymous, c. 1750, drawing, pen, brush in gray, washed Sacrifice of Abel, Anonymous, 1700 - 1800, drawing, pen Plates for the large folio volume "Vestigia delle Terme di Tito e lorointernal pitture': Piano delle Terme di Tito con Indece, 55-part series on the Terme di Tito, Vincenzo Brenna (Florence 1747 - 1818 Dresden), Marco Carloni ( Rome 1742 - 1796 Detail from the fresco Adoration of Niobe on an altar (after a fresco by Polidoro with the story of Niobe on the facade of the Palazzo Milesi in Rome), 1500-1600, drawing, pen, on yellowish-brownish paper Mask, 1500-1600, drawing, pen and brown ink on yellowish paper, l.l. 'No. 70:' (pen in red Death of Alcibiades, 1772-1850, Drawing, pen and black-brown ink Hütten in der Piccardie, Franz Edmund Weirotter (Innsbruck 1730 - 1771 Vienna), drawing, pen and brush in brown, washed, 17.1 x 23.1 cm, r.r. Duke Albert of Saxe-Teschen Christ Crowned with Thorns, Anonymous, 1500 - 1600, drawing, pen Two Women, Anonymous, 1500 - 1600, Drawing, red chalk Study of an Old Man's Head in Profile to the Left, 1671-1749, drawing, charcoal, heightened with white chalk, on greenish laid paper A Roman general kneels before a bishop, anonymous, 1600-1700, drawing, red chalk, brush and gray wash, verso: 'Ottavio <...> d'Agubio' (pen and ink in black-brown Sketch of a Maskeron, anonymous, 1600 - 1700, drawing, sanguine, M.u. 'Ottavio <...> d'Agubio' (nib in black-brown Design for an inkwell : putto as carrier, Anonymous, 1700-1800, drawing, pen in red Study for a Coat with Raised Hand, Anonymous, 1600-1800, Drawing, red chalk, Blue stamp 'IGS' in circle Hütten in der Piccardie, Franz Edmund Weirotter (Innsbruck 1730 - 1771 Vienna), drawing, pen and brush in brown, washed, 17.2 x 23.1 cm, r.r. Duke Albert of Saxe-Teschen Landscape with Trees and Ruins, Ignazio Benoli, called Boreo (died 1724 Verona), before 1724, drawing, pen Salvaging driftwood from a mountain stream, Franz Edmund Weirotter (Innsbruck 1730 - 1771 Vienna), drawing, red chalk, brush in red, washed, 17.3 x 23.1 cm, bottom left: Albert von Sachsen-Teschen Resting on a rocky stream bank, Franz Edmund Weirotter (Innsbruck 1730 - 1771 Vienna), drawing, red chalk, brush in red, washed, 17.5 x 23.2 cm, bottom left: Albert von Sachsen-Teschen Derelict fortifications, Franz Edmund Weirotter (Innsbruck 1730 - 1771 Vienna), drawing, reddish-brown pen, watercolour, 15.8 x 23.8 cm, r.r. Duke Albert of Saxe-Teschen Praying monks in a hall-like catacomb entrance, Franz Edmund Weirotter (Innsbruck 1730 - 1771 Vienna), drawing, pen and ink in dark brown with brown and gray washes, 11.8 x 18.3 cm, l. and Duke Albert of Saxe-Teschen Resting in front of a rock cave, Franz Edmund Weirotter (Innsbruck 1730 - 1771 Vienna), drawing, lead pencil, gray-black pen and gray brush, washed, 17.9 x 23.9 cm, r. and Duke Albert of Saxe-Teschen The Rape of Proserpina, Alessandro Allori (Italian, 1535 - 1607), about 1576, drawing, chalk; washed; squared; brown paper; bad condition; rubbed, 31.2 x 35.5 cm, l.l. Duke Albert of Saxe-Teschen Peasant hut in Piccardie, with a view of the harbour, Franz Edmund Weirotter (Innsbruck 1730 - 1771 Vienna), drawing, reddish-brown pen, watercolour, with sparse use of tempera, 23 x 37 cm, l.l. Duke Albert of Saxe-Teschen Roman temple ruins, Franz Edmund Weirotter (Innsbruck 1730 - 1771 Vienna), drawing, pen and ink in light brown, washed and watercoloured, 20.6 x 32.8 cm, l.l. Duke Albert of Saxe-Teschen Ruined rock passage through which a road leads, Franz Edmund Weirotter (Innsbruck 1730 - 1771 Vienna), drawing, pen and brush in light brown, washed, 22.6 x 35.7 cm, l.l. Duke Albert of Saxe-Teschen Castle complex on rocks, bordered on both sides by rivers and waterfalls, Franz Edmund Weirotter (Innsbruck 1730 - 1771 Vienna), drawing, pen and brush in light brown, 24 x 37.3 cm Lake shore with footbridge and groups of trees, Franz Edmund Weirotter (Innsbruck 1730 - 1771 Vienna), drawing, stone chalk, 26.1 x 38 cm, l.l. Duke Albert of Saxe-Teschen City by the sea, Franz Edmund Weirotter (Innsbruck 1730 - 1771 Vienna), drawing, stone chalk, 24.2 x 37 cm Castle ruins on the lake shore, Franz Edmund Weirotter (Innsbruck 1730 - 1771 Vienna), drawing, stone chalk, 23.9 x 36 cm View of a village by the river, Franz Edmund Weirotter (Innsbruck 1730 - 1771 Vienna), drawing, pen and ink in light brown, washed, the robes of the staffage figures in watercolour, lower left, 31.9 x 41.8 cm, r.r. Duke Albert of Waterfall near Ödenhof near Stüchsenstein, Franz Edmund Weirotter (Innsbruck 1730 - 1771 Vienna), 1764, drawing, black and white chalk on grey-brown paper, 30.1 x 51.7 cm, l.l. Duke Albert of Saxe-Teschen Decorated seascape, Franz Edmund Weirotter (Innsbruck 1730 - 1771 Vienna), drawing, red chalk, 21.6 x 33.2 cm, l.l. Duke Albert of Saxe-Teschen Nine male nudes, standing, kneeling, one lying bent on the ground, anonymous, drawing, pen; brownish paper; the upper and lower right corners extensively restored, the rightmost figure is severely damaged as a result, 27.2 x 40.2 cm, l.l. Part at Gutenstein, Franz Edmund Weirotter (Innsbruck 1730 - 1771 Vienna), drawing, sanguine, 52.4 x 36.6 cm Fortification tower, Franz Edmund Weirotter (Innsbruck 1730 - 1771 Vienna), drawing, red chalk, 16.8 x 11.2 cm Hut on a hillside, Franz Edmund Weirotter (Innsbruck 1730 - 1771 Vienna), drawing, pencil with gray washes, 17.6 x 22.9 cm Derelict windmill and hut, Franz Edmund Weirotter (Innsbruck 1730 - 1771 Vienna), drawing, stone chalk with gray washes, 17.6 x 21.6 cm Waterfall in the valley near Neuhaus, Franz Edmund Weirotter (Innsbruck 1730 - 1771 Vienna), drawing, red chalk, 45.4 x 37.3 cm, l.o. 'Waterfall in the Thale near Neuhauss Party near Tivoli, 1764, Franz Edmund Weirotter (Innsbruck 1730 - 1771 Vienna), 1764, drawing, red chalk, passe-partout: 41.6 x 34.7 cm Waterfall next to the middle lake, Franz Edmund Weirotter (Innsbruck 1730 - 1771 Vienna), drawing, red chalk, passe-partout: 35.8 x 43.4 cm Boulders, Franz Edmund Weirotter (Innsbruck 1730 - 1771 Vienna), drawing, red chalk, 30.6 x 39.1 cm Ponte Lucano, Franz Edmund Weirotter (Innsbruck 1730 - 1771 Vienna), drawing, red chalk, 30.2 x 47.2 cm Saint Sebastian and the women, drawing, pen The Four Seasons, 1645, drawing, pen and brush in grey, washed, L.u. 'Vouet delineavit 1645' (pen in gray); Around the tondo: 'spring', 'summer', 'autumn', 'winter Allegorical Scene, Anonymous, Drawing, Pencil Miracle of Pentecost, drawing, brush Galatea in a shell chariot drawn by two hippocamps, anonymous, Drawing, pen; gray wash; heightened with white; brown primed paper, 20.1 x 19.1 cm, l.l. Mariette; l.b. Duke Albert of Saxe-Teschen, lower left in later ink '1522, Perino del, Two people, one of them Georg, drawing, pencil Rape of the Sabines, drawing, pen Half-length woman with turban, sword and scales (Justitia?), drawing, pen Harbor Landscape with Ruins and Bridges, Joseph Mayer, 1801, drawing, pen Landscape with ruins, in the foreground a fisherman, 1732, drawing, pen, wash Draft for an architecture: the upper part of a hall, Joseph Mayer, 1789, drawing, pen, washed Abbildungstafeln zu dem Großfolioband „Vestigia of the Baths of Titus and their internal paintings': Index of the Plan of the Underground, 55-teilige Series zu den Baths of Titus, Vincenzo Brenna (Florenz 1747 - 1818 Dresden), Marco Carloni Sea Gods, Anonymous, 1520, Drawing, Pen; washed; brownish paper, 20.3 x 14.8 cm, l.l. Duke Albert of Saxe-Teschen, lower left old ink number '1520.'; in the lower center Lord Somers' numbering 'h.23 Two Nereids, seated on the backs of two sea centaurs, the right one holding a kithara (recumbent oval), anonymous, drawing, chalk; Feather; blue-grey wash, 11.5 x 16.4 cm, below bottom Duke Albert of Saxe-Teschen Sailing ships, Willem van de Velde d. J. (Leiden 1633–1707 London), 1696, drawing, pencil, wash, 15.3 x 26.8 cm Jesus meets his mother (cardboard for the fourth station of the Stations of the Cross frescoes in the parish church of St. Johann Nepomuk, Vienna II), series of 14 preliminary drawings for the Stations of the Cross frescoes in the parish church of Simon of Cyrene helps Jesus carry the cross (cardboard for the fifth station of the Stations of the Cross frescoes in the parish church of St. Johann Nepomuk, Vienna II), series of 14 preliminary drawings for the Stations of the Cross frescoes in Veronica hands Jesus the veil (cardboard for the sixth station of the Stations of the Cross frescoes in the parish church of St. Johann Nepomuk, Vienna II), series of 14 preliminary drawings for the Stations of the Cross frescoes in the parish Jesus falls the second time under the cross (cardboard for the seventh station of the Stations of the Cross frescoes in the parish church of St. Johann Nepomuk, Vienna II), series of 14 preliminary drawings for the Stations of the Cross frescoes in Jesus is stripped of his clothes (cardboard for the tenth station of the Stations of the Cross frescoes in the parish church of St. Johann Nepomuk, Vienna II), series of 14 preliminary drawings for the Stations of the Cross frescoes in the parish Jesus is nailed to the cross (cardboard for the eleventh station of the Stations of the Cross frescoes in the parish church of St. Johann Nepomuk, Vienna II), series of 14 preliminary drawings for the Stations of the Cross frescoes in the parish Jesus is taken down from the cross (cardboard for the thirteenth station of the Stations of the Cross frescoes in the parish church of St. Johann Nepomuk, Vienna II), series of 14 preliminary drawings for the Stations of the Cross frescoes in the search results: Drawing clear search 82.295 / 2.589.715 Entries < previous page Page 545 / 823 next page >