Images at Librifly

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Design for an Antependium: The Madonna della Misericordia with Saints John the Baptist and John the Evangelist, the Circumcision, and the Presentation of the Virgin, ca. 1370, Pen and brown ink, yellow watercolor in the backgrounds of the

Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 25 (recto), October 1, 1604, Etching and drawing, Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm), Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua.

Bungalow drawing -- Floor Plan, late 19th–early 20th century, Watercolor, black ink, pen and red ink over graphite, sheet: 8 1/16 x 11 15/16 in. (20.4 x 30.4 cm), Ernest Geldart (British, London 1848–1929

An Infantryman Drawing his Sword, 1640–91, Brush and gray and light brown wash, heightened with white, on gray-green prepared paper, sheet: 7 1/4 x 5 1/2 in. (18.4 x 13.9 cm), Drawings, Jacob Matthias Weyer (German, Hamburg 1620–1691

Paradise, 1565–77, Pen and brown ink, brush and brown wash, watercolor, gouache, highlighted with white gouache, left and central sections squared in red chalk, on three sheets of brown paper, joined vertically. A piece of brown paper with

Design drawing, ca. 1883, based on earlier design, Graphite, ink, and gouache, sheet: 15 15/16 x 11 in. (40.5 x 27.9 cm), Christopher Dresser (British, Glasgow, Scotland 1834–1904 Mulhouse

Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 14 (recto), October 1, 1604, Etching and drawing, Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm), Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua.

Archangel Holding a Lily in a Landscape with Clouds Bearing Putti (Fragment of a Scene of the Annunciation), 18th century, Pen and brown ink. Traces of framing outlines in pen and brown ink from the old mount on drawing surface, 10-1/8 x 4-15/16

Allegorical Figure of Fame, ca. 1590, Graphite and red chalk, highlighted with white gouache, on light brown paper, 9 13/16 x 6 1/4in. (25 x 15.9cm), Drawings, Cavaliere d'Arpino (Giuseppe Cesari) (Italian, Arpino 1568–1640 Rome), The

The Love Song, 1868–77, Oil on canvas, 45 x 61 3/8 in. (114.3 x 155.9 cm), Paintings, Sir Edward Burne-Jones (British, Birmingham 1833–1898 Fulham), Burne-Jones associated this painting with a refrain from a Breton folk ballad: 'Alas, I

Drawing for a Letterhead for 'The Court Journal', 1830–62, Pen and black ink, brush and gray wash over graphite with touches of gouache, sheet: 5 11/16 x 9 1/16 in. (14.4 x 23 cm), Freeman Gage Delamotte (British, Sandhurst 1813/14–1862

Architectural Drawing, 18th century, Pen and black ink, brush and green-gray wash, over black chalk, on beige laid paper, 10-5/8 x 10-1/2 in. (27 x 26.7 cm), Anonymous, Italian, first half of the 18th century

View of Calcar on the Lower Rhine near Cleves, ca. 1640–42, Black chalk and gray wash and graphite, watercolored in green and ochre yellow, partly brushed with gum arabic; framing lines in black ink, Sheet: 7 1/2 x 19 1/2 in. (19.1 x 49.5 cm),

Study for The Lictors Bringing Brutus the Bodies of his Sons, ca. 1788, Black chalk and brown ink on paper, 9 7/16 x 12 1/8 in. (23.9 x 30.8 cm), Drawings, Jacques Louis David (French, Paris 1748–1825 Brussels), This drawing is one of

A Seated Couple, Embracing, ca. 1865, White chalk with touches of graphite, sheet: 13 3/16 x 9 15/16 in. (33.5 x 25.2 cm), Drawings, Sir Edward Burne-Jones (British, Birmingham 1833–1898 Fulham), Burne-Jones likely made this drawing in the

Longitudinal and Cross Sections of the Dining Rooms of the Hôtel de Montholon, 1785–86, Pen and black and gray ink, brush and gray and colored wash. Black border line., 15 3/4 x 21 5/8 in. (40 x 54.9 cm), Jean Jacques Lequeu (French, Rouen

Memyo Bosatsu, 馬鳴菩薩像, Heian period (794–1185), 12th century, Japan, Hanging scroll; ink and color on paper, Overall: 46 1/4 x 16 1/2 in. (117.5 x 41.9 cm), Paintings, This iconographic drawing represents Memyo Bosatsu, a deity of

Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 5 (verso), October 1, 1604, Etching and drawing, Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm), Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua.

Drawing for Foreign Office, Westminster, for competition of 1857, 1857, Pen and ink and wash over graphite, sheet: 13 x 19 3/8 in. (33 x 49.2 cm), Sir Robert Smirke (British, London 1780/1781–1867 Cheltenham

The Dirty Bride or The Wedding of Mopsus and Nisa, ca. 1566, Pen and black-brown ink on white-prepared partially carved block of applewood, Overall: 10 3/8 x 16 3/8 x 1 1/8 in. (26.4 x 41.6 x 2.9 cm), Blocks, Pieter Bruegel the Elder

Saint Christopher Bearing the Christ Child, 1484–1539, Pen and brown ink, brush and brown wash, highlighted with white gouache, on blue paper, squared vertically and horizontally in red chalk, diagonally in charcoal, 14 1/4 × 9 3/4 in.

The Martyrdom of Saint Andrew (recto); Back of a Woman Wearing a Long Dress with a Ruff (verso), 1689–1767, Pen and brown ink, brush and gray and brown wash, over slight traces of lead or graphite (recto). Drawing executed with arched top.

The Illmatched Couple, 1602, Black and red chalk, brush and green wash. Laid down on blue cardboard mount with framing lines in gold, brown and red, Circular drawing. Diameter: 7 3/4 in. (19.7 cm). Mount: 13 9/16 x 13 in. (34.5 x 33 cm),

Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 4 (verso), October 1, 1604, Etching and drawing, Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm), Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua.

A Mill Near Colchester, 1833, Watercolor over traces of graphite, with scratching out and a touch of pen and brown ink on the horizon, evidence of squaring for transfer in graphite, with a color wash test verso, sheet: 5 3/4 x 7 3/4 in. (14.6 x

Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 11 (recto), October 1, 1604, Etching and drawing, Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm), Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua.

Allegory of the Redemption of the World, 1528–88, Pen and black ink, brush and gray wash, highlighted with white gouache, on gray washed paper, 24 1/8 x 16 9/16in. (61.3 x 42cm), Drawings, Paolo Veronese (Paolo Caliari) (Italian, Verona

Limestone figure of kneeling Herakles, Archaic, late 6th or early 5th century B.C., Cypriot, Limestone, H. 28 in. (71.1 cm), Stone Sculpture, This very fine sculpture shows Herakles as an archer. He has a quiver and scabbard, and was probably

Design for a Smallsword Hilt, ca. 1780, French, Pen, ink, colored wash, chalk, paper, 9 x 7 in. (23 x 17.8 cm), Works on Paper-Drawings, This rare drawing gives us a glimpse of how an elegant sword hilt was custom designed for an individual

Design drawing, ca. 1883, based on earlier design, Graphite, ink, and gouache, sheet: 15 15/16 x 11 in. (40.5 x 27.9 cm), Christopher Dresser (British, Glasgow, Scotland 1834–1904 Mulhouse

Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 26 (recto), October 1, 1604, Etching and drawing, Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm), Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua.

Vision of Constantine, copy after a drawing by Giacinto Gimignani, 17th century, Black chalk?, brush and gray wash, over leadpoint? underdrawing on light tan paper. Framing outlines in black chalk? over leadpoint?, 10-13/16 x 12-11/16 in. (27.5

'Who Got it from the Fruit-woman': Peeriwinkie the Puddock, from 'Topsy-Turvy Tales', ca. 1923, Pen and ink and wash, sheet: 14 1/2 x 9 3/8 in. (36.8 x 23.8 cm), Drawings, William Heath Robinson (British, London 1872–1944 Highgate, London),

The Lovers, dated A.H. 1039/ A.D. 1630, Attributed to Iran, Isfahan, Opaque watercolor, ink, and gold on paper, Painting: H. 6 7/8 in. (17.5 cm), Codices, Painting by Riza-yi `Abbasi (Persian, ca. 1565–1635), The artist Riza yi 'Abbasi

Autumn; Study for an Engraving, n.d., Pen and brown ink, red-brown wash, over black chalk, heightened with a little white gouache, 7 5/8 x 5 11/16 in. (19.4 x 14.4 cm), Drawings, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617

Design (Full-Scale Working Drawing) for a Large Oval Silver Dish with Silver Gilt Border Showing Vulcan's Forge, 1646–1722, Pen and brown ink, brush and brown wash, yellow and blue watercolor over black chalk. Framing lines in pen and brown

Anchira-taisho Jochi, 安底羅大将図像(付.裏書), Heian period (794–1185), 1164, Japan, Pair of hanging scrolls; ink on paper, Image (a): 21 7/8 x 12 5/8 in. (55.6 x 32.1 cm), Paintings, The subject of this iconographic drawing,

Perspectival Drawing of a Column Base with Geometrical Form, 1528, Pen and black ink, brush and bluish grey and brown washes, sheet: 4 3/16 x 2 1/2 in. (10.6 x 6.4 cm), Drawings, Peter Flötner (German, Thurgau 1485–1546 Nuremberg

Drawing for Spencer's Fairie Queene, ca. 1855, Graphite, sheet: 7 3/4 x 6 1/4 in. (19.7 x 15.9 cm), Drawings, Alfred George Stevens (British, Blandford Forum, Dorset 1817–1875 London

Temptation of St. Anthony (recto); Fantastic Landscape (verso), ca. 1520, Pen, or point of the brush, and gray ink, heightened with white gouache, on green prepared paper; verso: pen and brown ink, 7 5/8 x 9 15/16 in. (19.3 x 25.2 cm),

The Rainbow, 1794, Watercolor over graphite, sheet: 7 5/16 x 10 5/8 in. (18.5 x 27 cm), Drawings, John Glover (British, Houghton-on-the-Hill, Leicester 1767–1849 Launceston, Tasmania), Glover recorded the effects of a passing evening storm

Study of Two Women Grieving, before 1787, Pen and gray ink, brush and gray wash, sheet: 13 3/8 x 9 7/16 in. (34 x 24 cm), Drawings, John Flaxman (British, York 1755–1826 London), This drawing is a study for a funerary monument by Flaxman,

Card Players in a Drawing Room, Oil on canvas, 31 1/8 x 38 3/4 in. (79.1 x 98.4 cm), Paintings, Pierre Louis Dumesnil the Younger (French, Paris 1698–1781 Paris), The theatrical effect created by the firelight and candles is typical of the

Drawing for Ceiling Decoration Consisting of Three Panels Each Showing a Different Scene with Figures, 1634–89, Pen and brown ink, 4-1/2 x 10-3/8 in. (11.4 x 26.4 cm), Drawings, Ciro Ferri (Italian, Rome 1634?–1689 Rome

Christ Appearing to Mary Magdalen, ca. 1490, Pen and brown ink, brush and brown wash, and black chalk, 9 7/8 x 6 5/8 in. (25.1 x 16.8 cm), Drawings, Master of the Drapery Studies (German, Strasbourg, ca. 1470–1500), Although the artist

Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 43 (recto), October 1, 1604, Etching and drawing, Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm), Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua.

Frolicking Figures and Animals, Meiji period (1868–1912), 19th century, Japan, Handscroll; wash drawing, 20 ft. 8 in. x 10 7/8 in. (629.9 x 27.6 cm), Paintings, Kawanabe Kyōsai (Japanese, 1831–1889), Trained in the academic Kanō school

Drawing of a Catafalque for Philip II of Spain, 1598, 1598, Pen, brown ink and washes, 18-3/4 x 8-3/4 in. (47.6 x 22.2 cm), Drawings, Alessandro Casolani della Torre (Italian, Siena 1552–1606 Siena

Study of Anatomy: A Youth Drawing an Ecorché of a Standing Man., 1550–1600, Pen and brown ink, brush and gray-brown wash, over traces of black chalk or leadpoint, 14-3/8 x 10 in. (36.5 x 25.4 cm), Drawings, Anonymous, Italian, 16th to

Study of Two Women, ca. 1755, Black chalk, heightened with white, on gray paper, 8 7/16 x 13 3/8 in. (21.5 x 34 cm), Drawings, Étienne Jeaurat (French, Vermenton 1699–1789 Versailles), Jeaurat belonged to a literary society interested in

Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 13 (recto), October 1, 1604, Etching and drawing, Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm), Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua.

Édouard Manet, Seated, Holding His Hat, ca. 1865, Graphite and black chalk on wove (China) paper, Sheet: 13 1/16 x 9 1/16 in. (33.1 x 23 cm), Drawings, Edgar Degas (French, Paris 1834–1917 Paris), This drawing and another by Degas, both

Seated Man Reading, 1774, Red chalk, 13 3/8 x 9 3/16 in. (34 x 23.3 cm), Drawings, Jean Honoré Fragonard (French, Grasse 1732–1806 Paris), This confident drawing of a seated man absorbed in his book is closely related to a group of

Design drawing, ca. 1883, based on earlier design, Graphite, ink, and gouache, sheet: 15 15/16 x 11 in. (40.5 x 27.9 cm), Christopher Dresser (British, Glasgow, Scotland 1834–1904 Mulhouse

元 張遜 石上松花圖 軸, Rocky Landscape with Pines, Yuan dynasty (1271–1368), before 1346, China, Hanging scroll; ink on silk, Image: 35 3/4 × 16 3/4 in. (90.8 × 42.5 cm), Paintings, Zhang Xun (Chinese, ca. 1295–after 1349), A

Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 10 (recto), October 1, 1604, Etching and drawing, Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm), Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua.

The Lamentation, ca. 1505, Pen and black ink, over black chalk, 6 x 9 in. (15.3 x 22.9 cm), Drawings, circle of Jan de Beer (Netherlandish, Antwerp ca. 1475–1528 Antwerp), This exceptionally fine work exemplifies the early sixteenth-century

Design for an Altar: Two Halved Variants, 1700–1780, Pen and brown ink, brush with gray, red chalk and yellow wash, over lead point or graphite, with ruled and compass construction. Scale at bottom of drawing in pen and brown ink, sheet: 19

The Last Supper, after Leonardo da Vinci, 1634–35, Red chalk, 14 1/4 x 18 11/16 in. (36.2 x 47.5 cm), Drawings, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam), This unusually large red-chalk drawing by Rembrandt is

View of Rome from the Janiculum in the South-West; verso: Sketch of buildings and plants, ca. 1540–50, Pen and brown ink, brown and blue wash, over black chalk, on three pieces of paper glued together, Sheet: 51 3/16 × 8 5/16 in. (130 ×

Design drawing, ca. 1883, based on earlier design, Graphite, ink, and gouache, sheet: 15 15/16 x 11 in. (40.5 x 27.9 cm), Christopher Dresser (British, Glasgow, Scotland 1834–1904 Mulhouse

Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 3 (recto), October 1, 1604, Etching and drawing, Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm), Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua.

Measured Drawing of Cornice, 19th century, Graphite, Anonymous, British, 19th century

Fantaisie sur le costume moderne': Two female haute couture figures, 1910, Graphite, brush and watercolor and bodycolor, 12 3/4 x 9 3/4 in. (32.4 x 24.8 cm), Léon Bakst (Russian, Grodno 1866–1924 Paris), Drawing with two female figures,

Design drawing, ca. 1883, based on earlier design, Graphite, ink, and gouache, sheet: 15 15/16 x 11 in. (40.5 x 27.9 cm), Christopher Dresser (British, Glasgow, Scotland 1834–1904 Mulhouse

Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 39 (recto), October 1, 1604, Etching and drawing, Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm), Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua.

Putti Playing with Hoops (Cartoon for a Fresco in the Parma Cathedral), ca. 1548, Black chalk; outlines pricked for transfer, Sheet: 22 × 24 13/16 in. (55.9 × 63 cm), Drawings, Michelangelo Anselmi (Italian, Siena or Lucca (?) 1492–1556

Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 31 (recto), October 1, 1604, Etching and drawing, Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm), Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua.

Bear Hunt, ca. 1470–90, Flemish, Pen and brown ink, 11 1/4 x 16 11/16 in. (28.6 x 42.4 cm), Drawings, Flanders (Brussels?) (1470–1490), Fusing narrative and stereotype, this drawing partakes of a long pictorial tradition blending the

Drawings and Prints, Drawing Ornament & Architecture, Design for the Gardens of the Château de Savigny-lès-Beaune, Artist, Anonymous, French, 18th century, Anonymous, French, 18th century, French, 1700, 1800, 18th century

Fragment of a terracotta relief with two horses, Archaic, 6th century B.C., Greek, South Italian, Terracotta, Overall: 13 1/2 x 11 1/4 in. (34.3 x 28.6 cm), Terracottas, The fragment shows the left side of a team of four horses drawing a

Study for the Equestrian Monument to Francesco Sforza, early to mid 1480s, Pen and brown ink, light and dark brown wash; outlines of the horse and rider pricked for transfer., 11 1/16 x 10 in. (28.1 x 25.4 cm), Drawings, Antonio Pollaiuolo

Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 20 (recto), October 1, 1604, Etching and drawing, Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm), Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua.

Design for Decoration of a Drawing Room, 1758–1803, Pen and brown ink, brush and brown and colored wash, 11-7/16 x 19 in. (29.1 x 48.2 cm), Giovanni Battista Maderna (Italian, Verona 1758–1803 Stockholm

Annibale Carracci Introduces Painting to Apollo and Minerva, 1674, Etching and engraving, Sheet: 18 1/8 x 25 1/4 in. (46 x 64.1 cm), Prints, Pietro Aquila (Italian, Marsala, Sicily 1650–1692/1700 Rome), After a drawing by Carlo Maratti

Design for the Ancient Order of Foresters: 'Unity, Benevolence and Concord', 19th century, Pen and ink, brush and wash, watercolor and gouache, sheet: 10 x 6 1/2 in. (25.4 x 16.5 cm), Drawings, Anonymous, British, 19th century, The man

Female Allegorical Figure of Benignitas (Goodness), with Attributes of Abundance Standing in a Niche (recto); Architectural Sketches (verso), 1550–70, Pen and brown ink, brush and brown wash, over an underdrawing done with traces of black

Saint Paul, ca. 1430, Netherlandish, Pen and brown ink, point of the brush and brown ink, with purple and gold heightening in the hilt of the sword, on vellum, 5 3/4 x 3 1/8 in. (14.6 x 7.9 cm), Drawings, Circle of Jan van Eyck

Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 35 (recto), October 1, 1604, Etching and drawing, Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm), Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua.

Designs for a Chimney-piece for Richard Barwell's Drawing Room at Esher, Surrey, ca. 1760s, Pen, ink and wash, sheet: 10 1/16 x 12 in. (25.5 x 30.5 cm), Sir William Chambers (British (born Sweden), Göteborg 1723–1796 London

Architectural Drawing (recto); Sketch of a Figure (verso), 18th century, Pen and brown ink, over lead or graphite on cream laid paper (recto); oval framing lines in pen and brown ink; black chalk (verso), 6-5/16 x 4-5/16 in. (16 x 11 cm),

Bungalow drawing -- Front Elevation, 1911, Watercolor, pen and black ink over graphite, sheet: 8 1/16 x 11 15/16 in. (20.5 x 30.3 cm), Ernest Geldart (British, London 1848–1929

Saint Sebastian Clubbed to Death, 1602–49, Red chalk, over some faint traces of black chalk, 18-1/8 x 12 in. (46.0 x 30.5 cm), Drawings, Andrea Camassei (Italian, Bevagna near Foligno 1602–1649 Rome), Pierre-Jean Mariette, one of its

Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 2 (verso), October 1, 1604, Etching and drawing, Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm), Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua.

Circular Drawing of a Classical Interior with Fire in Brazier, Greek Vase and Circular Tripod Table, 19th century, Pen and brown ink, brush and brown wash over graphite underdrawing, 6 1/4 in. round (15.8 cm), Drawings, Jules-Frédéric

Elevation and Plan for an Altar, 1700–1780, Pen and brown ink, brush with gray and pink (only at plan drawing) wash, over graphite (recto). Scales at bottom in pen and brown ink over graphite., 20-1/2 x 14-3/16 in. (52 x 36.1 cm), Drawings,

Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 44 (recto), October 1, 1604, Etching and drawing, Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm), Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua.

Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 18 (recto), October 1, 1604, Etching and drawing, Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm), Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua.

Design for a Ceiling for the First Drawing Room at Culzean Castle, Ayrshire, 1779–82, Pen, watercolor and green wash, sheet: 13 9/16 x 17 in. (34.4 x 43.2 cm), Robert Adam (British, Kirkcaldy, Scotland 1728–1792 London

Drawing after a XVIth Century Marble Pilaster and Capital., 1886, Pencil, sheet: 18 1/4 x 12 1/4 in. (46.4 x 31.1 cm), Drawings, Ignazio Dimino (Italian

The Raising of the Youth of Naim, late 16th–early 17th century, Pen and black ink, grey wash, white bodycolour; on a counterproof of a pen drawing, sheet: 11 7/8 x 7 15/16 in. (30.1 x 20.1 cm), Drawings, Georg Pecham (German, Munich ca.

Drawings and Prints, Drawing Ornament & Architecture, Lyndhurst for George Merritt, Tarrytown, New York (first floor plan), Artist, Alexander Jackson Davis, American, New York 1803–1892 West Orange, New Jersey, Davis, Alexander Jackson,

Drawing of Bas-Relief, 16th century, Pen and brown ink on tracing paper, 5-3/8 x 8-1/8 in. (13.7 x 20.6 cm), Drawings, Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550–1580

Two men in Conversation, early 20th century, Brush and black ink on cardboard., (Drawing) 6 1/2 x 6 1/2 in. (16.5 x 16.5 cm), Drawings, Hans Schliessmann (German, Mainz 1892–1920 Vienna

Tomb Design, 1740–75, Pen and black ink, brush and grey brown, and pink wash. Laid down on paper mount with NILSON written below drawing now erased. Gold and black boardering., 12 1/8 x 7 25/16 in (30.8 x 20.2 cm.) (image), Drawings, Ignaz

One Half Design for a Painted Ceiling with Central Oval Left Blank, 1700–1780, Pen and gray ink, brush and gray and black wash, over lead point or graphite, with ruled and compass construction. Scale in pen and brown ink over graphite, below

Group of Draped Figures, early 1460s, Tip of the brush (or fine pen?) and brown ink, 4 5/16 x 5 7/8 in. (11 x 14.9 cm), Drawings, Attributed to Antonello da Messina (Antonello di Giovanni d'Antonio) (Italian, Messina ca. 1430–1479 Messina),

Portrait of a Young Girl, 1866–80, Graphite, sheet: 10 x 7 in. (25.4 x 17.8 cm), Drawings, Sir Edward Burne-Jones (British, Birmingham 1833–1898 Fulham), The subject of this ethereal portrait drawing has not been definitively identified,

Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 45 (recto), October 1, 1604, Etching and drawing, Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm), Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua.

Self-Portrait, ca. 1797–98, Red chalk, 7-7/8 x 5-5/8 in. (20.0 x 14.3 cm), Drawings, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux), This is a preparatory drawing for the what is now the first print in his

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