Images at Librifly

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Figures on Clouds, mid 17th - late 17th century, drawing, black chalk, 36.2 x 25.4 cm

The fall of Phaeton, late 17th century, drawing, ink, pen, washed, 24.8 x 17.2 cm

Christ before Annas (from a series of the 'Seven Cases of Christ'), anonymous, after 1585, drawing, pen and brown over delicate pencil preliminary drawing, framing line in grey-black, 36.6 x 27.6 cm, verso: "MZM" (Moravské Zemské Museum,

The Kiss of Judas, Monogrammist PHB (Germany), 1588, drawing, black-brown pen, 24.7 x 18.8 cm

Landscape, Giuseppe Zais (Forno di Canale 1709 - 1781 Treviso), mid 18th century, drawing, brown ink, pen, ink, brush, washed, 24.8 x 37.5 cm

Liechtenstein Park of Plankenberg Castle near Tulln, Olga Wisinger-Florian (Vienna 1844 - 1926 Vienna), drawing, watercolour, 41.2 x 30.6 cm, lower cardboard verso: r.o. 'Olga Wisinger-Florian, (1844-1926), 'Lichtensteinscher Park', in

Study for Milo of Croton, 2nd half of the 17th century, drawing, pencil, brown ink, pen, 29.2 x 18.7 cm, verso; l.b. 'MZM', verso: l.o. 'Pierre Puget, Myron of Crete

Two hunters with their horses by a river, mid-17th century, drawing, brown ink, brush, gray wash, 11.6 x 18 cm, verso: M. '251 (circled)', r.l. 'Karel Du Jardin: Ridende, Jäger ... Strom, Coll. Feldmann, Brno, Coll. Gunter St ...,

Resting group, early 16th century, drawing, brown ink, pen, over traces of a preliminary drawing in black pen, squared with black pen, 13.6 x 19.9 cm, verso: l.l. 'MZM', verso: M.o. 'Giovanni Cariani, 1480 - 1541

Village school, around 1635, drawing, brown ink, pen and red chalk, gray wash, 14.2 x 21 cm

Farmhouse with two seated figures, anonymous WVDSDSW, French), 18th century, drawing, red chalk, laid down on backing paper, framed on all sides with ink, 14.4 x 18.7 cm, backing paper verso: M.o. 'Jean Jacques Boisier, Garden Scene

Two figures next to a stag, Stefano della Bella (Florence 1610 - 1664 Florence), mid 17th century, drawing, brown ink, pen, 2.5 x 6.9 cm, verso: M.l. 'MZM', verso: M.r. 'Stef. dela Bella

Decorative base with attached polyhedron, above a sun symbol, Stefano della Bella (Florence 1610 - 1664 Florence), mid 17th century, drawing, brown ink, pen, gray wash, 11.7 x 7.3 cm, 'st della Bella, Vase

Maxentius Basilica, 1685, drawing, pen and brown ink, watercolour, 20.4 x 28.2 cm, verso: r.o. 'Franz Verwelt, The Baths of, Constantine, VI 9', l.u. '3236 (ink), EK 2593

The Martyrdom of Saint Bartholomew, 17th century, drawing, black chalk, sanguine, 35.3 x 26.2 cm, verso: l.l. 'MZM, WSK', verso: M. 'Christoforo Roncallo called Pomerance, Marter des Simon', l.u. 'dallo Spagnoletto

Portrait of a Man, Gaetano Piattoli (Italy, 1703 - 1774), early 18th - late 18th century, drawing, colored chalk, 21.3 x 17.5 cm, verso: M. '294a, VII 14', l.o. 'SL', l.b. 'Gaetano Piattoli, 1713 - 1770

The Capture of Christ, Matteo Brida (Verona around 1699 - 1774 probably Verona), around 1727, drawing, brown ink, pen, washed, 37.8 x 27.1 cm, verso: l.l. 'MZM', verso: M.l. 'Marco Brida, The Capture, Christ

Plan du Pavillon du Soleil, Duke Albert of Saxe-Teschen (Moritzburg 1738 - 1822 Vienna), around 1782, drawing, ink, pen and watercolour, 40.5 x 27.2 cm, M.o. 'Plan du Pavilion du Soleil

Plan designant la Coupe du Terrain de la Prairie ou l'on compte former la Rivière, Herzog Albert von Sachsen-Teschen (Moritzburg 1738 - 1822 Vienna), around 1782, drawing, ink, pen, watercolor, 20 x 31.7 cm, m.o. 'Plan designant la Coupe du

View of the Cascade Rustic, Duke Albert von Sachsen-Teschen (Moritzburg 1738 - 1822 Vienna), 1782, drawing, pencil, 23 x 27.2 cm, m.u. 'View of the Cascade Rustic F

Plan de la Grotte et Reservoir, Duke Albert of Saxe-Teschen (Moritzburg 1738 - 1822 Vienna), around 1782, drawing, pencil, ink, pen, watercolour, 21.6 x 26.1 cm, bottom left 'Plan de la Grotte and Reservoir

Coupe de la Grotte et du Reservoir, Duke Albert of Saxe-Teschen (Moritzburg 1738 - 1822 Vienna), around 1782, drawing, pencil, ink, pen, watercolour, 19.9 x 18.9 cm, M.o. 'Coupe de la Grotte et du Reservoir

View of the cave and reservoir, Herzog Albert von Sachsen-Teschen (Moritzburg 1738 - 1822 Vienna), 1782, drawing, pencil, ink, pen, watercolor, 23.5 x 35.4 cm, m.u. 'View of the cave and reservoir A

Plan de la Ruine élevé sur la Glaciere, Herzog Albert von Sachsen-Teschen (Moritzburg 1738 - 1822 Vienna), around 1782, drawing, pencil, ink, pen, watercolor, 40.2 x 26.8 cm, M.o. 'Plan de la Ruine elevated sur la Glaciere

Design drawings for garden buildings in Laeken, Gothic ruins, Duke Albert of Saxe-Teschen (Moritzburg 1738 - 1822 Vienna), around 1785, drawing, pencil, ink, pen, watercolour, 33.7 x 26.5 cm, M.o. 'Plan of the ruins élevée sur la

Plan de la Basse, Court de la Volaille, Herzog Albert von Sachsen-Teschen (Moritzburg 1738 - 1822 Vienna), around 1782, drawing, pencil, ink, pen, watercolor, 39 x 26.7 cm, m.o. 'Plan de la Basse, Poultry court

Elevation de la petite Basse, Cour pour la Vollaille, Duke Albert of Saxe-Teschen (Moritzburg 1738 - 1822 Vienna), around 1782, drawing, pencil, ink, pen, watercolour, 39.4 x 26.5 cm, M.o. 'Elevation de la petite Basse, Cour, pour la

Plan et Elevation du Pavillon du Soleil, Duke Albert of Saxe-Teschen (Moritzburg 1738 - 1822 Vienna), around 1782, drawing, ink, pen, watercolour, 24.5 x 39.8 cm, M.o. 'Plan and Elevation of the Pavilion du Soleil

Plan de la petite Cense, ou Menagerie - 1er project, Herzog Albert von Sachsen-Teschen (Moritzburg 1738 - 1822 Vienna), around 1782, drawing, pencil, ink, pen, watercolor, 26.7 x 24.4 cm, M.o. 'Plan de la petite Cense, ou Menagerie., 1

Plan de la petite Cense ou Metairie - 2d project, Herzog Albert von Sachsen-Teschen (Moritzburg 1738 - 1822 Vienna), about 1782, drawing, pencil, ink, pen, 26.5 x 39.7 cm, m.o. 'Plan de la petite Cense ou Metairie, 2d project

Elevation de la petite Cense, Duke Albert of Saxe-Teschen (Moritzburg 1738 - 1822 Vienna), around 1782, drawing, ink, pen, 22.2 x 32.8 cm, M.o. 'Elevation de la petite sense

View of the entrance to Vulcain, Duke Albert von Sachsen-Teschen (Moritzburg 1738 - 1822 Vienna), around 1782, drawing, pencil, ink, pen, watercolor, 24.7 x 24.6 cm, m.u. 'Vue de l'Antre de Vulcain

Floor plan without title, Duke Albert of Saxe-Teschen (Moritzburg 1738 - 1822 Vienna), around 1782, drawing, pencil, 38.1 x 23.6 cm

Floor plan without title, Duke Albert of Saxe-Teschen (Moritzburg 1738 - 1822 Vienna), around 1782, drawing, pencil, 37.9 x 23.3 cm

Plan du Pavillon du Soleil placé sur les Bords du Canal, Duke Albert of Saxe-Teschen (Moritzburg 1738 - 1822 Vienna), around 1782, drawing, ink, pen and watercolour, 25.4 x 39.3 cm, M.o. 'Plan du Pavillon du Soleil place sur les Bords du

Elevation of the Pavillon du Soleil from the Coté du Jardin, Herzog Albert von Sachsen-Teschen (Moritzburg 1738 - 1822 Vienna), around 1782, drawing, ink, pen, watercolor, 25.4 x 39.2 cm, M.o. 'Elevation of the Pavillon du Soleil from the

Elevation of the Pavillon du Soleil vu du Coté du Canal, Herzog Albert von Sachsen-Teschen (Moritzburg 1738 - 1822 Vienna), around 1782, drawing, pencil, ink, pen, watercolor, 25.3 x 39.2 cm, M.o. 'Elevation of the Pavillon du Soleil from

Plan of the Chinese Pavilion, or Pagoda, of the Orangery, of the Greenhouse, and of the Maison du Jardinier, Herzog Albert von Sachsen-Teschen (Moritzburg 1738 - 1822 Vienna), about 1782, drawing, pencil, ink, pen, washed, 35.7 x 24.6 cm,

Elevation of the Chinese Pavilion, the Tower of the Pagoda, and the Orangeries on the Coté du Jardin, Herzog Albert von Sachsen-Teschen (Moritzburg 1738 - 1822 Vienna), around 1782, drawing, pencil, ink, pen, washed, 35.7 x 24.4 cm, m.o.

Coupe de la Pagode, Duke Albert of Saxe-Teschen (Moritzburg 1738 - 1822 Vienna), around 1782, drawing, pencil, ink, pen, watercolour, 31.7 x 19.7 cm, M.o. 'Coupe de la Pagoda

Coupe du Salon et de l' Orangerie, Duke Albert of Saxe-Teschen (Moritzburg 1738 - 1822 Vienna), around 1782, drawing, pencil, ink, pen, 35.8 x 23.1 cm, M.o. 'Coupe du Salon et de l'Orangerie

Moses (design for a stained glass window for the church La Sagesse in Saint-Laurent-sur-Sèvre), Claudius Lavergne (Lyon 1815 - 1887 Paris), 1862-1869, drawing, pencil, 20.5 x 8.1 cm, r.l. Etienne Raymond Grafe

Daniel with two lions (draft for a stained glass window for the church La Sagesse in Saint-Laurent-sur-Sèvre), Claudius Lavergne (Lyon 1815 - 1887 Paris), 1862-1869, drawing, pencil, 20.5 x 8 cm, r.r. Etienne Raymond Grafe

Saint Vincent de Paul (Design for a stained glass window for the Church of La Sagesse in Saint-Laurent-sur-Sèvre), Claudius Lavergne (Lyon 1815 - 1887 Paris), 1862-1869, drawing, pencil, brush and black wash, white and heightened in ochre, on

Saint Bernard of Clairvaux with Crucifix under the Jerusalem Cross (Design for a stained glass window for the Church of La Sagesse in Saint-Laurent-sur-Sèvre), Claudius Lavergne (Lyon 1815 - 1887 Paris), 1862-1869, drawing, pencil, brush in

Drapery Study of a Female Figure, Michel Dumas (France, 1812 - 1885), 19th century, Drawing, pencil, heightened with white, 28.8 x 16.6 cm

Arm study for the central figure of the painting 'The Disciples at Emmaus' (School Church of Saint Thomas d'Aquinas in Oullins), Paul Borel (Lyon 1828 - 1913 Lyon), Drawing, pencil, 34.5 x 21.7 cm

Study of the kneeling figure on the left of the painting 'The Disciples at Emmaus' (School Church of Saint Thomas d'Aquin in Oullins), Paul Borel (Lyon 1828 - 1913 Lyon), Drawing, pencil, 29.1 x 26.2 cm

Fantastic figure whose limbs are formed from the images of the Zodiac: Head/Aries; neck/bull; breast/cancer; arms/twin; rump/virgin; abdomen/scales; Scorpio; two shooters; Two Ibexes Etc., Benvenuto Cellini (Italian, 1500 - 1571), Drawing, Pen;

The 'Tabakscollegium' of Friedrich Wilhelm von Preussen, anonymous, German, 19th century, drawing, ink, pen and ink on paper, laid down on cardboard, 35.1 x 14.7 cm, verso: M. 'Bild v. August Holmberg

The entry into Jerusalem, passion cycle (twelve parts), Josef von Führich (Kratzau 1800 - 1876 Vienna), drawing, ink, pen, opaque paint, brush on paper on glass plate, 27.7 x 36 cm

The Last Supper, Passion cycle (twelve parts), Josef von Führich (Kratzau 1800 - 1876 Vienna), drawing, ink, pen, body paint, brush on paper on glass plate, 27.5 x 36 cm

Christ on the Mount of Olives - Gethsemane, Passion cycle (twelve parts), Josef von Führich (Kratzau 1800 - 1876 Vienna), drawing, ink, pen, body paint, brush on paper on glass plate, 27.6 x 36.1 cm

The Judas Kiss, Passion cycle (twelve parts), Josef von Führich (Kratzau 1800 - 1876 Vienna), drawing, ink, pen, body paint, brush on paper on glass plate, 27.5 x 36.1 cm

Christ before Caiaphas, Passion cycle (twelve parts), Josef von Führich (Kratzau 1800 - 1876 Vienna), drawing, ink, pen, body paint, brush on paper on glass plate, 27.7 x 36 cm

The flagellation of Christ, passion cycle (twelve parts), Josef von Führich (Kratzau 1800 - 1876 Vienna), drawing, ink, pen, body paint, brush on paper on glass plate, 27.6 x 36.1 cm

The Crowning of Thorns, Passion Cycle (twelve parts), Josef von Führich (Kratzau 1800 - 1876 Vienna), drawing, ink, pen, opaque paint, brush on paper on glass plate, 27.6 x 36 cm

Ecce Homo, Passion cycle (twelve parts), Josef von Führich (Kratzau 1800 - 1876 Vienna), drawing, ink, pen, body paint, brush on paper on glass plate, 27.6 x 36 cm

Christ falls under the cross, Passion cycle (twelve parts), Josef von Führich (Kratzau 1800 - 1876 Vienna), drawing, ink, pen, opaque paint, brush on paper on glass plate, 27.6 x 36.1 cm

The Lamentation of Christ, Passion cycle (twelve parts), Josef von Führich (Kratzau 1800 - 1876 Vienna), drawing, ink, pen, body paint, brush on paper on glass plate, 27.5 x 36 cm

The Entombment of Christ, Passion cycle (twelve parts), Josef von Führich (Kratzau 1800 - 1876 Vienna), drawing, ink, pen, body paint, brush on paper on glass plate, 27.5 x 36.2 cm

Archduke Leopold of Austria, Grand Duke of Tuscany (later Emperor Leopold II.) with his family around 1775, Caspar Franz Sambach (Breslau 1715 - 1795 Vienna), around 1775, drawing, pen and gray ink, washed, 42.7 x 32, 4 cm

Emperor Franz II (I) is invited to breakfast by peasants during the 1794 campaign and asks his brother Archduke Carl and his generals to take part, Johann Christian Sambach (Vienna 1761 - 1797/99 Vienna), 1794, drawing, pen and ink in grey, 30.3

Adoration of the Magi, Giovanni Antonio Sogliani (Italian, 1492 - 1544), Drawing, pen; washed; brownish paper; rubbed, 19.5 x 16 cm, l.l. Duke Albert of Saxe-Teschen

Archduke Joseph's procession to Frankfurt for his coronation as Roman king, Alexander Johann Dallinger von Dalling (Vienna 1741 - 1806 Vienna), 1764, drawing, ink, pen, 36.6 x 52 cm

The coronation of Archduke Joseph as Roman king in the cathedral in Frankfurt, Alexander Johann Dallinger von Dalling (Vienna 1741 - 1806 Vienna), 1764, drawing, pen and brush in grey, washed, 42.5 x 31.5 cm, l.l. Duke Albert of Saxe-Teschen

Education of the Holy Virgin Mary, Johann Georg Wagner (Meissen 1744 - 1767 Meissen), around 1758, drawing, lead pencil, brush in grey, washed, 8.6 x 9.5 cm, bottom left: Albert von Sachsen-Teschen ( 174

Adoration of the shepherds, Johann Georg Wagner (Meissen 1744 - 1767 Meissen), 1762, drawing, lead pencil, pen in brown with gray washes, 15.1 x 13.3 cm, l.l. Duke Albert of Saxe-Teschen

Italian Mountain Landscape with Shepherds and Cattle, mid-17th-late 17th century, drawing, pen and brown, wash, 19.5 x 31.7 cm

Glass window design for Louviers, Claudius Lavergne (Lyon 1815 - 1887 Paris), drawing, pencil, watercolour, white and pink heightened, 33.6 x 15.2 cm, r.r. Étienne Raymond Grafe, circled, r.o. 'louvier

Scribe with pen and book, Victor Orsel (Oullins 1795 - 1850 Paris), drawing, pencil, brown brush, heightened with white, 17.9 x 12.6 cm, l.l. Louis Maudet, ligated, r.b. Nicos Dhikeos, r.b. 'v 023

Standing man with a staff, Victor Orsel (Oullins 1795 - 1850 Paris), drawing, pencil, heightened with white, 17.9 x 12.6 cm, l.o. '13 (ink, pen, upside down)', l.l. 'C... (pencil, upside down

Raising of Lazarus, Johann Georg Wagner (Meissen 1744 - 1767 Meissen), around 1758, drawing, pen in gray and light brown with soft lead pencil crossings, 18.6 x 15.4 cm, r.r. Duke Albert of Saxe-Teschen

Standing girl, Paul Flandrin (Lyon 1811 - 1902 Paris), drawing, pen, ink, 8 x 6.1 cm

Woman stepping to the right, leaning forward with her hands crossed over her breast, Johann Georg Wagner (Meissen 1744 - 1767 Meissen), 1763, drawing, lead pencil, yellow-brown brush, 18 x 13.3 cm, l.l. Duke Albert of Saxe-Teschen

The four parts of the world, Johann Georg Wagner (Meissen 1744 - 1767 Meissen), around 1758, drawing, lead pencil, brush in grey, washed, oval drawing, 10.3 x 14.5 cm

Peasants having their meal in the kitchen, Johann Georg Wagner (Meissen 1744 - 1767 Meissen), around 1758, drawing, lead pencil, brush in grey, washed, 18.5 x 15.3 cm, r.r. Duke Albert of Saxe-Teschen

Peasant family in front of the house, Johann Georg Wagner (Meissen 1744 - 1767 Meissen), drawing, pencil, brush in grey-brown, washed with white highlights on yellow-primed paper, 14.8 x 9.9 cm, r.r. Duke Albert of Saxe-Teschen

Christ on the cross between moon and sun; John stands below on the right, the Virgin on the left; Kneeling Magdalene embracing the trunk of the cross, Giovanni Antonio Sogliani (Italy, 1492 - 1544), drawing, pen; washed; heightened with white;

Peasant dancing in front of a hut, Johann Georg Wagner (Meissen 1744 - 1767 Meissen), drawing, lead pencil, brush in brown with white highlights on dark-grey primed paper, 12.1 x 12.8 cm, r.r. Duke Albert of Saxe-Teschen, l.u. 'Wagner

Ball player, Johann Georg Wagner (Meissen 1744 - 1767 Meissen), around 1758, drawing, soft lead pencil, brush in dark brown, washed, heightened with white on yellow-brown primed paper, 27.4 x 43.2 cm, r.l. Duke Albert of Saxe-Teschen

Lady caressing with a cavalier, Johann Georg Wagner (Meissen 1744 - 1767 Meissen), 1760/1761, drawing, lead pencil, brush in light brown, washed oval image, 15.5 x 10.4 cm, left to right: Albert von Sachsen-Teschen

Two watching men, detail from Jacob Jordaens 'Paulus und Barnabas in Lystra', Anton Raphael Mengs (Aussig (Bohemia) 1728 - 1779 Rome), early 1740s, drawing, red chalk, 20.2 x 13.5 cm, l.l. Duke Albert of Saxe-Teschen

Diana's return from the hunt, Prokop Steinl (Bohemia, 1732 - 1794), drawing, pen and black on parchment, 5 x 7.1 cm, l.l. Duke Albert of Saxe-Teschen

Head of a bearded man, Peter Paul Rubens (Siegen 1577 - 1640 Antwerp), drawing, black chalk, sanguine on brown paper, 32.1 x 21.3 cm, Bolognese, School of Rem., II 30, Rubens, Rubens School

Plan indicating the leveling of the different waters and the prairie below the Jardin de Scoonenbergh, Herzog Albert von Sachsen-Teschen (Moritzburg 1738 - 1822 Vienna), around 1782, drawing, ink, pen, watercolor, 31.8 x 40.4 cm, m.o. 'Plan

Floor plan without title, Duke Albert of Saxe-Teschen (Moritzburg 1738 - 1822 Vienna), around 1782, drawing, pencil, 37.9 x 23.5 cm

The Stock Exchange, Mihály Biró (Budapest 1886 - 1948 Budapest), 1922, drawing, black chalk, gouache, 123.3 x 189.5 cm, l.l. 'The stock exchange

Loth with his daughters, Johann Georg Wagner (Meissen 1744 - 1767 Meissen), drawing, pencil, brush in gray, washed, oval drawing, 13.5 x 11.1 cm, below bottom Duke Albert of Saxe-Teschen

Knee length of a young lady with a mirror in her hand, Johann Georg Wagner (Meissen 1744 - 1767 Meissen), 1760/1761, drawing, lead pencil, brush in brown, washed, 13.6 x 11.2 cm, l.l. Duke Albert of Saxe-Teschen

Small landscape with herd, Johann Georg Wagner (Meissen 1744 - 1767 Meissen), drawing, pencil, 8.3 x 14.9 cm, r.r. Duke Albert of Saxe-Teschen

Draft glass window for the Notre-Dame de Nanteuil church in Montrichard: The sending of the Holy Spirit (Pentecost), Claudius Lavergne (Lyon 1815 - 1887 Paris), drawing, pencil, gouache, 23.5 x 29.6 cm, r.l. Étienne Raymond Grafe, circled,

Wald bei G., Paul Klee (Münchenbuchsee 1879 - 1940 Muralto), 1925, 139 (D 9), drawing, pen and watercolor on paper on cardboard, 13.7 x 32.4 cm, r.r. 'Forest at G.' (on the cardboard with skirting); l.b. 'III' (pencil; on cardboard with

File, Paul Klee (Münchenbuchsee 1879 - 1940 Muralto), 1912, 83, drawing, pen and ink on paper on cardboard, 19 x 6 cm, l.l. 'Akte' (on the box

Respectfully recommend: Klee, Paul Klee (Münchenbuchsee 1879 - 1940 Muralto), 1937, 205 (U 5), drawing, paste paint on paper, drawing on cardboard on reverse, 19 x 28 cm, r.r. 'sincerely recommend:' (on the box

Working drawing for the cardboard: Detail of 'Theatre in Taormina' for the Burgtheater: Victorien and male statue, Burgtheater, Gustav Klimt (Vienna 1862 - 1918 Vienna), 1886-1887, drawing, black chalk on kraft paper, outlines punched, 254 ×

Christ before Caiaphas, c. 1600-1623, drawing, pen and ink in brown, washed, 19.4 × 16.8 cm, verso: l.l. 'MZM', l.b. '3151 EK 2508', below 'Dutch around 1580-1590, Christ before Caiaphas' (in Arthur Feldmann's handwriting

Apollo standing on the dragon Python, Francesco de Rossi, called Salviati (Florence 1510 - 1563 Rome), around 1543-1548, drawing, black chalk, 44.3 x 25.7 cm, l.l. Duke Albert of Saxe-Teschen, r.r. 'Fran[...]ati' (in black pen, only

Our Lord died surrounded by his mother, Saintes femmes, his disciples and St. Joseph d'Arimathei, Josef Abel (Aschach, Upper Austria 1764 - 1818 Vienna), drawing, pen, ink in brown, white heightened on blue paper, 35.3 x 46 cm, l.u. Duke

Paysage offerrant la vue d'un castel sité entre des montagnes, Josef Abel (Aschach, Upper Austria 1764 - 1818 Vienna), drawing, ink, pen and ink on blue paper, 26.3 x 36.8 cm

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