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Saints Thomas and James the Lesser, from The Apostles, n.d., Engraving, Sheet: 8 5/16 × 5 11/16 in. (21.1 × 14.5 cm), Prints, Israhel van Meckenem (German, Meckenem ca. 1440/45–1503 Bocholt

Architecture (Arquitraicture), 16th century, Engraving, image: 3 x 2 1/8 in. (7.6 x 5.4 cm), Étienne Delaune (French, Orléans 1518/19–1583 Strasbourg

Saint Vincent, left hand resting on a grill, from the series 'Piccoli Santi' (Small Saints), ca. 1500–1527, Etching completed with engraving, 1 15/16 x 3 1/8 in. (5.0 x 7.9 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca.

The Flagellation, from The Passion of Christ, 1597, Engraving, sheet: 8 1/16 x 5 3/8 in. (20.5 x 13.6 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem), Between 1596 and 1598 Goltzius engraved this series of

Satisfactio Christi, from Allegories of the Christian Faith, from Christian and Profane Allegories, Engraving, sheet: 9 9/16 x 7 1/2 in. (24.3 x 19 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Stephen Decatur, 1835, Engraving on chine collé; second state of three, plate: 9 5/8 x 6 9/16 in. (24.5 x 16.7 cm), Prints, Asher Brown Durand (American, Jefferson, New Jersey 1796–1886 Maplewood, New Jersey), After Thomas Sully

Pendant Design with a Male Diety with a Shield Flanked by Two Reclining Men, after 1581, Engraving; second state of two (New Hollstein), Sheet: 6 3/4 × 4 13/16 in. (17.2 × 12.2 cm), Jan Collaert I (Netherlandish, Antwerp ca. 1530–1581

Les Amans Surpris (The Surprised Lovers), 18th century, Colored etching and engraving, Sheet: 20 3/8 x 15 9/16 in. (51.8 x 39.6 cm), Prints, René Gaillard (French, ca. 1719–1790 Paris), After François Boucher (French, Paris 1703–1770

Neptune and Amymone, 18th century, Etching and engraving, Sheet: 16 3/4 x 18 13/16 in. (42.5 x 47.8 cm), Prints, Jean Claude Danzel (French, Abbeville 1737–1809), After François Boucher (French, Paris 1703–1770 Paris

American Eclipse, 1824, Engraving, sheet: 9 1/16 x 11 1/2 in. (23 x 29.2 cm), Prints, Asher Brown Durand (American, Jefferson, New Jersey 1796–1886 Maplewood, New Jersey), After Alvan Fisher (American, Needham, Massachusetts 1792–1863

Mucius Scaevola, 1530, Engraving, Sheet: 5 3/4 × 4 1/16 in. (14.6 × 10.3 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

Punitio Tirannorum, from Allegories of the Christian Faith, from Christian and Profane Allegories, n.d., Engraving, sheet: 10 3/16 x 7 7/16 in. (25.8 x 18.9 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

The Man Between the Two Fir Trees, Engraving; second state of two, Sheet: 4 3/4 × 6 5/16 in. (12.1 × 16 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Renard Coninues his False Revelations from Hendrick van Alcmar's Renard The Fox, 1650–75, Engraving; third state of four, Plate: 3 3/4 × 4 9/16 in. (9.6 × 11.6 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

François de La Mothe Le Vayer, 1648, Engraving; second state of two (BN), sheet: 9 5/8 x 7 5/16 in. (24.4 x 18.5 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Jupiter and Leucothoe, Engraving, plate: 6 15/16 x 9 15/16 in. (17.6 x 25.2 cm), Prints, Possibly by Robert Willemsz de Baudous (Netherlandish, 1574/5–1659), After Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Portrait of Giovanni de' Medici facing right within an elaborate cartouche flanked by Victory at the left and Mars at right, winged figures holding Medici coat of arms upper centre, 1550, Engraving, sheet: 18 3/4 x 12 1/16 in. (47.7 x 30.7 cm),

Antique Lidded Urn Decorated with a Motif of Diamond Rings and Lions, from Vases aftetr the Antique, 1543–1573, Engraving on laid paper, first or second edition, Image: 10 7/8 x 8 in. (27.7 x 20.3 cm), Enea Vico (Italian, Parma 1523–1567

Femme du Levant, from Recueil de diverses fig.res étrangeres Inventées par F. Boucher P.tre du Roy et Gravées par F. Ravenet (Collection of Various Foreign Figures, Devised by F. Boucher, Painter of the King and Engraved [etched] by F.

The Dream of Paris, Engraving, Sheet: 2 1/2 × 1 11/16 in. (6.4 × 4.3 cm), Prints, Albrecht Altdorfer (German, Regensburg ca. 1480–1538 Regensburg

Jacques Le Coigneux, 1654, Engraving, Sheet: 11 3/8 × 7 1/4 in. (28.9 × 18.4 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Apollo standing at left shooting a python with an arrow, above to the left are the muses and at right on a cloud Cupid approaching Apollo, from the 'Story of Apollo and Daphne', 1530–60, Engraving, sheet: 9 7/16 x 7 1/16 in. (24 x 18 cm),

Saints Matthias and Judas Thaddaeus, from The Apostles, n.d., Engraving, Sheet: 5 13/16 × 8 7/16 in. (14.7 × 21.4 cm), Prints, Israhel van Meckenem (German, Meckenem ca. 1440/45–1503 Bocholt

Beer Street, February 1, 1751, Etching and engraving; second state of three, sheet: 14 7/8 x 12 9/16 in. (37.8 x 31.9 cm), Prints, William Hogarth (British, London 1697–1764 London

L'Amour couronné par les Graces (Cupid crowned by the Graces), 1770–1805, Color stipple engraving, printed in blue, red and brown, sheet: 11 5/8 x 8 1/2 in. (29.5 x 21.6 cm), Prints, Alexandre Chaponnier (French, 1753–1805), After

The Adoration of the Shepherds, ca. 1522–25, Engraving, Sheet: 9 1/2 × 6 3/4 in. (24.2 × 17.1 cm), Prints, Frans Crabbe van Espleghem (Netherlandish, Mechelen ca. 1480–1553 Mechelen

Speculum Romanae Magnificentiae: View of Rome from the West, 1557, Engraving, sheet: 18 11/16 x 21 3/4 in. (47.4 x 55.3 cm), Prints, Nicolas Beatrizet (French, Lunéville 1515–ca. 1566 Rome

Engraved copies of The Little Passion, n.d., Engraving, For the whole series: plate circa : 5 x 3 13/16 in. (12.7 x 9.7 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Portrait of L'Abbé Pommyer, 1769, Etching and engraving; fifth state of five (Bocher), Mount: 10 1/16 × 9 5/16 in. (25.6 × 23.7 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris), After Charles Nicolas Cochin II (French,

Portrait of Jean Loret, 17th century, Engraving, image: 10 1/4 x 7 5/16 in. (26 x 18.5 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Design for a Clock, from 'Disegni Diversi', 1714 or 1750, Etching and engraving, Plate: 10 11/16 × 6 7/8 in. (27.1 × 17.4 cm), Giovanni Giardini (Italian, Forlì 1646–1722 Rome), Design for a standing clock, characterized by two birds

Venus ordering Psyche to take water from a fountain guarded by dragons, from 'Fable of Cupd and Psyche', 1530–60, Engraving, Sheet: 8 13/16 in. (22.4 cm), Prints, Master of the Die (Italian, active Rome, ca. 1530–60

Speculum Romanae Magnificentiae: Theater of Marcellus, 16th century, Engraving, sheet: 14 3/16 x 21 1/16 in. (36 x 53.5 cm), Prints, Anonymous

Plan of the City of Rome. Part 6 with the Aurelian city wall, the Porta Portuensis (Ostiensis?) and the Sepulcre of Caius Cestius., 1645, Etching with some engraving, undescribed state., Overall: 41 5/16 x 94 1/2 in. (105 x 240 cm), Prints,

Design for Knife Handles with the Death of Lucretia and Grotesques, 1580–1600, Engraving and blackwork, Sheet: 3 1/2 × 2 9/16 in. (8.9 × 6.5 cm), Theodor de Bry (Netherlandish, Liège 1528–1598 Frankfurt), Design for a knife handle with

Neptune Seated Blowing a Conch Shell, 16th century, Engraving, plate: 9 3/16 x 6 3/8 in. (23.4 x 16.2 cm) platemark, Prints, Anonymous, 16th century, After Perino del Vaga (Pietro Buonaccorsi) (Italian, Florence 1501–1547 Rome

Cardinal Jules Mazarin, 1661, Engraving; second state of three (Petitjean & Wickert), sheet: 11 1/4 x 10 9/16 in. (28.6 x 26.8 cm) trimmed, Prints, Robert Nanteuil (French, Reims 1623–1678 Paris), After Pierre Mignard (French, Troyes

After, 1790–1810, Engraving, Sheet: 2 15/16 x 2 1/2 in. (7.5 x 6.3 cm), Prints, After William Hogarth (British, London 1697–1764 London

Punitio Tirannorum, from Allegories of the Christian Faith, from Christian and Profane Allegories, Engraving, sheet: 10 3/16 x 7 5/16 in. (25.8 x 18.5 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Frontispiece, mid to late 18th century, Etching and engraving, Sheet (trimmed): 9 1/2 × 7 1/2 in. (24.2 × 19 cm), Prints, Jacques Gabriel Huquier (French, Paris 1730–1805 Shrewsbury), After François Boucher (French, Paris 1703–1770

Divers Trophées (Weapon Trophies after the Façade of Palazzo Milesi in Rome), 1651, Engraving, Plate: 8 13/16 x 12 in. (22.4 x 30.5 cm), Polidoro da Caravaggio (Italian, Caravaggio ca. 1499–ca. 1543 Messina), Georges Tournier (French,

The Adventure of Mambrino's Helmet (Six Illustrations for Don Quixote), 1756 or after, Etching and engraving; third state of three, sheet: 9 15/16 x 7 5/16 in. (25.2 x 18.5 cm), Prints, William Hogarth (British, London 1697–1764 London

The Broad River, Engraving; first state of two, Plate: 4 15/16 × 6 5/16 in. (12.5 × 16 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

The Hill, Engraving; second state of three, Sheet: 5 13/16 × 7 15/16 in. (14.7 × 20.2 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Saint Sebastian, 15th century, Engraving, Sheet: 6 3/8 x 4 3/8 in. (16.2 x 11.1 cm), Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach

Ornamental Design with a Mask and an Eagle between Two Fauns below, 1549, Engraving, Sheet: 2 5/8 × 1 15/16 in. (6.7 × 4.9 cm), Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), Ornamental design with mask at center flanked

Salome receiving the head of John the Baptist, surrounded by three men and a child bearing a torch, the Baptist's body lies on the ground, an oval composition, ca. 1630–68, Engraving, Sheet: 2 5/8 x 2 1/16 in. (6.7 x 5.3 cm), Prints,

Christ Crowned with Thorns from The Passion, n.d., Engraving; fifth state?, Sheet: 7 13/16 × 5 3/4 in. (19.9 × 14.6 cm), Prints, Israhel van Meckenem (German, Meckenem ca. 1440/45–1503 Bocholt

The Cascade Near the Watermill, Engraving; fifth state of five, Sheet: 5 1/2 × 7 15/16 in. (13.9 × 20.1 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

The Idle 'Prentice at Play in the Churchyard: Industry and Idleness, plate 3, September 30, 1747, Etching and engraving; first state of two, sheet: 10 1/4 x 13 9/16 in. (26 x 34.5 cm), Prints, William Hogarth (British, London 1697–1764

Spring, 1735–86, Etching and engraving, Sheet (trimmed): 8 3/4 × 9 5/8 in. (22.3 × 24.5 cm), Prints, Claude Augustin Duflos le Jeune (French, Paris 1700–1786 Paris), After François Boucher (French, Paris 1703–1770 Paris

Marin Cureau de La Chambre, ca. 1656, Engraving; first state of five (Petitjean & Wickert), Sheet: 10 × 7 11/16 in. (25.4 × 19.6 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Vertumnus and Pomona, 1765, Etching and engraving; third state of three (Bocher), Sheet: 14 3/8 × 18 1/2 in. (36.5 × 47 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris), After François Boucher (French, Paris

Pendant Design with Pax Standing Before an Arch, after 1581, Engraving; second state of two (New Hollstein), Sheet: 6 7/8 × 4 13/16 in. (17.5 × 12.2 cm), Jan Collaert I (Netherlandish, Antwerp ca. 1530–1581 Antwerp), Vertical panel with a

La Botanique, 18th century, Etching with engraving, sheet: 4 5/16 x 6 1/2 in. (11 x 16.5 cm), Prints, After Charles Nicolas Cochin II (French, Paris 1715–1790 Paris

Horizontal Panel with a Bearded Amascaron in a Medallion at Center Surrounded by Tendrils, 1543, Engraving; second state of two (Pauli), Sheet: 2 x 3 in. (5.1 x 7.6 cm), Sebald Beham (German, Nuremberg 1500–1550 Frankfurt), Panel with the

Alexander welcoming Thalestris and the Amazons, mid-16th century, Engraving, sheet: 9 7/16 x 9 7/16 in. (24 x 24 cm), Prints, Master FG (Italian, active mid-16th century), After Francesco Primaticcio (Italian, Bologna 1504/5–1570 Paris

Judith and Holofernes Dining, Engraving, Sheet: 2 × 3 1/16 in. (5.1 × 7.8 cm), Prints, Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig

Judge Herkinbald (Archambauld) Stabbing His Nephew, 1553, Engraving, Sheet: 4 7/16 × 3 1/16 in. (11.2 × 7.7 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

Jean-Baptiste Budes, comte de Guébriant, 1655, Engraving; third state of four (Petitjean & Wickert), Sheet: 11 3/4 × 7 1/2 in. (29.8 × 19 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris

Madame Boutellier, 1656, Engraving, Sheet: 15 7/16 x 10 5/8 in. (39.2 x 27 cm), Robert Nanteuil (French, Reims 1623–1678 Paris), Part of a bound album containing 92 drawings and prints of anonymous and famous women of Europe

Banknote motifs: band of lathe work ornament and two monograms using the letters U.S., ca. 1824–42, Engraving on chine collé, plate: 2 5/16 x 3 7/8 in. (5.9 x 9.9 cm), Prints, Associated with Cyrus Durand (American, 1787–1868

Wooded landscape, Engraving, Sheet: 8 1/16 x 10 11/16 in. (20.4 x 27.1 cm), Prints, Raphael Sadeler II (Flemish, Antwerp 1584–1632 Munich), After Jan Brueghel the Elder (Netherlandish, Brussels 1568–1625 Antwerp

Fifteen Nude Children Dancing, 1535, Engraving, Sheet: 2 1/16 × 6 1/2 in. (5.3 × 16.5 cm), Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest), after Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna

Speculum Romanae Magnificentiae: Sepulchre of Lupus, 1551, Engraving, sheet: 19 5/16 x 13 9/16 in. (49 x 34.5 cm), Prints, Anonymous

Shrimps!, [March 25, 1782], reissued 1790, Stipple engraving, printed in brown ink; third state, Sheet: 10 5/16 x 7 in. (26.2 x 17.8 cm), Prints, after William Hogarth (British, London 1697–1764 London

The Enchanted Island Before the Cell of Prospero - Prospero, Miranda, Caliban and Ariel (Shakespeare, The Tempest, Act 1, Scene 2), September 29, 1797, Stipple engraving; published state, image: 16 7/8 x 23 1/16 in. (42.9 x 58.5 cm),

Terrour or Fright (from Heads Representing the Various Passions of the Soul; as they are Expressed in the Human Countenance: Drawn by that Great Master Monsieur Le Brun), 1765, Engraving with etching, Plate: 11 1/4 x 7 1/4 in. (28.6 x 18.4 cm),

Saint Anthony, a staff in his right hand, from the series 'Piccoli Santi' (Small Saints), ca. 1500–1527, Engraving, 3-1/4 x 1-7/8 in. (8.3 x 4.8 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna

Combats et Triomphes, n.d., Engraving, fourth and final state, sheet: 2 5/8 x 8 11/16 in. (6.7 x 22 cm), Prints, Étienne Delaune (French, Orléans 1518/19–1583 Strasbourg

Two Fauns Carrying a Child, ca. 1500–1600, Engraving, 5 7/8 x 6 7/8 in. (14.9 x 17.4 cm), Prints, Anonymous, Italian, 16th to early 17th century, After Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna

Jael slaying Sisera, 1705–62, Engraving and etching, sheet: 10 1/2 x 7 3/16 in. (26.6 x 18.3 cm), Prints, Johann Georg Bergmüller (German, Türkheim 1688–1762 Augsburg), After Carlo Maratti (Italian, Camerano 1625–1713 Rome

Speculum Romanae Magnificentiae: Claudius, from The Twelve Caesars, ca. 1500–1534, Engraving; second state of three, mount: 7 5/16 x 16 3/4 in. (18.5 x 42.5 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534

Medea pours magical potion over Jason's body: from Histoire de Jason et de la conquête de la toison d'or, 1563, Engraving, Plate: 6 5/16 x 9 3/16 in. (16 x 23.3 cm), René Boyvin (French, Angers ca. 1525–ca. 1625 Angers (?)), After Leonard

The Shepherd, Etching and engraving, sheet: 13 5/8 x 17 3/8 in. (34.6 x 44.2 cm), Prints, Jean Pelletier (French, born Paris ca. 1736), After François Boucher (French, Paris 1703–1770 Paris

The Good Samaritan (St. Luke, Chap. 10, verse 30), February 24, 1772, Etching and engraving, Plate: 16 3/4 x 22 5/16 in. (42.5 x 56.7 cm), Prints, After William Hogarth (British, London 1697–1764 London

A Harlot's Progress, Plate 3, April 1732, Etching and engraving; third state of three, plate: 12 11/16 x 15 3/8 in. (32.3 x 39 cm), Prints, William Hogarth (British, London 1697–1764 London

Portrait of Charles Gauzargues, 1767, Etching and engraving; second state of two (Bocher), Mount: 10 11/16 × 10 9/16 in. (27.2 × 26.8 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris), After Charles Nicolas Cochin II

The Wheel underneath the Haybarn, Engraving; third state of three, Sheet: 3 3/4 × 5 13/16 in. (9.6 × 14.8 cm), Prints, Allart van Everdingen (Dutch, Alkmaar 1621–1675 Amsterdam

Speculum Romanae Magnificentiae: Diana (Diana Triuia in aedibus), 16th century, Engraving, sheet: 16 5/8 x 13 1/8 in. (42.3 x 33.3 cm), Prints, Anonymous, After Philippe Thomassin (French, Troyes 1562–1622 Rome

Little girl with a vessel by her feet, from Premier Livre de Figures d'après les porcelaines de la Manufacture Royale de France, inventées en 1757, par Mr. Boucher (First Book of Figures after porcelains from the Manufacture Royale de France,

Title Plate, from Pendant Designs with Architectural Elements and Vegetal-Arabesques, before 1573, Engraving and blackwork; first state of three (New Hollstein), Sheet: 5 13/16 × 4 1/16 in. (14.7 × 10.3 cm), Jan Collaert I (Netherlandish,

The Peasants' Brawl, 1531–50, Engraving; second state of two (Pauli), Sheet: 1 7/8 x 2 7/8 in. (4.8 x 7.3 cm), Sebald Beham (German, Nuremberg 1500–1550 Frankfurt), Five standing figures engage in a sword fight, while a kneeling female

Evening, Etching and engraving, sheet: 12 5/16 x 8 7/16 in. (31.2 x 21.5 cm), Prints, Gilles Edme Petit (French, Paris 1694–1760 Paris), After François Boucher (French, Paris 1703–1770 Paris

Satyrs Admiring the Anamorphosis of an Elephant, 17th century, Engraving, sheet: 9 9/16 x 13 9/16 in. (24.3 x 34.5 cm), Prints, Hans Troschel (German, Nuremberg 1585–1628 Rome), After Simon Vouet (French, Paris 1590–1649 Paris), This

Ruined aqueduct with water spilling from it to a stream below, ships at sea beyond, a man reclining on the ground with three goats in the foreground, from the series 'Six landscapes in Tyrol' after Roelandt Savery, ca. 1600, Engraving, sheet: 6

Lindley Murray, 1827, Engraving, sheet: 10 1/8 x 7 9/16 in. (25.7 x 19.2 cm), Prints, Asher Brown Durand (American, Jefferson, New Jersey 1796–1886 Maplewood, New Jersey), After E. Westoby (British, born 1775, active 1806–1823

Mars, from The Seven Planets, 1533, Engraving, Sheet: 3 7/8 × 2 9/16 in. (9.8 × 6.5 cm), Prints, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

Landscape with Gypsy Camp, Engraving; second state, Sheet: 7 3/8 x 11 5/16 in. (18.8 x 28.7 cm), Prints, Aegidius Sadeler II (Netherlandish, Antwerp 1568–1629 Prague), After Jan Brueghel the Elder (Netherlandish, Brussels 1568–1625

L'Abbé de Saint Cyran, 17th century, Engraving, Sheet: 13 7/16 × 9 1/16 in. (34.1 × 23 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris), After Philippe de Champaigne (French, Brussels 1602–1674 Paris

Sainte Jeanne Frémiot de Chantal, after 1641, Engraving, sheet: 6 1/8 x 3 11/16 in. (15.6 x 9.4 cm), Prints, Claude Mellan (French, Abbeville 1598–1688 Paris

Portrait of Michelangelo, after 1564, Engraving, sheet: 10 3/16 x 7 11/16 in. (25.9 x 19.6 cm) borderline/sheet, Prints, Engraved by Giorgio Ghisi (Italian, Mantua ca. 1520–1582 Mantua), After painting by Marcello Venusti (Italian, Mazzo di

Plate 11: Apollo riding his chariot in a niche, facing right, from a series of mythological gods and goddesses, 1526, Engraving, Sheet: 8 5/16 × 4 5/16 in. (21.1 × 11 cm), Prints, Giovanni Jacopo Caraglio (Italian, Parma or Verona ca.

A Harlot's Progress, Plate 5, before April 1732, Etching and engraving; first state of three, sheet: 12 1/2 x 15 1/4 in. (31.7 x 38.8 cm), Prints, William Hogarth (British, London 1697–1764 London

Plate 37: view of the church of San Bartolomeo all'Isola on Tiber Island, Rome, flanked by bridges, from the series 'Ruins of the antiquity of Rome, Tivoli, Pozzuoli, and other places' (Vestigi della antichità di Roma, Tivoli, Pozzvolo et

Frontispiece: Gaigne Petit, from Le Cris de Paris (The Cries of Paris), plate 1, 18th century, Etching and engraving, Sheet: 11 13/16 x 7 15/16 in. (30 x 20.2 cm), Prints, Simon Francis Ravenet, the elder (French, 1706 or 1721–1774),

Speculum Romanae Magnificentiae: The Victory of Scipio, 16th century, Engraving; second state, plate: 8 9/16 x 10 in. (21.8 x 25.4 cm), Prints, Master of the Die (Italian, active Rome, ca. 1530–60), After (?) Raphael (Raffaello Sanzio or

Anne of Austria, 1660, Engraving; fourth state of six [?] (Petitjean & Wickert), Sheet: 14 9/16 × 8 1/16 in. (37 × 20.5 cm), Prints, Robert Nanteuil (French, Reims 1623–1678 Paris), After Pierre Mignard (French, Troyes 1612–1695 Paris

The Most Reverend Thomas Herring, Archbishop of Canterbury, 1750, Engraving, sheet: 16 5/8 x 11 7/16 in. (42.3 x 29 cm), Prints, After William Hogarth (British, London 1697–1764 London

Pendant Design with a Sphinx with the Body of a Fish Carrying a Man with an Oar, 1582, Engraving; second state of two (New Hollstein), Sheet: 6 7/8 × 5 1/16 in. (17.5 × 12.9 cm), Adriaen Collaert (Netherlandish, Antwerp ca. 1560–1618

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