Images at Librifly

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Mirror with Incised Design of Buddha Triad, late Goryeo dynasty (918–1392)–early Joseon dynasty (1392–1910), 15th century, Korea, Bronze, Diam. 8 in. (20.3 cm), Mirrors, In contrast to most bronze mirror decorations, which are molded

Drawing Knotted in the Manner of a Net, 1920, Ink on paper mounted on cardboard, 12 1/4 x 7 1/2 in. (31.1 x 19.1 cm), Drawings, Paul Klee (German (born Switzerland), Münchenbuchsee 1879–1940 Muralto-Locarno

The Cardplayer, 1655–81, Black chalk, probably moistened in certain areas, and gray wash on vellum., 4 5/8 x 5 7/8 in. (11.7 x 15 cm), Drawings, copy after Frans van Mieris the Elder (Dutch, Leiden 1635–1681 Leiden), This study is

Sir Anthony Hausman of Namedey, a knight, pen drawing dated 1559, illustrates use of war hammer

A Dutch Ship in a Strong Breeze, ca. 1665, Brush and gray ink and gray wash over preliminary drawing in pencil., 11 15/16 x 7 13/16 in. (30.3 x 19.8 cm), Drawings, Willem van de Velde I (Dutch, Leiden 1611–1693 London) (and another hand

Preliminary Drawings of Demons, Meiji period (1868–1912), late 19th century, Japan, On paper, 9 1/8 x 13 1/4 in. (23.2 x 33.7 cm), Paintings, Kawanabe Kyōsai (Japanese, 1831–1889), These sketches in the distinctive drawing style of

Landscape with a Horse Held by a Page, after 1770, Pen and brown ink, brown wash, over black chalk; preliminary drawing on paper., 29 x 42 cm., Drawings, Giovanni Domenico Tiepolo (Italian, Venice 1727–1804 Venice

Terracotta kylix (drinking cup), Archaic, ca. 500 B.C., Greek, Attic, Terracotta; red-figure, H. 4 7/16 in. (11.2 cm), Vases, Interior, woman at laver, Exterior, athletes. The interior presents a lovely picture of a young woman at a laver.

The Oxford Drawing Book to which is added, Lessons in Flower Drawing, 1852, Illustrations: lithography, 9 1/4 x 11 1/2 in. (23.5 x 29.2 cm), Books

Architectural Drawing of the Interior of the Comte de Nieuwerkerke's House, ca. 1870, Paris, French, Paris, Pen and watercolor on paper, 23 3/8 x 18 1/4 in. (59.3 x 46.3 cm), Works on Paper-Drawings, Studio of Hector-Martin Lefuel (French,

Plate with figures in arbor, ca. 1740, Chinese, for Dutch market, Hard-paste porcelain painted with colored enamels over transparent glaze (Jingdezhen ware), Diameter: 11 in. (27.9 cm), Ceramics-Porcelain-Export, It is probable that the

Wolf hunt, second half 16th century, Pen and black, dark gray, and gray brown ink, and (between the pen lines of the illusionistic frame) brush and gray ink, on vellum., 2 3/4 x 8 11/16 in. (7.0 x 22.1 cm), Drawings, Étienne Delaune

Two Youths Romping, late 16th century, Attributed to Iran, Ink, pencil, opaque watercolor, and gold on paper, 15.62 in. high 10.37 in. wide (39.7 cm high 26.3 cm wide), Codices, This line drawing, tinted with greenish tan, depicts two

Architectural Drawing of the Exterior of the Comte de Nieuwerkerke's House, ca. 1870, Paris, French, Paris, Pen on paper, 16 1/8 x 9 3/8 in. (40.9 x 23.8 cm), Works on Paper-Drawings, Studio of Hector-Martin Lefuel (French, Versailles

Three Kyōgen Dancers, Meiji period (1868–1912), late 19th century, Japan, Ink on paper, 6 x 10 1/4 in. (15.2 x 26 cm), Paintings, Kawanabe Kyōsai (Japanese, 1831–1889), This appears to be a preliminary drawing by Kyōsai for a painting

A Bashi-Bazouk, 1875, Oil on canvas, 18 1/4 x 13 1/8 in. (46.4 x 33.3 cm), Paintings, Charles Bargue (French, Paris 1825/26–1883 Paris), Bargue, who made very few paintings, is better known for his prints and drawing manuals. Here he

Women Carrying Faggots, ca. 1858, Charcoal heightened with white gouache, charcoal border, on heavy laid gray-blue paper, 13 1/2 x 10 7/8 in. (34.3 x 27.6 cm), Drawings, Jean-François Millet (French, Gruchy 1814–1875 Barbizon), This

Drawing of the Head of a Simurgh, 14th century, Attributed to Egypt, Ink and opaque watercolor on paper, H. 5 1/2 in. (14 cm), Codices

Maternity, 1784, Red chalk on thin off-white laid paper, mounted on off-white laid paper, 14 5/16 x 11 9/16 in. (36.4 x 29.4 cm), Drawings, Benjamin West (American, Swarthmore, Pennsylvania 1738–1820 London), West was a prolific painter of

Diana the Huntress, Oil on wood, 44 7/8 x 23 1/4 in. (114 x 59.1 cm), Paintings, Giampietrino (Giovanni Pietro Rizzoli) (Italian, Milanese, active by ca. 1495–died 1553), Giampietrino was among the most faithful Milanese pupils of Leonardo

Orpheus Charming the Nymphs, Dryads, and Animals, 1757, Pen and brown ink, brown and gray wash, pale blue, yellow, and pink watercolor and white heightening over preliminary drawing in pencil and black chalk., 32 3/16 x 16 3/4 in. (81.8 x

View of the Campidoglio with the Statue of Marcus Aurelius, 1762, Pen and black ink, brush and watercolor over red chalk counterproof., 17 1/4 x 13 1/8 in. (43.8 x 33.4 cm), Drawings, Hubert Robert (French, Paris 1733–1808 Paris), Hubert

Certificate of Membership in the Society of Cincinnati, before 1784, Engraving printed on vellum, ribbon inserted at upper left, image: 13 3/8 x 14 1/2 in. (34 x 36.8 cm), Prints, After a drawing by Augustin Louis Belle (French, Paris

Leonidas at Thermopylae, ca. 1814, Black chalk, squared in black chalk, 16 x 21 5/8 in. (40.6 x 54.9 cm), Drawings, Jacques Louis David (French, Paris 1748–1825 Brussels), This is a compositional study for David's large canvas of the same

The King Drinks, ca. 1645–50, Red chalk with brush and gray, blue, and brown ink, and washes in the same colors over black chalk; remains of a black chalk framing line, H. 6-3/4 in. x W. 10-7/8 in., Drawings, Copy after Jacob Jordaens

Dancer with a Fan, ca. 1880, Pastel on gray-green laid paper, 24 x 16 1/2 in. (61 x 41.9 cm), Drawings, Edgar Degas (French, Paris 1834–1917 Paris), This study is for the central figure in Degas's Dancers in the Classroom of about 1880

Drawing, Late Period, Saite, Dynasty 26, 664–610 B.C., From Egypt, Upper Egypt, Thebes, Deir el-Bahri, Tomb of Nespekashuty (TT 312, ), 1st chamber W. wall; N. section, 1922–23, Limestone, 13 x 11.5 x 4

Joseph's cup found in Benjamin's sack from the biblical story of Joseph (Genesis 44); a scene with soliders, mules and various figures, ca. 1520–25, Engraving, Sheet (Trimmed): 6 7/8 in. × 11 in. (17.5 × 28 cm), Prints, Giovanni Antonio da

Contes et nouvelles en vers par Jean de la Fontaine, 1795, Paris, France, 2 volumes, portraits, Height: 5 1/2 in. (14 cm), 2 volumes. Author's portrait engraved by Dupreel after Rigault in vignette on each title page. 'Dissertation sur la

Drawing from an Ornament Scrapbook: A Snaphaunce Gun Lock, 18th century, probably Italian, Pen and black ink on paper, 7 7/16 x 3 5/8 in. (18.8 x 9.2 cm), Works on Paper-Drawings

Drawing of a Parade Helmet, second half 16th century, probably Venice, Italian, probably Venetian, Colored chalk on paper, 7 1/2 x 8 1/4 in. (19.1 x 20.9 cm), Works on Paper-Drawings

Mantel from Drawing Room of the Craig House, Baltimore, Maryland, ca. 1810, Made in Baltimore, Maryland, United States, American, Wood, Architecture, The architectural elements of the Baltimore Room are from the parlor of a brick row house

Maharaja Sidh Sen Receiving an Embassy, ca. 1700–10, India (Himachal Pradesh, Mandi), Ink and opaque watercolor on paper, 14 9/16 x 10 5/8 in. (37 x 27 cm), Paintings, A Master of the Mandi atelier (Indian), The subdues palette of grays,

The Small Drawing-Room: Mme Hessel at Her Sewing Table, 1917, Oil and gum tempera on paper, glued to canvas, 20 x 30 in. (50.8 x 76.2 cm), Paintings, Édouard Vuillard (French, Cuiseaux 1868–1940 La Baule

The Departure of Saint Paula and Saint Eustochium for the Holy Land, 1740, Red chalk; squared in black chalk, 15 7/8 x 9 5/8in. (40.3 x 24.4cm), Drawings, Giuseppe Bottani (Italian, Cremona 1717–1784 Mantua), The drawing is a squared study

Fragment of a Carpet with Niche and Flower Design, 1630–40, Made in India or Pakistan, Kashmir or Lahore, Silk (warp and weft), pashmina wool (pile); asymmetrically knotted pile, Textile: L. 6 in. (15.2 cm), Textiles-Rugs, This fragment was

The Schoolmaster, ca. 1762, French, Sèvres, Soft-paste biscuit porcelain, Height: 8 5/16 in. (21.1 cm), Ceramics-Porcelain, After a drawing by François Boucher (French, Paris 1703–1770 Paris), Works of art by the French artist François

Design for a Canopy Bed in an Alcove, ca. 1770–90, Pen and black ink, brush and brown and gray wash, 14 15/16 x 20 7/16 in. (38 x 51.9 cm), Anonymous, French, 18th century, This drawing shows a design for a large canopy bed, placed in a

The Virgin and Saint John the Evangelist, about 1500, Pen and light and dark brown ink, brush and brown wash, heightened with white, over black chalk underdrawing., 6 15/16 x 5 9/16 in. (17.7 x 14.2 cm), Drawings, Attributed to Raffaellino

Pastoral Landscape: The Roman Campagna, ca. 1639, Oil on canvas, 40 x 53 1/2 in. (101.6 x 135.9 cm), Paintings, Claude Lorrain (Claude Gellée) (French, Chamagne 1604/5?–1682 Rome), The painting has been identified with one of the drawings

Prince and Groom, mid-16th century style, Attributed to Iran, Ink, watercolor, and gold on paper, H. 6 1/8 in. (15.6 cm), Codices, This drawing is most likely an early 20th–century work in the style of the mid-16th century. The tree at the

Virgin and Child, ca. 1620, Oil on wood, 25 1/4 x 19 1/2 in. (64.1 x 49.5 cm), Paintings, Anthony van Dyck (Flemish, Antwerp 1599–1641 London), At least eight versions of this tender image came out of Van Dyck’s workshop, and this one is

Plaque, second quarter 13th century, Made in Limoges, France, French, Champlevé enamel, copper, Overall: 5 1/4 x 5 1/4 x 1/16 in. (13.4 x 13.4 x 0.2 cm), Enamels-Champlevé, The medieval metalworker's craft was often closely allied to the

Forest Clearing with Figures, before 1700, Pen and brown ink, brown wash on paper backed with Japan paper., 6 1/8 x 9 3/16 in. (15.5 x 23.3 cm), Drawings, Jan Frans van Bloemen (Flemish, Antwerp 1662–1749 Rome) (?), Although the identity of

南宋 佚名 倣夏珪 冒雨尋莊圖 團扇, Returning Home in a Driving Rain, Southern Song dynasty (1127–1279), early 13th century, China, Fan mounted as an album leaf; ink and color on silk, 10 1/16 x 10 3/8 in. (25.6 x 26.4 cm),

Drawing, Late Period, Saite, Dynasty 26, 664–610 B.C., From Egypt, Upper Egypt, Thebes, Deir el-Bahri, Tomb of Nespekashuty (TT 312, ), 1st chamber W. wall; bottom register, 1922–23, Limestone, mortar traces, 6 x 4 x 5.5

Charles IX (1550–1574), King of France, Oil on wood, 12 3/8 x 9 in. (31.4 x 22.9 cm), Paintings, Style of François Clouet (French, painted shortly after 1561), Showing Charles IX around age eleven, wearing the Ordre de Saint-Michel, this

Examples of Hokusai's Drawing, Edo period (1615–1868), 1818, Japan, Ink on paper, 10 1/2 × 7 1/16 × 3/8 in. (26.7 × 17.9 × 1 cm), Illustrated Books, Katsushika Hokusai (Japanese, Tokyo (Edo) 1760–1849 Tokyo (Edo

Exactitude, 1929 (after), Gouache drawing after poster of 1929, image: 39 3/8 x 24 1/2 in. (100 x 62.2 cm), Drawings, Pierre Fix-Masseau (French, Paris 1905–1994

Drawing of Two Medieval Swords, 19th century, Spanish, Paper, ink, graphite, 21 1/8 x 15 9/16 in. (53.6 x 39.6 cm), Works on Paper-Drawings, Mariano Fortuny Marsal (Spanish, Reus 1838–1874 Rome

Church of the French Protestants (Eglise Français du Saint Esprit), New York (front elevation and plan), 1832, Watercolor and ink over graphite, Sheet: 11 3/4 x 8 15/16 in. (29.8 x 22.7 cm), This drawing shows the frontal elevation and

A Seated Slave, mid-18th–early 19th century, Pen and black ink, gray wash, over black chalk, 18 1/8 x 12 3/16 in. (46 x 31 cm), Drawings, Pietro Antonio Novelli (Italian, Venice 1729–1804 Venice), A contemporary of Domenico Tiepolo,

Drawing, Late Period, Saite, Dynasty 26, 664–610 B.C., From Egypt, Upper Egypt, Thebes, Deir el-Bahri, Tomb of Nespekashuty (TT 312, ), 1st chamber W. wall; N. section, 1922–23, Limestone, 7/5 x 14.5 x 6

Distant Town Seen across Water and Fields, 1652, Black chalk with gray wash, 5 1/4 x 8 3/8 in. (13.4 x 21.2 cm), Drawings, Style of Jan van Goyen (Dutch, Leiden 1596–1656 The Hague), This river scene recalls the style of Jan van Goyen’s

Pedestal from the drawing room of the William H. Vanderbilt House, 1879–82, Made in New York, New York, United States, American, Egyptian alabaster, gilt brass, and reproduction red glass jewels, 64 1/4 x 10 15/16 x 10 15/16 in. (163.2 x

Manet and his Easel, 1868–70 (?), Charcoal, blue and white chalk on blue laid paper faded to yellow-gray, 11 5/8 x 8 7/16 in. (29.5 x 21.5 cm), Drawings, Jean-Frédéric Bazille (French, Montpellier 1841–1870 Beaune-la-Rolande), This

Sarcophagus with Scenes from the Lives of Saint Peter and Christ, early 300s, with modern restoration, Roman, Marble, 26 1/2 × 83 1/2 × 24 3/8 in. (67.3 × 212.1 × 61.9 cm), Sculpture-Stone, The sarcophagus was carved about the time when

Longitudinal and Cross Sections of the Salons of the Hôtel de Montholon, 1785–86, Pen and black and gray ink, brush and gray and colored wash., 15 11/16 x 21 11/16 in. (39.8 x 55.1 cm), Jean Jacques Lequeu (French, Rouen 1757–1825 Paris),

Casket with Erotes and Animals, 12th century, Made in Northern Adriatic, Italian or Byzantine, Bone plaques and ornamental strips over wooden casket with silk lining; copper handle, clasps, lock plate, and nails, Overall: 4 3/4 x 15 1/2 x 7

A Magnificent Pavilion by the Lagoon (recto); The Grand Canal, with the Rialto Bridge from the South (verso), ca. 1727–29, Pen and brown ink, over traces of graphite, 8 x 5 9/16 in. (20.3 x 14.2 cm), Drawings, Canaletto (Giovanni Antonio

Jael, ca. 1560, Pen and black ink over black chalk; traced for transfer; remains of original borderline at the top and bottom left, 7 5/16 x 9 3/4 in. (18.6 x 24.7 cm), Drawings, Maarten van Heemskerck (Netherlandish, Heemskerck 1498–1574

The Rommelpot Player, 18th century, Red chalk, 6 3/4 x 4 7/16 in. (17.1 x 11.2 cm), Drawings, French (?) (eighteenth century), This drawing was probably executed in France at a time when the vogue for seventeenth-century Dutch painting inspired

Panorama of Venice from the Bacino di San Marco, Including the Project for the Proposed Teatro Manin, ca. 1788–93, Pen and brown ink, gray wash, and a little body color, 18 11/16 x 34 13/16 in. (47.5 x 88.5 cm), Drawings, Francesco Guardi

Saint Paul, ca. 1510, Brush and brown, gray, and black ink, heightened with white (partly oxidized), on paper washed with brown., 10 3/8 x 4 1/2 in. (26.4 x 11.4 cm), Drawings, Michele da Verona (Italian, Verona ca. 1470–Verona

Bowl with Geometric Rosette, 1100–1150, Byzantine, Engraved slip ware:orange clay, cream slip, transparent yellowish glaze, Overall: 2 15/16 x 7 7/8 in. (7.5 x 20 cm), Ceramics, A compass was used for drawing decorative bands on pottery.

Drawing of the Stern of 'La Réal', 19th century, Pen and black, gray and red ink. Framing lines in pen and black ink, brush and black wash., sheet: 18 1/2 x 28 in. (47 x 71.1 cm), Drawings, Anonymous, French, 19th century

Design for the Pommel Plate of a Saddle from a Garniture of Alessandro Farnese (1545–1592), ca. 1575–80, Parma, Italian, Parma, Pen and brown ink, with color washes, on paper, 19 1/2 x 16 3/8 in. (49.5 x 39.2 cm), Works on

A Woman Reading, 1869 and 1870, Oil on canvas, 21 3/8 x 14 3/4 in. (54.3 x 37.5 cm), Paintings, Camille Corot (French, Paris 1796–1875 Paris), When the seventy-two-year-old Corot showed A Woman Reading at the Salon of 1869, the critic

[Shark Egg Case], 1840–45, Photogenic drawing negative, Image: 7 3/8 × 4 1/2 in. (18.7 × 11.4 cm), irregularly trimmed, Negatives, Unknown (British), This sheet was mounted with five other photogenic drawings of flowers, leaves, and keys

Cabinet, ca. 1883, Made in New York, New York, United States, American, Maple, with painted and gilded surface, bevelled glass, silk velvet, brass, 64 1/2 x 71 x 14 1/2 in. (163.8 x 180.3 x 36.8 cm), Furniture, Attributed to Herter

Saint Christopher, third quarter 16th century, German, Upper Rhine, Pen and black ink, brush and blackish brown and blackish gray wash, highlighted with opaque white, on reddish brown prepared paper, 9 15/16 x 6 7/16 in. (25.2 x 16.4 cm),

Neptune and Caenis, late 16th–early 17th century, probably Netherlandish, Bronze, with dark brown lacquer patina, Height: 12 1/2 in. (31.8 cm), Sculpture-Bronze, Based on an engraving by Johann Sadeler I (Netherlandish, Brussels

Saint John the Evangelist, ca. 1480, Upper Rhine (Switzerland), Pen and blackish brown ink and gray wash over a black chalk underdrawing (still partially visible in the foliate forms of the throne at the upper right), the thin, pale lines of the

Boy Drawing a Bust of the Roman Emperor Vitellius, ca. 1665–75, Mezzotint printed in brown ink; first state of two, plate: 13 1/8 x 10 11/16 in. (33.4 x 27.2 cm), Prints, Wallerant Vaillant (Dutch, Lille 1623–1677 Amsterdam), after Michiel

Man in a Long-sleeved Coat, ca. 1598, Attributed to Iran, Ink on paper, H. 5 9/16 in. (14.1 cm), Codices, Riza-yi `Abbasi (Persian, ca. 1565–1635), This exceptionally fine drawing in red ink contains an all-but-faded signature, 'Riza',

String from papyrus charm, New Kingdom, Ramesside, Dynasty 19-20, 1295–1070 B.C., From Egypt, Upper Egypt, Thebes, Deir el-Bahri, Tomb of Henenu (TT 313, ), 1922–24, Linen, W. 2.3 cm (7/8 in.), This string was found around a papyrus

Large Cover with Four Trees of Life Inhabited by Rabbits and Birds, 4th–5th century, Attributed to Egypt, Linen, wool, 91.25 in. high 60.12 in. wide (232 cm high 156 cm wide), Textiles, The delicate drawing and pleasing colors of the four

Venus and Cupid on a Snail, 1538, Pen and brown ink and gray brown wash over preliminary drawing in black chalk or charcoal., 8 7/8 x 14 3/8 in. (22.5 x 36.5 cm), Drawings, Copy after Hans Brosamer (German, active by 1536, probably died 1552

Pier Table, 1829–35, American, Mahogany veneer, mahogany, pine, ash, black marble and silvered glass, 37 x 43 x 20 1/8 in. (94 x 109.2 x 51.1 cm), Furniture, Joseph Meeks & Sons (American, New York, 1829–35), By the early 1830s,

Westminster Bridge, the Surrey Side, ca. 1750, Watercolor and black chalk, with touches of pen and ink, sheet: 9 3/8 x 34 1/4 in. (23.8 x 87 cm), Drawings, Samuel Scott (British, London ca. 1702–1772 Bath), Scott specialized in marines and

The Knight and His Companion, 1887, Graphite, Sheet: 11 1/4 x 7 5/8 in. (28.6 x 19.4 cm), Drawings, Sir John Tenniel (British, London 1820–1914 London), Tenniel's drawing for a related wood engraving published in the periodical 'Punch' on

Design of architectural constructions ( fantasy), 1700–1780, Red chalk, brush and red chalk wash over lead point, with ruled and compass construction. Scale at bottom of drawing in pen and dark brown ink, 15-3/16 x 9-7/8 in. (38.6 x25.1 cm),

Drawing of the Peacock Room at 49 Prince's Gate, ca. 1900, Watercolor over graphite, sheet: 10 11/16 x 7 3/4 in. (27.1 x 19.7 cm), Pickford Robert Waller (British, London 1849–1930 Bournemouth

Temptation of St Anthony, 16th century, Pen and black ink, brush and green gray and brown wash, white heightening. Irregular fragment of original drawing pasted down onto rectangular sheet with additions drawn by a later hand (?) in pen and gray

Design for an Octagonal Table and Top (Recto); Design for altar or tomb monument (Verso), ca. 1530–60, Pen and brown ink, brush and gray-brown wash (recto); pen and brown ink, brush and brown wash (verso), Overall: 16 1/8 x 10 3/4 in. (41 x

Two Lohans, ca. 1480, Attributed to Iran, possibly Tabriz, Ink and transparent watercolor on paper, Page: H. 13 9/16 in. (34.5 cm), Codices, Images of ascetic figures such as these, referred to as lohans in Buddhist tradition, appear

A New Book of Ornaments, Very Necessary for the Instruction of Those Unacquainted With the Useful Part of Drawing, before 1753, Illustrations: etching, 12 5/16 x 8 1/16 x 3/8 in. (31.3 x 20.5 x 1 cm

Drawings and Prints, Drawing, Thomas Cole's Plan as Altered and Executed; and Plan for the Capitol of Ohio, by Davis, Arc't 1837, Artist, Alexander Jackson Davis, American, New York 1803–1892 West Orange, New Jersey, Davis, Alexander

Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 47 (recto), October 1, 1604, Etching and drawing, Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm), Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua.

Study for an Equestrian Portrait, Possibly that of Albert de Ligne, Count of Arenberg; verso: Various Studies of Statues and Figures, Including the Venus Pudica and Scipio and his Lictor, ca. 1628–32, Pen and brown ink; verso: pen and brown

Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 50 (recto), October 1, 1604, Etching and drawing, Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm), Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua.

Head of a Bearded Man, 1588/89–1623, Black chalk, red, yellow, and pink pastel, highlighted with white on gray-green paper, 13-/4 x 9-11/16 in. (34.9 x 24.6 cm), Drawings, Domenico Fetti (Italian, Rome (?) 1591/92–1623 Venice),

Tracing of a Ballet Costume: Woman in Ruffles, [1923], Pencil on two sheets of tracing paper glued together, 13 1/8 x 9 5/8 in. (33.3 x 24.5 cm), Léon Bakst (Russian, Grodno 1866–1924 Paris), Drawing with a tracing for a ballet costume for

Costume Drawing: Lady and Gentleman Dancing, 1760–1800, Pen and black ink, brush and gray wash, over graphite, sheet: 11 9/16 x 8 1/8 in. (29.3 x 20.7 cm), Drawings, Attributed to Louis Binet (French, Paris 1744–1800 Paris

Saz'-style Drawing of a Dragon amid Foliage, ca. 1540–50, Attributed to Turkey, Istanbul, Ink, opaque watercolor, and gold on paper, Painting: H. 6 13/16 in. (17.3 cm), Codices, Shah Quli (Turkish, born Tabriz, Iran, active ca. mid-16th

Groom and Rider, 1540–50, Attributed to Iran, Tabriz, Ink and watercolor on paper, Painting: H. 4 3/8 in. (11.1 cm), Codices, The subject of horseman and groom is common in Safavid art. The rider’s handsome appearance and elegant posture

Design drawing, ca. 1883, based on earlier design, Graphite, ink, and gouache, sheet: 15 15/16 x 11 in. (40.5 x 27.9 cm), Christopher Dresser (British, Glasgow, Scotland 1834–1904 Mulhouse

Ecorché: Two Studies of the Muscles of the Shoulder and of the Arm, Raised, 1810–63, Counterproof of a drawing in red and black chalk on laid paper, sheet: 10 1/4 x 15 9/16 in. (26 x 39.6 cm), Drawings, Eugène Delacroix (French,

The Judgment of Paris, 1583, Pen and brown ink, brush and brown wash, highlighted with white gouache, over black chalk, on blue paper, 14-7/16 x 18-11/16 in. (36.6 x 47.4 cm), Drawings, Alessandro Allori (Italian, Florence 1535–1607

Drawing for a book illustration, 1738–86, Pen, ink, gray wash, sheet: 4 1/2 x 5 7/8 in. (11.4 x 14.9 cm), Drawings, Samuel Wale (British, Great Yarmouth, Norfolk 1721–1786 London

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