Images at Librifly

search results: Drawing clear search

Bacchante (Grapes or Autumn), ca. 1874, French, Terracotta, wood base, Overall (without base): 15 1/2 × 8 7/8 × 9 3/8 in. (39.4 × 22.5 × 23.8 cm), Sculpture, Auguste Rodin (French, Paris 1840–1917 Meudon), When Rodin began his studies

Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 38 (recto), October 1, 1604, Etching and drawing, Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm), Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua.

Morning: Pope's Odyssey, Book 12 (recto); Study for the final drawing (verso), 1792, Pen and gray ink over graphite, Sheet: 8 5/16 x 10 13/16 in. (21.1 x 27.5 cm), Drawings, John Flaxman (British, York 1755–1826 London

Design drawing, ca. 1883, based on earlier design, Graphite, ink, and gouache, sheet: 15 15/16 x 11 in. (40.5 x 27.9 cm), Christopher Dresser (British, Glasgow, Scotland 1834–1904 Mulhouse

Drawing Room of Lea Castle, Looking West, ca. 1816, Watercolor, brush and brown ink over graphite, sheet: 14 3/16 x 12 15/16 in. (36.1 x 32.8 cm), Attributed to John Carter (British, London 1748–1817 London

Drawing for a Palace Decoration, 18th century, Pen and brown ink, brush and brown wash, 12-5/8 x 10-11/16 in (32.1 x 27.1 cm), Anonymous, Italian, 18th century

Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 29 (recto), October 1, 1604, Etching and drawing, Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm), Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua.

Terracotta lekythos (oil flask), Classical, ca. 460 B.C., Greek, Attic, Terracotta; red-figure, H. 13 3/8 in. (34 cm); diameter 5 5/16 in. (13.5 cm), Vases, Maenad; on shoulder, satyr eating grapes. Hermonax was a follower of the Berlin

Satirical Drawing of the Sâr Joséphin Peladan, 1891, Pen and brown ink, watercolor, 8 15/16 x 6 15/16 in. (22.7 x 17.7 cm), Drawings, After Marcellin-Gilbert Desboutin (French, Cérilly 1823–1902 Nice

Men Shoveling Chairs (Scupstoel), 1444–50, Pen and brown ink over traces of black chalk., 11 13/16 x 16 3/4 in. (30.0 x 42.6 cm), Drawings, Circle of Rogier van der Weyden, possibly Vranke van der Stockt (Netherlandish, ca. 1420–1495),

[Two Young Women at Window], ca. 1870, Albumen silver print from glass negative, Image: 8 1/2 × 6 1/8 in. (21.6 × 15.6 cm), Photographs, Andrei Osipovich Karelin (Russian, 1837–1906), Trained as an icon painter, Karelin operated a

Study of a Ballet Dancer (recto); Two Studies of Dancers (verso), ca. 1873, Black ink heightened with body color on prepared pink paper, 17 1/2 x 12 3/8 in. (44.5 x 31.4 cm), Drawings, Edgar Degas (French, Paris 1834–1917 Paris), This

Drawing with Seven Designs for Firearms Ornament, 1806, French, Pen and black ink, with gray wash and traces of graphite, on paper, 10 15/16 x 7 13/16 in. (27.8 x 19.8 cm), Drawings, Jean-Francois Lucas (French, 1747–1825), These seven

The Descent from the Cross, ca. 1720, Pen and brown ink, brush and brown and red wash, over red chalk, 16 7/16 x 11in. (41.8 x 27.9cm), Drawings, Gian Antonio Burrini (Italian, Bologna 1656–1727 Bologna), The signature blue and gold mount

'Winter' Needlework Picture, 1819, Made in Upper Providence, Pennsylvania, United States, American, Silk and chenille embroidery threads on silk, 17 3/4 × 19 1/4 in. (45.1 × 50.2 cm), Textiles, Hannah Robinson (American, 1795–1870),

Design drawing, ca. 1883, based on earlier design, Graphite, ink, and gouache, sheet: 15 15/16 x 11 in. (40.5 x 27.9 cm), Christopher Dresser (British, Glasgow, Scotland 1834–1904 Mulhouse

Apollo and Galatea in a Landscape with Neptune and Three Nymphs, 1550–60, Pen and brown ink, brush and brown wash, over black chalk, squared for transfer in black chalk (with some corrections to squaring grid); traces of framing outlines in

Etruscan Candelabrum Finial (from Cassiano dal Pozzo's 'Paper Museum'), 1620–40, Red chalk on off-white laid paper, glued onto mount (Cassiano dal Pozzo collection, Type 'A'), 8-1/4 x 5-5/16 in. (21.0 x 13.5 cm), Drawings, Anonymous,

Architectural Drawing, 16th century, Pen and brown ink, washed, 10 x 6-7/8 in. (25.4 x 17.5 cm), Drawings, Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550–1580

Drawing for scene from Vanity Fair: 'Street Scene' (recto); Sketch of Young Woman (verso), 1800–1819, Watercolor over graphite, sheet: 7 x 5 in. (17.8 x 12.7 cm), Drawings, James Barret (British, London, active 1785–1819 London

View of Heidelberg, ca. 1588–89, Pen and brown ink, brush and blue and brown washes, heightened with white; framing lines in pen and brown ink, 7 7/8 x 12 in. (20.0 x 30.5 cm), Drawings, Jan Brueghel the Elder (Netherlandish, Brussels

Wandering Minstrels, Oil on canvas, 68 3/4 x 48 1/4 in. (174.6 x 122.6 cm), Paintings, Hubert Robert (French, Paris 1733–1808 Paris), Robert first went to Rome in 1754, eventually spending eleven years in Italy and befriending Fragonard,

Study for 'Raphael and the Fornarina'(?), ca. 1814(?), Graphite on white wove paper, 10 x 7 3/4 in. (25.4 x 19.7 cm), Drawings, Jean Auguste Dominique Ingres (French, Montauban 1780–1867 Paris), This beguiling drawing relates to 'Raphael and

Tughra (Official Signature) of Sultan Süleiman the Magnificent (r. 1520–66), ca. 1555–60, Attributed to Turkey, Istanbul, Ink, opaque watercolor, and gold on paper, 20 1/2 x 23 1/2in. (52.1 x 59.7cm), Codices, A tughra is a stylized

Approach to Montevideo, Uruguay, 1832, Watercolor over graphite, sheet: 7 13/16 x 11 11/16 in. (19.8 x 29.7 cm), Drawings, Conrad Martens (British, London 1801–1878 Sydney), Martens made this drawing at Montevideo, where he accepted a

Design for a Wall Decoration with the Sacrifice of Abraham and the Flight into Egypt, 1582–1647, Pen and brown ink, brush and brown wash, over traces of red chalk, highlighted with white gouache, on blue paper; architectural moldings above

Drawing after an Antique Vase., 18th century, Brush and brown wash or watercolor, sheet: 8 1/16 x 4 5/16 in. (20.5 x 11 cm), Drawings, Anonymous, Italian, 18th century

Martyrdom of Saint Lawrence, early 17th century, Black chalk, pen and brown ink, brown wash, heightened with white; contours traced with stylus for transfer., sheet: 14 5/8 x 10 5/8 in. (37.2 x 27 cm), Drawings, Workshop of Peter Paul Rubens

Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 7 (recto), October 1, 1604, Etching and drawing, Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm), Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua.

Drawing for Centerpiece and Salt Cellars, 18th century, Pen and lavender wash, 3-1/2 x 6-3/4 in, Drawings, Anonymous, Italian, 18th century

Design for memorial window, 1917, Made in New York, United States, American, Watercolor, gouache, pen, and black and light purplish-grey inks, graphite, 21 5/8 x 15 3/16 in. (55 x 38.6 cm), Drawings, Tiffany Studios (1902–32), The

Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 7 (verso), October 1, 1604, Etching and drawing, Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm), Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua.

Drawing Showing Two Alternate Designs for a Cove Decoration, 17th century, Pen and brown ink, brush and brown wash, over black chalk on light tan paper, 8 x 13-3/8 in. (20.3 x 34 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th

Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 15 (recto), October 1, 1604, Etching and drawing, Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm), Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua.

Study of a Tree, ca. 1606–7, Gray watercolor wash, a red chalk wash, charcoal dipped in oil, and graphite on off-white laid paper, 12-1/16 x 15-1/2 in. (30.6 x 39.4 cm), Drawings, Roelandt Savery (Flemish, Kortrijk 1576–1639 Utrecht),

Design drawing, 1899–1904, Made in St. Petersburg, Russia, Russian, Graphite, watercolor, and gouache on wove paper, 10 1/8 × 7 3/4 in. (25.7 × 19.7 cm), Drawings, Peter Carl Fabergé (1846–1920), This design drawing and its

Study for a Seated Prelate (Saint Gergory the Great), 1685–86, Black chalk, highlighted with white chalk, on blue-gray paper, 15-3/8 x 10-1/4 in. (39.1 x 26.0 cm), Drawings, Carlo Maratti (Italian, Camerano 1625–1713 Rome), The drawing

Allegorical Figure of the City of Piacenza, for a Pendentive in the Chapel of Saint-Roch, Church of Saint-Sulpice, Paris (recto); Studies for the Same Figure (verso), 1821, Graphite, heightened with white, squared in graphite, on beige paper,

Perspectival Drawing of a Cradle, 1500–1546, Pen and black ink, brush and grey, and a reddish brown chalk, sheet: 2 15/16 x 2 5/8 in. (7.4 x 6.6 cm), Drawings, Peter Flötner (German, Thurgau 1485–1546 Nuremberg

Design drawing, ca. 1883, based on earlier design, Graphite, ink, and gouache, sheet: 15 15/16 x 11 in. (40.5 x 27.9 cm), Christopher Dresser (British, Glasgow, Scotland 1834–1904 Mulhouse

Study for a Stained Glass Window, late 16th–early 17th century, Pen and black ink and gray wash; framing lines in brown ink, Overall: 7 5/16 x 5 13/16 in. (18.5 x 14.8 cm), Christoph Murer (Swiss, Zurich 1558–1614 Winterthur), The drawing

Design for a Ceiling for the Drawing Room at Milton Abbey, Dorset, 1770–74, Graphite, sheet: 16 1/2 x 12 7/8 in. (41.9 x 32.7 cm), Sir William Chambers (British (born Sweden), Göteborg 1723–1796 London

Two projects for stucco for an italian ceiling., 1700–1780, Pen and dark brown ink, brush and gray an red chalk wash over lead point or graphite, with ruled and compass construction. Scale at bottom of drawing in pen and brown ink over lead

Three Women in Conversation beside a Croquet Field (recto); Studies of a Ballet Dancer, a Woman's Profile, and a Seated Woman (verso), ca. 1865, Graphite, sheet: 6 7/8 x 10 in. (17.5 x 25.4 cm), Drawings, Louisa Starr Canziani (British,

Suggestion for mosaic panel, Mrs. Edward Van Ingen, Church of the Redeemer, Patterson, New Jersey, ca1, Made in New York, United States, American, Watercolor, gouache, gold metallic ink, and graphite on artist board in original mat,

Grotesques Designs with Various Inscriptions (recto); Candelabra Grotesque and Two Putti Holding Flowers (verso), ca. 1545–60, Pen and dark gray-brown ink (recto). On off-white paper. Pen and brown ink over traces of black chalk underdrawing

Console from the drawing room of the William H. Vanderbilt House, 1879–82, Made in New York, New York, United States, American, Gilded wood, mother-of-pearl, Egyptian alabaster, and composition ornament, 35 1/4 × 34 1/4 in. (89.5 × 87

Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 3 (verso), October 1, 1604, Etching and drawing, Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm), Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua.

Madonna and Child with the Infant Saint John the Baptist and Two Putti (recto); Madonna and Child with the Infant Saint John the Baptist and a Putto (verso), 1505–6(?), Pen and brown ink, touches of brown wash, heightened with white (partly

Measurements for a Breakfast Parlour and Drawing Room, ca. 1786, Pen and brown ink, sheet: 7 3/4 x 14 3/4 in. (19.7 x 37.5 cm), James Oldham (British, active late 18th century

Unfinished Statuette, Middle Kingdom, Dynasty 12, ca. 1980–1975 B. C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Meketre (TT 280, ), Buried in top of ramp, 1920, Limestone, ink, H. 17.8 cm (7 in.); W. 6 cm (2 3/8 in.);

Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 37 (recto), October 1, 1604, Etching and drawing, Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm), Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua.

Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 6 (recto), October 1, 1604, Etching and drawing, Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm), Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua.

Male Saint Standing on a Pedestal with Arms Extended (recto); Standing or Kneeling Male Saint (verso), 17th century, Pen and dark brown ink over black chalk underdrawing (recto). Black chalk drawing in the same hand (verso). On off-white paper,

Drawings and Prints, Album Drawing, Porcelain Designs, Artist, Anonymous, French, 19th century, Anonymous, French, 19th century, French, 1800, 1900, ca. 1825–50

Satyrs and Nymphs, ca. 1599, Pen and black ink, brush and black washes, red chalk, heightened with white bodycolor, black chalk underdrawing, Sheet: 9 1/4 x 12 5/8 in. (23.5 x 32 cm), Drawings, Joseph Heintz the Elder (Swiss, Basel

Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 22 (recto), October 1, 1604, Etching and drawing, Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm), Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua.

[Bookcase at Lacock Abbey], 1839, Photogenic drawing from paper negative, Image: 14 × 19.9 cm (5 1/2 × 7 13/16 in.), irregularly trimmed, Photographs, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock

Hero and Dragon, third quarter 16th century, Attributed to Iran, Qazvin, Ink, watercolor, and gold on paper, H. 8 11/16 in. (22 cm), Codices, In a rocky landscape a hunter on horseback plunges his sword through the neck of a dragon that has

Drawing for a Wall-Decoration, 18th century, Pen and brown ink, brush with brown and gray wash, over black chalk? on cream laid paper. Fragments of framing lines in pen and brown ink. Irregular format: top and bottom arched, 14-11/16 x 9-1/8 in.

Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 28 (recto), October 1, 1604, Etching and drawing, Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm), Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua.

Interior of a Drawing Room, 1838, Watercolor, 10-1/4 x 9-1/4 in, Drawings, Anonymous, Italian, 19th century

Study for 'Poseuses', 1886-87, Conté crayon on laid paper., 11 11/16 x 8 7/8 in. (29.7 x 22.5 cm), Drawings, Georges Seurat (French, Paris 1859–1891 Paris), This poetic drawing is evidence of Seurat’s mastery of Conté crayon, a medium

Design drawing, ca. 1883, based on earlier design, Graphite, ink, and gouache, sheet: 15 15/16 x 11 in. (40.5 x 27.9 cm), Christopher Dresser (British, Glasgow, Scotland 1834–1904 Mulhouse

Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 49 (recto), October 1, 1604, Etching and drawing, Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm), Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua.

Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 34 (recto), October 1, 1604, Etching and drawing, Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm), Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua.

Design for window, late 19th–early 20th century, Made in New York, United States, American, Gouache, watercolor and graphite on transparent paper mounted on board in original mat., Overall: 26 1/4 x 10 9/16 in. (66.7 x 26.8 cm), Drawings,

Saint John the Evangelist, 1598–1599, Pen and dark brown ink, extensively highlighted with white, over black chalk, on beige paper. Squared in black chalk, 10-7/16 x 9-15/16 in. (26.5 x 25.2 cm), Drawings, Giovanni de' Vecchi (Italian,

Design for a Percussion Pistol, dated 1850, Paris, French, Paris, Pen, ink, and pencil on paper, 11 x 7 1/8 in. (28 x 18 cm), Works on Paper-Drawings, Martin Riester (French, Colmar 1819–1883 Paris), A talented draftsman and engraver,

On the Wharfe, Bolton Abbey, 1858, Watercolor, sheet: 9 15/16 x 14 in. (25.3 x 35.6 cm), Drawings, William Callow (British, Greenwich 1812–1908 Great Missenden, Buckinghamshire), This drawing demonstrates Callow’s mastery of watercolor

Costume Drawing for Little John, late 19th century, Pen, brush and black ink, watercolor over graphite, sheet: 8 3/16 x 6 3/4 in. (20.8 x 17.1 cm), Phil May (British, New Wortley, Leeds 1864–1903 London

Perseus and the Origin of Coral, ca. 1671, Black chalk, sepia and black ink, sepia and gray wash heightened with white, 10 x 12 13/16 in. (25.4 x 32.5 cm), Drawings, Claude Lorrain (Claude Gellée) (French, Chamagne 1604/5?–1682 Rome), The

Standing Soldier: Garde Française, 18th century, Red chalk over traces of graphite, 9 7/16 x 6 5/16 in. (24 x 16 cm), Drawings, Charles Dominique Joseph Eisen (French, Valenciennes 1720–1778 Brussels), Until 1983, this drawing was thought

Elevation of the Facade of the Hôtel de Montholon, Paris, 1785–86, Pen and black and gray ink, brush and gray and blue wash. Two framing lines in pen and black ink around image and inscription., 18 1/2 x 27 1/4 in. (47 x 69.2 cm), Jean

Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 27 (recto), October 1, 1604, Etching and drawing, Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm), Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua.

Competition Drawing for the Manchester Town Hall, 1866, Pen and brown ink and wash, sheet: 30 x 40 in. (76.2 x 101.6 cm), Thomas Allom (British, London 1804–1872 Barnes

Drawing Room, Guys Cliffe, Warwickshire, 1860, Watercolor, Sheet: 8 3/8 × 11 3/4 in. (21.3 × 29.8 cm), Anonymous, British, 19th century

Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 8 (recto), October 1, 1604, Etching and drawing, Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm), Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua.

Inscribed drawing with monogram of Sang, of a ceiling design, July 1868, 1868, Ink and watercolor, sheet: 9 9/16 x 12 5/16 in. (24.3 x 31.3 cm), Frederick Sang (British, active 1868–70

Bungalow drawing -- Western elevation and interior, late 19th–early 20th century, Watercolor, black ink, pen and red ink over graphite, sheet: 8 1/16 x 11 15/16 in. (20.4 x 30.3 cm), Ernest Geldart (British, London 1848–1929

Design for a Drawing Room Mirror, for 11 Princes Gate, London, 19th century, Graphite, Anonymous, British, 19th century

Drawing for a Plate From 'Gravures historiques des principaux événements Depuis l'Ouverture des Etats Generaux ...' Paris 1789, ca. 1789, Pen and black and gray ink, brush and gray wash, 5 1/4 x 3 5/8 in. (13.4 x 9.2 cm.), Drawings, Jean

Drawing from an Ornament Scrapbook: A Flintlock Gun Lock, 18th century, probably French, Pen, blue ink, and blue wash, 7 9/16 x 3 5/8 in. (19.2 x 9.2 cm), Works on Paper-Drawings

Dancer in the Role a Faun, early 20th century, Pen and ink, green and brown pencil, graphite., (Drawing, irregular) 3 7/8 x 3 1/8 in. (9.9 x 8 cm), Drawings, Paul Scheurich (American German, New York 1883–1945 Brandenburg

Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 30 (recto), October 1, 1604, Etching and drawing, Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm), Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua.

Drawing for an Interior, 1750–1800, Ink and watercolor, 14-7/16 x 10 in, Drawings, Anonymous, Italian, first half of the 18th century

Head of Pope Urban VIII (Maffeo Vincenzo Barberini) (recto); An Outstretched Arm (verso), 1669–70, Black chalk, highlighted with white chalk, on light brown paper (recto); black chalk (verso), 15-3/4 x 9-5/8 in. (40.0 x 24.5 cm), Drawings,

Designs for a Stove, 18th century, The upper drawing is black chalk, and the lower is pen and black ink, both sheets together: 16 9/16 x 5 13/16 in. (42 x 14.8 cm), Drawings, Attributed to Anonymous, German, 18th century

Three Virtues (Temperance, Hope, and Fortitude or Justice) and Studies of a Seated Man, ca. 1420, Italian, Florence, Metalpoint, touches of brush and brown wash, heightened with white (partially oxidized in the figure at the lower left), on

The Drawing Lesson, 1780–1827, Charcoal over chalk, sheet: 7 3/8 x 7 15/16 in. (18.7 x 20.2 cm), Drawings, Thomas Rowlandson (British, London 1757–1827 London

Design for a Liturgical Object with Statues of a Kneeling Saint and the Risen Christ (recto); Design for a Sepulcher (?) and Drawing of a Putto (verso)., 18th–early 19th century, Pen and brown ink with brown wash, sheet: 8 5/8 x 12 3/4 in. (21.9

Design for a chandelier: detail of a swan holding a candlestick, early 19th century, Counterproof of a drawing in black chalk, Sheet: 15 3/4 x 20 3/16 in. (40 x 51.2 cm), Anonymous, German, 19th century, Recto: design for a chandelier, Verso:

The Annunciation (Angel Approaching From the Right), 17th century, Black chalk reinforced with traces of pen and light brown ink. Drawing continues over palimpsest in lower left corner. On off-white paper, 4-1/8 x 4-7/16 in. (10.5 x 11.2 cm),

Nicolaas Henneman in the Cloisters at Lacock Abbey, February 23, 1841, Photogenic drawing from paper negative, Image: 4 1/8 × 4 7/16 in. (10.5 × 11.3 cm), Photographs, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock

Man of Sorrows and Two Studies of Heads, 17th century, Pen and brown ink, red chalk; offset of a drawing in brush and black ink., sheet: 7 3/4 x 7 3/8 in. (19.7 x 18.8 cm), Drawings, Anonymous, Flemish, 17th century

Drawing of a Ewer in Antique Style, early 16th century, Pen and brown ink, with brush and brown wash, sheet: 11 1/4 x 7 in. (28.6 x 17.8 cm), Drawings, Giulio Romano (Italian, Rome 1499?–1546 Mantua) , Manner of

Allegory of America, mid-17th–late 17th century, Black chalk, brush, black ink, gray wash. Incised for transfer., 17 5/8 x 11 13/16 in. (44.8 x 30 cm), Drawings, Nicolaes Berchem (Dutch, Haarlem 1621/22–1683 Amsterdam), This drawing

Saint Peter Released from Prison, 17th century, Red chalk over black chalk on cream paper. Drawing for an engraving. Framing lines in red chalk, 11-5/16 x 14-11/16 in. (28.7 x 37.3 cm), Drawings, Anonymous, Italian, Bolognese, 17th century

Drawing for Punch, 1841–91, Pen, brush, and brown ink, Sheet: 4 1/2 × 7 1/8 in. (11.4 × 18.1 cm), Drawings, Charles Samuel Keene (British, Hornsey, Middlesex 1823–1891 London

Drawings and Prints, Drawing, View of Messina Harbor, Artist, Louis François Cassas, French, Azay-le-Ferron 1756–1827 Versailles, Cassas, Louis François, French, 1756, 1827, 1783, 1783

search results: Drawing clear search