Images at Librifly

search results: Drawing clear search

Mountain animals, Paul Klee (Münchenbuchsee 1879 - 1940 Muralto), 1926, 233 (X 3), drawing, pen and ink on paper on cardboard, 15.3 x 12.5 cm, l.l. '26', pencil; l.b. 'Mountain animals' (on the box with border

Figurine of a swaying man, Paul Klee (Münchenbuchsee 1879 - 1940 Muralto), 1927, 313, drawing, pen and ink on paper with dabs of glue on cardboard, 35.6 x 23.8 cm, centered u. 'figurine of a swaying man' (on the cardboard with borders

Creating space through moving straight lines, Paul Klee (Münchenbuchsee 1879 - 1940 Muralto), 1931, 144 (R 4), drawing, pen and ink on paper on cardboard, 34 x 47 cm, r.r. 'Creation of space through moving straight lines' (on the cardboard

Inhibited validity, Paul Klee (Münchenbuchsee 1879 - 1940 Muralto), 1933, 418 (F 18), drawing, pencil on paper on cardboard, 33 x 20.8 cm, centered below 'inhibited validity' (on the box with edge bar

Portrait sketch of Mrs. Pr., Paul Klee (Münchenbuchsee 1879 - 1940 Muralto), 1925, 112 (B 2), drawing, pen and watercolor on paper on cardboard, 33 x 22.2 cm, below bottom 'Portrait Sketch Mrs. Pr.' (on the cardboard with skirting); l.b. 'I'

Reading I, Paul Klee (Münchenbuchsee 1879 - 1940 Muralto), 1925, 146 (E 6), drawing, pencil and watercolor on chalk ground on paper on cardboard, 25 x 38 cm, M.u. 'Reading I' (on the cardboard); l.b. 'II' (on the box

Kleiner Sieger, 124 (Qu 4), Paul Klee (Münchenbuchsee 1879 - 1940 Muralto), 1932, 124 (Qu 4), drawing, watercolor and silver paint on silver paper laid down on cardboard, 16.5 x 34.3 cm

Studies for the Infant Jesus for the interior of the Saint-Sixte Basilica in Ars-sur-Formans, Paul Borel (Lyon 1828 - 1913 Lyon), before 1913, drawing, pencil, 42.2 × 30 cm, l.r. Étienne Raymond Grafe, circled

Study for Pope Pius V for the chapel at Oullins, Paul Borel (Lyon 1828 - 1913 Lyon), 1869-1888, Drawing, pencil, 30 × 19.3 cm

Glass window design: study for the feast of Pentecost for the church La Sagesse in Saint-Laurent-sur-Sèvre, Claudius Lavergne (Lyon 1815 - 1887 Paris), 1862-1869, drawing, pencil, brush in black, washed, heightened with white, 24.7 × 18.9

Draft glass window: Study for the stations of life of Saint Mary for the church Saint-Nicolas in Rethel (Ardennes department), Claudius Lavergne (Lyon 1815 - 1887 Paris), drawing, pencil, watercolour, white heightening, 41.1 × 8.9 cm, l.l.

Female head study, Joseph Auguste Brunier (Chambéry 1860 - 1929 Lyon), drawing, pencil, 32.5 × 25.7 cm, l.r. Atelier Joseph Auguste Brunier, circled, r.b. Étienne Raymond Grafe, circled, r.l. 'Dessin de, J. Brunier, F. Brunier

View of Aschach, Salomon Kleiner (Augsburg 1700 - 1761 Vienna), 1738, drawing, ink, pen and wash, 103.1 × 58.4 cm

Caryatid seen from the back, a floral thread over the left shoulder, Anonymous, Drawing, chalk; brush in grey; heightened with white; brown paper, 27.7 x 14.2 cm, l.l. Duke Albert of Saxe-Teschen

Madonna and Child, adored by St. Elisabeth with the Johannesknaben and Raphael with Tobias, 1827, drawing, pen and brown ink, laid down on old backing paper, 21.3 × 24.2 cm

Landscape with two cows near a stable, Anton Kölbl (Vienna 1771 - 1843 Vienna), drawing, pencil, 8.4 × 15.3 cm

Saint Joseph, Wilhelm Erhardt (Leitmeritz 1818 - 1890 (Austria?)), drawing, oil on canvas

Working drawing for the cardboard: Detail of 'Theatre in Taormina' for the Burgtheater: column capitals and genius, Burgtheater, Gustav Klimt (Vienna 1862 - 1918 Vienna), 1886-1887, drawing, black chalk and pencil on kraft paper, outlines

Draft drawing (cardboard): Detail of 'Altar of Apollo' for the Burgtheater: Reclining warrior, Franz von Matsch (Vienna 1861 - 1942 Vienna), 1886-1887, drawing, black chalk on packing paper, perforated outlines, 153 x 282 cm

Draft drawing (cardboard): detail of 'Altar of Apollo' for the Burgtheater: child and youth, Franz von Matsch (Vienna 1861 - 1942 Vienna), 1886-1887, drawing, black chalk on wrapping paper, perforated outlines, 153 × 282 cm

Working drawing for the box: Detail of 'Altar of Dionysos' for the Burgtheater: Reclining Satyr, Burgtheater, Gustav Klimt (Vienna 1862 - 1918 Vienna), 1886-1887, drawing, black chalk on wrapping paper, outlines punched, 278 × 122 cm

Working drawing for the cardboard: Detail of 'Altar of Dionysos' for the Burgtheater: Kneeling maenad in front of the altar with a bust of Dionysos, Burgtheater, Gustav Klimt (Vienna 1862 - 1918 Vienna), 1886-1887, drawing, black chalk on

Working drawing for the cardboard: Detail of 'Altar of Dionysos' for the Burgtheater: Lying Maenad, Burgtheater, Gustav Klimt (Vienna 1862 - 1918 Vienna), 1886-1887, drawing, black chalk on wrapping paper, outlines punched, 330 × 173 cm

Working drawing for the box: Detail of 'Hanswurst auf der Jahresmarktsbühne' for the Burgtheater: lower half of the picture, Ernst Klimt (Vienna 1864 - 1892 Vienna), 1886-1887, drawing, charcoal and pencil on wrapping paper, outlines punched,

Working drawing for the box: 'Shakespeare's Globetheater' for the Burgtheater: Romeo and Juliet, Burgtheater, Gustav Klimt (Vienna 1862 - 1918 Vienna), 1886-1887, drawing, black chalk on wrapping paper, perforated outline, 220 × 550 cm

Working drawing for the box: Detail of 'Hanswurst auf der Jahresmarktsbühne' for the Burgtheater: Upper half of the picture, Ernst Klimt (Vienna 1864 - 1892 Vienna), 1886-1887, drawing, black chalk on wrapping paper, outlines perforated, 250

Working drawing for the box: Detail of 'Hanswurst auf der Jahresmarktbühne' for the Burgtheater: lower half of the picture, Ernst Klimt (Vienna 1864 - 1892 Vienna), 1886-1887, drawing, black chalk on wrapping paper, outlines perforated, 250 ×

Huntsmen Resting by a Well, Peeter Bout (Brussels 1658 (1640?) - 1719 (1689?) Brussels), c. 1680, drawing, pen and brown and gray ink, washed, 20.3 × 28 cm

Glass window design for a church: The Betrothal of Mary, Claudius Lavergne (Lyon 1815 - 1887 Paris), drawing, pencil, ink, pen, chalk, washed on tinted paper, 19.8 × 18.6 cm, r.r. 'Collector's stamp 'E.G. (circled

Glass window design for a church: Noli me tangere, Claudius Lavergne (Lyon 1815 - 1887 Paris), drawing, watercolour, pencil, ink, pen, heightened with white, washed on tinted paper, 32.1 × 15 cm, r.l. 'Collector's stamp 'E.G. (circled

Draft studies on a male figure and on two shoulders, Paul Borel (Lyon 1828 - 1913 Lyon), drawing, black chalk on pencil grid, 30.7 × 23.6 cm, r.l. Signature stamp 'P. Borell', l.o.-l.b. '1, 2, 3, 4, 5, 6, 7, 8', b.r. 'Fi

Studies of two men with raised hands, Paul Borel (Lyon 1828 - 1913 Lyon), drawing, black chalk, 32.4 × 25.9 cm, below bottom Signature stamp 'P. Borell', bottom right Collector's stamp Étienne Grafe 'EG' (Luke 3927

Studies for the decoration of the Chapelle des Dominicains, Paris 1879: A saint and a saint, a foot and two hand studies, Louis Janmot (Lyon 1814 - 1892 Lyon), 1879, drawing, black chalk, pencil, 22.1 × 28, 5 cm, b.r. 'chap. des

Studies for a fresco in the Church of St. Polycarpe, Lyon 1856: Two angels, Louis Janmot (Lyon 1814 - 1892 Lyon), 1856, drawing, black chalk, pencil, 14.8 × 21.5 cm, l.r. Collector's stamp 'E.G. (circled)', l.b. '..., polycarpe, Lyon

Jan Six, anonymous, drawing, ink, pen, brush, washed, 23.8 × 18.7 cm

Birth of Mary, Francesco de Rossi, called Salviati (Florence 1510 - 1563 Rome), around 1540-1544, drawing, brown pen, over preliminary drawing in black pen, brown wash, heightened with white, on bluish paper, squaring in pencil; rounded at

Tyrolean, Franz von Defregger (Stronach 1835 - 1921 Munich), 1904, drawing, pencil on brown paper, 16 × 13.9 cm

Boy in workshop, August Xaver Karl von Pettenkofen (Vienna 1822 - 1889 Vienna), 1861, drawing, black chalk, sanguine on paper, 37.8 × 30.6 cm

Girl to the left, August Xaver Karl von Pettenkofen (Vienna 1822 - 1889 Vienna), 1880, drawing, black chalk, slightly heightened on paper, 27.4 × 17.7 cm

The Holy Family, Giorgio Vasari (Arezzo 1511 - 1574 Florence), c. 1546, drawing, pen, washed, heightened with white, on reddish primed paper, 27.1 x 42.2 cm, l.l. Duke Albert of Saxe-Teschen

The Conversion of Paul. (The riders are trying to protect themselves from the rays with their shields; the foremost, Saul, has fallen from his horse; Christ is speaking to him from above; in the background Damascus; in front a dog), anonymous,

Paul's sermon from the Areopagus in Athens, Giorgio Vasari (Arezzo 1511 - 1574 Florence), c. 1550, drawing, pen; washed; heightened with white; bluish paper, 37.3 x 26 cm, l.l. Reynolds; r.b. Duke Albert of Saxe-Teschen

Disputation of St. Catherine, Anonymous, Drawing, red chalk; Feather; heightened with white; brown paper, 45 x 31 cm, l.l. Duke Albert of Saxe-Teschen

Emperor, Pope and a third figure of a prince with numerous entourage kneel in adoration before the Madonna del Rosario on clouds, Giovanni Battista Tinti (Italy, 1558 - 1604), drawing, red chalk; chalk squaring; Pope, Emperor, two putti and

"Self-portrait" of Albrecht Dürer at the age of eight months, Julius Hübner (Öls 1806 - 1882 Dresden-Loschwitz), 1868, drawing, black pen, heightened with white chalk, 26.2 × 18.3 cm, r.o 'Die Bildtnuß I tore Albrecht Dürer, after

Archduchess Henriette of Austria, née Princess of Nassau-Weilburg, Friedrich Johann Gottlieb Lieder (the Elder) (Potsdam 1780 - 1859 Budapest), drawing, watercolour, gouache on cardboard in gold frame, 21.1 × 16cm

Carl Archduke of Austria, Duke of Teschen, Friedrich Johann Gottlieb Lieder (the Elder) (Potsdam 1780 - 1859 Budapest), c. 1823, drawing, watercolour, gouache on cardboard in a gold frame, 21.1 × 16 cm

The Equestrian Monument of Marc Aurel in Rome (study sheet recto), Monogrammist GZ (active 1517-1521 on the Upper Rhine and in South Tyrol), 1521, pen and black-brown over preliminary drawing in gray chalk, 25.8 × 39.2 cm, between the two

The equestrian monument of Marc Aurel in Rome (study sheet verso), Monogrammist GZ (purchase:, active 1517-1521 on the Upper Rhine and in South Tyrol), 1521, black-brown pen over preliminary drawing in gray chalk, washed, 25.8 × 39.2 cm

Venus and Adonis; Cupid has become entangled in the leash on which Adonis is holding two dogs, Luca Cambiaso (Moneglia 1527 - 1585 San Lorenzo de El Escorial), drawing, red chalk; brown paper, 27.1 x 18.5 cm, l.l. Duke Albert of Saxe-Teschen,

Evening impression of a pond, Hermann Heller (Vienna 1866 - 1949 Klagenfurt), 1905-1906, drawing, graphite, white chalk on grey-greenish uncoated paper, 20.3 × 30.4 cm

The competition of Minerva and Arachne in weaving (She turns Arachne into a spider at the loom; the process takes place in an open Renaissance hall with a view of the landscape (Ovid, Met. VI, 129-145)), Cesare Nebbia (Orvieto around 1536 - around

Two riders and three figures, Johann Jakob Schalch (Schaffhausen 1723 - 1789 Schaffhausen), drawing, pen, washed, 12.5 × 28.7 cm, l.l. 'G. P. Rugendas f.' (not by the artist

Seven Studies of Eagles and Cranes, Annunciation Scene, Giovanni Ricamatore, called Giovanni da Udine (Udine 1487 - 1561/64 Rome), 1515 - 1517, drawing, pen and ink, water colour, underdrawing in black chalk, sheet: 31.8 × 41.8 cm, r.b.

Mother with children and dog, Peter Fendi (Vienna 1796 - 1842 Vienna), drawing, watercolour, pencil on paper, framed, 8.5 × 10.5 cm

Tonson Garlick Co: 8-roomed house. Tonson Garlick Company Ltd, will furnish the above as complete as hereunder, for the sum of pounds. ca 1910, Lists the furnishings provided for an eight-roomed house, including items for drawing room, dining

The ovens at the New Zealand Field Bakery, Rouen, Drawing the oven at the Zealand Field Bakery in Rouen, France during World War I. A soldier stands at one of the ovens in a bake house. Behind him is a pile of newly baked loaves. Photograph taken

Drawing room, showing furniture, Drawing room, looking towards a tiled fireplace, showing furniture, light fittings and carpet circa 1920s

Wellington, New Zealand Technical School: Technical School evening classes .. Drawing classes are held in the above school every evening from 7 p.m. to 9 p.m.. Day classes in drawing, painting, modelling, wood carving and carpentry.. Arthur D

North & Scoullar Ltd: North & Scoullar, established 1863. Principals A Scoullar, R Chisholm. Illustrated catalogue. Dunedin, and Hoxton St. London. S Lister litho. Dunedin ca 1882?, Fully illustrated sales catalogue for a furniture importer, and

New Zealand troops drawing pay at the reinforcement camp before going on leave, World War I troops queue outside Commandant's hut to draw pay before catching train to go on leave. Photograph taken 1 July 1917

Drawing room, showing furniture, Drawing room, looking towards a doorway leading to stairs in a hallway, showing furniture, and carpet. circa 1920s

New Zealand troops drawing pay at the reinforcement camp before going on leave, Soldiers queue outside Commandant's hut at the reinforcement camp to draw their pay before going on leave. Photograph taken 1 July 1917

Two views of Hawera; High Street and, The court house, Two views of Hawera, one of High Street, and one of the courthouse. The Egmont Hotel is partially visible in the left foreground in High Street, and the business premises of F H Boase is

First page of Book III with historiated initial, Leaf from Boethius' treatise on philosophy. Folio 24 includes historiated initial 'I' depicting an elongated shape (the kneeling figure of Philosophy in her red robe). A marginal drawing at the top of

Der alte Zopf - Der Naderer - Der neue Zopf' (preliminary drawing), Anton Zampis (1820-1883), drawer, 1848, paper, pencil drawing, height 25, 4 cm, width 18, 5 cm, Revolutions of 1848, 1849, Fine Arts, man, The Vienna Collection

From a series of sales calls: Essigmann, Franz Gerasch (1826-1906), Artist, Date around 1840, water color, paper, pen and ink drawing, height 22, 5 cm, width 16, 7 cm, Job Depictions, Eat and Drink, Trade, Stereotypes, man, carrying

From a series of sales calls: Stereotypical depiction of a 'Leinwandkroat' [Croatian canvas seller], Franz Gerasch (1826-1906), Artist, Date around 1840, water color, paper, pen and ink drawing, Height 22 cm, Width 16, 2 cm, Job Depictions,

Lower Belvedere, interior of the central pavilion in the Kammergarten (preparatory drawing for the copperplate engraving engraved by Johann Jakob Grasmann), Salomon Kleiner (1700-1761), drawer, Date around 1730, pen and brush, gray wash, sheet

Billiards game in the coffee house in the Paradeisgartel (probably in the Café Corti, opened in 1822), Unknown, Date around 1830, water color, paper, pencil drawing, Literature, Games of the city. Happiness, profit and pastime, 2012, p.

Pencil sketch for the oil painting 'Die Döblinger Nationalgarde im Jahre 1848' by Johann Michael Neder, Michael Neder (1807-1882), drawer, 1848, paper, pencil drawing, height 46, 3 cm, width 69, 4 cm, Military, Revolutions of 1848, 1849,

Plan of the city of Vienna in 1547, Bonifaz Wolmut (also: Wolmuet) (1505-1579), cartographer, 1547, colorised, pen and ink drawing, picture size 192×233 cm, frame size 215×256×9 cm, cartography, maps of cities, Vienna, The Vienna

Albertine plan (after an original from about 1421, 22), Unknown, ab, paper, colorised, pen and ink drawing, sheet size 40, 3×58, 7 cm, passepartout 50×68 cm, cartography, 1st District: Innere Stadt, maps of cities, The Vienna

Storm Petition on May 15, 1848', Victor Odescalchi (1833-1880), draftsman, 1848, paper, pencil drawing, height 17.7 cm, width 26.4 cm, fine arts, military, revolutions of 1848, 1849, the soldier; the soldier's life, The Vienna

Barricade of University Students, Vinzenz Katzler (1823-1882), draftsman, 1848, paper, colored, pen and ink drawing, height 15.3 cm, width 15.4 cm, fine arts, Revolutions of 1848, 1849, 1st district: inner city, street blockades;

Design for a window seat in a coffee house, Reinhold Richard d. J. Völkel (1873-1938), Artist, Date around 1910, water color, paper, pencil drawing, Height 35, 3 cm, Width 35, 2 cm, Cafés, Hotel and Restaurant Industry, Fine Arts,

Reception of the Frankfurt Deputies, beym Erzherzog Johann. bey Ubergabe des Mandates als Reichsverweser.' (on July 5, 1848), Unknown, 1848, paper, pen and ink drawing, height 21.2 cm, width 20 cm, Habsburgs, revolutions of 1848, 1849,

Drawing of a planned settlement in Gmünd (K), Martin Gerlach jun. (1879-1944), photographer, dated around 1938-1940, glass, negative, height 17.9 cm, width 23.8 cm, architecture, town planning and urban development, plan ~ architecture,

Drawing of a planned settlement in Veitsch (Stmk.), Martin Gerlach jun. (1879-1944), photographer, dated around 1938-1940, glass, negative, height 17.8 cm, width 23.8 cm, town planning and urban development, architecture, plan ~

Drawing of a planned settlement in Radenthein (K), Martin Gerlach jun. (1879-1944), photographer, dated around 1938-1940, glass, negative, height 17.8 cm, width 23.8 cm, town planning and urban development, architecture, town plans, The

Drawing of a planned settlement in Kaisersberg (Stmk.), Martin Gerlach jun. (1879-1944), photographer, dated around 1938-1940, glass, negative, height 17.8 cm, width 23.8 cm, town planning and urban development, architecture, plan ~

Drawing of a planned settlement in Kapfenberg-Schirmitzbühel (Stmk.), Martin Gerlach jun. (1879-1944), photographer, dating c. 1938-1940, glass, negative, height 17.8 cm, width 23.8 cm, architecture, urban planning and town planning, plan

Drawing of a planned settlement at Eisenstadtplatz (10th) (part of the so-called 'Wohnstadt Süd'), Martin Gerlach jun. (1879-1944), photographer, date c. 1938-1940, glass, negative, height 23.8 cm, width 29.8 cm, Stadtplanung und Städtebau,

Franz Schubert, copy after:, date about 1860, chaulk drawing, height 19, 6 cm, width 15, 9 cm, fine arts, portrait, human, composer, Franz Schubert, The Vienna Collection

Wien in der Nacht vom 28. u. 29. Oktober 1848, Aufgenommen vom Kahlenberge' (preliminary drawing), Friedrich von Exter (1820-1860), draftsman, 1848, watercolor, paper, pencil drawing, height 33.5 cm, width 38.8 cm, Fine Arts, Revolutions

COREGGIUS, GENIUS NATURAM IMITATURE: AMICIS ARS OCUKIS HAERET, DOCTUM MIRATA LABOREM; AUCTORI MERITAM VOLITANS DAT FAMA CORONAM', Francesco Rosaspina (1762-1841), etcher, date before 1841, paper, chalk drawing, height 42.2 cm, width 29.2 cm,

Turtle (with detail studies), Hanna Gärtner (1899-1948), artist, 1914, paper, ink, pen and ink drawing, height 30 cm, width 40, 1 cm, fine arts, artists, animals, turtles, turtles, The Vienna Collection

J. EVALD; Born 18 Novr. 1743 - Died 1781', William Home Lizars (1788-1859), engraver, date before 1859, paper, engraving, height 35.6 cm, width 26.1 cm, plate size 21.2×13.9 cm, inscription, 'W. H. Lizars sculpt.', 'From a drawing bv

Dienstmänner', Felician von Myrbach-Rheinfeld (1853-1940), artist, 1895, paper, pen and ink drawing, height 10 cm, width 18 cm, professional depictions, services, professional clothing, man, bank, (military) uniforms, The Vienna

Das Blumenmädel', Felician von Myrbach-Rheinfeld (1853-1940), artist, 1895, paper, pen and ink drawing, height 23, 6 cm, width 18 cm, professional representations, trades, stereotypes, tradesmen, flowers, woman, The Vienna Collection

Painter', Felician von Myrbach-Rheinfeld (1853-1940), artist, 1895, paper, pen and ink drawing, height 33.8 cm, width 20.9 cm, occupational depictions, craft, man, facade (of house or building), professional clothing, The Vienna

Am Wäschplatz', Felician von Myrbach-Rheinfeld (1853-1940), artist, 1895, paper, pen and ink drawing, height 23.9 cm, width 21 cm, household, stereotypes, washhouse, house laundry, laundry room, washing machine, The Vienna Collection

Final image: 'At the laundry place'', Felician von Myrbach-Rheinfeld (1853-1940), artist, 1895, paper, pen and ink drawing, height 20.2 cm, width 19.4 cm, leisure and recreation, worker, man, woman, The Vienna Collection

From Sophienbrücke to Hauptallee', Felician von Myrbach-Rheinfeld (1853-1940), artist, 1895, cardboard, paper, pen and ink drawing, height 24.7 cm, width 20.9 cm, Prater, park, recreation and leisure, 2: Leopoldstadt, public gardens,

Wurstbude', Felician von Myrbach-Rheinfeld (1853-1940), artist, 1895, paper, pen and ink drawing, height 22, 2 cm, width 17, 2 cm, trade, occupational depictions, food and drink, sausage, people in trade, woman, The Vienna Collection

Die große 'Hutschen'', Felician von Myrbach-Rheinfeld (1853-1940), artist, 1895, cardboard, paper, pen and ink drawing, height 20.1 cm, width 17.9 cm, Prater, recreation and leisure, 2nd district: Leopoldstadt, swing, ships (general),

Wild Boar Eating', Felician von Myrbach-Rheinfeld (1853-1940), artist, 1895, paper, chaulk drawing, height 22.1 cm, width 25 cm, food and drink, recreation and leisure, ungulates: Wild boar, man, The Vienna Collection

Uebende Festungs-Artilleristen', Felician von Myrbach-Rheinfeld (1853-1940), artist, 1895, watercolor, cardboard, pen and ink drawing, painting, height 18.9 cm, width 28.9 cm, military, the soldier; the soldier's life, firearms: Cannon,

From school', Felician von Myrbach-Rheinfeld (1853-1940), artist, 1895, paper, wash, pen and ink drawing, height 27.2 cm, width 22.8 cm, education and training, schooling, teaching, child, The Vienna Collection

Heads of 'Viennese folk types' and professions: Veteran and Laundry Girl, Hans (Johann) Schließmann (Schliessmann) (1852-1920), artist, 1892, cardboard, paper, laminated, watercolor, pencil drawing, height 27.9 cm, width 20.8 cm,

search results: Drawing clear search