Images at Librifly

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Lady Montegle, December 1, 1796, Francesco Bartolozzi (Italian, 1727-1815), after Hans Holbein the younger (German, 1497-1543), Italy, Stipple engraving on cream wove paper, 330 x 192 mm (image), 351 x 236 mm (plate), 457 x 335 mm (sheet

Venus Ordering Psyche to Seek Water From a Fountain Guarded by Dragons, 1530/40, Master of the Die (Italian, active c. 1530-1560), after Michiel Coxcie I (Flemish, 1499-1592), in turn, inspired by Raffaello Sanzio, called Raphael (Italian,

Plate three, from A Harlot’s Progress, 1732, William Hogarth, English, 1697-1764, England, Engraving in black on ivory laid paper, 300 × 375 mm (image), 323 × 393 mm (plate), 437 × 536 mm (sheet

Couple Embracing, plate six from The Large Wedding-Dancers, 1538, Heinrich Aldegrever, German, 1502-c.1560, Germany, Engraving in black on ivory laid paper, 118 x 79 mm (image/plate/sheet

The Marriage of Ferdinand de’ Medici and the Duchess Christine de Lorraine, plate 1 from The Life of Ferdinand de Medici, 1616/20, Jacques Callot, French, 1592-1635, France, Engraving on ivory laid paper, 225 × 300 mm (sheet, trimmed to

Plate One, from A Rake’s Progress, June 1735, William Hogarth, English, 1697-1764, England, Etching and engraving in black on ivory laid paper, 319 × 387 mm (image), 360 × 410 mm (plate), 490 × 601 mm (sheet

Portrait of Jacques Bénigne Bossuet, Bishop of Meaux, 1723, Pierre-Imbert Drevet (French, 1697-1739), after Hyacinthe Rigaud (French, 1659-1743), France, Engraving on cream laid paper, 501 × 333 (sheet, cut within plate and to image in

Ornamental Design for Knife Handle with Earth, from The Four Elements, c. 1590, After Johann Theodor de Bry, German, 1561-1623, Flanders, Engraving in black on ivory laid paper, 90 × 22 mm (image/sheet, trimmed within plate mark

The Angel and the Eighth Sphere, plate 48 from Planets and Spheres, c. 1465, Master of the E-Series Tarocchi, Italian, active c. 1465, Italy, Engraving in black on tan laid paper, 167 x 97 mm (image), 179 x 101 mm (plate), 182 x 104 mm

Juvenile Tricks, plate 22 from Liber Studiorum, published January 1, 1811, Joseph Mallord William Turner (English, 1775-1851), Engraved by William Say (English, 1768-1834), England, Etching and engraving in brown on ivory wove paper, 179 ×

Aesacus and Hesperie, plate 66 from Liber Studiorum, published January 1, 1819, Joseph Mallord William Turner, English, 1775-1851, England, Etching and engraving in brown on ivory paper, 177 × 257 mm (image), 209 × 288 mm (plate), 283.5

Maddingley, plate 57 from Britannia Illustrata, published 1707, Jan Kip (Dutch, c. 1653-1722), after Leonard Knyff (Dutch, 1650-1721), published by David Mortier (French, 1673-1728), Netherlands, Etching, with engraving, in black on cream

The Adoration of the Magi, about 1530, Cristofano Robetta, Italian, 1462-c.1535, Italy, Engraving in black on ivory laid paper, 299 x 279 (image/plate), 305 x 282 mm (sheet

Saint Jerome Reading, 1500/1538, Albrecht Altdorfer, German, c.1480-1538, Germany, Engraving in black on ivory laid paper, 104 x 60 mm (image/plate/sheet

Notre-Dame, Evening, plate eight from Le Long de la Seine et des Boulevards, 1890, published 1910, Louis Auguste Lepère (French, 1849-1918), published by A. Desmoulins (French, active c. 1908-1910), France, Wood engraving in black on cream

Genius of the World, plate 33 from Genii and Virtues, c. 1465, Master of the E-Series Tarocchi, Italian, active c. 1465, Italy, Engraving on paper, 181 x 101 mm

The Bohemians Marching, from The Bohemians, 1621, Jacques Callot, French, 1592-1635, France, Etching and engraving with burin, on paper, 125 × 234 mm (image/sheet, cut within plate mark

A Smoking Club, n.d., Unknown Artist, after Henry William Bunbury (English, 1750-1811), England, Engraving with stipple on paper, 343 × 454 mm (image), 383 × 498 mm (plate/sheet

Witch Riding Backwards on a Goat, 1500/02, Albrecht Dürer, German, 1471-1528, Germany, Engraving in black on ivory laid paper, 115 x 72 mm (image/sheet

How Wearily, Oh, How Wearily Drags Life (valentine), c. 1830, Unknown Artist, American or English, 19th century, United States, Engraving with hand-coloring on ivory card, 61 x 65 mm (card

Entrance to the Suburb of Saint-Marceau, Paris, 1850, Charles Meryon (French, 1821-1868), after Reinier Nooms (Dutch, c. 1623-c. 1664), France, Etching, drypoint, engraving and roulette on ivory laid paper, 120 × 237 mm (image), 143 ×

Peasants’ Feast, plate 8 from the Peasants’ Feast or the Twelve Months, 1546, Sebald Beham, German, 1500-1550, Germany, Engraving in black on ivory laid paper, 50 x 73 mm (image/plate), 52 x 74 mm (sheet

Castel Gélos (Vallée d’Ossau), c. 1847, Charles François Daubigny (French, 1817-1878), after Ernesto Laroche (Uruguayan, 1879-1940), France, Etching and engraving on off-white chine laid down on off-white wove paper, 76 × 119 mm

Smaraolo Cornuto and Ratsa di Boio, rom Balli di Sfessania, c. 1622, Jacques Callot, French, 1592-1635, France, Etching and engraving on paper, 70 × 92 mm

Spring Blossoms, published May 21, 1870, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood engraving on buff wove paper, 233 x 351 mm (image), 274 x 390 mm (sheet

Profile Study of Man’s Head, 1542, Sebald Beham, German, 1500-1550, Germany, Engraving in black on ivory laid paper, 50 x 78 mm (image/plate), 51 x 79 mm (sheet

Procris and Cephalus, plate 41 from Liber Studiorum, published February 14, 1812, Joseph Mallord William Turner (English, 1775-1851), Engraved by G. Clint (1770-1854), England, Etching and engraving in brown on off-white wove paper, 186 ×

Portrait of a Young Man, January 1, 1799, Francesco Bartolozzi (Italian, 1727-1815), after Hans Holbein the younger (German, 1497-1543), Italy, Stipple engraving on cream wove paper, 286 x 186 mm (image), 331 x 228 mm (plate), 470 x 342 mm

St. Jude, from Apostles, n.d., Martin Schongauer, German, c. 1450-1491, Germany, Engraving on paper, 88 × 44 mm (plate), 90 × 48 mm (sheet

The Triumph of Chastity, plate two from The Triumphs of Petrarch, c. 1539, Georg Pencz, German, c. 1500-1550, Germany, Engraving in black on ivory laid paper, 142 x 210 mm (image/plate/sheet

Grimthorp in the County of Lincoln, plate 23 from Britannia Illustrata, published 1707, Jan Kip (Dutch, c. 1653-1722), after Leonard Knyff (Dutch, 1650-1721), published by David Mortier (French, 1673-1728), Netherlands, Etching, with

The Straw Yard, plate 7 from Liber Studiorum, Published February 20, 1808, Joseph Mallord William Turner (English, 1775-1851), Engraved by Charles Turner (English, 1773-1857), England, Etching and engraving in brown on ivory paper, 182 ×

Windmill and Lock, plate 27 from Liber Studiorum, published June 1, 1811, Joseph Mallord William Turner (English, 1775-1851), Engraved by William Say (English, 1768-1834), England, Etching and engraving in brown on ivory wove paper, 178 ×

The Source of the Arveron, plate 60 from Liber Studiorum, published January 1, 1816, Joseph Mallord William Turner, English, 1775-1851, England, Etching and engraving in brown on ivory laid paper, 188 × 269 mm (image), 256 × 292 mm

Venus Reprimanding Her Son, from The Story of Psyche, 1530/40, Master of the Die (Italian, active c. 1530-1560), after Michiel Coxcie I (Flemish, 1499-1592), in turn, inspired by Raffaello Sanzio, called Raphael (Italian, 1483-1520),

Marie Jeanne Baptiste, Duchess de Savoye, 1678, Robert Nanteuil, French, 1623-1678, France, Engraving on paper, 394 × 252 mm (plate), 491 × 334 mm (sheet

Design: Proportions of the Antinoüs Statue, from Encyclopédie, 1762/77, A. J. Defehrt (French, active 18th century), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French,

The Medici Vase, plate one from The Six Large Views of Rome and the Campagna, 1656, Stefano della Bella, Italian, 1610-1664, Italy, Etching and engraving on ivory laid paper, 303 x 272 mm (image), 309 x 275 mm (sheet, trimmed within plate

The Grand Duke Fortifies the Port of Livorno, from Life of Ferdinando I de’ Medici, 1616/20, Jacques Callot (French, 1592-1635), after Matteo Rosselli (Italian, 1578-1650), France, Engraving in black on ivory laid paper, 223 × 303 mm

Frontispiece for the Catalogue of the Engravings of Thomas De Leu, 1866, Charles Meryon, French, 1821-1868, France, Etching and engraving with burnishing on ivory laid paper, 129 × 98 mm (image, including stray marks), 153 × 108 mm

Emperor Freeing the Slave Androcles, 1516/17, Agostino dei Musi, Italian, c. 1490-after 1536, Italy, Engraving in black on ivory laid paper, 402 x 270 mm (image/plate), 404 x 268 mm (sheet

Cupid with Bandaged Eyes, 1540/45, Léon Davent (French, fl. 1540-1560), after Rosso Fiorentino (Italian, 1494-1540), after Francesco Primaticcio (Italian, 1504-1570), after Giulio Pippi, called Giulio Romano (Italian, c. 1499-1546),

Judith with the Head of Holofernes, n.d., Marco San Martino, Italian, 1615/25-1680/1700, Italy, Engraving in black on ivory laid paper, 192 x 150 mm (image/plate), 212 x 163 mm (sheet

The Good Education, 1749, Jacques Philippe Le Bas (French, 1707-1783), after Jean Baptiste Siméon Chardin (French, 1699-1779), France, Engraving in black on cream laid paper, 253 × 311 mm (image), 295 × 330 mm (plate), 462 × 618 mm

The Playmates, published November 1869, Winslow Homer (American, 1836-1910), published by Our Young Folks (American, 1865-1873), United States, Wood engraving on paper, 94 x 94 mm (image), 215 x 143 mm (sheet

Ben Arthur, plate 69 from Liber Studiorum, published January 1, 1819, Joseph Mallord William Turner (English, 1775-1851), Engraved by T. Lupton, England, Etching and engraving in brown on ivory wove paper, 183 × 263 mm (image), 208 × 290

The Seceding Mississippi Delegation in Congress, published February 2, 1861, Winslow Homer (American, 1836-1910), after Mathew B. Brady (American, 1823-1896), published by Harper’s Weekly (American, 1857-1916), United States, Wood

Wood Engraving, Tools, from Encyclopédie, 1762/77, A. J. Defehrt (French, active 18th century), after Jacques Raymond Lucotte, (French, active 18th century), published by André le Breton (French, 1708-1779), Michel-Antoine David (French,

Plate Five, from Five Wise and Five Foolish Virgins, 1606, Jan Saenredam, Netherlandish, 1565-1607, Netherlands, Engraving on paper, 265 x 368 mm (sheet, trimmed to platemark

Jean Baptiste Van Steenberghen, 1668, Robert Nanteuil, French, 1623-1678, France, Engraving on paper, 325 × 246 mm (plate), 350 × 266 mm (sheet

The Martyrdom of Saint Sebastian, 1450–60, Master E. S., German, active c. 1450-1467, Germany, Engraving on paper, 130 x 186 mm (plate), 134 x 191 mm (sheet

Dad’s Coming!, published November 1, 1873, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood engraving on buff wove paper, 233 x 348 mm (image), 276 x 396 mm (sheet

Head of a Young Woman Asleep, 1787/95, Jean-Baptiste Lucien (French, c. 1748-1806), after Jean-Baptiste Greuze (French, 1725-1805), published by François Étienne Joubert (French, 1787-1836), France, Crayon-manner engraving in red-brown on

Pantalone, from Three Italian Comedians, 1618–20, Jacques Callot, French, 1592-1635, France, Engraving on paper, 215 × 146 mm (image), 226 × 148 mm (sheet

Class Day, at Harvard University, Cambridge, Massachusetts, published July 3, 1858, Winslow Homer (American, 1836-1910), published by Ballou’s Pictorial Drawing Room Companion (American, 1851-1859), United States, Wood engraving on

Ceres Refusing Any Assistance to Psyche, 1530/40, Master of the Die (Italian, active c. 1530-1560), after Michiel Coxcie I (Flemish, 1499-1592), in turn, inspired by Raffaello Sanzio, called Raphael (Italian, 1483-1520), Italy, Engraving

Attack on a Convoy, n.d., Cornelis Visscher (Dutch, c. 1629-1658), after Pieter van Laer (Netherlandish, 1592/95-1642), Holland, Engraving on paper

Louis XIV, 1669, Robert Nanteuil, French, 1623-1678, France, Engraving in black on paper, 498 × 422 mm (image), 502 × 427 mm (plate/sheet

Saint Thomas, 1515/27, Marco Dente da Ravenna (Italian, about 1486–1527), after Raffaello Sanzio, called Raphael (Italian, 1483-1520), Italy, Engraving, on ivory laid paper, 212 x 142 mm (primary support), 441 x 282 mm (secondary

St. Peter, n.d., Master E. S., German, active c. 1450-1467, Germany, Engraving in black on paper, 147 x 85 mm (sheet trimmed within plate mark

The Farrier’s Shop, 1865, Charles Émile Jacque, French, 1813-1894, France, Etching, engraving and roulette on ivory laid paper, 128 × 194 mm (image), 178 × 247 mm (plate), 321 × 453 mm (sheet

A View from the Palatine Hill, Rome, the Alban Hills in the Distance, c. 1775, Carlo Labruzzi, Italian, 1748-1818, Italy, Watercolor, over graphite, on ivory laid paper, laid down on white laid paper, folded, 311 x 531 mm (primary

Jan van der Does, Baron of Nortwijk, plate three from Quatuor Personae, 1649, Cornelis Visscher, the Elder, Netherlandish, c. 1520-1586, Holland, Engraving on ivory laid paper

St. Roch, c. 1532, Master of the Die (Italian, active c. 1530-1560), after Raffaello Sanzio, called Raphael (Italian, 1483-1520), Italy, Engraving in black on paper, 205 x 140 mm (sheet

Battle of the Naked Men, 1470/75, Antonio Pollaiuolo, Italian, 1433-1498, Italy, Engraving in black on ivory laid paper, 404 x 589 mm

Sir Henry Guildeford, December 1, 1792, Francesco Bartolozzi (Italian, 1727-1815), after Hans Holbein the younger (German, 1497-1543), Italy, Stipple engraving on cream wove paper, 383 x 293 mm (image), 453 x 358 mm (plate), 540 x 412 mm

Henriette de Lorraine, n.d., Cornelis Galle II (Flemish, 1615-1678), after Anthony van Dyck (Flemish, 1599-1641), printed by Ioannes Meyfens (probably Flemish, 17th century), Flanders, Engraving in black on ivory laid paper, 251 × 195 mm

The Dance Hall, n.d., Pierre François Basan (French, 1723-1797), after Gabriel de Saint-Aubin (French, 1724-1780), France, Etching and engraving in black on cream laid paper, 283 × 352 mm (image), 322 × 368 mm (plate), 581 × 468 mm

Saint Luke Painting the Virgin, n.d., Antoine Wiertz (Belgian, 1806-1865), after Quentin Massys (Flemish, 1466-1530), Belgium, Engraving on paper, 222 × 289 mm (plate), 226 × 292 mm (sheet

Gathering Berries, published July 11, 1874, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood engraving on buff wove paper, 230 x 346 mm (image), 285 x 406 mm (sheet

Isleworth, plate 63 from Liber Studiorum, published January 1, 1819, Joseph Mallord William Turner (English, 1775-1851), Engraved by H. Dawe, England, Etching and engraving in brown on ivory wove paper, 182 × 262 mm (image), 209 × 290 mm

Portrait of Louis de la Vergne de Tressan, Count of Lyon, Archbishop of Rouen, c. 1728, Pierre-Imbert Drevet (French, 1697-1739), after Jean-Baptiste van Loo (French, 1684-1745), France, Engraving on ivory laid paper, 275 × 204 mm (image),

Buffoon and Two Bathing Women, 1541, Sebald Beham, German, 1500-1550, Germany, Engraving in black on ivory laid paper, 44 x 69 mm (image/sheet, trimmed to plate mark

Solomon Worshipping the Idol Moloch, c. 1531, Georg Pencz, German, c. 1500-1550, Germany, Engraving in black on ivory laid paper, 47 x 77 mm (sheet

The Holy Family, c. 1589, Hendrick Goltzius (Dutch, 1558-1617), after Bartholomaeus Spranger (Flemish, 1546–1611), Netherlands, Engraving in black on laid paper, 271 × 210 mm (image), 286 × 215 mm (plate), 304 × 229 mm (sheet

Hudibras Triumphant, plate four from Hudibras, February 1725/26, William Hogarth, English, 1697-1764, England, Etching and engraving in black on cream paper edge mounted on cream wove paper, 243 × 337 mm (image), 266 × 347 mm (plate), 269

Martyrdom of Saint Lawrence, 1520/25, Marcantonio Raimondi (Italian, c.1480-1534), after Baccio Bandinelli (Italian, 1495-1543), Italy, Engraving in black on paper, 437 x 578 mm (plate), 447 x 590 mm (sheet

Christmas Boxes in Camp—Christmas, 1861, published January 4, 1862, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood engraving on paper, 274 x 232 mm (image), 400 x 271 mm

Charles I, King of England, 1697, Benoît Audran I (French, 1661-1721), after Adriaen van der Werff (Dutch, 1659-1722), France, Etching with engraving and stipple on cream laid paper, 297 × 173 mm (image), 313 × 184 mm (plate), 374 ×

Saint Matthew, n.d., Cornelis Visscher, Dutch, c. 1629-1658, Holland, Engraving on ivory paper, 260.35 x 196.85 mm

Hyacinthe Rigaud, 1698, Gérard Edelinck (French, born Flanders, 1640-1707), after Hyacinthe Rigaud (French, 1659-1743), France, Engraving and etching on paper, 479 × 361 mm (image), 481 × 367 mm (plate), 510 × 402 mm (sheet), The

The Triumph of Love, 1470/90, Attributed to Francesco Rosselli, Italian, 1448-c. 1513, Italy, Engraving in black on paper, 257 x 170 mm

Ornament with Two Tritons, from Four Vignettes, c. 1544, Sebald Beham, German, 1500-1550, Germany, Engraving in black on ivory laid paper, 22 x 54 mm (image/sheet, trimmed to plate mark

Death and the Maiden, 1547, Sebald Beham, German, 1500-1550, Germany, Engraving in black on ivory laid paper, 75 x 48 mm (image/sheet, trimmed to platemark

Resurrection, from The Engraved Passion, 1512, published 1513, Albrecht Dürer, German, 1471-1528, Germany, Engraving in black on ivory laid paper, 119 x 75 mm (image/plate), 121 x 77 mm (sheet

My Old Mother-in-Law is Always Ready to Scold without Any Reason, n.d., Manuel Manilla, Mexican, 1830-c. 1900, México, Relief engraving or photo relief etching on violet wove paper, 293 x 192 mm

Zuren, Jan van (1517-1591) publisher, burgomaster of Haarlem, 1590, Hendrick Goltzius, Dutch, 1558-1617, Netherlands, Engraving and etching in black on ivory laid paper, 129 x 101 mm (image), 165 x 107 mm (plate/sheet

Portrait of Cardinal Fleury, 1726, François Chereau, the elder (French, 1680-1729), after Hyacinthe Rigaud (French, 1659-1743), France, Engraving on paper, 425 × 332 mm

Taglia Cantoni, Fracasso, from Balli di Sfessania, c. 1622, Jacques Callot, French, 1592-1635, France, Etching and engraving on paper, 70 × 92 mm

Gerard van Schoonhoven, 1628, William Jacobszoon Delff, Dutch, 1580-1638, Netherlands, Engraving in black on ivory paper, 169 x 134 mm (image), 202 x 138 mm (sheet, trimmed within plate mark

Ferdinand of Austria on Horseback, c. 1641, Paulus Pontius (Flemish, 1603–1658) after Peter Paul Rubens (Flemish, 1577–1640), Flanders, Engraving in black on ivory laid paper, 450 × 323 mm (image), 483 × 327 mm (plate), 487 × 332 mm

The Charmes of the Morning, 1777, Louis-Marin Bonnet, French, 1736-1793, France, Pastel-manner engraving and etching in color, with gold leaf, on ivory laid paper

Portrait of Wenzel Jamnitzer in his Study, 1572/75, Jost Amman, Swiss, 1539-1591, Switzerland, Engraving in black ink on cream laid paper, 167 x 253 mm (image), 175 x 258 mm (plate), 187 x 275 mm (sheet

Dance of Cupids, 1517/20, Marcantonio Raimondi, Italian, c. 1480-1534, Italy, Engraving printed in black on paper, 110 × 166 mm (image/sheet

Combats and Triumphs, 1550/1572, Etienne Delaune, French, c. 1519-1583, France, Engraving on paper, 65 × 220 mm

Paperweight, 19th century, Baccarat, France, founded 1764, Lunéville, Glass, Diam. 6.8 cm (2 3/4 in.), Peter Isbrandt, n.d., Cornelis Visscher, Dutch, c. 1629-1658, Holland, Engraving on ivory paper, 304.8 x 215.9 mm

Saint Christopher, 1520, Barthel Beham, German, 1502-1540, Germany, Engraving in black on ivory laid paper, 69 x 47 mm (image/plate/sheet

May, August 30, 1793, Francesco Bartolozzi (Italian, 1727-1815), after William Hamilton (English, 1751-1801), published by John and Josiah Boydell (English, 18th century), Italy, Color stipple engraving on paper, 306 x 250 mm (image), 355

Woman Raking Hay, 1853, after drawing made in 1852, Jacques Adrien Lavieille (French, 1818-1862), after Jean François Millet (French, 1814-1875), France, Wood engraving in black on gray China paper, laid down on ivory wove paper (chine

Rebels Outside Their Works at Yorktown, Reconnoitring [sic] with Dark Lanterns, published May 17, 1862, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood engraving on paper, 278 x

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