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The Dream of Scipio (Somnium Scipionis), Anonymous, late 18th century, early 19th century, drawing, pen, wash, opaque white, 60.4 × 75.1 cm

Vestiario del Solimano Opera: VI. Acomate (Il Signor Belli), 24-part cycle (including title page), Francesco Ponte (Italy, born around 1725), drawing, pen and brush in grey, washed and watercoloured, 25.1 x 17 cm, l.l. Duke Albert of

Vestiario del Solimano Opera: VII. Rusteno (Il Signor Führich), 24-part cycle (including title page), Francesco Ponte (Italy, born around 1725), drawing, pen and brush in grey, washed and watercoloured, 27.8 x 19 .9 cm, l.l. Duke Albert of

Vestiario del Solimano Opera: VIII. Teftedar, 24-part cycle (including title page), Francesco Ponte (Italy, born around 1725), drawing, pen and brush in grey, washed and watercoloured, 28.7 x 19.7 cm, l.l. Duke Albert of Saxe-Teschen

Vestiario del Solimano Opera: IX. Capitano de Giannizeri, 24-part cycle (including title page), Francesco Ponte (Italy, born around 1725), drawing, pen and brush in grey, washed and watercoloured, 27.4 x 19.2 cm, l.l. Duke Albert of

The award of the decretals, anonymous, drawing, chalk; Red chalk, 24.6 x 18.2 cm, l.l. Duke Albert of Saxe-Teschen, in an old hand to individual figures in the middle right 'V', 'P', 'V', in the pedestal left 'A', 'O', right 'A'; '7' in

Vestiario del Solimano Opera: X. Paggio di Solimano, 24-part cycle (including title page), Francesco Ponte (Italy, born around 1725), drawing, pen and brush in grey, washed and watercoloured, 27 x 19.2 cm, l.l. Duke Albert of Saxe-Teschen

Vestiario del Solimano Opera: XI. Paggio di Selim, 24-part cycle (including title page), Francesco Ponte (Italy, born around 1725), drawing, pen and brush in grey, washed and watercoloured, 26.4 x 18 cm, l.l. Duke Albert of Saxe-Teschen

Vestiario del Solimano Opera: XIII. Mufti, col Standardo di Mahometo, 24-part cycle (including title page), Francesco Ponte (Italy, born around 1725), drawing, pen and brush in grey, washed and watercoloured, 34.7 x 22.6 cm, l.l. Duke Albert

Vestiario del Solimano Opera: XI. Uffiziale de Giannizeri, 24-part cycle (including title page), Francesco Ponte (Italy, born around 1725), drawing, pen and brush in grey, washed and watercoloured, 27.7 x 19.6 cm, l.l. Duke Albert of

Vestiario del Solimano Opera: XV. Spahi, 24-part cycle (including title page), Francesco Ponte (Italy, born around 1725), drawing, pen and brush in grey, washed and watercoloured, 29.6 x 19.8 cm, l.l. Duke Albert of Saxe-Teschen

Vestiario del Solimano Opera: XVII. Musico Militare, 24-part cycle (including title page), Francesco Ponte (Italy, born around 1725), drawing, pen and brush in grey, washed and watercoloured, 28.1 x 18.8 cm, l.l. Duke Albert of Saxe-Teschen

Vestiario del Solimano Opera: XVI. Giannezzo, 24-part cycle (including title page), Francesco Ponte (Italy, born around 1725), drawing, pen and brush in grey, washed and watercoloured, 28.1 x 18.7 cm, l.l. Duke Albert of Saxe-Teschen

Vestiario del Solimano Opera: XVIII. Uffiziale de Spahi, 24-part cycle (including title page), Francesco Ponte (Italy, born around 1725), drawing, pen and brush in grey, washed and watercoloured, 32.1 x 20.3 cm, l.l. Duke Albert of

Vestiario del Solimano Opera: XIX. Paggio della Principessa, 24-part cycle (including title page), Francesco Ponte (Italy, born around 1725), drawing, pen and brush in grey, washed and watercoloured, 21.4 x 15.1 cm, l.l. Duke Albert of

Portrait of Leonardo Bruni in profile to the left with a turban-like headgear around which a laurel wreath is wrapped, Paolo Uccello (Florence 1396/97 - 1475 Florence), drawing, metal pin; Chalk; washed; corners largely restored; overlaid with

Vestiario del Solimano Opera: XX. Condottiere di fiere, 24-part cycle (including title page), Francesco Ponte (Italy, born around 1725), drawing, pen in gray and brown, brush in gray, washed and watercoloured, 27.2 x 20.2 m, l.l. Duke Albert

Vestiario del Solimano Opera: XXI. Schiava, 24-part cycle (including title page), Francesco Ponte (Italy, born around 1725), drawing, pen and brush in grey, washed and watercoloured, 26.8 x 18.3 cm, l.l. Duke Albert of Saxe-Teschen

Vestiario del Solimano Opera: XXII. Schiavo, 24-part cycle (including title page), Francesco Ponte (Italy, born around 1725), drawing, pen and brush in grey, washed and watercoloured, 26 x 18.2 cm, l.l. Duke Albert of Saxe-Teschen

Vestiario del Solimano Opera: XXIII. Schiavo, 24-part cycle (including title page), Francesco Ponte (Italy, born around 1725), drawing, pen and brush in grey, washed and watercoloured, 25.9 x 18.1 cm, l.l. Duke Albert of Saxe-Teschen

Vestiario dell'Artemisia Opera: title page: cartouche on a fountain as a border of writing, 12-part cycle (including title page), Francesco Ponte (Italy, born around 1725), drawing, brush in grey, watercoloured, 32 x 23.2 cm, l.l. Duke Albert

Vestiario dell'Artemisia Opera: I. Artemisia (La Signora Albuzzi), 12-part cycle (including title page), Francesco Ponte (Italy, born around 1725), drawing, pen and brush in grey, washed and watercoloured, with sparse use of tempera, 29.6 x

Vestiario dell'Artemisia Opera: II. Dardano (Il Signor Monticelli), 12-part cycle (including title page), Francesco Ponte (Italy, born around 1725), drawing, pen and brush in grey, washed and watercoloured, 30.3 x 19.6 cm, l.l. Duke Albert of

Vestiario dell'Artemisia Opera: III. Sebaste (Il Signor Amorevoli), 12-part cycle (including title page), Francesco Ponte (Italy, born around 1725), drawing, pen and brush in grey, washed and watercoloured, with sparse use of tempera, 28 x

Vestiario dell'Artemisia Opera: V. Eranice (La Signora Pillaja), 12-part cycle (including title page), Francesco Ponte (Italy, born around 1725), drawing, pen and brush in grey, washed and watercoloured, 27.4 x 21.2 cm, l.l. Duke Albert of

Caritas standing in a niche with two children, anonymous, drawing, pen; brown and gray wash; brown paper, 32.3 x 17.7 cm, l.l. Duke Albert of Saxe-Teschen, on the verso top left in an old hand, crosswise and difficult to read 'Dorato Perfaz

Two groups of naked putti blowing trombones, Anonymous, Drawing, Pen; washed; irregular strip of tape on the right, 32.3 x 17.7 cm, in an old hand at the top left, written sideways and difficult to read 'Dorato Perfaz

Vestiario dell'Artemisia Opera: VI. Oronte (Il Signor Puttini), 12-part cycle (including title page), Francesco Ponte (Italy, born around 1725), drawing, pen and brush in grey, washed and watercoloured, 27.8 x 20.2 cm, l.l. Duke Albert of

Vestiario dell'Artemisia Opera: VII. Nicandro (Il Signor Pasqualini), 12-part cycle (including title page), Francesco Ponte (Italy, born around 1725), drawing, pen and brush in grey, washed and watercoloured, with sparse use of tempera, 27.6

Vestiario dell'Artemisia Opera: VIII. Grande nel Regno, 12-part cycle (including title page), Francesco Ponte (Italy, born around 1725), drawing, pen and brush in gray, washed and watercoloured, 29.5 x 20.5 cm, l.b. Duke Albert of

Vestiario dell'Artemisia Opera: IX. Amazzone del Seguito de Artemisia, 12-part cycle (including title page), Francesco Ponte (Italy, born around 1725), drawing, pen and brush in grey, washed and watercoloured, 27.1 x 19 cm, l.l. Duke Albert

Vestiario dell'Artemisia Opera: X. Paggi, 12-part cycle (including title page), Francesco Ponte (Italy, born around 1725), drawing, pen and brush in grey, washed and watercoloured, 23.3 x 15.5 cm, l.b. Duke Albert of Saxe-Teschen, l.u.

Vestiario dell'Artemisia Opera: XI. Guardie, 12-part cycle (including title page), Francesco Ponte (Italy, born around 1725), drawing, pen and brush in grey, washed and watercoloured, 29.5 x 19.8 cm, l.l. Duke Albert of Saxe-Teschen

Young Finnish woman, Francesco Ponte (Italy, born around 1725), drawing, watercolour, 18.6 x 12.4 cm, l.l. Duke Albert of Saxe-Teschen

Anton Raphael Mengs, self-portrait of the artist at the age of twenty-two, original from 1784, drawing, silverpoint, graphite, on chalk-primed paper, 17.3 x 13 cm, l.l. Duke Albert of Saxe-Teschen

Giovanni Battista Casanova (1730-1795), professor at the Dresden Academy, Christian Friedrich Boetius (Germany, 1706 - 1782), lost original around 1759/60, drawing, chalk with white highlights and magnifying grid, 21.2 x 17.5 cm, l.b. Duke

Anton Raphael Mengs, Self-Portrait, Christian Friedrich Boetius (Germany, 1706 - 1782), 1770, drawing, black and white chalk on yellow-tinted paper, 16.8 x 13 cm, l.l. Duke Albert of Saxe-Teschen

Temperantia seen from the back, standing in a niche and looking back over the right shoulder, Anonymous, Nordic Mannerist, Drawing, pen in brown; gray wash; heightened with white; brown paper, 34.2 x 17.2 cm, l.l. Duke Albert of Saxe-Teschen,

Two groups of putti, including a crowned one riding a dog, anonymous, Nordic Mannerist, Drawing, pen; washed; Adhesive spots, 34.2 x 17.2 cm, on the verso top left in an old hand, crosswise and difficult to read 'Dorato Perfac

Therese Concordia Mengs, Anton Raphael Mengs (Aussig (Bohemia) 1728 - 1779 Rome), 1743, drawing, black chalk with heavily rubbed white highlights on yellow-grey primed paper, 36 x 24.3 cm, l.l. Duke Albert of Saxe-Teschen

Holy Family, Anton Raphael Mengs (Aussig (Bohemia) 1728 - 1779 Rome), before 1772, drawing, black chalk, 24.1 x 19.7 cm, l.l. Duke Albert of Saxe-Teschen

The rest on the flight to Egypt, Anton Raphael Mengs (Aussig (Bohemia) 1728 - 1779 Rome), around 1772/73, drawing, lead pencil, pen in dark grey-brown, 13.9 x 9.8 cm

Madonna and Child, Anton Raphael Mengs (Aussig (Bohemia) 1728 - 1779 Rome), c. 1750/51, drawing, pen and ink in brown, 16.3 x 10.6 cm, l.l. Duke Albert of Saxe-Teschen

Ascension of the Virgin Mary (draft for an altarpiece in the Hofkirche in Dresden), Anton Raphael Mengs (Aussig (Bohemia) 1728 - 1779 Rome), around 1760, drawing, brown pen, watercolour, 26.2 x 13.4 cm, l.l. Duke Albert of Saxe-Teschen

Head of the weeping Mary, Anton Raphael Mengs (Aussig (Bohemia) 1728 - 1779 Rome), c. 1765, drawing, black and white chalk on blue paper, 37.5 x 28.6 cm, l.l. Duke Albert of Saxe-Teschen

St. Pasqual Baylon, adoring the Eucharist, Anton Raphael Mengs (Aussig (Bohemia) 1728 - 1779 Rome), c. 1774/75, drawing, preliminary graphite drawing, brush in grey-brown and opaque white on grey-yellowish paper, magnifying net, 55.5 x 27.3

Saint Joachim with little Mary, surrounded by angels, worshiping God the Father, Stefano Pozzi (Rome 1699 - 1768 Rome), before 1765, drawing, black chalk and slight white heightening on light green paper, 42.4 x 27.1 cm, l.b. Duke Albert of

Female figure leaning on the ground with her right elbow; on the right sits a naked boy and weeps, anonymous, drawing, chalk; Feather; washed; heightened with white; brown paper, 13 x 19.2 cm, l.l. Mariette; r.b. Duke Albert of Saxe-Teschen,

Communion of a dying saint, anonymous, drawing, pen and brown ink with green-grey washes, 15.9 x 20.5 cm, r.l. Duke Albert of Saxe-Teschen

Jupiter (ceiling painting in the Palazzo Verospi in Rome by Francesco Albani), anonymous, drawing, red chalk, 37.3 x 29.6 cm, l.l. Duke Albert of Saxe-Teschen

Venus (ceiling painting in the Palazzo Verospi in Rome by Francesco Albani), anonymous, drawing, red chalk, 35.6 x 30.3 cm, l.l. Duke Albert of Saxe-Teschen

Diana (ceiling painting in the Palazzo Verospi in Rome by Francesco Albani), anonymous, drawing, red chalk, 36 x 28.9 cm, l.l. Duke Albert of Saxe-Teschen

Aurora (ceiling painting in the Palazzo Verospi in Rome by Francesco Albani), anonymous, drawing, red chalk, 46.3 x 34.1 cm, l.l. Duke Albert of Saxe-Teschen

Judgment of Paris, anonymous, drawing, red chalk, passe-partout cutout: 36.6 × 39.7 cm (14 7/16 × 15 5/8 in.), l.l. Duke Albert of Saxe-Teschen

The Abandoned Ariadne, Anton Raphael Mengs (Aussig (Bohemia) 1728 - 1779 Rome), early 1740s, drawing, watercolor and body colors on parchment, 10 x 12.5 cm, bottom left: Albert von Sachsen-Teschen

Spring nymph, anonymous, drawing, graphite pencil, 20.1 x 13.7 cm, l.l. Duke Albert of Saxe-Teschen

Verginius shows Appius Claudius the dagger with which he killed Verginia (Livy III, 44-58), Anton Raphael Mengs (Aussig (Bohemia) 1728 - 1779 Rome), c. 1760, drawing, pen and brush in brown, white body color, Traces of a pen drawing, 24.3 ×

Part of a cornice with figurative decoration, drawing, chalk; Feather; washed, 35 x 52 cm, r.r. Gelosi; l.b. Duke Albert of Saxe-Teschen, old ink writing 'Perino del Vaga.' on the upper edge, the lower half of which extends into the drawing

Maskeron, Christoph Unterberger (Cavalese 1732 - 1798 Rome), drawing, watercolour, opaque colors on light blue tinted paper, 9.9 x 7.9 cm, l.l. Duke Albert of Saxe-Teschen

The Sacrifice of the Achaeans (Homer, Iliad II, 402-418), Anton Raphael Mengs (Aussig (Bohemia) 1728 - 1779 Rome), 1759, drawing, grey-brown pen, gray brush, wash, 34.5 x 29.1 cm, l.b. Duke Albert of Saxe-Teschen

My nephew, Josef Meder (Zlovědice (Lobeditz) 1857 - 1934 Vienna), drawing, pencil, colored chalk, ink, pen, pen, 19.3 x 17 cm, l.l. 'My nephew

Sketch of a boy's face, Josef Meder (Zlovědice (Lobeditz) 1857 - 1934 Vienna), drawing, pencil, 19.3 x 17 cm

Battle of the dragons, Josef Meder (Zlovědice (Lobeditz) 1857 - 1934 Vienna), drawing, ink, pen, 38.3 x 21.8 cm, supporting cardboard: l.l. '... battle of the dragons. (watermark)', r.b. 'Received in 1948 via Poldi Meder, K.

The living room with the sick father, Josef Meder (Zlovědice (Lobeditz) 1857 - 1934 Vienna), 1877, drawing, pencil, 12.4 x 15.2 cm, cardboard support: l.l. '... From the father's house.', l.r. 'Received in 1948 via Poldi Meder, K.

Sketch of a male head, Josef Meder (Zlovědice (Lobeditz) 1857 - 1934 Vienna), 1877, drawing, pencil, 12.4 x 15.2 cm, cardboard support: l.l. '... From the father's house.', l.r. 'Received in 1948 via Poldi Meder, K. Pensimus-Bartsch

Old woman with child, detail from Nicolas Poussin's 'Peter and John healing a lame man', Anton Raphael Mengs (Aussig (Bohemia) 1728 - 1779 Rome), early 1740s, drawing, red chalk, 28.6 x 22 cm, l.l. Duke Albert of Saxe-Teschen

Our house garden in Lobeditz, Josef Meder (Zlovědice (Lobeditz) 1857 - 1934 Vienna), 1877, drawing, pencil, 12.5 x 17.1 cm, l.l. 'Our house garden in 'Lobeditz''; Support carton: l.u. '... From the father's house.', l.r. 'Received in 1948 via

Barn in Komotau, Josef Meder (Zlovědice (Lobeditz) 1857 - 1934 Vienna), 1877, drawing, pencil, 12.5 x 17.1 cm, r.o. ''Comotow''; Support carton: l.u. '... From the father's house.', l.r. 'Received in 1948 via Poldi Meder, K.

The row of villages, Josef Meder (Zlovědice (Lobeditz) 1857 - 1934 Vienna), drawing, ink, pen, 19.3 x 15 cm, cardboard support: M.l. 'The village line', l.u. 'The father's house, ... Drafts for 'Life and Opinions'', bottom right. '2 carton

The father's house, Josef Meder (Zlovědice (Lobeditz) 1857 - 1934 Vienna), drawing, ink, pen, pencil, colored pencil, 13.9 x 16 cm, cardboard support: M.l. 'The village line, l.u. 'The father's house, ... Drafts for 'Life and Opinions'',

Ponte dei Gesuiti, Josef Meder (Zlovědice (Lobeditz) 1857 - 1934 Vienna), 1884, drawing, pencil, 14.9 x 21.4 cm, r.u. ' ... Ponte dei Gesuiti

Magdalena with the jar of ointments and female profile head, anonymous, drawing, graphite pencil, 20.2 x 15.9 cm, l.l. Duke Albert of Saxe-Teschen

head of st. Elisabeth, Anton Raphael Mengs (Aussig (Bohemia) 1728 - 1779 Rome), late 1740s, drawing, black chalk on blue-greenish paper, slight heightening with white, 35.5 x 27.9 cm, l.l. Duke Albert of Saxe-Teschen

Head of the Magdalena, Anton Raphael Mengs (Aussig (Bohemia) 1728 - 1779 Rome), around 1771, drawing, black chalk on light grey-green paper, heightened with white, 46 x 35.7 cm, l.l. Duke Albert of Saxe-Teschen

Study for an angel, Anton Raphael Mengs (Aussig (Bohemia) 1728 - 1779 Rome), 1750s, drawing, black chalk and sanguine, 23 x 17.8 cm, l.l. Duke Albert of Saxe-Teschen, r.o. 'mengs

Head of a warrior, after a relief from Trajan's Column, Anton Raphael Mengs (Aussig (Bohemia) 1728 - 1779 Rome), drawing, stone chalk, 19.5 x 13.9 cm, l.l. Duke Albert of Saxe-Teschen

The upper court painter Louis de Silvestre (1675-1760), Anton Raphael Mengs (Aussig (Bohemia) 1728 - 1779 Rome), about 1749, drawing, pastel, mount: 46.8 x 36.6 cm, l.u. Duke Albert of Saxe-Teschen

Portrait of a Saxon nobleman in a rectangular stone frame, Christian David Müller (Dresden 1718/23 - 1797 Dresden), drawing, red chalk, 23.2 x 18.2 cm, l.l. Duke Albert of Saxe-Teschen

Saint Thomas, Claudius Lavergne (Lyon 1815 - 1887 Paris), drawing, watercolour, opaque white, pencil, 33.6 x 17.2 cm, r.l. Étienne Raymond Grafe, circled

Christ in Emmaus with two disciples, Claudius Lavergne (Lyon 1815 - 1887 Paris), drawing, pencil, body color, gray wash, 24.3 x 18.9 cm, l.l. Étienne Raymond Grafe

Study sheet, anonymous WVDSDSW, Italian, around 1550/1560), 1550-1560, drawing, ink, pen, wash, heightened with white on primed paper, 28.1 x 18 cm, r.r. Collector's stamp 'C.D

God the Father with globe, angels and dove of the Holy Spirit (design for a ceiling painting?), anonymous, around 1775, drawing, brown pen, gray brush, washed, 11.2 x 11.4 cm

Standing nude, Jean Egger (Hüttenberg 1897 - 1934 Klagenfurt), around 1929, drawing, chalk on paper, 42.5 × 25.1 cm

Seated nude, Jean Egger (Hüttenberg 1897 - 1934 Klagenfurt), around 1929, drawing, pencil on paper, 32.9 × 25 cm

Face studies, Jean Egger (Hüttenberg 1897 - 1934 Klagenfurt), 1927, drawing, chalk on paper, 42.6 × 32.6 cm

Saint Thomas the Apostle, anonymous, around 1775, drawing, brown pen, gray brush, washed, 15.4 x 11.5 cm, bottom left: Albert von Sachsen-Teschen

Sketch sheet, 1888, drawing, pencil, 18.4 x 12.8 cm, r.l. 'Sopra il Lazarete nuovo' (ink, pen

Bartholomäus Spranger, Prokop Steinl (Bohemia, 1732 - 1794), drawing, pen and black on parchment, 9 x 7.5 cm, l.l. Duke Albert of Saxe-Teschen

Mary's passage through the temple (glass window design for Saint Joseph in Roubaix), Claudius Lavergne (Lyon 1815 - 1887 Paris), 1883, drawing, pencil, watercolour, 33.1 x 14.8 cm, underlay sheet: r.r. Etienne Raymond Grafe

Sleeping girl, Joseph Auguste Brunier (Chambéry 1860 - 1929 Lyon), drawing, pencil, 35.9 x 23.1 cm, r.r. Etienne Raymond Grafe, r.b. Atelier Joseph Auguste Brunier

Standing naked satyr leaning on a pedestal, Joseph Heintz d. Ä. (Basel 1564 - 1609 Prague), around 1593/94, drawing, chalk, sanguine, pencil, stained, sheet: 40.2 × 23.9 cm, r.r. Duke Albert of Saxe-Teschen

Motif from Old Vienna, Ernst Graner (Werdau 1865 - 1943 Vienna), 1913, drawing, watercolour

The Palais Breuner in Singerstraße, Ernst Graner (Werdau 1865 - 1943 Vienna), drawing, watercolour

Study for a male reclining nude, Girolamo Curti called il Dentone (Bologna 1570 - 1632 (Bologna?)), late 16th-early 17th century, drawing, brown pen, brown wash, over preliminary drawing in black pen, with squared and outlined in black pen,

The Judgment of Solomon (1st Book of Kings, 3:16-28), anonymous, late 17th century, drawing, chalk, pen in gray, wash, delicate white heightening, on blue paper, 18.5 x 24 cm, verso m.o. "1508", r. and "G. Flink”, after Solimena" and

Joseph is shown the silver cup found in Benjamin's sack, Domenico Maria Fratta (Bologna 1696 - 1763 Bologna), 18th century, drawing, brown pen, gray wash, over preliminary drawing in black pencil, 17.6 x 26, 6 cm, below bottom 'Marco

The king presents a crown to a lady sitting in front of him, 18th century, drawing, pen in brown, blue-grey and blue wash, framing with black pen, 29.4 x 22.7 cm, below bottom 'Franc. Solimena, The king presents a woman sitting in front of

After the Deucalion Flood, anonymous, late 17th century, drawing, pen and brush in gray over pen drawing, washed, 29.8 x 18.6 cm inscription "Dutch around 1650, Noah's Ark

Head Studies, Domenico Maria Canuti (Bologna 1626 - 1684 Bologna), mid 17th - late 17th century, drawing, pen in brown, 12.5 x 15.9 cm, 'Domenico Maria Canuti, around 1650, study sheet

Design for a Ceiling Painting: Pallas Athene, mid-17th-late 17th century, drawing, black chalk, sanguine, 36.2 x 25.4 cm

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