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Design for a Door and Stucco Overdoor Decorations, ca. 1740–60 , Pen and black and brown ink with gray wash, over a graphite outline, sheet: 13 x 7 3/8 in. (33 x 18.7 cm), Anonymous, Italian, 18th century ?, This drawing shows a design for

Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 48 (recto), October 1, 1604, Etching and drawing, Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm), Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua.

Drawing for Punch, 1841–91, Pen, brush, and brown ink, gray ink wash with touches of white gouache, Sheet: 4 15/16 in. × 7 in. (12.5 × 17.8 cm), Drawings, Charles Samuel Keene (British, Hornsey, Middlesex 1823–1891 London

Drawing for a Harpsichord Top, 18th century, Pen and brown ink, brush and gray wash, over graphite, 9-7/16 x 16-3/4 in (24 x 42.5 cm), Anonymous, Italian, 18th century

Nicolaas Henneman in Profile, May 2, 1843, Photogenic drawing from paper negative, Image: 3 3/16 × 2 1/2 in. (8.1 × 6.4 cm), Photographs, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock

Saint Adoring the Madonna and Child, 17th century, Line drawing in pen and brown ink over traces of black chalk on cream paper. Framing outline in pen and brown ink, 14-15/16 x 9-1/8 in. (38 x 23.1 cm), Drawings, Anonymous, Italian,

Adumbration of Capitoline Hill., before 1704, Red chalk, brush and grey wash, pen and black ink. Banderole with inscriptions at center is on a separate sheet which is glued to the drawing., 8 7/8 x 13 1/2 in. (22.5 x 34.3 cm), Drawings, Jan

Drawings and Prints, Drawing, Study for Divine Justice, Artist, James Barry, Irish, Cork 1741–1806 London, Barry, James, Irish, 1741, 1806, ca. 1802, 1797, 1807

The Holy Family, ca. 1510–20, Pen and two shades of brown ink over remains of black chalk, 6 1/8 x 5 in. (15.5 x 12.7 cm), Drawings, Jan Gossart (called Mabuse) (Netherlandish, Maubeuge ca. 1478–1532 Antwerp (?)), In this drawing, Gossart

Bungalow drawing -- Eastern elevation and interior, late 19th–early 20th century, Watercolor, black ink, pen and red ink over graphite, sheet: 8 1/16 x 11 15/16 in. (20.4 x 30.3 cm), Ernest Geldart (British, London 1848–1929

Design drawing, ca. 1883, based on earlier design, Graphite, ink, and gouache, sheet: 15 15/16 x 11 in. (40.5 x 27.9 cm), Christopher Dresser (British, Glasgow, Scotland 1834–1904 Mulhouse

Dr. François Mêlier, 1849, Graphite with graphite framing lines, corrected with white, on buff wove paper, 12 11/16 x 9 3/4 in. (32.2 x 25 cm), Drawings, Jean Auguste Dominique Ingres (French, Montauban 1780–1867 Paris), The physician

Design drawing, ca. 1883, based on earlier design, Graphite, ink, and gouache, sheet: 15 15/16 x 11 in. (40.5 x 27.9 cm), Christopher Dresser (British, Glasgow, Scotland 1834–1904 Mulhouse

Two halved variants for a Chapel, 1700–1780, Pen and brown ink, with ruled and compass construction in pen and brown ink on cream laid paper covered with brown wash. Scale at bottom of drawing in pen and and brown ink, sheet: 18 5/16 x 10 9/16

Diana, 1849, Oil on canvas, 46 1/2 x 27 3/4 in. (118.1 x 70.5 cm), Paintings, Narcisse-Virgile Diaz de la Peña (French, Bordeaux 1808–1876 Menton), In the Salon of 1848, Diaz exhibited a painting entitled The Departure of Diana for the

Dune Landscape with Oak Tree, 1650–55, Black chalk; brush and gray wash; gouache; framing lines in pen and brown ink., 8 1/4 x 7 1/2 in. (21.0 x 19.1 cm), Drawings, Jacob van Ruisdael (Dutch, Haarlem 1628/29–1682 Amsterdam), The image of

Drawing for a Frieze with Rinceau and Grotteschi, 17th century, Pen and brown ink, brush and light brown wash, over black chalk underdrawing and ruled construction, sheet: 10 1/4 x 16 1/16 in. (26 x 40.8 cm), Drawings, Anonymous, Italian,

Thomas Wriothesley (1505–1550), First Earl of Southampton, ca. 1535, Vellum laid on card, Irregular, cut down, 1 1/8 x 1 in. (28 x 25 mm), Miniatures, Hans Holbein the Younger (German, Augsburg 1497/98–1543 London), This miniature,

Studies of Drapery in Sleeve and Collars, 19th century, Black chalk highlighted with white chalk, Sheet: 9 1/8 x 13 7/8 in. (23.2 x 35.2 cm), Drawings, Anonymous, British, 19th century, This drawing of jackets worn by lightly sketched male

Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 16 (recto), October 1, 1604, Etching and drawing, Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm), Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua.

Fragmentary Loom Width with Ogival Pattern, ca. 1570–80, Attributed to Turkey, probably Istanbul, Silk, metal wrapped thread; lampas (kemha), Textile: L. 75 in. (190.5 cm), Textiles-Woven, With its unusual eggplant purple background, gold

Perspectival Drawing of a Column Base with Cube, 1528, Pen and black ink, brush and grey wash, sheet: 4 1/4 x 3 3/4 in. (10.8 x 9.5 cm), Drawings, Peter Flötner (German, Thurgau 1485–1546 Nuremberg), For Renaissance artists, the

Anamorphic Drawing of a Stag, 16th century (?), Black chalk, on light-brown paper, 12 1/2 x 3 1/16 in. (31.7 x 7.7 cm), Drawings, Anonymous, German, 16th century

Near Santa Maria de' Monti, Naples, May 10, 1781, Graphite, pen and ink and wash, sheet: 8 3/8 x 14 in. (21.3 x 35.6 cm), Drawings, Thomas Jones (British, Trevonen, Wales 1742–1803 Pencerrig, Wales), One of the most original British

Vulcan Building a Fence Around the Mount of Venus, late 15th century, Pen and brown ink, over traces of black chalk., 11 1/8 x 15 9/16 in. (28.3 x 39.6 cm), Drawings, Circle of Giovanni Bellini (Italian, Venice, active by 1459–died 1516

Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 6 (verso), October 1, 1604, Etching and drawing, Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm), Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua.

Mrs. Downman, sister-in-law of the artist, 1776, Black chalk and wash, sheet: 9 3/4 x 7 11/16 in. (24.7 x 19.6 cm), Drawings, John Downman (British, Ruabon, Wales 1750–1824 Wrexham, Wales), Downman made this drawing shortly after he

Drawing of an Angel, 16th century, Made in Iran, Ink and gold on paper, 5 1/4 x 2 7/8 in. (13.3 x 7.3 cm), Codices

Lagoon Capriccio (recto); Architectural Scene (verso), 1697–1768, Pen and brown ink, brush and gray wash, over traces of lead or graphite (recto). Squared in lead or graphite. Faint traces of a constructed outline drawing of an architectural

Group of Figures (drawing for a Review), Pen and black ink, 8 3/8 x 6 1/2 in. (21.3 x 16.5 cm), Drawings, Rodolphe Bresdin (French, Montrelais 1822–1885 Sèvres

Two Variant Designs for the Interior of a Room, Decorated with Porcelains, Fireplace in Center, and With the Doorways at Either Side, 18th century, Pen and gray ink, brush and gray wash (and red wash in right half of drawing), over lead or

Drawing for a Vignette of Fame (recto); Cropped Drawing of Horse's Leg (verso), 18th century, Pen and brown ink, brush and brown wash, over traces of graphite or lead, on light cream laid paper, 4-9/16 x 3-1/16 in. (11.6 x 7.8 cm), Drawings,

Drawing Showing Two Alternate Designs for an Ornamental Niche or Panel, 17th century, Pen and brown ink, brush and gray wash over traces of black chalk on light tan paper, 4-11/16 x 7-1/2 in. (11.9 x 19 cm), Drawings, Anonymous, Italian,

Adoration of the Magi, ca. 1915–16, Made in New York, United States, American, Watercolor, gouache, pen and ink, and graphite on pebble finish matt board in original decorated matt with shaped tracery window openings, Overall: 21 3/8 x 30

Woodland Scene with a Peasant, a Horse, and a Cart, ca. 1760, Watercolor, gouache, gray wash and black chalk, on off-white laid paper, Sheet: 9 1/2 x 12 11/16 in. (24.1 x 32.2 cm), Drawings, Thomas Gainsborough (British, Sudbury

The Fountain, 1835–1904, Pen and dark brown ink, brush and grey and brown wash., Drawing: 5 5/16 x 3 1/2 in. (13.5 x 8.9 cm), Drawings, Lorenz Frølich (Danish, Copenhagen 1820–1908 Hellerup

The Proposal (recto); Unfinished drawing of a horse and rider (verso), after 1820, Brush and watercolor over graphite (recto); graphite (verso), sheet: 6 7/8 x 5 3/16 in. (17.5 x 13.2 cm), Drawings, Attributed to Richard Parkes Bonington

Architectural Drawing, 18th century, Pen and black ink over traces of black chalk, on cream paper, 4 x 2-7/8 in. (10.1 x 7.3 cm), Drawings, Anonymous, Italian, first half of the 18th century

Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 24 (recto), October 1, 1604, Etching and drawing, Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm), Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua.

Design for a Stage Set: Triumphal Arch with Fountains in the Side Niches and the View of a Boat through the Arch, 1700–1780, Pen and brown ink, brush and brown wash, traces of lead point. Scale in pen and brown ink at bottom of the drawing, 13

Drawing for an iron stairway with marble treads, 19th century, Ink and graphite, sheet: 10 5/8 x 7 1/2 in. (27 x 19.1 cm), Anonymous, British, 19th century

The Baptism of Christ, 16th century, Pen and brown ink, brush and brown wash, over some traces of red chalk, glued to secondary paper support, 9 1/2 x 6 13/16in. (24.1 x 17.3cm), Drawings, Moncalvo (Guglielmo Caccia) (Italian, Montabone

Landscape with the Rest on the Flight into Egypt, ca. 1635, Pen and brown ink, over traces of black chalk, 7 1/2 x 10 1/2 in. (19. x 26.7 cm), Drawings, Claude Lorrain (Claude Gellée) (French, Chamagne 1604/5?–1682 Rome), Claude executed

Scene from the Last Judgment, Study for the Fresco Decoration of One of the Segments of the Cupola of the Cathedral of Santa Maria del Fiore in Florence, 1576–79, Pen and brown ink, brush and brown wash, over red chalk on ecru paper. The paper

Drawing for an Opera Set, Pen, brown ink and wash, 6 5/16 x 8 11/16 in. (16 x 22 cm), Attributed to Giuseppe Galli Bibiena (Italian, Parma 1696–1756 Berlin

Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 12 (recto), October 1, 1604, Etching and drawing, Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm), Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua.

Group of Five Male Figures in Half-length, 1640–50, Pen and brown ink, over black chalk; glued onto secondary paper support, 2 1/4 x 4 3/8in. (5.7 x 11.1cm), Drawings, Stefano della Bella (Italian, Florence 1610–1664 Florence), This

Design for a Vase: two handles, no cover. In upper right corner, a smaller, simpler shape (recto); Part of a Chalk Drawing (verso), 18th century, Pen and brown ink, brush and brown wash, on cream paper (recto); part of a red chalk drawing

Design drawing, ca. 1883, based on earlier design, Graphite, ink, and gouache, sheet: 15 15/16 x 11 in. (40.5 x 27.9 cm), Christopher Dresser (British, Glasgow, Scotland 1834–1904 Mulhouse

Design for a Bookcase with Writing Desk, ca. 1550–70, Pen and brown ink, brush and brown wash, over leadpoint, 8-3/4 x 12-1/2 in. (22.2 x 31.8 cm), Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550–1580), This

Architectural Drawing for a Chapel, 18th century, Pen and brown ink, gray and pink washes, 15-1/4 x 9-3/8 in, Drawings, Anonymous, Italian, Roman, 18th century

Dragon Wrapped around Saz Leaves, ca. 1550–70, Made in Turkey, Istanbul, Main support: ink on paper, Painting: H. 12 in. (18.6 cm), Codices, The drawing is executed in black ink on tan paper and represents stylized broken leaves around which

Executioner Holding Up a Severed Head, 1682–1754, Charcoal, highlighted with white chalk, on gray-blue paper, 15-15/16 x 10-1/2 in. (40.5 x 26.7 cm), Drawings, Giovanni Battista Piazzetta (Italian, Venice 1682–1754 Venice), This drawing

Study of a Seated Woman, 1778–1810, Black and white chalks on off-white laid paper, Sheet: 10 5/8 × 8 15/16 in. (27 × 22.7 cm), Drawings, John Hoppner (British, London 1758–1810 London), After Sir Joshua Reynolds retired in 1789,

Elephant and Rider, ca. 1640, Attributed to India, Ink and watercolor on paper, H. 6 in. W. 8 in., Drawings, Attributed to Hashim (active 1620–60), A rare drawing to survive from the Mughal period, this sketch was likely made in preparation

Draped Model, ca. 1867, Black and white chalk, Sheet: 14 9/16 x 8 in. (37 x 20.3 cm), Drawings, Albert Joseph Moore (British, York 1841–1893 London), This drawing of a woman in classical robes was made in preparation for a fresco that Moore

Landscape Drawing for a Wall-Decoration, 18th century, Pen and brown ink, brush with brown and gray wash, over black chalk? on cream laid paper. Fragments of framing lines in pen and brown ink. Irregular format: top and bottom arched, 7-1/2 x

Drawing for Mantelpieces, 18th century, Pen and brown ink, brush and gray wash, 9-1/4 x 6-5/16 in (23.4 x 16.1 cm), Anonymous, Italian, 18th century

Drawing for 'La Colonne Trajane', 18th century, Red chalk, 10 1/4 x 8 3/8in. (26.1 x 21.2cm), Drawings, After François Boucher (French, Paris 1703–1770 Paris

Design drawing, ca. 1883, based on earlier design, Graphite, ink, and gouache, sheet: 15 15/16 x 11 in. (40.5 x 27.9 cm), Christopher Dresser (British, Glasgow, Scotland 1834–1904 Mulhouse

Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 19 (recto), October 1, 1604, Etching and drawing, Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm), Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua.

Study of a Woman Seated, 19th century, Black chalk highlighted with white chalk, Sheet: 13 1/2 x 9 3/8 in. (34.3 x 23.8 cm), Drawings, Anonymous, British, 19th century, This drawing of a part of a robe worn by a lightly sketched woman comes

Design for a Crucifix with the Virgin Mary, Saint Mary Magdalen, and Saint John, n.d., Pen and brown ink, brush and brown wash, over traces of black chalk, 15 7/8 x 9 5/16 in. (40.3 x 23.6 cm), Drawings, Polidoro da Caravaggio (Italian,

Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 36 (recto), October 1, 1604, Etching and drawing, Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm), Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua.

Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 21 (recto), October 1, 1604, Etching and drawing, Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm), Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua.

Drawing Room with Seated Woman, 1848, Watercolor, sheet: 9 5/8 x 13 5/8 in. (24.4 x 34.6 cm), Drawings, Anonymous, British, 19th century

Landscape with a Large Building, 1818–83, Graphite, squared, 14 7/8 x 19 1/2 in. (37.8 x 49.6 cm), Drawings, Franz von Hauslab the Younger (Austrian, Vienna 1798–1883), Von Hauslab is a little known figure in the history of art. A private

Design for furniture, ca. 1892–1920, Made in New York, United States, American, Pen and brown ink, and graphite on tracing paper, Overall: 9 1/16 x 17 9/16 in. (23 x 44.6 cm), Drawings, Possibly Tiffany Glass Company (1885–92), Possibly

Preparatory Studies for Plates 90 and 91 of 'Maisons de plaisance, ' Volume II, 18th century, Red chalk over traces of black chalk. Horizontal black-chalk line at center, and round compass marks in black chalk on lower drawing, 8 15/16 x 10 1/16

Design for the Decoration over an Arch with the Personification of Justice, 1680–1730, Pen and brown ink, brush with gray and brown wash, over black chalk., 5 5/16 x 2 1/16 in. (13.5 x 5.2 cm) maximum; drawing partially silhouetted.,

Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 32 (recto), October 1, 1604, Etching and drawing, Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm), Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua.

Antique Naval Battle (recto); A Battle Scene (verso), ca. 1550–55, Pen and brown ink, brush and brown wash, squared for transfer in black chalk (recto); black chalk (verso), 4-15/16 x 12-1/8 in. (12.5 x 30.8 cm), Drawings, Lattanzio Gambara

Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 8 (verso), October 1, 1604, Etching and drawing, Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm), Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua.

St. George and the Sorcerer of Dacian, 1555, Pen and brown ink, brush and blue wash, touches of white heightening, extremely faint traces of preliminary drawing in black chalk. Framing lines in pen and brown in, circular sheet: 26.7 cm

Bungalow drawing -- Southern Elevation, late 19th–early 20th century, Watercolor, black ink, pen and red ink over graphite, sheet: 8 x 11 15/16 in. (20.3 x 30.4 cm), Ernest Geldart (British, London 1848–1929

Drawing for a New Year's Card, 1890–1928, Graphite with touches of gold pigment, Sheet: 12 7/8 × 5 1/4 in. (32.7 × 13.4 cm), Charles Rennie Mackintosh (British, Glasgow, Scotland 1868–1928 London

Figure in a Fur Trimmed Jacket, 19th century, Black chalk highlighted with white chalk, Sheet: 14 5/8 x 8 13/16 in. (37.1 x 22.4 cm), Drawings, Anonymous, British, 19th century, This drawing of fur-trimmed garments worn by a lightly sketched

Entrance, Farwell Building, late 19th–early 20th century, Made in New York, United States, American, Black ink and graphite with watercolor and compass construction on wove paper, mounted on illustration board, Overall: 38 3/8 x 25 1/2 in.

'Drawing Room of the Plas. Spa', 1838, Watercolor over graphite, sheet: 5 3/16 x 7 5/16 in. (13.2 x 18.5 cm), Drawings, Julien Muère (British (?), active 1838

Artist's Scaled Drawing of Hieroglyphs, New Kingdom, Dynasty 18, ca. 1479–1458 B.C., From Egypt, Upper Egypt, Thebes, Deir el-Bahri, Hatshepsut Hole, 1922–23, Limestone, ink, 16 x 14.5 x 4 cm (6 5/16 x 5 11/16 x 1 9/16 in.), This

Project for a Chapel, 1700–1780, Pen and brown and gray ink, brush and gray wash over lead point, with ruled and compass construction. Measuring scale at bottom of drawing in pen and brown ink, 17 5/8 x 11 3/8 in. (44.8 x 28.9 cm), Drawings,

Drawing Room at Mar Lodge, Parish of Craithe and Braemar, Aberdeenshire, ca. 1860, Watercolor, sheet: 13 7/8 x 19 1/4 in. (35.2 x 48.9 cm), Drawings, Anonymous, British, 19th century

Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 23 (recto), October 1, 1604, Etching and drawing, Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm), Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua.

Design for a Wall Monument, ca. 1490, Pen and brown ink, brush and brown wash, blue gouache, on vellum, 7 1/4 x 7 1/4 in. (18.4 x 18.4 cm), Drawings, Francesco di Giorgio Martini (Italian, Siena 1439–1501 Siena), Francesco di Giorgio was

Standing Figure in a Long Coat, 19th century, Black chalk highlighted with white chalk, Sheet: 14 3/4 x 8 3/8 in. (37.5 x 21.3 cm), Drawings, Anonymous, British, 19th century, This drawing of a coat worn by a lightly sketched form comes from

The Martyrdom of Saint Paul, ca. 1557–58, Pen and brown and gray ink, brown wash, over black chalk, heightened with white, on buff paper., 19 3/16 x 14 13/16 in. (48.8 x 37.7 cm), Drawings, Taddeo Zuccaro (Italian, Sant'Angelo in Vado

Mr. Green in the Albion Balloon, Having Ascended from Vauxhall Gardens, August 12, 1842, ca. 1842, Watercolor, Sheet: 8 1/2 x 11 1/2 in. (21.6 x 29.2 cm), Drawings, Anonymous, British, 19th century, This drawing shows a balloon flight made

Grotesque Ornament Drawing, 17th century, Pen and brown ink, brush with brown wash and green watercolor, over black chalk underdrawing and ruled construction, sheet: 10 1/4 x 15 15/16 in. (26 x 40.5 cm), Drawings, Anonymous, Italian, 17th

Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 42 (recto), October 1, 1604, Etching and drawing, Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm), Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua.

Drawings and Prints, Drawing, Pyrrhus in the House of Glaucias, Artist, Augustin Pajou, French, Paris 1730–1809 Paris, Pajou, Augustin, French, 1730, 1809, late 18th century, 1750, 1809

The Castellan Tomb in Saint Germain-des-Prés, 1724 (before), Pen and black and grey ink, brush and black, beige, green, grey, and orange wash, 11 3/4 x 8 1/16 in. (29.8 x 20.4 cm.), Jean Chafourier (French, Paris 1679–1757 St.

Spring, Drawing for Engraving of the Same Subject, ca. 1594, Pen, brown ink, and red-brown wash, with traces of oxidized white lights, Overall: 7 5/8 x 5 11/16in. (19.4 x 14.5cm), Drawings, Hendrick Goltzius (Netherlandish, Mühlbracht

Irish Cars (Study of Two Carts in a Landscape), 1800–1873, Pen and black ink, brush and gray wash over graphite, 10 1/8 x 14 5/16 in. (25.7 x 36.4 cm), Drawings, Cornelius Varley (British, London 1781–1873 London), An inscription at lower

Drawings and Prints, Drawing Ornament & Architecture, Design for a Mural with the Battle between the Gods of Olympus and the Giants, Artist, Paul Chenavard, French, Paris 1808–1895 Paris, Chenavard, Paul, French, 1808, 1895, ca.

Landscape with Architecture, n.d., Pen and brown ink, brush and brown and black ink over traces of black chalk., sheet: 11 5/8 x 9 1/4 in. (29.5 x 23.5 cm), Drawings, Isaac de Moucheron (Dutch, Amsterdam 1667–1744 Amsterdam), In Holland at

1/4 Design for a Painted Ceiling, architectural perspective, 1700–1780, Brush and gray wash over lead point or graphite, with ruled and compass construction. Scale at bottom of drawing in pen and gray ink over lead point, 9-3/4 x 10-15/16 in.

Design drawing, ca. 1883, based on earlier design, Graphite, ink, and gouache, sheet: 15 15/16 x 11 in. (40.5 x 27.9 cm), Christopher Dresser (British, Glasgow, Scotland 1834–1904 Mulhouse

One Quarter of a Design for a Painted Ceiling on Recto. Verso, ornements., 1700–1780, Pen and brown ink, brush with gray ink and gray wash, over lead point, with ruled and compass construction (recto). Architectural drawing in lead point

Studies for a Scourging Soldier and the Head of Christ, ca. 1565, Pastel with red chalk on laid light brown paper (formerly blue), Sheet: 15 1/16 x 9 9/16 in. (38.3 x 24.3 cm), Drawings, Jacopo Bassano (Jacopo da Ponte) (Italian, Bassano del

Drawings and Prints, Drawing, St. John the Evangelist, Artist, John Flaxman, British, York 1755–1826 London, Flaxman, John, British, 1755, 1826, ca. 1811, 1806, 1816

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