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The Great Hercules, 1589, Engraving, 21 7/8 x 15 7/8 in. (55.5 x 40.4 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem), This remarkable engraving has long been known as the Knollenman, or bulbous man. It shows

Oeuvres. Vol. IV, 17th century, Engraving, etching, Overall: 14 3/16 x 9 1/16 x 2 1/16 in. (36 x 23 x 5.3 cm), Books, Jean Le Pautre (French, Paris 1618–1682 Paris), After Paolo Farinati (Italian, Verona 1524–1606 Verona), After Adam

Tankard, 1700–1730, Made in New York, New York, United States, American, Silver, Overall: 6 5/8 x 7 3/4 in. (16.8 x 19.7 cm); 26 oz. 17 dwt. (835.6 g), Silver, Benjamin Wynkoop (baptized 1675–1751), The smooth, flat covers of early New

George Washington, 1890–1906, Bronze, 5 x 3 1/2 in. (12.7 x 8.9 cm), Sculpture, Victor David Brenner (American (born Lithuania), Kaunas 1871–1924 New York), Educated in gem and seal engraving by his father in Lithuania, Brenner immigrated

A Young Woman Ruffling, Plate 2 from Five Feminine Occupations, ca. 1640–57, Engraving, Plate: 8 1/16 x 6 1/2 in. (20.5 x 16.5 cm), Prints, Geertruydt Roghman (Dutch, Amsterdam 1625–1651/57 Amsterdam (?)), Roghman, from an Amsterdam

Beached Whale, 1598, Engraving, 12 x 16.75 ', Prints, Jacob Matham (Netherlandish, Haarlem 1571–1631 Haarlem

Study of Two Heads, ca. 1609, Oil on wood, 27 1/2 x 20 1/2 in. (69.9 x 52.1 cm), Paintings, Peter Paul Rubens (Flemish, Siegen 1577–1640 Antwerp), Rubens painted studies of heads after live models and artistic sources, creating a cast of

Two Women Sewing, Plate 1 from Five Feminine Occupations, ca. 1640–57, Engraving, Plate: 8 3/8 x 6 1/2 in. (21.2 x 16.5 cm), Prints, Geertruydt Roghman (Dutch, Amsterdam 1625–1651/57 Amsterdam (?)), Roghman, from an Amsterdam family of

A Woman Spinning, Plate 4 from Five Feminine Occupations, ca. 1640–57, Engraving, Plate: 8 3/16 x 6 1/2 in. (20.8 x 16.5 cm), Prints, Geertruydt Roghman (Dutch, Amsterdam 1625–1651/57 Amsterdam (?)), Roghman, from an Amsterdam family of

L'Art de Tourner, ou de faire en perfection toutes sortes d'ouvrages au tour, 1749, Engraving, Overall: 15 15/16 x 10 9/16 x 1 3/4 in. (40.5 x 26.8 x 4.5 cm), Books

John Glover, 19th century, Stipple engraving, sheet: 8 9/16 x 5 3/8 in. (21.8 x 13.7 cm), Prints, After John Trumbull (American, Lebanon, Connecticut 1756–1843 New York

Lex Regia Det Er: Den Souveraine Konge-Lov, . . .Herr Friderich den Tredie. . .Konge Til Danmark Og Norge...d. 14 Novemb. 1665, 1709, Engraving, book: 19 11/16 x 14 in. (50 x 35.5 cm), Books, Michael Augustus Roeg (Danish, Rögenäs, Kväfjord

Aedes Walpolianae, or a Description of the Collection of Pictures at Houghton Hall in Norfolk, the Seat of the Right Honorable Sir Robert Walpole, Earl of Orford (Interleaved with Drawings by Isaac Ware for: The Plans, Elevations, and Sections

Season Ticket to the Portrait of Queen Victoria by T. Sully, Esq., 1838, Engraving on paper, 1 15/16 x 3 7/16 in. (4.9 x 8.7 cm), Prints

[Dandelion Seeds], 1858 or later, Photogravure (photoglyphic engraving from a copper plate), Sheet: 15.1 x 11.3 cm (5 15/16 x 4 7/16 in.), William Henry Fox Talbot (British, Dorset 1800–1877 Lacock), This experimental proof is a fine example

Grand Escalier du Chateau de Versailles dit Escalier des Ambassadeurs, 1725, Engraving, etching, Overall: 21 1/16 x 16 x 7/8 in. (53.5 x 40.7 x 2.3 cm), Books

Oliver Cromwell, after 1653, Engraving, aquatint, and roulette; second state, Sheet: 16 x 12 in. (40.6 x 30.5 cm), Prints, Jan van de Velde IV (Dutch, Utrecht before 1610–1686 Haarlem), after Robert Walker (British, 1595/1610?–?1659),

A View of the Vestibule of Santa Maria Maggiore at Rome, 1765–67, Mezzotint, Sheet: 22 1/4 x 16 in. (56.5 x 40.6 cm), Georges-François Blondel was the son of a leading French architectural theorist Jacques-François Blondel. After training in

John Trumbull, 1833, Engraving on paper, 5 3/4 x 4 5/8 in. (14.6 x 11.7 cm), Prints, Asher Brown Durand (American, Jefferson, New Jersey 1796–1886 Maplewood, New Jersey

Design for a Tablet for a Chimney-Piece with Two Swans in Combat, Enclosed within a Scrolling Cartouche with a Water-Spouting Dragon's Head, 1762, Crayon manner and stipple engraving, sheet: 8 x 13 1/16 in. (20.3 x 33.2 cm), Prints, Thomas

Recueil d'Ornemens A l'Usage des Jeunes Artistes qui se destinent à la décoration des bâtimens, 1777, Etching, engraving, 21 7/8 x 16 1/8 x 1 3/16 in. (55.5 x 41 x 3 cm), Books

The American Drawing Book: Manual for the Amateur, Basis of Study for the Professional Artist, 1864, illustrations: wood engraving, book: 12 1/16 x 9 5/8 x 1 7/16 in. (30.7 x 24.4 x 3.6 cm), Books

The Story of Niobe, n.d., Engraving; first state (inscription of last stanza has been covered with a sheet of paper with the correct stanza inscribed in brown ink), sheet: 10 3/8 x 30 1/8 in. (26.4 x 76.5 cm), Prints, Jan (Pietersz.) Saenredam

America, from the Four Continents, n.d., Engraving; first state, 8 1/4 x 10 1/8 in. (21 x 25.7 cm), Prints, Adriaen Collaert (Netherlandish, Antwerp ca. 1560–1618 Antwerp), After Maerten de Vos (Netherlandish, Antwerp 1532–1603 Antwerp

The Repository of Arts, Literature, Fashions &c., 3rd series, volume 6, July–December 1825, Illustrations: etching, engraving, aquatint, hand-coloring, 9 7/16 in. × 6 in. × 1 9/16 in. (24 × 15.3 × 4 cm

The Nymph of Fontainebleau, n.d., Engraving, Sheet: 12 1/2 x 20 3/4 in. (31.8 x 52.7 cm), Prints, René Boyvin (French, Angers ca. 1525–ca. 1625 Angers (?)), Pierre Milan (French, active 1537–40), Although produced in Paris, this

Tradecard of S. W. Benedict, Watchmaker, No. 5 Wall Street, New York, 1846, Etching and engraving, sheet: 9 13/16 x 5 11/16 in. (24.9 x 14.5 cm), Prints, Augustus Hyatt (American, 19th century

The Gentleman and Cabinet-Maker's Director, 1762, Illustrations: etching and engraving, book: 18 1/8 x 11 3/4 x 1 7/8 in. (46 x 29.8 x 4.7 cm), Matthew Darly (British, ca. 1720–1778 (?)), Tobias Müller (active London 1760s), Johann

Wilton album, folio 41: The Drunken Silenus (Tazza Farnese), ca. 1597–1600, Engraving printed from shallow silver cup, sheet: 9 15/16 in. (25.3 cm) in diameter, Prints, Annibale Carracci (Italian, Bologna 1560–1609 Rome), On folio 41 of

Satyr Playing a Lyre, with a Sleeping Nymph, ca. 1515, Engraving, Sheet: 9 3/8 x 7 1/8 in. (23.8 x 18.1 cm), Prints, Master of 1515, Even the nationality of the idiosyncratic artist who created this print is uncertain. The only definite

An Apostle, ca. 1555–67, Engraving, sheet: 4 5/8 x 2 11/16 in. (11.8 x 6.9 cm), Prints, Angiolo Falconetto (Italian, active ca. 1555–67

Martin Luther as an Augustinian Monk, 1520, Engraving; Impression in which the man's profile to the left of Martin Luther is visible in parts, Sheet: 6 1/4 × 4 3/16 in. (15.8 × 10.7 cm), Prints, Lucas Cranach the Elder (German, Kronach

Tantalus, from The Four Disgracers, 1588, Engraving, 13 1/4 x 13 1/4 in. (33.6 x 33.6 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem), After Cornelis Cornelisz van Haarlem (Netherlandish, Haarlem 1562–1638

Wild Boar Hunt with Spears, 1570, Engraving, Sheet: 17 5/8 x 12 7/8 in. (44.8 x 32.7 cm), Prints, Harmen Jansz. Muller (Netherlandish, Amsterdam ca. 1540–1617 Amsterdam), After Jan van der Straet, called Stradanus (Netherlandish, Bruges

Pan and Syrinx, n.d., Etching and engraving, image: 10 3/8 x 14 1/16 in. (26.4 x 35.7 cm), Prints, Giuseppe Longhi (Italian, Monza 1766–1831 Mailand

Ornament Panel, dated 1521, Engraving, 10 5/16 x 4 5/16 in. (26.2 x 11.0 cm), Attributed to Agostino Veneziano (Agostino dei Musi) (Italian, Venice ca. 1490–after 1536 Rome), Inspired by ancient Roman art, this ornament print was produced

Hylas and the Water Nymphs, late 17th century, Engraving, sheet: 10 5/8 x 21 in. (27 x 53.4 cm), Prints, Pietro Santi Bartoli (Italian, Perugia 1615–1700 Rome), After Giulio Romano (Italian, Rome 1499?–1546 Mantua

The Sacrifice of Isaac, n.d., Etching and engraving, Prints, Louis Desplaces (French, Paris 1682–1739 Paris), After Charles Le Brun (French, Paris 1619–1690 Paris

Ornamental Panel, ca. 1514–36, Engraving, 9 13/16 x 5 3/4 in. (25.0 x 14.6 cm), Prints, Agostino Veneziano (Agostino dei Musi) (Italian, Venice ca. 1490–after 1536 Rome), After Raphael (Raffaello Sanzio or Santi) (Italian, Urbino

Storming the Camp at Mount Gadan, 1769, Etching and engraving, Sheet: 25 13/16 × 39 5/8 in. (65.5 × 100.6 cm), Prints, Jacques Philippe Le Bas (French, Paris 1707–1783 Paris), After Giuseppe Castiglione (Italian, Milan 1688–1766

The Defenders of the Catholic Faith in the Netherlands adoring the Virgin, 1587, Engraving, 11 9/16 x 8 in. (29.4 x 20.3 cm), Prints, After Maerten de Vos (Netherlandish, Antwerp 1532–1603 Antwerp), Engraved by Jan (Johannes) Wierix

Glass Dish with an Engraving of the Raising of Lazarus, 4th–5th century, Late Roman, Green Glass, engraved, Overall: 9 7/16 x 1 1/2 in. (24 x 3.8 cm), Glass-Vessels, Glass vessels engraved with narrative scenes were a specialty of the Rhine

Sine Cerere et Baccho Friget Venus, 1599, Engraving, 11 5/16 x 8 1/4 in. (28.8 x 21 cm), Prints, Agostino Carracci (Italian, Bologna 1557–1602 Parma

Box with Medallion Top, 1760–1883, Probably made in France, Wood, tortoiseshell, gilt metal, engraving glass, 3/4 x 2 7/8 in. (1.9 x 7.3 cm), Natural Substances

$1000 Bill for The Greenwich Bank, The City of New York, ca. 1828, Engraving, sheet: 2 15/16 x 7 1/16 in. (7.5 x 18 cm), Prints, Asher Brown Durand (American, Jefferson, New Jersey 1796–1886 Maplewood, New Jersey

Saint Martina kneeling before the Virgin and Child, as the Child offers her a lily, ca. 1664–79, Engraving, Sheet: 13 3/4 × 9 7/16 in. (35 × 24 cm), Prints, François Spierre (French, Nancy 1639–1681 Marseilles), After Pietro da Cortona

St. Simon, ca. 1555–67, Engraving, sheet: 4 7/8 x 2 9/16 in. (12.4 x 6.5 cm), Prints, Angiolo Falconetto (Italian, active ca. 1555–67

Saint John holding chalice in left hand, book in right, eagle standing by left side, ca. 1500–1550, Engraving; first state of two, Sheet: 7 15/16 × 5 5/16 in. (20.2 × 13.5 cm), Prints, School of Marcantonio Raimondi (Italian, Argini (?)

Self-Portrait, ca. 1778–80, Roulette, engraving, over mezzotint; proof before letters, Plate: 19 x 15 3/4 in. (48.3 x 40 cm), Prints, Jean Étienne Liotard (Swiss, Geneva 1702–1789 Geneva), Liotard’s career as a portraitist took him

The Plays of William Shakespeare, vol. 1, containing The Tempest, Two Gentlemen of Verona, Merry Wives of Windsor, 1805, Illustrations: etching and engraving, 8 9/16 x 5 9/16 x 1 1/2 in. (21.8 x 14.2 x 3.8 cm), Books, Fuseli designed the

Abraham Sacrificing Isaac, late 19th century, Attributed to Iran, Opaque watercolor, ink, and gold on paper, Sheet: H. 11 5/8 in. (29.5 cm), Codices, Painted by Fathallah Shirazi (Iranian, active 1850s–80s), The painting at the center of

Icarus, from The Four Disgracers, 1588, Engraving, 13 7/16 x 13 1/4 in. (34.2 x 33.7 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem), After Cornelis Cornelisz van Haarlem (Netherlandish, Haarlem 1562–1638

Scullery Maid, 1737, Etching with some engraving, sheet: 9 1/4 x 7 1/16 in. (23.5 x 18 cm), Prints, After Edme Bouchardon (French, Chaumont 1698–1762 Paris), Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765

The Cabinet and Chair-Maker's Real Friend and Companion, or, the Whole System of Chair-Making Made plain and easy, 1765, Illustrations: engraving, etching, Book: 9 1/4 × 5 15/16 × 13/16 in. (23.5 × 15.1 × 2 cm), This modest book of designs

’De Koninginne Tuin met 't Groene Kabinet , en de Oranjerie, van Achteren gezien', in: Tooneel Der Voornaamste Nederlands Huizen, En Lust Hoven, Naar T Leven Afgebeeld, n.d., Color engraving (à la poupée), Plate: 6 3/4 × 8 1/16 in. (17.2

The Illuminated Bible, 1846, Illustrations: engraving, 13 9/16 x 9 13/16 in. (34.5 x 25 cm), Books

Ixion, from The Four Disgracers, 1588, Engraving; first state, Sheet: 13 5/8 x 13 7/16 in. (34.6 x 34.1 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem), After Cornelis Cornelisz van Haarlem (Netherlandish,

’s Konings Tuin met de Klosbaan, achter de Stallingen gezien', in: Tooneel Der Voornaamste Nederlands Huizen, En Lust Hoven, Naar T Leven Afgebeeld, n.d., Color engraving (à la poupée), Plate: 6 7/16 × 7 13/16 in. (16.4 × 19.8 cm),

St. Barbara, late 15th century, Engraving, Prints, Master FVB (Netherlandish, active ca. 1475–1500

Ogni cosa vince l'oro, ca. 1590–95, Engraving, 8 3/8 x 5 7/8 in. (21.2 x 15 cm), Prints, Agostino Carracci (Italian, Bologna 1557–1602 Parma

Pair of side chairs, 1795–1800, Made in Philadelphia, Pennsylvania, United States, American, Painted maple with white pine, 38 1/2 x 21 1/2 x 18 1/2 in. (97.8 x 54.6 x 47 cm), Furniture, The design for this oval-back chair was based on an

蔵王権現鏡像（金峯山経塚出土）, Mirror with the Deity Zaō Gongen, Heian period (794–1185), 11th–12th century, Japan, Bronze with hairline engraving, Diam. 8 1/2 in. (21.6 cm); D. 5/8 in. (1.6 cm), Metalwork, Zaō Gongen,

Euterpe, ca. 1465–67, Engraving, Sheet: 7 1/4 in. × 4 in. (18.4 × 10.2 cm), Prints, Anonymous, Italian, Ferrarese, 15th century

Powder Horn, ca. 1779–80, American, Horn (cow), L. 13 in. (33 cm); Diam. 2 3/4 in. (7 cm); Wt. 6.1 oz. (172.9 g), Firearms Accessories-Powder Horns, The style of engraving on this horn suggests that it was made by a Penobscot Indian,

President George Washington, 1893, French, Lyons, Silk, H. 22 3/4 x W. 18 inches (57.8 x 45.7 cm), Textiles-Woven, Probably after an engraving by James Heath (after the Lansdowne portrait by Gilbert Stuart

Charles-Maurice Le Tellier, 1663, Engraving; first state of two (Petitjean & Wickert), Sheet: 16 7/8 × 11 1/8 in. (42.9 × 28.3 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Copy of The Good Samaritan Putting the Traveller on His Donkey, from The Parable of the Good Samaritan, after 1554, Engraving, Sheet: 3 3/16 × 4 3/8 in. (8.1 × 11.1 cm), Prints, Anonymous, after Heinrich Aldegrever (German, Paderborn ca.

The Pharisee and the Publican (The Parables of Our Lord and Saviour Jesus Christ), 1864, Wood engraving; proof on India paper, image: 5 1/2 x 4 5/16 in. (13.9 x 10.9 cm), Prints, After Sir John Everett Millais (British, Southampton 1829–1896

Speculum Romanae Magnificentiae: The Tiber, mid-16th century, Engraving; first state of two, mount: 13 3/16 x 21 5/8 in. (33.5 x 55 cm), Prints, Nicolas Beatrizet (French, Lunéville 1515–ca. 1566 Rome

New Inventions of Modern Times [Nova Reperta], The Invention of Stirrups, plate 9, ca. 1600, Engraving, sheet: 10 5/8 x 7 7/8 in. (27 x 20 cm), Prints, Jan Collaert I (Netherlandish, Antwerp ca. 1530–1581 Antwerp), After Jan van der

The Shepherd, ca3, Etching and engraving, Sheet (trimmed): 10 5/8 × 7 15/16 in. (27 × 20.2 cm), Prints, Claude Augustin Duflos le Jeune (French, Paris 1700–1786 Paris), After François Boucher (French, Paris 1703–1770 Paris

Temperance personfied by a woman standing in a niche holding a bit, from 'The Virtues', ca. 1515–25, Engraving, Plate: 8 5/8 × 4 1/4 in. (21.9 × 10.8 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna

Judith, looking towards the right, seated nude atop the dead body of Holofernes, with a sword in her right hand and the head of Holofernes in her left hand, 1525, Engraving, Sheet: 2 1/8 x 1 7/16 in. (5.4 x 3.7 cm), Prints, Barthel Beham

Hudibras in Tribulation (Seventeen Small Illustrations for Samuel Butler's Hudibras, no. 7), 1721–26, Etching and engraving, sheet: 4 11/16 x 2 11/16 in. (11.9 x 6.9 cm) (trimmed), Prints, William Hogarth (British, London 1697–1764 London

Saint Jerome Walking in a Churchyard, Engraving, Sheet: 4 15/16 x 4 5/16 in. (12.5 x 10.9 cm), Prints, Albrecht Altdorfer (German, Regensburg ca. 1480–1538 Regensburg

Pierre Dupuy, ca. 1648, Engraving, Sheet: 10 1/4 × 7 5/16 in. (26.1 × 18.5 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Victory or Minerva, helmet on the groud to the right, ca0 1500–1510, Engraving, sheet: 6 7/16 x 4 15/16 in. (16.3 x 12.5 cm), Prints, Attributed to Nicoletto da Modena (Italian, Modena, active ca. 1500–ca. 1520

Le Panier Misterieux (The Mysterious Basket), 18th century, Etching and engraving, Sheet: 20 13/16 x 15 11/16 in. (52.8 x 39.8 cm), Prints, René Gaillard (French, ca. 1719–1790 Paris), After François Boucher (French, Paris 1703–1770

Design for a Knife Handle with the Personification of Charity, 1580–1600, Engraving and blackwork, Sheet: 3 5/8 × 1 1/4 in. (9.2 × 3.2 cm), attributed to Johann Theodor de Bry (Netherlandish, Strasbourg 1561–1623 Bad Schwalbach), Design

Saint John, from The Four Evangelists, 1539, Engraving, Sheet: 4 11/16 × 3 1/16 in. (11.9 × 7.8 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), after Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig

Marriage A-la-Mode, Plate I, April 1745, Etching and engraving; fifth state of five, Plate: 15 1/4 x 18 5/8 in. (38.7 x 47.3 cm), Prints, After William Hogarth (British, London 1697–1764 London

The Virgin of Sorrows: Angel; one of nine surrounding compartments from the Virgin of Sorrows, now separated, by 1575, Engraving, Sheet: 2 13/16 × 2 1/4 in. (7.2 × 5.7 cm), Prints, Engraved by Giorgio Ghisi (Italian, Mantua ca. 1520–1582

Assembly of male and female scholars gathered around an open book, in the middle ground a man holds aloft an armillary sphere, another group of scholars in the background, ca. 1515–27, Engraving, Sheet (Trimmed): 9 5/16 × 7 5/8 in. (23.6 ×

Speculum Romanae Magnificentiae: Capital with heads and masks, ca. 1537, Engraving, sheet: 6 1/2 x 5 13/16 in. (16.5 x 14.7 cm), Prints, Master G.A. (Italian, active ca. 1535

Saint Mathias, 1726, Etching and engraving, Sheet (trimmed): 13 7/16 × 8 9/16 in. (34.1 × 21.7 cm), Prints, Simon Vallée (French, born ca. 1700), After François Boucher (French, Paris 1703–1770 Paris

Frederick the Wise and John the Constant of Saxony, 1509, Engraving, Sheet: 4 13/16 × 4 5/8 in. (12.2 × 11.7 cm), Prints, Lucas Cranach the Elder (German, Kronach 1472–1553 Weimar

The Wounded Paris Carried from the Field of Battle, Engraving, Prints, Master FG (Italian, active mid-16th century), After Francesco Primaticcio (Italian, Bologna 1504/5–1570 Paris

Design for a Plate with Galatea on a Shell Flanked by Trumpeters in a Medallion Bordered by Sea Monsters, ca. 1600, Engraving, Sheet: 6 5/8 × 6 9/16 in. (16.8 × 16.6 cm), Adriaen Collaert (Netherlandish, Antwerp ca. 1560–1618 Antwerp),

Boys Peeping at Nature, 1751, Etching and engraving; late state, plate: 5 15/16 x 4 15/16 in. (15.1 x 12.5 cm), Prints, William Hogarth (British, London 1697–1764 London

Sheet of border segments: two candelabra and two horizontal pieces with putti, two corners, from Life of the Virgin and Christ, 1490–1500, Engraving, Sheet: 11 7/16 × 8 11/16 in. (29 × 22 cm), Prints, Francesco Rosselli (Florence

François-Michel Le Tellier, marquis de Louvois, 17th century, Engraving, Sheet: 20 1/16 x 16 13/16 in. (51 x 42.7 cm), Prints, Antoine Masson (French, Loury 1636–1700 Paris), After Robert Nanteuil (French, Reims 1623–1678 Paris

Christine, reine de Suède, 1654, Engraving; third state of three (Petitjean & Wickert), sheet: 9 15/16 x 7 9/16 in. (25.3 x 19.2 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris), After Sébastien Bourdon (French, Montpellier

Country Scene with a Peasant, Cow and Calf, Engraving; second state of two, sheet: 5 7/8 x 7 5/8 in. (15 x 19.4 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Study of Woman Bathing, 1739, Etching and engraving, Sheet (trimmed): 15 13/16 × 9 15/16 in. (40.1 × 25.2 cm), Prints, Etienne Fessard (French, Paris 1714–1777 Paris), After François Boucher (French, Paris 1703–1770 Paris

Vase with Cherubs and a Helmet, 17th century (late), Engraving, Plate: 7 1/2 x 4 7/16 in. (19.1 x 11.2 cm), Depiction of a vase or ewer. The vase is covered by a lid and has one handle, shaped like a hybrid bird-like creature. The body of the

Virgin and Child in a Landscape, ca. 1597, Engraving, Sheet: 12 7/8 x 9 5/8 in. (32.7 x 24.4 cm), Prints, Aegidius Sadeler II (Netherlandish, Antwerp 1568–1629 Prague), After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Frontispiece: Les Ordonnances royaux, ca. 1644, Engraving; second state of two (BN), sheet: 11 7/16 x 9 5/8 in. (29.1 x 24.5 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Plan of the City of Rome. Part 12 with the Southwestern Border of the City and a Large Cartouche with Signature by Tempesta., 1645, Etching with some engraving, undescribed state., Sheet: 21 13/16 x 16 1/16 in. (55.4 x 40.8 cm), Prints, Antonio

Statue of an Angel, Engraving; second state of two, sheet: 15 1/2 x 12 3/8 in. (39.4 x 31.5 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Cardinal Jules Mazarin, ca. 1652, Engraving; third state of three (Petitjean & Wickert), Sheet: 12 7/8 x 10 1/8 in. (32.7 x 25.7 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

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