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The Summer Battle at Hakone, c. 1874, Tsukioka Yoshitoshi, Japanese, 1839 - 1892, 13 5/8 × 28 7/16 in. (34.61 × 72.23 cm) (sheet, vertical ōban triptych), Preparatory drawing for a print; ink and color on paper, Japan, 19th century, This

Picture of the Gojō Bridge from the Chronicle of Yoshitsune, 1881, Tsukioka Yoshitoshi; Publisher: Morimoto Junzaburō, Japanese, 1839 - 1892, 14 1/4 × 9 1/2 in. (36.2 × 24.13 cm) (sheet, each, approx., vertical ōban triptych), Woodblock

Preparatory drawing for the left and right sheets of Picture of the Gojō Bridge from the Chronicle of Yoshitsune, c. 1881, Tsukioka Yoshitoshi, Japanese, 1839 - 1892, 15 3/16 × 10 5/8 in. (38.58 × 26.99 cm) (sheet, each, approx., two

The Diving Woman of Shido Bay, c. 1882, Tsukioka Yoshitoshi, Japanese, 1839 - 1892, 7 1/2 × 10 5/16 in. (19.05 × 26.19 cm) (sheet, horizontal chūban), Preparatory drawing for a print; ink on paper, Japan, 19th century

Sleeping Workman, 1900, Albert Edward Sterner, American, 1863 - 1946, 21 1/4 x 14 5/8 in. (53.98 x 37.15 cm), Graphite and wash drawing, United States, 19th-20th century

Insects, 18th century, Nicolaas Struyk, Dutch, 1686 - 1769, 17 1/2 × 11 1/16 in. (44.45 × 28.1 cm) (sheet)21 × 14 3/4 in. (53.34 × 37.47 cm) (sight)22 3/4 × 16 1/2 × 5/8 in. (57.79 × 41.91 × 1.59 cm) (outer frame), Transparent and

The Curtain (Le Rideau), 1890, Adrien de Witte, Belgian, Liège 1850–Liège 1935, 29 7/16 × 20 3/16 in. (74.8 × 51.3 cm), Black chalk and black crayon with white highlights on tan paper, Belgium, 19th century, A young, long-haired woman

Recumbent Nude Woman (Femme nue allongée), 19th century, François Rupert Carabin, French, Saverne, Bas-Rhin 1862–Strasbourg 1932, 8 7/8 × 14 1/4 in. (22.5 × 36.2 cm) (sheet), Charcoal, France, 19th century, Rupert Carabin was a master

Costume Drawing, 19th century, Ernest Crofts, N.A., English, 1847 - 1911, 10 3/8 x 6 5/8 in. (26.35 x 16.83 cm) (image), Graphite on light green paper, England, 19th century

Head of a Woman and Study of Hands, 1837, Sir David Wilkie, Scottish, 1785–1841, 15 3/16 x 18 9/16in. (38.6 x 47.2cm), Black and white chalk, with touches of red chalk, and pen and brown ink with wash on light brown paper, Scotland, 19th

Self-Portrait, c. 1740, Francesco de Mura, Italian, (Naples), 1696–1782, 51 x 40 in. (129.54 x 101.6 cm) (canvas)50 x 38 in. (127 x 96.52 cm) (sight)59 3/4 × 48 7/8 in. (151.77 × 124.14 cm) (outer frame), Oil on canvas, Italy, 18th

Studies of Hands, 1770s-1780s, Attributed to Louis Roland Trinquesse, French, 1745 - c. 1800, 14 3/4 x 10 3/8 in. (37.47 x 26.35 cm) (image), Red chalk on white laid paper, France, 18th century, This previously unidentified drawing has

Study for Les Jeunes Filles et la Mort (Death and the Maidens), c. 1872, Pierre Puvis de Chavannes, French, 1824 - 1898, 31 3/8 x 16 3/8 in. (79.69 x 41.59 cm) (image), Graphite on linen, laid down on paper, wrapped around board, France,

Portrait of Hubert Robert, after 1799, After Jean-Baptiste Isabey; Artist: After Simon Charles Miger, French, 1767–1855, 10 3/4 x 8 1/2 in. (27.31 x 21.59 cm) (image)13 x 10 in. (33.02 x 25.4 cm) (sight), Black and white chalk on paper,

Study for Raising of Lazarus, c. 1677, François Verdier, French, 1651 - 1730, 12 3/8 x 10 in. (31.43 x 25.4 cm) (image, sheet), Red chalk heightened with white, France, 17th century, Verdier was a prize-winning student at the Royal Academy

Tawny Owl, No. 28, 1789, William Lewin, English, died 1795, 9 9/16 x 7 9/16 in. (24.29 x 19.21 cm) (sheet), Gouache and watercolor on off-white wove paper. Per cat. card: Original drawing, h.c., England, 18th century

Spotted Falcon, No. 13, 1789, William Lewin, English, died 1795, 9 9/16 x 7 3/8 in. (24.29 x 18.73 cm) (sheet), Gouache and watercolor on off-white wove paper. Per cat.card: Original drawing, h.c., England, 18th century

White Jerfalcon, No. 16, 1789, William Lewin, English, died 1795, 9 9/16 x 7 1/2 in. (24.29 x 19.05 cm) (sheet), Gouache and watercolor on off-white wove paper. Per cat.card: Original drawing, h.c., England, 18th century

White Owl, No. 26, 1789, William Lewin, English, died 1795, 9 9/16 x 7 3/8 in. (24.29 x 18.73 cm) (image, sheet), Gouache and watercolor on off-white wove paper. Per cat.card: Original drawing, h.c., England, 18th century

Red-backed Shrike, No.31, 1789, William Lewin, English, died 1795, 9 9/16 x 7 9/16 in. (24.29 x 19.21 cm) (sheet), Gouache and watercolor on off-white wove paper. Per cat.card: Original drawing, h.c., England, 18th century

Wood Chat, No. 32, 1789, William Lewin, English, died 1795, 9 9/16 x 7 5/8 in. (24.29 x 19.37 cm) (sheet), Gouache and watercolor on off-white wove paper. Per cat.card: Original drawing, h.c., England, 18th century

Boy Drawing before the Bust of a Roman Emperor, c. 1661, Michael Sweerts, Flemish, 1618 - 1664, 19 1/2 x 16 in. (49.53 x 40.64 cm) (canvas), Oil on canvas, Netherlands, 17th century

Two-handled bowl, c. 1690, Jacob Boelen, American, 1654-1729, 1 1/2 x 4 1/8 in. (3.8 x 10.48 cm), Silver, United States, 17th-18th century, Boelen, an American silversmith of Dutch descent working in New York, belonged to a family of

The Holy Ghost, 1680s (?), Attributed to Giacinto Brandi, Italian, (Roman), 1623 - 1691, 19 1/16 x 9 3/4 in. (48.42 x 24.77 cm) (sheet), Pen and brown ink and wash over traces of black chalk, Italy, 17th century, This methodically drawn,

A Stage Drawing for a Vast Interior with a Temple, c. 1803-1805, Karl Friedrich Schinkel, German, 1781 - 1841, 15 1/16 x 20 1/4 in. (38.26 x 51.44 cm) (image), Watercolor and ink wash over graphite on laid, laid down paper (backed), Germany,

A Stage Drawing for a Vast Arched Interior, c. 1803-1805, Karl Friedrich Schinkel, German, 1781 - 1841, 14 3/4 x 18 13/16 in. (37.47 x 47.78 cm) (sheet), Watercolor, ink wash and gouache over graphite on laid paper, Germany, 18th-19th

Lady with a Fan, c. 1869-1870, Eva Gonzales, French, 1847 - 1883, 16 3/4 x 10 5/8 in. (42.5 x 27 cm) (image)23 3/8 x 17 7/16 x 2 9/16 in. (59.37 x 44.29 x 6.51 cm) (outer frame), Pastel on paper affixed to board, France, 19th century, Like

The Multiplication of Loaves and Fishes, c. 1750, Gregorio Guglielmi, Italian, (Roman), 1714 - 1773, 15 13/16 x 22 15/16 in. (40.16 x 58.26 cm) (sheet)29 11/16 x 23 11/16 x 1 1/8 in. (75.41 x 60.17 x 2.86 cm) (outer frame), Brush and gray wash

Orpheus and Eurydice in Hades (recto); Triumph of Bacchus in a Landscape (verso), c. 1800-1805, Pietro Fancelli, Italian, (Bologna), 1764 - 1850, 16 x 22 1/8 in. (40.64 x 56.2 cm) (sheet)23 5/8 × 29 5/8 in. (60.01 × 75.25 cm) (outer frame),

Double Portrait of Two Young Women, c. 1795, Alexandre Moitte, French, 1750 - 1828, 8 3/4 x 7 in. (22.23 x 17.78 cm) (image)9 7/8 x 8 in. (25.08 x 20.32 cm) (sheet), Pen, black ink and watercolor heightened with white, France, 18th-19th

Portrait of Julien Offray de La Mettrie (1709–1751), 1770, Georg Friedrich Schmidt, German, 1712 - 1775, 12 9/16 x 9 3/16 in. (31.91 x 23.34 cm) (sheet), Sanguine and conté crayon, Germany, 18th century, A native of Berlin, Schmidt came

Study for a Figure of Balaam (recto) and Study for a Right Arm (verso), 1682-1683, Carlo Maratti, Italian, (Roman), 1625 - 1713, 16 3/4 x 10 3/4 in. (42.55 x 27.31 cm) (image)19 7/8 x 14 1/4 in. (50.48 x 36.2 cm) (set into border), Red chalk

Rubbings from the Wu Family Shrine, 20th century, Various, Paper, China, 20th century, This rubbing was taken around 1920 from the carved stone chambers of an Eastern Han Dynasty funerary offering shrine belonging to the Wu Family in Shantung

Untitled (Two Men Pointing to Drawing of a Horse), 19th century, 3 1/2 x 2 1/2in. (8.9 x 6.4cm), Tintype, United States, 19th century

Sewing box, 1844, Daniel Evans, 4 11/16 x n16 x 10in. (11.9 x 40.6 x 25.4cm), Painted pine, inscribed paper, United States, 19th century, This sewing box is one of fewer than a dozen known examples signed by Daniel Evans. In the 1830s and

Design for a Token: Marine, 1744, c. 1743, Edmé Bouchardon, French, 1698 - 1762, 10 7/16 x 10 9/16 in. (26.51 x 26.83 cm) (sheet)19 3/4 × 15 3/4 in. (50.17 × 40.01 cm) (outer frame), Red chalk, France, 18th century, Drawing was

Stage Design: Proposals A and B for a Drawing Room, c. 1790, Bernardino Galliari, Italian, 1707 - 1794, 6 1/2 x 8 3/8 in. (16.51 x 21.27 cm) (sheet), Pen and brown ink, ink wash, and graphite on paper, Italy, 18th century

Two versions of bodhisattva Guanyin, c. 1750, Ding Guanpeng, Chinese, active 1740-1768, 60 1/2 x 31 15/16 in. (153.67 x 81.12 cm) (image), Ink and color on silk, China, 18th century, The court painter Ding Guanpeng was prominent during the

The Sacrifice of the Rose, c. 1780, Jean-Honoré Fragonard, French, 1732–1806, 16 5/8 x 13 in. (42.2 x 33.0 cm)21 3/4 x 18 1/8 in. (55.3 x 46.0 cm) (board)26 1/16 x 23 1/16 x 1 in. (66.2 x 58.6 x 2.5 cm) (outer frame), Brush and gray and

Dionysian Frieze, c. 1787-1790, Jean-Guillaume Moitte, French, 1746 - 1810, 7 3/8 x 32 1/4 in. (18.73 x 81.92 cm) (sheet)16 7/8 x 41 1/2 x 1 7/8 in. (42.86 x 105.41 x 4.76 cm) (outer frame), Graphite, pen and brush with black ink, green and

Design for a Wall Decoration at Fontainebleau, 1643-1644, Simon Vouet, French, 1590–1649, 13 11/16 x 5 11/16 in. (34.77 x 14.45 cm) (sheet)19 3/4 × 15 3/4 in. (50.17 × 40.01 cm) (outer frame), Black chalk, heightened with white chalk,

Head of a Mustachioed Man, Three-Quarter View, 1817, Anne-Louis Girodet de Roussy-Trioson, French, 1767–1824, 7 5/8 x 7 1/4 in. (19.4 x 18.4 cm) (image, irregular)14 5/8 x 13 15/16 x 1 1/2 in. (37.15 x 35.4 x 3.81 cm) (outer frame),

Dacotahs Mode of Sitting, 1849-1855, Seth Eastman, American, 1808–1875, 6 1/4 × 8 in. (15.88 × 20.32 cm) (image)9 5/8 × 12 3/4 in. (24.45 × 32.39 cm) (sheet), Sepia ink wash, United States, 19th century, 'Dacotahs Mode of Sitting'

Ethnographic Map of the Indian Tribes of the United States, A.D. 1600, 1849-1855, Seth Eastman, American, 1808–1875, 9 × 12 in. (22.86 × 30.48 cm) (image)9 11/16 × 12 7/8 in. (24.61 × 32.7 cm) (sheet), Pen, ink, and watercolor, United

Map Showing the Present Boundaries of the Ojibwa, Menomonee, Winnebago, and Dakotah Tribes of Indians 1851, 1851, Seth Eastman, American, 1808–1875, 8 × 12 1/2 in. (20.32 × 31.75 cm) (image)9 3/4 × 13 in. (24.77 × 33.02 cm) (sheet),

A Drawing Book, March 1884, Unknown Japanese, 3/16 x 6 7/8 x 10 3/16 in. (0.5 x 17.4 x 25.8 cm) (outer frame), Woodblock printed book; ink on paper, Japan, 19th century

Drawing Collection of Kanō Tan'yū's Screen Paintings, 18th-19th century, after Kano Tan'yū, Japanese, 1602 - 1674, 5/16 x 7 1/16 x 10 1/16 in. (0.8 x 18 x 25.5 cm), Woodblock printed book; ink on paper, Japan, 18th-19th century

Iris Approaching Athena and Hera, c. 1780, Attributed to Louis-Jean-François Lagrenée; Artist: Formerly attributed to Jacques Réattu, French, 1760 - 1833, 16 5/8 x 22 1/4 in. (42.23 x 56.52 cm) (image), Pen and black ink, bistre wash, and

Uma Maheshvara (Shiva and Parvati), late 19th century, 10 1/16 x 7 15/16 in. (25.6 x 20.2 cm)8 1/16 x 6 7/16 in. (20.5 x 16.4 cm) (image), Ink on paper, India, 19th century, These four sketches exemplify the liveliness and effectiveness of

Amaryllis lutea, c. 1800-1806, Pierre-Joseph Redouté, French, Flemish (active France), 1759–1840, 18 1/2 x 13 1/4 in. (46.99 x 33.66 cm)25 1/2 × 19 7/8 in. (64.77 × 50.48 cm) (mat)26 3/8 × 20 7/8 × 1 1/2 in. (66.99 × 53.02 × 3.81 cm)

Perseus and Andromeda, 1762, François-Philippe Charpentier; Artist: after Carle Vanloo, French, 1734 - 1817, 14 1/4 x 19 3/8 in. (36.2 x 49.21 cm) (sheet, trimmed within platemark), Etching and aquatint printed in brown (from two plates),

Saint Quintins Castle near Cowbridge in Glamorgan Shire, 1775, Paul Sandby, British, 1731 - 1809, 9 3/8 x 12 1/4 in. (23.81 x 31.12 cm) (plate)10 5/8 x 13 7/8 in. (26.99 x 35.24 cm) (sheet), Etching and aquatint, England, 18th century, Paul

Portrait of Houdon, c. 1803-1808, Nicolas-André Monsiau, French, 1754 - 1837, 5 1/16 x 4 9/16 in. (12.86 x 11.59 cm) (image)10 1/4 x 10 7/8 x 3/8 in. (26.04 x 27.62 x 0.95 cm) (outer frame), Graphite, France, 19th century, Monsiau was a

Leda and the Swan, c. 1858, Albert-Ernest Carrier-Belleuse, French, 1824–1887, 16 1/2 x 21 1/2 x 8 1/2 in. (41.9 x 54.6 x 21.6 cm), Terra cotta, France, 19th century, Based upon a chalk drawing by the Italian Renaissance artist

Winter Horse Raiding Episode, c. 1910, Old Bull, Lakȟóta, born 1845, 35 x 29 in. (88.9 x 73.7 cm), Pigment on canvas, United States, 20th century, Plains artists used a variety of methods to record their activities, drawing or painting

Misty Trees and Mountain Range, c. 1670, Dong Qichang, Chinese, 1555 - 1636, 6 3/4 x 195 3/8 in. (17.15 x 496.25 cm), Ink on paper, China, 17th century, The so-called wet and dry styles, originated by two great masters, Mi Fei

Beside the Sea, 1869, Edgar Degas, French, 1834 - 1917, 9 3/8 x 12 3/8 in. (23.81 x 31.43 cm) (image), Pastel on paper, France, 19th century, In 1869, Degas made a series of pastel drawings near Houlgate, a small seaside resort town in

Archer’s thumb ring, 1662-1722, 1 x 1 1/4 in. (2.54 x 3.18 cm), White nephrite (jade), China, 17th-18th century, According to Confucius, the 'six accomplishments' of a gentleman included painting, calligraphy, poetry, lute (Qin) playing,

Theseus and Pirithoüs Clearing the Earth of Brigands, Deliver Two Women from the Hands of their Abductors, 1806, Marie-Joséphine-Angélique Mongez, French, 1775 - 1855, 23 3/8 × 29 1/2 in. (59.44 × 74.93 cm) (sheet)31 3/4 × 37 3/4 × 2 3/8

The Rest on the Flight (a night piece), 1644, Rembrandt Harmensz. van Rijn, Dutch, 1606–1669, 3 5/8 x 2 5/16 in. (9.2 x 5.9 cm) (plate), Etching, second state of four, Netherlands, 17th century, Like many artists, Rembrandt portrayed the

The Artist Drawing from a Model, unfinished plate, c. 1639, Rembrandt Harmensz. van Rijn, Dutch, 1606–1669, 9 1/8 x 7 1/4 in. (23.1 x 18.4 cm) (plate), Etching, The Netherlands, 17th century, The Artist Drawing is clearly more an allegory

Biedermeier secretary, 1834, 73 x 38 1/2 x 20 1/2 in. (185.42 x 97.79 x 52.07 cm) (closed), Walnut, maple and birch veneers, brass, gilded and ink-inscribed wood, glass mirror, Hungary (probably), 19th century, Rising like a column from its

Yasashi-ga-ura Nicknamed Kujūku(99)-ri hama, Kazusa Province, 1853, 8th month, Utagawa Hiroshige; Publisher: Koshimuraya Heisuke, Japanese, 1797 - 1858, 13 7/16 × 9 in. (34.2 × 22.8 cm) (image, vertical ōban), Woodblock print

Head of a Young Woman in a Headdress, Leaning Left, 1768, Jean-Baptiste Le Prince, French, 1734 - 1781, 4 5/8 x 3 5/8 in. (11.75 x 9.21 cm) (image)6 1/4 x 4 1/2 in. (15.88 x 11.43 cm) (plate)7 1/2 x 5 1/2 in. (19.05 x 13.97 cm) (sheet),

Head of a Bearded Man, Leaning Back, 1768, Jean-Baptiste Le Prince, French, 1734 - 1781, 4 1/8 x 3 3/8 in. (10.48 x 8.57 cm) (image)6 x 4 3/8 in. (15.24 x 11.11 cm) (plate)7 1/8 x 5 7/16 in. (18.1 x 13.81 cm) (sheet), Etching and aquatint in

The Wagon Driver and the Milkmaid, 1768, Jean-Baptiste Le Prince, French, 1734 - 1781, 7 x 5 1/4 in. (17.78 x 13.34 cm) (image)8 3/4 x 5 7/8 in. (22.23 x 14.92 cm) (plate)11 13/16 x 8 1/4 in. (30 x 20.96 cm) (sheet), Etching and aquatint in

Vessel, 15th century, 13 1/2 in. (34.3 cm), Clay, pigments, Peru, 15th century, Urpu, a distinctively Inka vessel shape, is characterized by a pointed base, bulbous body, low handles, long, slender neck, and flaring rim. The pointed

Studies of the Head of Saskia and Others, 1636, Rembrandt Harmensz. van Rijn, Dutch, 1606–1669, 5 15/16 x 5 in. (15.1 x 12.7 cm) (plate), Etching, The Netherlands, 17th century, For these informal etched studies, Rembrandt treated the

Rembrandt Drawing at a Window, 1648, Rembrandt Harmensz. van Rijn, Dutch, 1606–1669, 6 5/16 x 5 3/16 in. (16 x 13.1 cm) (sheet), Etching and drypoint, The Netherlands, 17th century, Provenance, Ernest Devaulx

Mounted Officer, 1610s-1630s, Unknown Flemish, 17th century, 6 5/8 x 7 5/16 in. (16.83 x 18.57 cm), Pen and brown ink and wash, over black chalk, Netherlands, 17th century, This drawing may be related to the important series of battle

Bird (Crow), 1852, Félix Bracquemond, French, 1833–1914, 6 3/8 x 6 13/16 in. (16.19 x 17.3 cm), Pen and brown ink on off-white card, France, 19th century, Unwilling to take any chances with his etched masterpiece The Upper Part of a Door

Scholar's Rock, 19th century, 34 x 20 x 10 in. (86.36 x 50.8 x 25.4 cm) (approximate), Ling-pi stone, China, 19th century, This large, upright scholar's rock has a diagonal profile with two large overhangs dramatically balanced on a small

Drawing, 20th century, 15 1/8 x 10 11/16 in. (38.42 x 27.15 cm) (sheet), Gouache and tempera on cloth, Bhutan, 20th century

Decorative Drawing, 18th century, Ferdinando Galli Bibiena, Italian, 1657 - 1743, 14 3/8 x 7 1/4 in. (36.51 x 18.42 cm) (sheet), Pen and ink with brown grey wash on paper, Italy, 18th century

Judith with the Head of Holofernes, and a Vision of the Virgin and Child Casting Out Evil, c. 1749, Gottfried Bernhard Göz; Artist: Formerly attributed to Unknown Italian, 5 3/4 x 6 13/16 in. (14.61 x 17.3 cm) (sheet), Pen, brown ink and wash,

Location + drawing new bridge Hillegom, Bridges, bridge construction, Drawings, drawings, 29-09-1977, Whizgle News from the Past, Tailored for the Future. Explore historical narratives, Dutch The Netherlands agency image with a modern

Scale model + drawing Union oil, Scale model, Oil, Drawings, drawings, 08-04-1981, Whizgle News from the Past, Tailored for the Future. Explore historical narratives, Dutch The Netherlands agency image with a modern perspective, bridging the

Drawing of a shopping center, 00-08-1964, Whizgle News from the Past, Tailored for the Future. Explore historical narratives, Dutch The Netherlands agency image with a modern perspective, bridging the gap between yesterday's events and

Drawing of the floating residential complex the Arosa Sun, IJmuiden, IJmuiden, Nederland, Whizgle News from the Past, Tailored for the Future. Explore historical narratives, Dutch The Netherlands agency image with a modern perspective,

Award ceremony VSB drawing competition Velserbroek, Nuts, United Savings Banks, Velserbroek, 18-01-1989, Whizgle News from the Past, Tailored for the Future. Explore historical narratives, Dutch The Netherlands agency image with a modern

Award ceremony for Monument Care drawing competition, Award ceremony, 31-10-1975, Whizgle News from the Past, Tailored for the Future. Explore historical narratives, Dutch The Netherlands agency image with a modern perspective, bridging the gap

Drawing of a savings bank, 20-06-1968, Whizgle News from the Past, Tailored for the Future. Explore historical narratives, Dutch The Netherlands agency image with a modern perspective, bridging the gap between yesterday's events and tomorrow's

Drawing competition Red Cross ZH Beverwijk, Drawings, drawings, Competitions, 15-06-1977, Whizgle News from the Past, Tailored for the Future. Explore historical narratives, Dutch The Netherlands agency image with a modern perspective,

Drawing of facade, restoration of Parkweg Velsen-Zuid building, Velsen-Zuid, Parkweg, Whizgle News from the Past, Tailored for the Future. Explore historical narratives, Dutch The Netherlands agency image with a modern perspective, bridging

Drawing service center Velsen-Noord, Drawings, drawings, Velsen-Noord, 26-02-1986, Whizgle News from the Past, Tailored for the Future. Explore historical narratives, Dutch The Netherlands agency image with a modern perspective, bridging the

Pen drawing bottles, Whizgle News from the Past, Tailored for the Future. Explore historical narratives, Dutch The Netherlands agency image with a modern perspective, bridging the gap between yesterday's events and tomorrow's insights. A timeless

Design drawing of the north facade (front) of the PTT post and radio building on the Lange Nieuwstraat corner of Merwedestraat, IJmuiden. The architect is K.L. Sijmons and construction started on March 30, 1966., IJmuiden, The Netherlands,

Street drawing Schalkwijk, Festival, festivities and manifestations, 06-05-1968, Whizgle News from the Past, Tailored for the Future. Explore historical narratives, Dutch The Netherlands agency image with a modern perspective, bridging the gap

School class drawing, IJm., Schools, 29-04-1976, Whizgle News from the Past, Tailored for the Future. Explore historical narratives, Dutch The Netherlands agency image with a modern perspective, bridging the gap between yesterday's events and

Design drawing of new construction complex Kalverstraat, 07-07-1979, Whizgle News from the Past, Tailored for the Future. Explore historical narratives, Dutch The Netherlands agency image with a modern perspective, bridging the gap between

Scale model + drawing Union oil, Scale model, Oil, Drawings, drawings, 08-04-1981, Whizgle News from the Past, Tailored for the Future. Explore historical narratives, Dutch The Netherlands agency image with a modern perspective, bridging the

Children drawing on Grote Markt, Children, kid, children's homes, children's party, children's, Haarlem, Grote Markt, The Netherlands, 20-04-1973, Whizgle News from the Past, Tailored for the Future. Explore historical narratives, Dutch

Drawing of a shopping center, Whizgle News from the Past, Tailored for the Future. Explore historical narratives, Dutch The Netherlands agency image with a modern perspective, bridging the gap between yesterday's events and tomorrow's insights. A

Drawing of a savings bank, 20-06-1968, Whizgle News from the Past, Tailored for the Future. Explore historical narratives, Dutch The Netherlands agency image with a modern perspective, bridging the gap between yesterday's events and tomorrow's

Drawing by Jaspers Zandvoort, Drawings, drawings, Zandvoort, 01-04-1983, Whizgle News from the Past, Tailored for the Future. Explore historical narratives, Dutch The Netherlands agency image with a modern perspective, bridging the gap

Construction drawing for new Staatsvissershavenbedrijf office, IJmuiden, The Netherlands, 29-08-1980, Whizgle News from the Past, Tailored for the Future. Explore historical narratives, Dutch The Netherlands agency image with a modern

Street drawing, holiday games, holiday days, holiday camp, 05-08-1970, Whizgle News from the Past, Tailored for the Future. Explore historical narratives, Dutch The Netherlands agency image with a modern perspective, bridging the gap between

Perspective drawing of the village center of Wijk aan Zee, Whizgle News from the Past, Tailored for the Future. Explore historical narratives, Dutch The Netherlands agency image with a modern perspective, bridging the gap between yesterday's

Inesta drawing competition, 23-05-1990, Whizgle News from the Past, Tailored for the Future. Explore historical narratives, Dutch The Netherlands agency image with a modern perspective, bridging the gap between yesterday's events and tomorrow's

2 French students street drawing, Holiday games, holiday days, holiday camp, 15-08-1967, Whizgle News from the Past, Tailored for the Future. Explore historical narratives, Dutch The Netherlands agency image with a modern perspective,

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