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St. Francis de Paul, after 1627, Engraving; copy, sheet: 6 1/2 x 4 1/4 in. (16.5 x 10.8 cm), Prints, Anonymous, French, 17th century, After Claude Mellan (French, Abbeville 1598–1688 Paris

Two Turks, 15th century, Engraving, Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach

Portrait of G.B. Piranesi in imitation of an antique bust, from Opere varie di Architettura, prospetive, grotteschi, antichità; inventate, ed incise da Giambattista Piranesi Architetto Veneziano (Various Works of Architecture, perspectives,

St. Ambrose, Archbishop of Milan, Turning Back Emperor Theodosius, 1681, Engraving, sheet: 17 x 11 11/16 in. (43.2 x 29.7 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

A Stand of Arms, Musical Instruments, etc., March 1749–50, Engraving and etching; only state, plate: 7 1/16 x 9 1/8 in. (18 x 23.2 cm), Prints, William Hogarth (British, London 1697–1764 London

The Rooster Accuses Renard of Murdering his Chicken from Hendrick van Alcmar's Renard The Fox, 1650–75, Engraving; third state of four, Plate: 3 11/16 × 4 1/2 in. (9.3 × 11.4 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675

A panel of ornamnet with putti, goat and other figures, 1530–60, Engraving, sheet: 8 11/16 x 5 11/16 in. (22 x 14.5 cm), Prints, Master of the Die (Italian, active Rome, ca. 1530–60), After Perino del Vaga (Pietro Buonaccorsi) (Italian,

La Chasse Chinoise (The Chinese Hunt), from Chinoiseries, after 1743, Etching and engraving, Sheet: 16 1/2 x 18 7/8 in. (41.9 x 48 cm), Jacques Gabriel Huquier (French, Paris 1730–1805 Shrewsbury), Gabriel Huquier (French, Orléans

O the Roast Beef of Old England--The Gate of Caiais, March 6, 1749, Etching and engraving; second state of two, plate: 14 15/16 x 18 1/8 in. (38 x 46 cm), Prints

A Town on an Estuary at Low Tide, 1868, Watercolor with gum arabic, over graphite, heightened with touches of gouache, Sheet: 17 11/16 x 24 in. (45 x 61 cm), Drawings, Edward Duncan (British, London 1803–1882 London), This light-filled

Sea Piece with Three Figures to the Right, Engraving; first state of three, Plate: 2 13/16 × 4 1/4 in. (7.2 × 10.8 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

The Wheel underneath the Haybarn, Engraving; second state of three, Plate: 3 3/4 × 5 13/16 in. (9.5 × 14.8 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

The Persian Sibyl; from the series of Prophets and Sibyls in the Sistine Chapel, 1570–75, Engraving, sheet: 21 15/16 x 16 1/4 in. (55.8 x 41.3 cm) borderline (or within), Prints, Engraved by Giorgio Ghisi (Italian, Mantua ca. 1520–1582

The Ass, Jealous of the Attention the Dog Is Getting From His Master, Looks to Imitate Him by Jumping at the Master's Neck from Hendrick van Alcmar's Renard The Fox, 1650–75, Engraving; third state of four, Plate: 3 11/16 × 4 1/2 in. (9.4 ×

The Visitation, 15th century, Engraving, Sheet: 6 3/16 x 4 11/16 in. (15.7 x 12 cm), Prints, Master ES (German, active ca. 1450–67

French Judith, an illustration from Pierre Le Moyne's 'La Gallerie des femmes fortes', 1647, Etching and engraving with watercolor and gold paint, painted by hand; first state of two, Sheet: 14 5/16 × 9 7/16 in. (36.3 × 24 cm), Prints,

Salon de 1850-51. Landscape along the shores of the river Oullins, 1850–51, Wood engraving, sheet: 5 13/16 x 7 in. (14.7 x 17.8 cm), Prints, after Charles-François Daubigny (French, Paris 1817–1878 Paris

Pendant Design with a Peace-Goddess Flanked by Two Warriors, after 1581, Engraving; second state of two (New Hollstein), Sheet: 6 15/16 × 4 7/8 in. (17.6 × 12.4 cm), Jan Collaert I (Netherlandish, Antwerp ca. 1530–1581 Antwerp), Vertical

Susanna, 1583, Engraving; first state of two, Oval sheet: 7 1/4 × 55 7/8 in. (18.4 × 142 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

The Punishment Inflicted on Lemuel Gulliver, December 1726, Etching and engraving; first state of two, sheet: 8 1/4 x 12 5/16 in. (21 x 31.3 cm), Prints, William Hogarth (British, London 1697–1764 London

St. Martin, 15th century, Engraving, Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach

Emperor Ferdinand I, 16th century, Engraving; first state, Sheet: 8 1/16 x 5 1/4 in. (20.5 x 13.3 cm), Prints, Barthel Beham (German, Nuremberg ca. 1502–1540 Italy

Smell (Odor), from Quinque Sensuum, ca. 1655, Engraving, Sheet: 3 3/4 × 7 7/8 in. (9.6 × 20 cm), Franz Cleyn (German, Rostock 1582–1658 London), Horizontal panel with the personification of Odor (Smell) shown as a female figure smelling a

Portrait of François I, ca. 1745, Etching and engraving, plate: 14 3/16 x 9 3/4 in. (36 x 24.7 cm), Prints, Gilles Jacques Petit (active Paris, 18th century), After Jean Étienne Liotard (Swiss, Geneva 1702–1789 Geneva

Pallas Athena standing on a globe, holding a spear in her left hand and her shield in her right, ca. 1520–27, Engraving, 10 5/8 x 5 15/16 in. (27.0 x 15.1 cm), Prints, Anonymous, Italian, 16th to early 17th century, After Marcantonio

Battle of the Sea-Gods, ca. 1485–1488, Engraving, sheet: 11 9/16 x 15 3/8 in. (29.4 x 39.1 cm), Prints, Andrea Mantegna (Italian, Isola di Carturo 1430/31–1506 Mantua

Les Nimphes au Bain (The Nymphs at the Bath), 18th century, Etching and engraving, Sheet: 20 3/8 x 14 13/16 in. (51.8 x 37.6 cm), Prints, Jean Ouvrier (French, 1725–1784), After François Boucher (French, Paris 1703–1770 Paris

Pendant Design with Mars Seated Beneath an Arch, after 1581, Engraving; second state of two (New Hollstein), Sheet: 6 15/16 × 4 13/16 in. (17.7 × 12.2 cm), Jan Collaert I (Netherlandish, Antwerp ca. 1530–1581 Antwerp), Vertical panel with a

Speculum Romanae Magnificentiae: The Main Doorway of the Palazzo della Cancellaria, 16th century, Engraving, sheet: 13 3/16 x 7 15/16 in. (33.5 x 20.1 cm), Prints, Anonymous

Christ flanked by the Virgin and St. John in the upper section, St. Paul and St. Catherine below, ca. 1520–40, Engraving, 16 5/16 x 10 11/16 in. (41.5 x 27.1 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534

Dancing Couple, from The Small Wedding Dancers, 1538, Engraving, Sheet: 2 1/16 × 1 9/16 in. (5.3 × 3.9 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

Apollo Belvedere, 1825, Engraving, plate: 7/8 x 7 5/8 in. (2.2 x 19.4 cm), Prints, This image of the Apollo Belvedere, a famous antique sculpture preserved in the Belvedere Courtyard at the Vatican, was engraved to ornament the printed record

The Stork Removes a Bone from the Wolf's Throat from Hendrick van Alcmar's Renard The Fox, 1650–75, Engraving; third state of four, Plate: 3 13/16 × 4 1/2 in. (9.7 × 11.5 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675

Engraved copies of The Little Passion, n.d., Engraving, For the whole series: plate circa : 5 x 3 13/16 in. (12.7 x 9.7 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Allegorical Subject: Nude Woman, Three Children and a Mousetrap (La Sourcière), Engraving (burin and drypoint); second state of two (unfinished), sheet: 9 1/4 x 12 3/8 in. (23.5 x 31.5 cm), Prints, Claude Mellan (French, Abbeville 1598–1688

Cardinal Jules Mazarin, 1656, Engraving, Sheet: 9 7/8 × 7 15/16 in. (25.1 × 20.1 cm) trimmed, Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Copy of The Adoration of the Shepherds, after 1553, Engraving, Sheet: 4 3/16 × 2 5/8 in. (10.6 × 6.7 cm), Prints, after Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), The Virgin, kneeling at left, with Joseph behind

The Casks and Planks at the Back of the River, Engraving; second state of three, Sheet: 3 3/4 × 5 1/2 in. (9.6 × 14 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Speculum Romanae Magnificentiae: Baths of Agrippa, 1585, Engraving, sheet: 13 5/16 x 20 1/2 in. (33.8 x 52 cm), Prints, Anonymous

The Two Peasants Seated on the Hill, Engraving; first state of three, Sheet: 3 7/8 × 5 7/8 in. (9.9 × 14.9 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Raising of Lazarus, ca. 1600, Engraving; second state of two, 36.4 x 48.0 cm, Prints, Abraham Bloemaert (Netherlandish, Gorinchem 1566–1651 Utrecht), Jan Muller (Netherlandish, Amsterdam 1571–1628 Amsterdam

Pavor, from Proposopographia, ca. 1585–90, Engraving, plate: 6 x 3 9/16 in. (15.2 x 9.1 cm), Prints, Philips Galle (Netherlandish, Haarlem 1537–1612 Antwerp

Juno in a Decorative Frame with Grotesques, from the Judgment of Paris, ca. 1580–1600, Engraving, Sheet: 5 5/8 × 3 13/16 in. (14.3 × 9.7 cm), Adriaen Collaert (Netherlandish, Antwerp ca. 1560–1618 Antwerp), Plate 1 from a series of six

Noah kneeling before God at left, the construction of the ark underway beyond, from a series of engravings made for the first edition of the 'Liber Genesis', 1612, Engraving, Sheet: 3 7/16 x 5 3/16 in. (8.8 x 13.1 cm), Prints, Crispijn de

David with the Head of Goliath, 1578, Engraving, sheet: 5 1/4 x 3 15/16 in. (13.4 x 10 cm), Prints, Hieronymus (Jerome) Wierix (Netherlandish, ca. 1553–1619 Antwerp

Diana and her Nymphs, January 1, 1783, Red stipple engraving, sheet: 12 x 13 3/16 in. (30.5 x 33.5 cm), Prints, John Baldrey (British, 1758–after 1792), After Carlo Maratti (Italian, Camerano 1625–1713 Rome

Air, 18th century, Etching and engraving, Sheet (trimmed): 8 7/8 × 9 9/16 in. (22.5 × 24.3 cm), Prints, Claude Augustin Duflos le Jeune (French, Paris 1700–1786 Paris), After François Boucher (French, Paris 1703–1770 Paris

Adoration of the Magi, 1513, Engraving; first state, sheet: 11 13/16 x 17 1/16 in. (30 x 43.3 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Speculum Romanae Magnificentiae: Jupiter (Jupiter in aedibus Card. Burghesij), 16th century, Engraving, sheet: 16 5/8 x 13 1/8 in. (42.3 x 33.3 cm), Prints, Anonymous, After Philippe Thomassin (French, Troyes 1562–1622 Rome

Portrait of Gluck, 1781, Etching and engraving; third state of three (Bocher), Sheet: 9 1/16 × 6 1/8 in. (23 × 15.6 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris

Saint Philippe, 1726, Etching and engraving, Sheet (trimmed): 13 3/8 × 8 7/16 in. (34 × 21.5 cm), Prints, Michel Aubert (French, 1700–1757 Paris), After François Boucher (French, Paris 1703–1770 Paris

Noon: The Four Times of Day, March 25, 1738, Engraving; first state of two, sheet: 19 3/16 x 15 13/16 in. (48.8 x 40.2 cm), Prints, William Hogarth (British, London 1697–1764 London

Thalia, the Muse of Comedy, Engraving, sheet: 9 13/16 x 6 9/16 in. (25 x 16.7 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Vertical Panel with Design for a Pendant, from Ars His Myronis Nobilis Effingitus Pagellulis, ca. 1600, Engraving, Sheet: 5 1/2 × 3 5/8 in. (14 × 9.2 cm), Paul Birckenhultz (1561–1639), Design for a jewelry pendant hanging from a putto mask

Saint Michael holding scales and a lance, a demon beneath him, from the series 'Piccoli Santi' (Small Saints), ca. 1500–1527, Engraving, 3 1/4 x 1 7/8 in. (8.2 x 4.8 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before

The Alchemist, after 1558, Engraving; first state of three, sheet (irreg cut to plate line and within it): 13 3/16 x 17 11/16 in. (33.5 x 44.9 cm), Prints, Pieter Bruegel the Elder (Netherlandish, Breda (?) ca. 1525–1569 Brussels), Philips

Speculum Romanae Magnificentiae: The Sacrifice of a Ram, 16th century, Engraving, sheet: 4 3/16 x 6 7/8 in. (10.6 x 17.4 cm), Prints, Marco Dente (Italian, Ravenna, active by 1515–died 1527 Rome

Susanna Accused of Adultery, from The Story of Susanna, 1555, Engraving, Sheet: 4 9/16 × 3 1/4 in. (11.6 × 8.3 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), Susanna stands before a column at center, while

The Holy Family, n.d., Engraving, Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Engraved copies of The Little Passion, n.d., Engraving, For the whole series: plate circa : 5 x 3 13/16 in. (12.7 x 9.7 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Michel Le Masle, ca. 1658, Engraving; first state of three (Petitjean & Wickert), Sheet: 16 3/4 × 12 3/8 in. (42.5 × 31.5 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Two Fencers, from Fencers, plate 8, 1552, Etching and engraving., Sheet: 9 13/16 x 7 11/16 in. (24.9 x 19.6 cm), Prints, Dirk Volckertsz Coornhert (Netherlandish, Amsterdam 1519/22–1590 Gouda), Cornelis Bos (Netherlandish, Hertogenbosch

Canvassing for Votes, Plate II: Four Prints of an Election, February 20, 1757, Etching and engraving; sixth state of six, plate: 17 1/4 x 21 3/4 in. (43.8 x 55.3 cm), Prints, after William Hogarth (British, London 1697–1764 London

Joseph sold to the merchants: a bearded man grasping Joseph with his left hand receives coins in his right hand, from the series 'The Story of Joseph', 1546, Engraving, sheet: 4 3/4 x 3 1/8 in. (12 x 8 cm), Prints, Georg Pencz (German, Wroclaw

The Island Bee (from Wayside Posies: Original Poems of the Country Life), 1867, Wood engraving, Image: 6 3/16 × 4 13/16 in. (15.7 × 12.2 cm), Prints, After George John Pinwell (British, London 1842–1875 London

Saint Matthew, a small sack in his left hand, from the series 'Piccoli Santi' (Small Saints), ca. 1500–1527, Engraving, 3 1/8 x 1 7/8 in. (8.0 x 4.8 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna (?)),

The Madonna of Loreto, by 1575, Engraving, sheet: 11 5/16 x 8 1/2 in. (28.8 x 21.6 cm) trimmed, Prints, Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua), After Raphael (Raffaello Sanzio or Santi) (Italian, Urbino 1483–1520 Rome

St. Andrew, from Christ, the Apostles and St. Paul with the Creed, ca. 1589, Engraving, sheet: 6 1/16 x 4 3/16 in. (15.4 x 10.6 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Banknote vignette with three putti symbolizing trade and agriculture, ca. 1824–37, Engraving and etching, sheet: 8 1/8 x 9 1/2 in. (20.7 x 24.1 cm), Prints, Attributed to Asher Brown Durand (American, Jefferson, New Jersey 1796–1886

Mercury and Battus, Engraving, sheet: 6 7/8 x 9 7/8 in. (17.4 x 25.1 cm), Prints, Possibly by Robert Willemsz de Baudous (Netherlandish, 1574/5–1659), After Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Torture of Prometheus set within a cornice, 1580, Engraving, 16 15/16 × 11 5/8 in. (43 × 29.5 cm), Prints, Cherubino Alberti (Zaccaria Mattia) (Italian, Borgo Sansepolcro 1553–1615 Rome

The Frolick (The Search Light), 1790–1810, Engraving, Sheet: 2 11/16 x 3 1/4 in. (6.8 x 8.2 cm), Prints, After William Hogarth (British, London 1697–1764 London

Patience (Patientia), 1557, Engraving, Sheet: 13 3/8 × 17 3/16 in. (33.9 × 43.7 cm), Prints, After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca. 1525–1569 Brussels), Pieter van der Heyden (Netherlandish, ca. 1525–1569

Jean Habert de Montmor, 1640, Engraving, sheet: 12 3/8 x 9 1/16 in. (31.5 x 23 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Couple Embracing, from The Small Wedding Dancers, 1538, Engraving, Sheet: 2 1/16 × 1 7/16 in. (5.3 × 3.6 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

Laponia (Aubry de La Mottraye's 'Travels throughout Europe, Asia and into Part of Africa..., ' London, 1724, pl. 312), 1723–24, Engraving; first state of two, sheet: 9 7/16 x 6 9/16 in. (24 x 16.7 cm), Prints, Attributed to William Hogarth

The Deposition; Christ being taken from the Cross, a man on a ladder is holding the body while St John is supporting the weight with a cloth rope, after Dürer, ca. 1500–1534, Engraving; second state of three, Sheet: 5 1/16 × 3 15/16 in.

Daphne embracing her father, the river-god Peneus, at the left three nymphs bring jars from the 'Story of Apollo and Daphne', 1530–60, Engraving, sheet: 7 1/8 x 9 5/8 in. (18.1 x 24.4 cm) approximately, Prints, Master of the Die (Italian,

The Wheel underneath the Haybarn, Engraving; second state of three, Plate: 3 3/4 × 5 7/8 in. (9.5 × 14.9 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Ferdinand de Neufville, 1658, Engraving; fourth state of six (Petitjean & Wickert), Sheet: 14 3/4 × 11 1/8 in. (37.4 × 28.2 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris), After Philippe de Champaigne (French, Brussels

Speculum Romanae Magnificentiae: House of Raphael, 1549, Engraving, sheet: 13 3/8 x 19 5/16 in. (34 x 49 cm), Prints, Anonymous

Speculum Romanae Magnificentiae: Castrum, 1581, Engraving, sheet: 12 13/16 x 20 3/8 in. (32.5 x 51.8 cm), Prints, Giovanni Ambrogio Brambilla (Italian, active Rome, 1575–99

Simon Lord Lovat, 1746, Etching and engraving; second state of three, plate: 14 1/4 x 9 3/16 in. (36.2 x 23.3 cm), Prints, William Hogarth (British, London 1697–1764 London

On Order of the Lion, a Piece of Skin is Taken from the Bear, A Piece of the Front Paws of the Wolf and a Piece from the She-Wolf's Hind Paws are Skinned from Hendrick van Alcmar's Renard The Fox, 1650–75, Engraving; fourth state of five,

Adoration of the Magi, ca. 1480, Engraving, Prints, Master IAM of Zwolle (Netherlandish, active ca. 1470–95

Witches Preparing for Sabbath, ca. 1610, Engraving, Sheet: 17 1/4 × 25 3/4 in. (43.8 × 65.4 cm), Prints, Andries Stock (Netherlandish, 1572/82–after 1648), Designed by Jacques de Gheyn II (Netherlandish, Antwerp 1565–1629 The Hague),

Apollo standing at the left, his hand resting on the shoulder of Hyacinthus, Cupid in the lower right, 1506, Engraving, 8 7/8 x 11 3/4 in. (22.5 x 29.9 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna

The Three Fates Clotho, Lachesis, and Atropos, 1558–59, Engraving, Sheet: 5 7/16 x 8 3/4 in. (13.8 x 22.2 cm), Prints, Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua), After Giulio Romano (Italian, Rome 1499?–1546 Mantua

Abel Servien, Engraving; second state of two, sheet: 9 5/16 x 7 3/8 in. (23.6 x 18.8 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

La Chasse au Tigre (The Tiger Chase), 18th century, Etching, engraving, and drypoint, Sheet: 19 7/8 x 14 5/16 in. (50.5 x 36.4 cm) trimmed, Prints, Jean Jacques Flipart (French, 1719–1782), After François Boucher (French, Paris

The First Spring, Engraving; second state of three, Plate: 5 3/16 × 6 3/4 in. (13.2 × 17.2 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Antique Lidded Urn with Hybrid Male Sphinxes and a Female Mask on the Body, from Vases after the Antique, 1543 or after, Engraving, first or second state, image: 10 3/8 x 7 11/16 in. (26.4 x 19.5 cm) [cropped within plate mark on all sides],

The Hut of the Carpenter, Engraving; first state of two, Plate: 2 11/16 × 4 7/16 in. (6.8 × 11.3 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Judgment of Paris: Paris extends his hand toward Venus, who stands between Juno and Minerva, surrounded by reclining and seated figures; above are a winged figure carrying a laurel wreath, a charioteer driving four horses, Castor and Pollux, and

Oval Watchcase with Birds and Smaller Motifs, ca. 1614–19, Blackwork and engraving, Sheet: 4 1/16 x 2 3/4 in. (10.3 x 7 cm), Jacques Hurtu (French (active 1584–1635)), Part of a series of 6 with goldsmiths designs executed in the blackwork

Jean Champlain, 1655, Engraving; first state of four (Petitjean & Wickert), Sheet: 10 1/2 × 7 3/8 in. (26.6 × 18.8 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Scene with a Feast of Love in a Circle at Center, 1580–1600, Engraving, Sheet: 5 7/16 × 5 9/16 in. (13.8 × 14.1 cm), Theodor de Bry (Netherlandish, Liège 1528–1598 Frankfurt), In a circle at center, a scene with the Feast of Love in a

Bacchus, Music, Amor, 16th century, Engraving, sheet: 17 3/16 x 11 9/16 in. (43.7 x 29.3 cm), Prints, Johann Sadeler I (Netherlandish, Brussels 1550–1600/1601 Venice

A panel of ornament with a large jar in centre, putti and other figures, 1530–60, Engraving, sheet: 8 1/4 x 5 1/2 in. (21 x 14 cm), Prints, Master of the Die (Italian, active Rome, ca. 1530–60), After Perino del Vaga (Pietro Buonaccorsi)

Winter, 1735–86, Etching and engraving, Sheet (trimmed): 8 15/16 × 9 5/8 in. (22.7 × 24.5 cm), Prints, Claude Augustin Duflos le Jeune (French, Paris 1700–1786 Paris), After François Boucher (French, Paris 1703–1770 Paris

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