Images at Librifly

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Edward VI, May 1, 1793, Francesco Bartolozzi (Italian, 1727-1815), after Hans Holbein the younger (German, 1497-1543), Italy, Stipple engraving on cream wove paper, 274 x 184 mm (image), 345 x 256 mm (plate), 458 x 316 mm (sheet

Portrait of J.R. Perronet, 1782, Augustin de Saint-Aubin (French, 1736-1807), after Charles-Nicholas Cochin, the younger (French, 1715-1790), France, Engraving on paper, 449 × 300 mm (plate), 480 × 327 mm (sheet

Saint John the Baptist, c. 1505, Giulio Campagnola, Italian, c. 1482-1515/18, Italy, Engraving in black on ivory laid paper, 342 x 238 mm (plate), 356 x 247 mm (sheet

Design: Hands, from Encyclopédie, 1762/77, Benoît-Louis Prévost (French, c. 1735-1809), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and

The Standard Bearer, c. 1500, Albrecht Dürer, German, 1471-1528, Germany, Engraving in black on ivory laid paper, 116 x 71 mm (image/sheet

Ornamental Design for Knife Handle with Water, from the Four Elements, c. 1590, Johann Theodor de Bry, German, 1561-1623, Flanders, Engraving in black on ivory laid paper, 90 × 22 mm (image/sheet, trimmed within plate mark

May-Day in the Country, published April 30, 1859, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood engraving on paper, 232 x 350 mm (image), 287 x 409 mm (sheet

Devotion of Cimon or Funeral of Miltiade, 1782, Jean François Pierre Peyron, French, 1744-1815, France, Engraving on ivory laid paper, 134 × 207 mm (image/plate), 165 × 217 mm (sheet

Christmas Belles, published January 2, 1869, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood engraving on paper, 231 x 348 mm (image), 269 x 393 mm (sheet

Lady Meutas, August 12, 1795, Francesco Bartolozzi (Italian, 1727-1815), after Hans Holbein the younger (German, 1497-1543), Italy, Stipple engraving on buff wove paper, 287 x 205 mm (image), 329 x 223 mm (plate), 378 x 294 mm (sheet

Henri de Pussort, 1675, Antoine Masson, French, 1636-1700, France, Engraving on paper, 538 × 447 mm (plate), 551 × 463 mm (sheet

Dumblain Abbey, plate 56 from Liber Studiorum, published January 1, 1816, Joseph Mallord William Turner (English, 1775-1851), Engraved by T. Lupton, England, Etching and engraving in brown on tan paper, 186 × 267 mm (image), 207.5 × 288.5

Foliage Ornament from Ancient Roman Church, c. 1530–35, Agostino dei Musi, Italian, c. 1490-after 1536, Italy, Engraving in black on ivory laid paper, 179 x 128 mm (image/sheet, trimmed to and within plate mark

Two Torch-Bearers, plate two from The Large Wedding-Dancers, 1538, Heinrich Aldegrever, German, 1502-c.1560, Germany, Engraving in black on ivory laid paper, 116 x 77 mm (image/plate/sheet

Brooke Lord Cobham, 1796, Francesco Bartolozzi (Italian, 1727-1815), after Hans Holbein the younger (German, 1497-1543), Italy, Stipple engraving on ivory wove paper, 285 x 195 mm (image), 329 x 226 mm (plate), 478 x 354 mm (sheet

Knowle in the Parish of Sevenoaks in Kent, plate 24 from Britannia Illustrata, published 1707, Jan Kip (Dutch, c. 1653-1722), after Leonard Knyff (Dutch, 1650-1721), published by David Mortier (French, 1673-1728), Netherlands, Etching and

Covered Goblet (Pokal), 1713/20, Germany, Potsdam or Berlin, Germany, Blown and molded glass with engraving and applied medallion, H. 48.3 cm (19 in

Combats and Triumphs, 1550/1572, Etienne Delaune, French, 1518/19-c.1583, France, Engraving on ivory laid paper, 65 × 220 mm

Adam van Noort, 1630/33, Anthony van Dyck, Flemish, 1599-1641, Flanders, Etching and engraving in black on ivory laid paper, 239 × 154 mm (image/sheet, trimmed within platemark

Portrait of Raphael, n.d., Paul Pontius, Flemish, 1603-1658, Flanders, Engraving in black on paper, 253 × 179 mm

The Sun, plate 44 from Planets and Spheres, c. 1465, Master of the E-Series Tarocchi, Italian, active c. 1465, Italy, Engraving on paper, 185 x 105 mm (sheet), 180 x 100 mm (plate

Dagger Sheath with a Young Couple Above, 1532, Heinrich Aldegrever, German, 1502-1561, Germany, Engraving in black on ivory laid paper, 158 × 34 mm (image/plate/sheet

Jules Hardouin Mansart, 1704, Gérard Edelinck (French, born Flanders, 1640-1707), after Hyacinthe Rigaud y Ros (French, 1659-1743), France, Engraving on paper, 508 × 375 mm (plate), 565 × 440 mm (sheet), San Francisco, 1855–56,

Portrait of Titian, 1843, Johann August Eduard Mandel (German, 1810-1882), after Titian (Italian, c. 1488-1576), Germany, Engraving in black on paper, 308 x 247 mm (image), 408 x 310 mm (plate), 452 x 347 mm (sheet

St. Barbara, n.d., Martin Schongauer, German, c. 1450-1491, Germany, Engraving on paper, 101 × 63 mm (sheet

Calm, plate 44 from Liber Studiorum, published April 23, 1812, Joseph Mallord William Turner, English, 1775-1851, England, Etching and engraving in brown on ivory laid paper, 178 × 268 mm (image), 216 × 305 mm (plate), 268 × 362 mm

Male Indigo Bird, 1829, Robert Havell (English, 1793-1878), after John James Laforest Audobon (American, 1775-1851), England, Hand-colored engraving, with aquatint, on cream wove paper, 460 × 296 mm (image), 498 × 313 mm (plate), 970 ×

Oriental Family, c. 1496, Albrecht Dürer, German, 1471-1528, Germany, Engraving in black on ivory laid paper, 108 x 77 mm (image), 112 x 80 mm (sheet

Man Carrying the Base of a Column, 1515/30, Agostino dei Musi (Italian, c. 1490-after 1536), after Raffaello Sanzio, called Raphael (Italian, 1483-1520), Italy, Engraving in black on ivory laid paper, 227 x 140 mm (image/sheet, trimmed to

Three Soldiers and a Dog, n.d., Sebald Beham, German, 1500-1550, Germany, Engraving in black on ivory laid paper, 45 × 29 mm (image/plate), 45 × 29.5 mm (sheet

Pierre de Montarsis, 1692, Gérard Edelinck (French, born Flanders, 1640-1707), after Charles-Antoine Coypel (French, 1694-1752), France, Engraving on paper, 344 × 286 mm (image), 422 × 348 mm (sheet

New England Factory Life—Bell Time, published July 25, 1868, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood engraving on paper, 233 x 354 mm (image), 297 x 421 mm (sheet

Jacob and Rachel, 1581, Agostino Carracci (Italian, 1557-1602), after Denys Calvaert (Flemish, 1540-1619), Italy, Engraving on ivory laid paper, 391 x 289 mm (image/sheet, cut within plate mark

Dancing Couple, plate four from The Large Wedding-Dancers, 1538, Heinrich Aldegrever, German, 1502-c.1560, Germany, Engraving in black on ivory laid paper, 117 x 78 mm (image/plate/sheet

Self-Portrait, 1649, Cornelis Visscher, Dutch, c. 1629-1658, Holland, Etching and engraving in black on ivory laid paper, 136 x 90 mm (image), 139 x 93 mm (plate), 145 x 100 mm (sheet

Mower, 1853, after drawing made in 1852, Jacques Adrien Lavieille (French, 1818-1862), after Jean François Millet (French, 1814-1875), France, Wood engraving in black on gray China paper, laid down on ivory wove paper (chine collé), 135

Marine Dabblers, plate 29 from Liber Studiorum, published June 1811, Joseph Mallord William Turner (English, 1775-1851), Engraved by William Say (English, 1768-1834), England, Etching and engraving in brown on ivory wove paper, 177 × 161 mm

Edward Stanley, Earl of Derby, November 1, 1793, Francesco Bartolozzi (Italian, 1727-1815), after Hans Holbein the younger (German, 1497-1543), Italy, Stipple engraving on cream wove paper, 272 x 191 mm (image), 339 x 253 mm (plate), 403

‘The Beautiful Virgin of Regensburg’ with the Child on a Throne, Surrounded by Angels with Musical Instruments, 1519/20, Albrecht Altdorfer, German, c.1480-1538, Germany, Engraving in black on ivory laid paper, 60 × 40 mm (image

Letter C, 1630, Peter Aubry, German, 1596-1668, Germany, Engraving on paper, 208 x 165 mm

Catherine de’Medici, n.d., Marc Duval, French, c. 1530-1581, France, Engraving on ivory laid paper, 145 × 120 mm

La Princesse de Lorreine, 1570/1600, Thomas de Leeuw, Franco-Flemish, active 1576-1614, France, Engraving in black on paper, 150 × 98 mm (image/plate/sheet

The Lorraine Reunited with France, 1737, Charles-Nicholas Cochin the younger (French, 1715-1790), after Charles Nicholas Delovel II, France, Engraving on paper, 345 × 269 mm (image), 400 × 291 mm (plate), 412 × 311 mm (sheet

Frontispiece for the Catalogue of the Work of Thomas De Leu, 1866, Charles Meryon (French, 1821-1868), printed by Pierron (French, 19th century), France, Etching and engraving on ivory laid paper, 154 × 109 mm (image, including stray

View of the Tuileries, the Louvre and the Pont Neuf, 1789, Charles-Melchior Descourtis (French, 1753-1820), after Pierre Antoine de Machy (French, 1723-1807), France, Etching and engraving printed in color from at least four plates on paper,

Peasant House with Pond, 1845, Charles Émile Jacque, French, 1813-1894, France, Etching, engraving and drypoint on light gray China paper laid down on ivory wove paper, 130 × 190 mm (image), 140 × 199 mm (chine), 162 × 220 mm (plate),

Entrance to a Peasant’s House, 1845, Charles Émile Jacque, French, 1813-1894, France, Etching and engraving on ivory wove paper, 127 × 101 mm (image), 137 × 109 mm (sheet

The Triumph of Eternity, plate six from The Triumphs of Petrarch, c. 1539, Georg Pencz, German, c. 1500-1550, Germany, Engraving in black on ivory laid paper, 152 x 211 mm (sheet

The Parable of the Good Samaritan, from Landscapes with Old and New Testament Scenes and Hunting Scenes, 1584, Adriaen Collaert (Flemish, c. 1560–1618), after Hans Bol (Flemish, 1535–1593), published by Anna van Hoeswinckel (Flemish),

David and Goliath, 1655, Rembrandt van Rijn, Dutch, 1606-1669, Holland, Etching, engraving, and drypoint on paper, 108 x 73 mm (image), 111 x 75 mm (sheet

The Fall of Phaeton, c. 1540, Nicolas Beatrizet (French, 1515-after 1565), after Michelangelo Buonarroti (Italian, 1475-1564), France, Engraving on paper, 418 × 292 mm (sheet, edges clipped

Neck Muscles, plate three from Complete musculature in Natural Size and Color, 1746, Jacques Fabien Gautier D’Agoty, French, 1710-1781, France, Color mezzotint with touches of engraving on cream laid paper, varnished, 400 × 320 mm

What Shall We Do Next?, published July 31, 1869, Winslow Homer (American, 1836-1910), published by Harper’s Bazar (American, founded 1867), United States, Wood engraving on paper, 231 x 348 mm (image), 281 x 410 mm (sheet

Jupiter and Antiope, 1550/59, René Boyvin (French, c. 1525-after 1580), after Luca Penni (Italian, 1500/04-1557), France, Engraving on ivory laid paper, edge-mounted to ivory laid paper, 162 × 286 mm (image), 166 × 288 mm (sheet), 252

François Van der Meulen, 1687, Pierre Louis van Schuppen (Flemish, 1627-1702), after Nicolas de Largillière (French, 1656-1746), Flanders, Engraving on paper, 507 × 364 mm (sheet, trimmed within platemark

The Market Woman, c. 1542, Sebald Beham, German, 1500-1550, Germany, Engraving in black on ivory laid paper, 40 x 26 mm (image/sheet, trimmed irregularly to plate mark

The Virgin with the Pear, 1520, Sebald Beham, German, 1500-1550, Germany, Engraving in black on ivory laid paper, 112 x 74 mm (image/sheet, trimmed within plate mark

Venus Ordering Psyche to Sort a Heap of Grain, 1530/40, Master of the Die (Italian, active c. 1530-1560), after Michiel Coxcie I (Flemish, 1499-1592), in turn, inspired by Raffaello Sanzio, called Raphael (Italian, 1483-1520), Italy,

Conjugal Gaiety, n.d., Nicolas Delaunay (French, 1739-1792), after S. Freudeberg (Swiss, 1745-1801), France, Etching and engraving in black ink on ivory laid paper, laid down on white laid paper, 287 × 326 mm (image/plate), 295 × 337 mm

Summer, from The Four Seasons, 1570, Pieter van der Heyden (Flemish, c. 1530–after 1584), after Pieter Bruegel, the elder (Flemish, 1525/30–1569), published by Hieronymus Cock (Flemish, c. 1510–1570), Flanders, Engraving with etching

Portrait of Henning Meyercron, 1693, Cornelia Martinus Vermeulen (Flemish, 1644-1702), after Hyacinthe Rigaud (French, 1659-1743), Flanders, Engraving in black on ivory wove paper, 475 × 345 mm

Meeting in the Woods of Boulogne, from Monument du Costume Physique et Moral de la fin du Dix-huitième siècle, n.d., Heinrich Guttenberg (German, 1749-1818), after Jean Michel Moreau (French, 1741-1814), published by Laurent-François Prault

Lime-Kiln, from Cabinet Reynst, 1655–59, Cornelis Visscher (Dutch, c. 1629-1658), after Pieter van Laer (Netherlandish, 1592-1642), Netherlands, Engraving and etching in black on ivory laid paper, 325 x 390 mm

Ornament with a Mask Held by Two Genii, 1544, Sebald Beham, German, 1500-1550, Germany, Engraving in black on ivory laid paper, 49 x 71 mm (image), 49 x 72 mm (sheet

Floral Department of the Great Fair, published April 16, 1864, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood engraving on paper, 276 x 232 mm (image), 402 x 278 mm (sheet

Pasquariello Truonno, Meo Squaquara, from Balli di Sfessania, c. 1622, Jacques Callot, French, 1592-1635, France, Etching and engraving on paper, 70 × 92 mm

Winter Evening, from Monument du Costume Physique et Moral de la fin du Dix-huitième siècle, 1774, François Robert Ingouf (French, 1747-1812), after Sigmund Freudeberg (Swiss, 1745-1801) and Jean Henri Eberts (Swiss, 18th century),

A Parisian Ball—Dancing at the Mabille, Paris, published November 23, 1867, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood engraving on paper, 232 x 349 mm (image), 281 x

Portrait of Mrs. Davies, from Old English Masters, 1898, printed 1902, Timothy Cole (American, born England, 1852-1931), after George Romney (English, 1734-1802), United States, Wood engraving on chine paper, 435 x 345 mm (sheet

The Ill-Assorted Couple, c. 1495, Israhel van Meckenem the Younger, German, c. 1440/45-1503, Germany, Engraving on ivory laid paper, 160 x 110 mm (image/plate), 201 x 126 mm (sheet

River Landscape, 1646, Jan van de Velde II (Dutch, c. 1593-1641), after Pieter de Molijn (Dutch, 1595-1661), Holland, Engraving on cream laid paper, 205 x 338 mm (image/plate), 275 x 362 mm (sheet

Allow me to Examine the Young Lady—, published February 18, 1860, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood engraving on paper, 395 x 269 mm

Hudibras and the Lawyer, plate twelve from Hudibras, February 1725/26, William Hogarth, English, 1697-1764, England, Etching and engraving in black on cream paper edge, mounted on cream wove paper, 245 × 344 mm (image), 270 × 353 mm

The Nymph of Fontainebleau, 1554, Pierre Milan (French, died 1557), after Rosso Fiorentino (Italian, 1494-1540), France, Engraving on cream laid paper, 522 × 329 mm

Cornelis van Poelenburch, 1630/45, Pieter de Jode II (Flemish, 1606–c. 1674), after Anthony van Dyck (Flemish, 1599-1644), Holland, Engraving in black on ivory laid paper, 230 x 164 mm (plate), 336 x 258 mm (sheet

Inverary Castle and Town, plate 65 from Liber Studiorum, published January 1, 1816, Joseph Mallord William Turner, English, 1775-1851, England, Etching and engraving in brown on ivory paper, 180 × 256 mm (image): 209 × 290 mm (plate), 294

Young Anglers, plate 32 from Liber Studiorum, published June 1, 1811, Joseph Mallord William Turner (English, 1775-1851), Engraved by R. Dunkarton, England, Etching and engraving in brown on ivory wove paper, 180 × 263 mm (image), 209 ×

Cardinal Mazarin, c. 1655, Robert Nanteuil (French, 1623-1678), after Pieter van Mol (Flemish, 1599-1650), France, Engraving on paper, 334 × 257 mm (sheet, trimmed to plate

Madonna Nursing, 1519, Albrecht Dürer, German, 1471-1528, Germany, Engraving in black on ivory laid paper, 116 x 74 mm (image/plate), 118 x 75 mm (sheet

The Lady Surrey, June 11, 1796, Francesco Bartolozzi (Italian, 1727-1815), after Hans Holbein the younger (German, 1497-1543), Italy, Stipple engraving on ivory wove paper, 329 x 222 mm (image), 378 x 264 mm (plate), 460 x 324 mm (sheet

Philibert-Emmanuel de Beaumanoir de Lavardin, 1660, Robert Nanteuil, French, 1623-1678, France, Engraving on paper, 348 × 265 mm (plate), 357 × 271 mm (sheet

Design: Proportions of the Farnese Hercules, from Encyclopédie, 1762/77, Benoît-Louis Prévost (French, c. 1735-1809), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French,

Queen Jane Seymour, March 26, 1795, Francesco Bartolozzi (Italian, 1727-1815), after Hans Holbein the younger (German, 1497-1543), Italy, Stipple engraving on cream wove paper, 521 x 283 mm (image), 540 x 310 mm (plate), 540 x 401(sheet

A Bivouac Fire on the Potomac, published December 21, 1861, Winslow Homer (American, 1836-1910), published by Harper’s Weekly (American, 1857-1916), United States, Wood engraving on paper, 351 x 512 mm (image), 410 x 554 mm (sheet

The Parson’s Daughter, from Old English Masters, 1898, printed 1902, Timothy Cole (American, born England, 1852-1931), after George Romney (English, 1734-1802), United States, Wood engraving on chine paper, 435 x 345 mm (sheet

La Toilette, from Monument du Costume Physique et Moral de la fin du Dix-huitième siècle, 1774, Nicolas Joseph Voyez (French, 1742-1806), after Sigmund Freudeberg (Swiss, 1745-1801), published by Laurent-François Prault (French 1712-1780),

The Tooth Puller, plate nine from Selection of Pictures from Venetian Collections, 1765, Jacopo Leonardis (Italian, 1723-1797), after Giovanni Domenico Tiepolo (Italian, 1727-1804), Italy, Etching and engraving in black on ivory laid paper,

Thatched Hut among Trees and Rocks, n.d., Allart van Everdingen, Dutch, 1621-1675, Holland, Engraving on paper, 129 x 111 mm (plate), 134 x 117 mm (sheet

Isleworth, plate 63 from Liber Studiorum, published January 1, 1819, Joseph Mallord William Turner (English, 1775-1851), Engraved by H. Dawe, England, Etching and engraving in brown on ivory wove paper

Agony in the Garden, from The Engraved Passion, 1508, published 1513, Albrecht Dürer, German, 1471-1528, Germany, Engraving in black on ivory laid paper, 117 x 72 mm (image/plate), 119 x 74 mm (sheet

Cicero’s villa, from Old English Masters, 1898, printed 1902, Timothy Cole (American, born England, 1852-1931), after Richard Wilson (English, 1714-1782), United States, Wood engraving on chine paper, 435 x 345 mm (sheet

Susanna and the Elders, n.d., Cornelis Visscher, the Elder, Netherlandish, c. 1520-1586, Holland, Engraving on paper

Psyche Telling Her Misfortune to Her Sisters, 1530/40, Master of the Die (Italian, active c. 1530-1560), after Michiel Coxcie I (Flemish, 1499-1592), in turn, inspired by Raffaello Sanzio, called Raphael (Italian, 1483-1520), Italy,

Reverend Jonathan Edwards, 1808, Abner Reed, American, 1771–1866, United States, Engraving on cream wove paper, 176 x 120 mm (plate), 216 x 139 mm (sheet

Plate Two, from A New Book of Ornaments, 1704, Simon Gribelin II, French, 1661-1733, France, Engraving on paper, 195 × 160 mm (image/plate), 295 × 232 mm (sheet

Bastard Letters of the Alphabet, from Encyclopédie, 1760, Aubin (French, active 18th century), after Charles Paillasson (French, 1718-1789), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769),

Owake! what ho! Brabantio! thieves! thieves!, plate one from Othello, 1844, Théodore Chassériau, French, 1819-1856, France, Etching, engraving, and roulette on paper, 325 × 237 mm (image), 372 × 270 mm (plate), 638 × 445 mm (appro×.

William Penn’s Treaty with the Indians (Furnishing Fabric), c. 1785, After engraving by John Hall (English, 1739–1797) after painting by Benjamin West (American, 1738–1826), England, Cotton, plain weave, copperplate printed, 119.5 ×

Flagellation, from Passion of Christ, 1575/1600, Jan Sadeler, the Elder (Flemish, 1550-1600), after Marcus Gheeraerts, the Elder (Flemish, c. 1520-c. 1590), Flanders, Engraving in black on ivory laid paper, 152 × 111 mm (plate, oval

Jupiter, plate 2 from Parnassus Biceps, 1601, Robert Boissard (French, c. 1570–after 1597), after Jean-Jacques Boissard (French, 1533-1598), Frankfurt an der Oder, Engraving in black on ivory laid paper, 253 × 178 mm (image), 272 × 178

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